Browsing Tag

UK Pop

Holly Wilks’ ‘Me (and all the versions I’ve never been)’ Holds a Mirror to the Inescapable

Never one to scratch at the surface of superficiality with her lyricism, Holly Wilks is building a legacy by piecing together the fragments of the human experience, allowing her fans to see the bigger picture. Her latest single, Me (and all the versions I’ve never been), may be ethereal, but its weightlessness doesn’t detract from its impact. The melancholy within the lyrics cascades through the dreamy ambient hues, nodding to contemporary pop trends before drifting beyond the mould.

With razor-sharp confessions that affirm just how much painful introspection was poured into the release, Wilks is guaranteed to ease coming-of-age pains. Any fans of Mitski and Lucy Dacus will instantly feel at home within the bitter-sweet vignette, which explores how our deepest longings aren’t for material possession, idealised romantic dynamics, or status—it’s being the best version of ourselves, with no idea how to get there.

“I’m smaller than I’m meant to be” is a lyric that will haunt me for the rest of time. Amid widescreen indie melodies and smoky, ageless vocals, raw obsessive thoughts oscillate through the release which occupies instrumental spaces other songwriters wouldn’t dare to fill. If you’re tired of songs that skim the surface, Wilks is waiting with a track that cuts deep.

Me is available to stream on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Jamie Beth Refuses to Falter in Her Indie Pop Earworm, ‘Don’t Change My Mind’

After lighting up the airwaves with her debut single, Streetlights, the indomitable force, Jamie Beth returned with Don’t Change My Mind—an indie-pop tour de force of a reminder that love still endures.

The nineteen-year-old Geordie singer has already made waves on BBC Introducing, Amazing Radio, Tyneside Radio, and Spark Sunderland, and with this latest single, she’s taking no prisoners as she storms the scene.

Rather than merely narrating the off-kilter euphoria of losing power through romantic obsession, the anthemic guitar feeds the frenzy into the rhythmic pulses, sweeping you up in a hazily impassioned reverie. Don’t Change My Mind pulls you under the current of its rhythmic momentum, wrapped in a sticky-sweet Sabrina Carpenter-esque aura that makes the single effortless to devour.

Jamie Beth’s ability to deliver quintessential pop panache pierced with her authentic energy and sincerity is on full display in her sophomore release, which splices indie rock instrumentation with dreamy bubblegum pop vocals. With this release, she’s ticked all the pop boxes and invented a few of her own along the way.

Stream Don’t Change My Mind from 10th February on all major platforms, including Spotify. 

Review by Amelia Vandergast

JANAYAH – Sober: From the Bottom of the Bottle to Pop Supremacy

Artistry and addiction have been hand in toxic hand since the dawn of the music industry, yet few artists have been so candid about their relationship with the bottom of the bottle as JANAYAH in her latest single, Sober.

By revealing the myriad of reasons behind her desire to numb herself in the days of her misspent youth in the pop hit through her signature high-octane soul harmonies, JANAYAH exposed how the substance is rarely the problem for those struggling with addiction while acting as a conduit of consolation for anyone struggling to come to terms with their own tendency to hit the self-destruct button.

The balance of 80s pop aesthetics and pinches of contemporary pop ensures Sober stands as a timeless power pop ballad amongst the throwaway pop tracks which litter the airwaves.

As one of the most affecting icons of pop, the London-based artist is well on her way to scaling the charts with her ability to project pitch-perfect emotion through her vocal melodies while wearing her heart on her harmonies.

Sober was officially released on November 15th; stream the single on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Jamie Beth shines in the fading light of intimacy in her latest single, Streetlights

Imagine the space on the sonic continuum where the commercial potential of Taylor Swift, the raw sting of First Aid Kit and the vivid vignettes of Phoebe Bridgers meet; that is exactly where you will find Jamie Beth in her latest single, Streetlights.

The aching timbre of her ethereal Angel Olsen-esque vocal lines effortlessly complements the simple yet all-consumingly affecting instrumental arrangement as the singer-songwriter paints a narrative of bitter-sweet affection. The melancholic delivery of the scenery leaves you living and breathing the dwindling vestiges of intimacy shared in the vulnerably candid track, which exhibits how fearless the Newcastle-born, Liverpool-based luminary is when it comes to wearing her heart on her sleeve.

