Browsing Tag

UK Folk

UK Folk singer-songwriter SOPE rendered ‘Real Love’ into his debut EP, Frame 1

SOPE

SOPE has given us a teaser of what’s to come on his debut EP, which is set to arrive in early 2023. Just as it feels like there’s another world between your waking world and sleep, the standout single, Real Love, exists as a semi-lucid meditation that lets down every conceivable defence. Standing naked, without the façade of heavy-handed production, through the candour of lo-fi saturated tape deck delay, SOPE wears his heart on his sleeves and gives the airwaves his shirt.

To juxtapose the raw wounds bleeding through the track, which allow you to imagine what Bon Iver would sound like if he took a few production tips from Elliott Smith, there’s an artful stringed folk crescendo, allowing the emotion to arrive without the posturing of grandeur. The result is an ache-soaked artefact of vulnerability, pinned to a spectrally grounded soundscape

The UK-based indie-folk project formed around a sound that drifts between organic warmth and electronic subtlety. Written and recorded in Manchester, SOPE’s debut EP Frame 1 captures the cinematic nature of memory; Real Love forms its most emotionally stark frame. Lyrically rooted in love, rebirth, and the quiet persistence of hope, it’s a song that leaves the listener more open than before. Fans of Sufjan Stevens, Nick Mulvey, or Mk.gee will recognise that same tender balance between introspection and expanse.

Follow SOPE on Instagram to stay up to date with news of his release.


Review by Amelia Vandergast

Moshe Halperin Invoked Love and Longing with Pastel Lullaby ‘Resplendence’ – A Dream-Folk Ballad Rooted in the Sublime

Moshe Halperin

With Resplendence, Moshe Halperin invites listeners to leave lucidity by the wayside and drift with the dreamy chords into an accordant haze of kaleidoscopic bliss. The melodies almost leave you subservient to the artfully soporific vocals, as you drink in the pastel-tinged imagery that tenderly reflects how nature is succinctly interwoven with the fabric of our existence, whether we want to honour it or not.

This quiescent lullaby is the perfect way to reconnect with the world and yourself at the same time. It’s a celebration of beauty within itself, not within the shallowness of aesthetics, but in how longing, the prospect of home, and the natural phenomena entwine.

Written between the rural hush of Somerset and the jungled stillness of Atlantida, Colombia, and mixed by GRAMMY-winner Andrew Tulloch, the track marks a pivotal moment in Halperin’s evolution as a songwriter. With fingerpicked guitars and reverb-rich atmospheres, Moshe Halperin distils emotional memory into resonance, folding sacred folk traditions into contemporary dream-folk. Signed to Warner Music Publishing and set for a 2025 European festival tour, he continues to channel a quiet, devotional presence with each new release.

Resplendence is now available on all major streaming platforms. Find your preferred way to listen via the artist’s website.

Review by Amelia Vandergast

Sun-Pinned Leaves Lit the Fuse Between Capital and Connection in the Serotonin-Stoked Americana Cut ‘Not For Love Nor Money’

Sun-Pinned Leaves poured decades of soul, grit, and sonic evolution into their latest single, ‘Not For Love Nor Money’, a cut that proves roots music doesn’t need to sit still to respect tradition.

Honkytonk is barely recognisable under their lens—still reverent, still raw—but here, it’s reframed by angular indie guitar lines and delay-soaked textures which unshackle it from the saloons of yesteryear and plug it into a pulse that insists on forward motion. It’s frenetic but never chaotic; tight enough to keep you grounded while the vocal harmonies soar high enough to crack open the clouds and let the euphoria flood in.

As the Americana aesthetic drifts you back in time, the soul of the single delivers the transcendence of pure euphoria; it’s the perfect formula, one which permits your rhythmic pulses to find freedom within the progressions as the lyrics tempt you into adopting a better perception of the world and compel you to find a more grounded place within it.

Christopher Brown and Neil Faulkner—now reconnected after forming their first band in 1975—aren’t just making up for lost time. Since 2019, they’ve delivered seven albums, with their eighth on the horizon. With recent songwriting accolades spanning Nashville to Australia and appearances at venues like Wildwing Café Atlanta and Dublin Castle Camden, their commitment cuts deeper than nostalgia.

‘Not For Love Nor Money’ is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Jack Judd – Birdie: A Folk Debut from an Artist With a Heart Which Beats Pure Poetry

Jack Judd

Through his natural fluency on an acoustic fretboard and a voice that reaches deep within as it pours harmonies into your soul, Jack Judd is so much more than another UK folk singer-songwriter on the scene. He’s a diehard romantic in the form of a virtuoso troubadour. Yet, even with his expansive arsenal of discernible songwriting talent, it’s the sincerity with which he carries his lyricism. Striking you as an artist who can see beauty concealed in most people’s eyes, there’s a sense that Judd is far more attuned to the world than your average passenger. Through his music, he invites you to see the colour and live within the catharsis of living with a heart which beats poetry.

‘Birdie’, the Devon-based artist’s official debut single, lands as a cinematic and emotionally articulate anthem for resilience, written during a time of quiet self-reflection and inspired by watching someone close navigate towering internal mountains. Using nature as metaphor, Judd threads an evocative narrative through twinkling fingerpicked melodies, grounded percussion, and soaring layered vocals that never veer into indulgence.

