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Versonic

Versonic twisted the melons of 90s Britpop with Come On (Up for Air)

Come On (Up for Air) by VERSONIC

The acclaimed indie rock act, Versonic, has twisted the melons of early 90s Britpop yet again with the anthemic angular melodicism in their bitter-sweet latest single, Come On (Up for Air).

With a bassline that will make any Pixies fans palpitate over and the opening lyric, “how does it feel to be suffocating on your own again”, which grabs your attention by the throat, it’s safe to say Stephen Connor’s award-winning writing skills are as sharp as ever.

How he managed to pull the euphoria from “cos no one’s gonna save you, no one’s looking for you and no one’s gonna make it alright (for you)” was nothing short of genius. The painfully honest yet lyrically liberating nature of Come On is just one of the reasons to delve into the artful reinvention of the 90s Britpop wheel.

Come On (Up for Air) was officially released on February 17th. Hear it on Bandcamp.

Review by Amelia Vandergast

 

Versonic – Seen It All: An Indie Rock Anthem for the Ennui-Burdened

https://versonic1.bandcamp.com/track/seen-it-all

There was no forgetting Epsom, UK Alt-Indie artist Versonic after we heard their magnetic Indie Shoegaze track, A Second in Time in 2018. This time, they’re back with even more harmonic motion and sonorous lyrical depth with their single “Seen it All”.

Perceptibly, 2020 has had a profound effect on the already highly acclaimed award-winning songwriter Stephen Connor. If you’ve been fraught with ennui recently, it may just feel like the lyricism has been taken from your own unshockable mind which scarcely knows how to react to atrocity anymore.

Despite the resilient upbeat vitality of Seen It All, there’s no retracting the striking melancholy from the lyrics. But that’s not to say that you won’t find plenty of soul-soothing accordance in the driving, cavernous, radiant track which will definitely appeal to any fans of the Alt 90s sound.

Seen It All is available to stream and purchase via Bandcamp.

Review by Amelia Vandergast