Now that we’re safely in the bitter grips of Autumn its time to reminisce about the summers gone by. Luckily Singer Songwriter Paul Vinson has recently released his latest single “Last Summer” to get us through the equinox blues.
At the age of 19 years old the vocalist and guitarist has already got a staggering amount of soul and maturity in his vocals and lyrics thanks to his childhood spent as a gospel singer which helped him develop his unflinchingly enigmatic vocal talent. Yet, Paul saw the light and put his faith into his music career, with his accessibly warm and expressive style it’s safe to say he made the right choice in opening his sound up to a non-pious audience.
Fans of John Mayer, 21 Pilots, James Bay and Allen Stone will definitely appreciate the viscerally alive soundscape he’s cooked up with fellow bandmates. With the jazz style piano’s stabbing notes and bluesy guitar and bass rhythm guiding you through the track, it’s hard not to get caught up within the momentum of the sentimentally sweet single.
You can check out Paul Vinson’s latest single Last Summer for yourself by heading over to Spotify now.
Through the impossibly competitive music scene of Portland, Oregon emerges Salvatore Manalo with his debut track Rain.
It’s a mixed bag of genres, but when you get to the bridge, putting a label on his majestic sound quickly floats to the back of your mind as you find yourself fully attuned to his sound. With riffs more fitting in Rock tracks this R&B Funk Pop enigma allows the track to flow with sweet unpredictability.
The entire ensemble is flawless, from the vocals to the instrumentals, the lyrics to the Jazz vibes that taint the track with poignantly upbeat symphonies. I’m really not sure how Manalo remains on the underground with such an array of talent. There’s a true narrative to his emotions which he explores through his command of rhythm.
Sadly, Rain falls under the category of the type of track that you’re likely to hear whilst dining at an upmarket restaurant or wandering round the supermarket. It’s not a sound that you’d hear in trendy cocktail bars or being spoken about fondly by teenagers. Never the less, if you’re looking for a sound to dispel the winter blues look no further! (Despite what your friends may think)
Based in Manhattan Beach, CA, The HiGrounds are a band with a very particular sound that is essentially rock and roll with an evident contemporary flair. These guys share a passion for this type of music in particular, and this is shown in their music which clearly has a vintage character with a modern touch that only true dedicated musicians are able to create. With funky guitar progressions, punctuated by percussive piano and Hammond organ sounds backed by a solid rhythm section, their music is just one of a kind.
“it’s Music,” which is taken right off of their latest album “Wouldn’t Hurt To Show,” is a true reflection of what sounds and stylistic choices these guys are passionate about. The instrumental arrangement and texture do indeed provide that special vintage feel, particularly through the use of the organ, but this is not all the song has to offer. It has no shortage of catchy choruses and it also presents a feel-good sound suitable for pubs and bars, providing an authentic warm atmosphere. “It’s Music” is not only a song which is enjoyable to listen to. It is well crafted and performed. So if you like what you hear, make sure to check out the rest of the album too, and you will not be disappointed !
Of course there is a place in music for new ideas, finding new territory to explore and new boundaries to push but sometimes the familiarity of the musical comfort zone is all that is needed. And whilst It’s My Day might easily be dismissed as just another slice of indie-pop, that is to over look the fact that it is a brilliant slice of indie-pop. If you don’t want to explore the mainly niche and non-commercial back waters of as an intrepid musical explorer then why not juggle familiar musical building blocks and just simply use them to create something more impressive, slicker and infectious than those around you.
And that is exactly what Andrej does so well here. Pop sensibilities are tempered by the song having its foot on a rock throttle, able to power up or decelerate at will, commercially astute writing is driven by pulsing, funky bass lines and wonderful chorus dynamics make this the sure fire sing-along track of the summer.
Pop gets a bad name, has been tarred and feathered by one too many production line, dance routine driven, auto-tuned diva. But this is pop and this is great. This is what pop should be and hopefully can be again, a perfect example of why be “alternative to” when you can simply be “better than…..”