With plaudits from BBC Introducing and Amazing Radio, Jamie Beth isn’t just making an impression on the airwaves; the 19-year-old is well on the way to making an everlasting impact.

Streetlights was officially released on November 5th; stream the single on Spotify now.

Review by Amelia Vandergast

Photo by James Grant

Garfield Mayor shredded inhibition with soul in his nu-disco pop hit, Foolish Feet

Hot on the blazing heels of his critically acclaimed single, Been Thinking, the British singer-songwriter Garfield Mayor, grooved the bar even higher with his lush self-produced summer anthem, Foolish Feet.

Knowing exactly how to command the mic with magnetic soul, Mayor ensures that being drawn into Foolish Feet hook, line and sinker is as obligatory as giving into the compulsive beat and surrendering to the melodies which reach the epitome of infectious fluidity.

Equally as sweet as the sonics which subvert the expectations of summer pop hits are the lyrics which tenderly implore the listener to throw away inhibition and self-consciousness. The lyric, “Who cares about cliches, let’s dance like the old days, we’re all the same species” exemplifies the essence of the single which advocates for living in the moment and casting aside self-preservation to make room for rhythm-led euphoria.

“I was the designated driver at a party. Get Lucky by Daft Punk started playing. I wanted to dance but it had been a while, and I was self-conscious… I went for it anyway, and I remembered how much I’d missed it. It reminded me what a valuable part of life dancing is.”

Coincidently, Foolish Feet is the perfect hit to get footloose with. The echoes of Nile Rodgers’ funked-up guitar and Daft Punk’s kinetic rhythms filtered through a vibe-driven nu-disco lens allow the release to hammer home the razor-sharp propensities of Mayor’s songwriting chops.

Foolish Feet hit the airwaves on August 9th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Bask in the euphoric rays of Ami Leigh’s 80s synth pop allegory of love, You Give Me Such a Feeling

Trying to predict Ami Leigh’s next move is as futile as mapping out a dreamscape; the County Durham-based singer, songwriter and multi-instrumentalist’s perpetually fluid sonic signature is always in flux. Her latest single, You Give Me Such a Feeling, captures the chameleonic songstress at her most unflinchingly amorous.

While her discography may already be an arsenal of hits that play with light and shade, with some tracks that linger in the darkness before locking into the warmth of heartfelt sentiment, You Give Me Such a Feeling swims in ethereal dream pop bliss, leaving you under no illusion of the sincerity of the release.

The Cure’s influence echoes in the opening guitar lines, before the lush with 80s synth-pop nostalgia melodies ebb and flow beneath Ami Leigh’s tender-to-the-heartstrings harmonies. As soon as you slip into the serene escapism of You Give Me Such a Feeling, it will be hard to know where your emotions end and Ami Leigh’s start.

Instead of relying on the British weather to bring sun-soaked serotonin, make this single a playlist staple and get your fill of iridescent euphoria.

You Give Me Such a Feeling was officially released on June 14; stream the single on Spotify and YouTube.

Review by Amelia Vandergast

Ella Eliza’s Life Without Me Is A Journey Through Heartbreak and Self-Discovery

London’s queen of queer pop Ella Eliza, exhibited the difference between a singer and a soulstress in her latest single, Life Without Me, which firmly puts her in the latter camp.

With spiritual motifs littered through the lush-with-transcendent-textures single that allows the brooding basslines to create a moody atmosphere for the indie jangle pop guitars and glassy synths to explore, Live Without Me breaks new evocative ground as Eliza exhibits her full vocal range from low sonorous reverberations that bring home the gravity of the vulnerable lyricism to the harmonic highs.

Life Without Me reaches the epitome of vulnerability as Eliza navigates the complex landscape of relationships in the context of self-discovery. By sonically visualising the precipice of potential romantic loss, the urgency in the lyrics which were penned in the aftermath of a breakup cuts deep.

Life Without Me will be available to stream on all major platforms from May 31; for the full experience, stream the official music video on YouTube, which was created in collaboration with the multi-award-winning LGBTQ+ filmmaker, Frankie Joe Gommon.

