Browsing Tag

Tribal Folk

Erin Inglish’s I Will Not Obey: A Banjo-Laced Battle Cry in a World Built to Break the Willing

I Will Not Obey by Erin Inglish

Erin Inglish pulled no poetic punches in I Will Not Obey—a protest single that rules out compliance and refuses to be complicit through silence. The honkytonk instrumentation and her hauntingly ethereal folk vocals take protest music right back to its roots while injecting swathes of feminine fire into the production. When the single reaches its chorus, an almost hypnotic tribal energy takes over the track, awakening you to how you’ve slept until you’ve woken up in this fever dream of a tyrannical system where there’s no justice or peace, unless you can pay the price of privilege.

Her razor-sharp songwriting, composed around the words of Utah Phillips, allowed this single to spring to life as far more than the sum of all its parts. It’s almost enough to inspire you to join a Wicker Man-style cult and collectively take down the government.

With arrangement support from Adam Nash and Sean Alexander Collins, and banjo lines that bleed defiance into the architecture of the single, Inglish channels her craft into a folk-rooted statement piece that is far from sentimental nostalgia. Her artistry, sharpened across three solo albums, five collaborative records, and a globe-spanning performance history, culminates in this moment of rebellion wrapped in timeless musicality.

As a banjo-wielding songwriter and activist based on California’s Central Coast, Inglish has always pushed her voice beyond performance—I Will Not Obey ensures that her voice echoes where it’s needed most.

I Will Not Obey is now available to stream on all major platforms, including Bandcamp.

Review by Amelia Vandergast.

Ariana Saraha & Flight Behavior showed us the true tribal roots of folk in Grandmother’s Tears

Here to remind us of what folk music was before it was commercialised and dominated by The Lumineers is the world music album, From the Wild, from Ariana Saraha & Flight Behavior.

The opening single, Grandmother’s Tears, takes contemporary frustrative energy and stretches it back a millennia through a soundscape inspired by infinitely more than the grand sum of human construction and destruction. With each element of nature a potential muse for Ariana Saraha & Flight Behavior, it’s almost surreal that they’re of this era. After listening to the lyric “Grandmother’s tears, they have fallen. Four thousand years”, which will haunt my contemplation for quite some time, I scarcely seem rooted in 2022 myself.

Ariana Saraha & Flight Behavior’s album, From the Wild, is now available to stream on Spotify.

Review by Amelia Vandergast

Explore the Folklore in Garefowl’s single ‘Hion Daila Horo Ri Ho Hion Daila La’

Folklore organically flows through ‘Hion Daila Horo Ri Ho Hion Daila La’, just one of the singles found on the Alt Folk artist Garefowl’s alchemic TARDIS of an album ‘Cliffs’.

The entrancingly tribalistic record consistently subverts your expectations by seamlessly shunting you from eerie tones into euphoria-infusing traditional St Kildan melodies.

Even though each of the artists contributing to the album worked remotely, the instrumental arrangement transcends being ‘tight’. The mesmerism which breathes between the brooding notes is enough to tear you away from modernity and allow you to wonder what it would be like to live a subsistence existence away from the fray and 21st distraction,

After receiving high praise from the likes of Cerys Matthews (BBC Radio 6), Mark Radcliffe (BBC Radio 2) and The National, it is impossible to see how Garefowl won’t become a major part of the musical landscape in 2021 and beyond.

You can check out Garefowl’s single via Spotify or YouTube.

Review by Amelia Vandergast