After a decade of crafting songs in solitude, Jack Judd found his moment to open the door to listeners seeking lyrical shelter and emotional aliveness. ‘Birdie’ swells with lived-in emotion and lands with the quiet impact of someone who doesn’t need to shout to be heard.

‘Birdie’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

The Gillies Shattered Stirred Scarred Souls with Americana Folk Reverence in ‘It Hit Me Like a Bullet’

It Hit Me Like A Bullet by The Gillies

There’s no escaping the arcane aura of It Hit Me Like a Bullet, the latest release from the award-winning contemporary Americana folk duo, The Gillies. Through shimmering organ tones that swell around the arrangement and seraphically panoramic vocals, the single welcomes Americana Folk home on London’s streets. The Gillies – Susan Turner and Mark Evans – have long been revered for weaving steel-strung and tenor guitars into haunting odes to love, loss, and tangled relationships. True to their reputation for creating ‘music for your graveside’, they set raw emotions free without straying into needless theatrics.

It Hit Me Like a Bullet is salvation in sound, an invitation to tend psychological wounds no matter how raw. The imagery the cinematically intimate arrangement conjures transcends the more than a thousand words phenomenon, unchaining the soul, giving it permission to feel as free as the breezy melodies within the track.

If you know how it feels to find your feet after life broadsides you with perpetually unravelling perplexity, find your peace in the authentic euphony of It Hit Me Like a Bullet. The Gillies, whose previous works like ‘6am’ earned accolades such as Best Single in the GSMC Music Awards 2023 and selections for Fatea Magazine’s showcase sessions, continue to affirm why their understated melodies and timeless themes resonate on both local and international stages.

It Hit Me Like a Bullet is now available to stream on all major platforms, including Bandcamp. 

Review by Amelia Vandergast

Chris Bannister unleashed the black dog of depression in his latest Americana folk vignette, William, You Lied

The roots-reverent folk singer-songwriter, Chris Bannister, broke the radio silence which followed the successful release of his 2020 album, Truth, with his latest lyrically panoramic single, William, You Lied.

Taken from the UK-residing professional musician’s upcoming sophomore album, The Calling Course, which is due for release in August, William, You Lied is a sonically stripped, tonally paralysing, emotionally charged vignette of how heavy depression weighs on the soul and how it clouds vision with confusion and loss of direction.

The single, which follows the release of seven critically acclaimed LPs, aches with authenticity as Chris Bannister takes influence from folk greats in the vein of Cohen, Nick Drake, and Steve Earl while using his distinctive Americana-tinged acoustic folk signature to scribe a striking account of the all-consuming afflictions imposed by a melancholy mind.

William, You Lied was officially released on July 26th; stream the single on Spotify and discover more about Chris Bannister via his official website.

Review by Amelia Vandergast

Interview with Judas Goat and the Bellwether: Unveiling the Inspirations Behind “There is Always a Dawn

There Is Always a Dawn by Judas Goat & the Bellwether

In this exclusive interview, Judas Goat and the Bellwether delve into the creative journey behind their latest single, “There is Always a Dawn.” Touching on themes such as climate change, the interplay between modern life and nature, and the mystical elements in their music, the duo offers a compelling narrative. The duo discuss their philosophical and artistic inspirations, the importance of reconnecting with nature, and their unique creative process. This conversation promises a deep dive into the minds behind the music and the messages they strive to convey.

Judas Goat and the Bellwether, your latest single, There is Always a Dawn, is a sublime slice of folk poetry, which strikes a deep chord with its metaphorical address of climate change, what inspired you to use a parable as a medium for this important message?

I (Sara) am a philosophical romantic who has been seeking truth and wisdom ever since my sister died in a car accident in 1989 and my quest has led me to a metaphorical oak door where I was guided to knock and seek out the buried pearls of wisdom within our Christian heritage, and thus wondered if I could write something which might have a bit of cultural weight to save “the green and pleasant lands” as did Blake’s poem “Jerusalem “ when it was put to music particularly!

What was it about William Blake’s Jerusalem poem that lit a creative spark? 

The term “dark satanic mills”, which revealed his prodigious insight into the perils of replacing handcrafts with machines and reduced one’s purpose to being cogs in a machine day in and day out, removed from innocence and creative freedom. 

How did it feel to win a recording session at The Bert Jansch Studios in Frome after this single was voted a runner-up in the Climates Songwriting Competition? 

Great!  It really helped us raise our game, recording in a world-class studio.

In your opinion, what is the importance of bridging the gap between the modernised and digitised human experience and the natural world? 

Incredibly important.  If we’re online all the time it wipes us out and we need to get out into nature for at least half an hour a day apparently, otherwise we lose connection with our soul and get depressed; and all sorts of evils flourish out of our disconnection including addictions, mental health issues and self-destruction!

How did you integrate the lyrical content and musical elements in There is Always a Dawn to enhance its spiritual and mystical appeal?