“After speaking with Frankie about making this video, I decided that I was ready to open up about my sexuality for the first time, and let my audience in on some of the most vulnerable parts of myself. I think there’s still a part of me that’s that 13-year-old girl, who’s scared of showing so much of themselves. I am a lot more comfortable with who I am now, but I think the video reflects my past – which is the current reality for a lot of queer people. My biggest hope is that this song and the video resonates with people who are still trapped in that place, and can inspire them to be their most authentic selves.”

Review by Amelia Vandergast

Awakening to Bella Gate: ‘Sleepwalking’ Melds Classic and Contemporary with Masterful Artistry

If you’re still sleeping on the breakthrough UK singer-songwriter, Bella Gate, her revolutionary approach to power balladry exhibited in her latest single, Sleepwalking, will prise your heart and soul open to her immensely affecting artistry.

The classic songwriting style is enough to slip you back into the 70s before the Florence and the Machine artful touches pull you right back to modernity as Bella Gate’s vocals channel the spirituality of Stevie Nicks and the deep resonant timbre of Adele, with all the emotive authenticity to boot.

While looking back on chapters of teenage love and self-discovery, most will shudder at the naivety; Bella Gate is viscerally living through the torment within Sleepwalking; vicariously join her as the pop-rock piano keys dance beneath her endlessly ascending vocal register as they spill the agony in a retrospective call for clarity.

With plenty more singles in the pipeline for 2024, the 23-year-old Edinburgh/London residing artist is more than worth a spot on your radar. If she’s esteemed enough to have her debut LP mastered at Abbey Road Studios by Geoff Pesche, she, and her talent in bringing a fresh and innovative vibe to the industry, is one to watch.

Sleepwalking was officially released on April 26th; stream the single on Spotify now.

Review by Amelia Vandergast

Meg Scane broke free from the shackles of throwaway culture in her folk pop single, Bottoms Up

Meg Scane’s latest single, Bottoms Up, is a striking testament to her unique ability to intertwine confessional candour with melodic ingenuity, ensuring that the rawness of heartache is as palatable as it is poignant. Wrapped in the artful echoes of chamber pop and infused with the intimacy of folk elements, Scane’s sound bears a thematic intensity reminiscent of Florence and the Machine, yet it thrives on a more personal scale.

This track breaks free from the shackles of today’s throwaway culture, challenging the transient nature of contemporary hits and relationships with its enduring message about the sweetness of lasting love. The fervent declaration that deep, abiding affections still hold a revered place in both music and life couldn’t be more convincing.

Scane’s journey from her debut album, Blind Trial, at just sixteen to her performances from The Midlands to Puglia, Italy, paints her as a dedicated artist fuelled by passion—a passion that also sustains her through the arduous hours spent mucking out horses to fund her studio time. Between her determination and her talent, she has everything it takes to become one of the most seminal indie pop artists of her generation.

Better Sides of You was officially released on March 8th; stream the single on Spotify now.

Review by Amelia Vandergast

Chantelle made a sensuously stoic debut with her RnB Pop hit, It Is What It Is

Chantelle’s sensually stoic debut single ‘It Is What It Is‘ introduces us to what might just be the next breakthrough artist in RnB pop. Her uniquely commanding ability to draw listeners into her lyrical world is evident in this first release. As the melody unfolds, Chantelle ensures that we are not just spectators but active participants in her sonic sojourn by leaving us tantalised by the warm glow of her soulful vocal lines.

‘It Is What It Is’ acts as the antithesis of your average love song, engaging listeners with its assertive acceptance of a promising relationship turned disappointing. The influence of 90s RnB shines through in the playfully exuberant touches to her vocal performance; if you couldn’t get enough of TLC’s No Scrubs, you’ll find this release equally as hard to quit.

This Nigerian, UK-born and based artist brings a rich background in music, performance, and production from the University of Kent to the industry, combined with hands-on experience in photography, videography, and content creation. Her multifaceted expertise enriches her music, making each song not just a track but a comprehensive artistic expression.

With ‘It Is What It Is’, Chantelle not only sets the stage for her burgeoning career but also promises that wherever she takes us next, it will be worth the journey.

It Is What It Is was officially released on April 5th; stream the single on Spotify.

Review by Amelia Vandergast