Any fans of The Cure won’t want to hang around with the latest release “Dreamed Bliss” by up and coming Alt Rock artist Pictura. They may be relatively fresh from their inception, but they’ve already achieved what many artists spend decades failing to do by coming up with an alluringly gripping sound that would be possible to find elsewhere.
Dreamed Bliss sweeps across the tonal palette, mixing light energetic effervescence with sludgy low tones to keep you grounded as you listen to the visceral vocals bleeding into the mix.
The complexity in the deftly orchestrated accordance practically makes Dreamed Bliss a dreamscape. Contemporary Shoegaze with kicks of Post-Punk doesn’t come much more mesmeric than this. They will have plenty more to drop throughout 2020. Get them on your radar.
You can check out the official video to Dreamed Bliss which dropped on August 25th for yourselves via YouTube.
“Better This Way” is the mesmerising debut single from Indie artist All in the Nothing. Hit play and prepare for a flood of synthy 80s nostalgia complete with a smorgasbord of contemporary appeal.
You’ll find nuances of The Cure, Bowie and The Midnight, but in its essence, Better This Way is an organically expressive single which is all too easy to slip into and appreciate the ingenuity alongside the visceral undiluted romanticism. It’s laden with lovelorn melancholy, but it won’t fail to hit the evocative spot and leave your soul suitably appeased.
We’re already stoked to hear what’s in the pipeline from All in the Nothing, We’d suggest you get them on your radar too.
Fans of 80s Post Punk will definitely want to greet the chilling atmospheric synths and analogue guitars featured in Mercury Teardrop’s debut album Apparitions of a Dying Moon.
While each of the soundscapes is a finely orchestrated intricately textured feat of escapism, the best introduction to Mercury Teardrop’s sound is undoubtedly the fourth single, “Everlight”.
With tones which tear through you and the absorbingly unpredictable progressions in the extended-length track, listening to Everlight is a full-body experience. After hearing the album at home, I now have a visceral need for Mercury Teardrops’ walls of deftly crafted noise to hit me live.
Mercury didn’t just pay homage to bands such as Joy Division, the Cure, Depeche Mode and Talk Talk with their debut. He reinvented perpetually cutting energy of Post Punk whilst also weaving their love for Ambient Electronica into the sonically blissful mix.
All songs written, performed and produced by Bradley Roger Baum.
You can stream Everlight along with the rest of Mercury Teardrop’s debut album which was released on June 6th via Spotify.
Connect with the artist and stay up to date with future releases via Instagram.
London-based Pop Singer/Songwriter RYA has recently released her new single ‘’Impasse.’’ With a poignant meaning and a rather modulated sound.
Impasse pulls you in, with it’s calming yet ambiguous melody, RYA has an incredible vocal range, her voice is very soothing and easy to listen too, it’s a perfect pace and the right amount of pitch is added. It’s a track that gives Pop this whole new modernised sound as we enter into a new era of more developed sound for specific musical genres and this definitely stands out.
It’s very much expressing the feeling of being stuck in your own head, feeling like you are not doing enough and going through a traumatic break up, it is filled with roar emotion and empathy.
Rya sure knows how to create a track that has these honest lyrics, ones that really express how she feels and not only that but the melody that goes along with it is that similar up-beat rhythm but then you can hear a more choir-like sound as a trumpet cuts through the vocals.
Impasse is a song that you can’t help but have on repeat, it’s one you need to add to your playlist. After listening to this, we can’t wait to see what the future holds for RYA.
Be sure to check out RYA’s new single on SoundCloud now!
You never know what you’re going to get from a Prog Rock band. On Ithenfal’s wing certainly delivered the unexpected with their latest track Key to Then which takes you through a journey of time and leaves you questioning the year. The track is a 7-minute marathon curtesy of a nostalgically talented collective of artists from the US influenced by artists such as Opeth, Radiohead, Pink Floyd and Led Zeppelin. They must be the first band in history to infuse all of those sounds together to create a cocktail of archaic madness.
It wouldn’t sound out of place on a Game of Thrones soundtrack even though the vocals did remind me of Robert Smith from The Cure, well, if Robert Smith did Pantomime. Typical of any Prog Rock band, there’s heavy emphasis on the instrumentals which flow with ease, yet I can’t quite help but think the track is disjointed by the slightly sub-par vocals which just don’t match the veracity of the sound that the band puts out.
The bands conceptual album Key to Then was brought out earlier this December, so jump on the hype and check out Key to Then via Soundcloud using the link below:
The Hoy Polloy are a Miami based quartet of twee audio revellers who use an inexplicable variation of elements to create the perfect cacophony of melodic sound with a relentlessly upbeat sound that’s intoxicatingly fresh.
They’ve created the perfect storm in their track ‘Hats Off’ with their raucous arrangements spinning chaotically around them as they infuse a plethora of sound into their mix; using elements of Psychedelic, Progressive, Alternative and Indie sounds with a Pop Rock & Roll twist! They tether the sound together to create sound waves that are succinct & stylish.
Hats Off is just one of the enigmatic tracks featured in The Hoy Polloy’s 5th studio album ‘Bye Bye Bogata’, all of the tracks on the album were created in the aftermath of the tour with their first album ‘On the Way to Rome’.
The stand out track on the album oozes soulful old school beats with puritanical vocals on top. The vocalist has undeniable talent which his show cased through his ability to inject euphoria into the listener in the same style as some of my favourite vocalists. The band is the collective work of all of the talented musicians, they each bring their own unique style to create a sound that could be compared to Fidlar, Mercury Rev & Modest Mouse.
Check out their spectacular track using the SoundCloud link below:
I recently attended a De La Sol set at a festival in Queens. I enjoyed an interlude in which a voice from the trio said that sometimes you just need to let the beat play. It’s always nice to hear how artists feel about the things they make and how they make them. It’s also nice to see how artists whose styles vary greatly can agree on certain sentiments. Such is the case with Crow Quilled Confessions. Their track A Human Being on the Planet Earth perfectly demonstrates a group who know how to let the beat play when it needs to.
For the first half of the song, there are several elements introduced that seem to orbit around the catchy, strongly-mixed beat. You might miss some details along the way if you aren’t careful, but one thing is for certain, you will feel that beat. It doesn’t seem like a drum part that needs much elaboration. It may not have much to say. This doesn’t stop Crow Quilled Confessions from letting it lead the charge into the second half, which quickly but organically reinvents its status quo with fuzzy guitars and a bass that triumphantly makes its presence known.
From here, the track becomes a ride. Suddenly the beat has taken a backseat for the exploration of all the other themes that had previously been allowing it to lead. For such a dramatic change in priority to occur while holding onto the mood and tone of the song is a major challenge. Even as the song fades out in its last 30 seconds, you can’t help but feel the beat play on in your mind. This is a song that leaves the speakers and really does affect your mind for moments at a time. It’s not overly complicated, but it’s certainly a fascinating track.