We didn’t have to think about it too much as the art flows rather effortlessly between us luckily.  Pete composes a riff and sends it over to me and then I find the words, and then we work out the shape of the song together and add layers as we go along.

What’s the story behind your moniker, and how does it reflect your artistic identity? 

When we first met we somehow got on to the dark subject of the Judas Goat and how it’s a real thing!  It’s a trained goat which befriends sheep and leads them to their slaughter in abattoirs.  The goat is then sometimes rewarded with tobacco so it has addiction issues too!  Pete thought it would be a good band name and added the Bellwether (lead sheep).

I thought about it for a bit and then realised it could be a really good platform for facing some of the darker, sadder realities of life which Pete’s moody and ominous chord changes evoke (a bit like Pink Floyd), and then we could shine some light and hope on things, as with this song. 

As a duo, how does your creative synergy come to fruition? 

As I mentioned earlier, we have a magical connection (most of the time!) – quite peaceful, graceful and poetic; if something has legs it flows easily luckily and we don’t have to think about things too much.

What’s next for Judas Goat and the Bellwether?

We have five songs essentially ready to go and we’re working with Ben Scott, a producer at Axe and Trap Studios in Wells, Somerset to get them recorded.  We’ve also recruited Jim Scriven on bass and hope to find a drummer soon.

Then when we’re ready to go we hope to get out to play as much as we can.  I’d particularly like to play in America as I’m foundationally influenced by the 60s counter-culture and Canada as they have a revolutionary micronutrient supplement for mental health issues which I’d like to research whilst I’m there, and Berlin is Pete’s spiritual home…

Stream Judas Goat and the Bellwether on Bandcamp and follow their journey on Facebook.

Interview by Amelia Vandergast

Jack Cade – The Glitter Around Your Eyes: Achingly Affecting Americana

Bewilderland by Jack Cade and the Everyday Sinners

If you always turn to Cohen, Waits and Nick Cave for sonic solace, redirect your quest for sanctity toward Jack Cade’s folk-meets-alt-country LP, Bewilderland.

His gruff baritone notes against Helen Muggeridge’s glassy-with-soul harmonies create a heart-wrenchingly sentimental dynamic in the standout single, The Glitter Around Your Eyes. Like all of the most affecting love songs, the alchemic feat of Americana lyrically locks into the minute details of affection to elucidate how deep in the veins the affection runs.

Around the bluesy guitar bends, honkytonk piano keys that give the track a touch of the 70s and the roots-wrapped tones as a courtesy of the slide guitar, the two vocalists portray a hesitant yet fervent testament of passion which reaches the epitome of compelling. Slow dance to it, cry your heart out to it as you mourn lost loves, or make it a playlist staple; whatever you do, don’t pass up on this timelessly touching serenade from the UK-hailing conduit of candour.

The Glitter Around Your Eyes was officially released on January 26th; stream the single and Jack Cade’s seminal LP, Bewilderland, on Bandcamp.

Review by Amelia Vandergast

Dreams and reality blur in Baz Edmondson’s artfully alternative folk single, The Shepherd’s Lullaby

Baz Edmondson’s sophomore release, ‘The Shepherd’s Lullaby‘, is an ornately tender foray into a euphonically artful world where dreams and reality blur into a harmonious symphony.

This single, beating in the heart of Bournemouth’s folk scene, is a testament to Edmondson’s stripes as a singer, songwriter, and storyteller. It is an intricate blend of traditional folk and art rock, showcasing Edmondson’s unique ability to take feelings and transform them into musical experiences that resound like no other.

The gentle piano keys, placed at the forefront around the orchestral strings and other folk synthetics amplify the sentiments in the sleep-dusted serenade which sees the instrumentals ebb and flow into crescendo, bringing a sense of grandeur while never overpowering the release.

Edmondson’s vocal delivery is reminiscent of Thom Yorke’s fervour, imbuing the song with a raw, emotional depth that is both captivating and haunting. The navigation through the highs and lows of the melody is a journey you will want to take with Baz Edmondson time after time.

For those seeking to rediscover the feeling of their soul being whole, Baz Edmondson’s intricately artful folk world is a journey worth embarking on.

The Shepherd’s Lullaby was officially released on January 31; stream the single on Spotify.

Review by Amelia Vandergast

River Knight extended empathy for politically derived malady in their orchestral folk-rock score, Green and Gold

River Knight’s latest single, Green and Gold, is a socialist orchestral folk-rock masterpiece; with a reprise of “the system is broken and there’s no way back” as a lyrical opening, there’s no deliberation before immersing you into the infectiously empowering assault on late-stage capitalism.

The modern iteration of everyman’s blues keeps an upbeat tempo as the everyday atrocities unravel over the zeal in the instrumental arrangement to create an emotionally well-rounded score that unifies the disenfranchised while vindicating the anger that is breeding within the social tapestry.

With an ear for a compelling melody, an empathy for politically derived malady, and the technical prowess to construct a soul-sating earworm you’ll be humming for days, the UK duo who banded together in 2017 after Darren Knight’s wife passed away have become as essential as the Manic Street Preachers were in the 90s.

Green and Gold was officially released on November 24; stream it on Spotify.

Review by Amelia Vandergast