Camille Peruto’s new album ‘From the Sea To The Sky’ is now available to download. So why has the sound caught our attention? The Pennsylvanian based artist is a little different from the acoustic singer songwriter vibes that you’re used to. The production behind the track is monumental. The stand out track on Camille’s debut album Row Ghost has all the sweet soul of hit pop acts but she knows better than to follow in their lead when it comes to instrumentals which are teaming with reverb and heavy guitar riffs over mid-tempo bass riddled beats.
Camille’s sound could almost be described as shoe gazer/indie, with the same melancholic flow of the guitar as bands such as My Bloody Valentine & Sonic Youth, but her voice is one of pure angelic poignance. The layers of her diverse variation of vocals echo over the track to convey the raw emotion behind the lyrics which paint a melancholic picture with upbeat styling.
There’s a delectably haunting element hidden within the sound of this track which makes it the ultimate hit for anyone that’s looking for a signature sound from an empowering female voice.
Check out Row Ghost and the rest of Camille’s album ‘From the Sea to the Sky’ on the link below:
Fox Harbour are a Nashville based band fronted by two voices which complement each other perfectly in a blend of vocal harmonies, strong driving melodies and an authentic country sound with pop influences. Nathan Cogan and Claire Cooper have not only joined forces to make this project come to life but they have also crafted their very own distinguishable sound and artistic vision along the way. “Some Kind Of Magic” is in fact their latest release which presents a delicate yet strong balance of harmonies and tuneful melodies as well as a heart-warming spirit in the whole arrangement and performance quality.
The duet aspect in “Some Kind Of Magic” is indeed what brings it to life and makes it so impactful and infectious. It is primarily a dance of conversation between the two which culminates in a unifying chorus that truly brings out their vocal compatibility and highlights their ability to create one homogeneous sound. Apart from this, the gentle guitars and strings instrumentation also makes room for the tuneful melodies and vocal tones to shine bright. The two vocal tones in combination with this instrumental arrangement in fact create a very particular balance and character which is truly difficult to find. A characteristic of sound which only true artists with careful attention to detail can obtain.
What you really think Accidental Allies are all about depends upon which thread you pick at first. Start one end and they are a synth-pop act doing a spot of avant gardening, start somewhere else and they are an acoustic act building electronic platforms underneath deft, classical guitar lines. Others might think of them more as a dance band heading off into more progressive territory, or a soul band having embraced a futuristic vision of what the genre might become.
The reality is that they are all of those things or none of them, they might be a wide-ranging eclectic mix or a very singular roadmap towards their own musical destination. Not that it really matters, it is only when you try to write things down, to turn music into words that you come up against the limitations of language. Until they invent the right words to properly describe what is going on here you will just have to access their world via your ears and imagination. It is a world of interesting musical choices, mercurial stylistic blends, genre hopping and genre splicing, why would you try to capture that in word form?
Benjamin Marshall is a promising singer songwriter with some cool interesting ideas and a fresh sound that intelligently blends folk, pop and alternative into one distinguishable sound. His song “Our Own Key,” taken straight out of his new album “The Final Giraffe,” showcases his unique style and invites us all to sing along in a message of unity, truly using music as the best tool to bring people together. With bright guitar and organ sounds, a steady beat that carries you along and catchy melodies with lyrics we can relate to, this song definitely has a lot to offer.
Upon first listening to this song, especially as the bridge unfolds, it is very difficult not to imagine the music being played live in front of a crowd that is singing and clapping along joyfully. It is just one of those tracks that carries you along, no matter who or where you are. It has the power to unify people while also showcasing a great ability to craft a good immersive track. Apart from this, the performance quality in the recording also makes it even more obvious that this music should not only be played on the radio but also enjoyed live in concert with the Benjamin Marshall’s energy and that of the rest of the crowd.
Be courageous. Be honest. Be compassionate. Be Talented. Most importantly be yourself. This has to be Miles Blue Spruce’s mantra, his passion for music exudes in every aspect of his journey. In another era; he would have been an endearing but soulful – rock front man at least twenty years his senior. Lucky for us, he wasn’t and we can enjoy the powerhouse singer, amazing showman, and incredible musician who’s also a pretty amazing audio engineer.
I recently had the pleasure of listening to an original piece entitled, “Flame,” in the musical realm Miles may have succeeded where others have failed, in authenticity. “Flame,” is a beautifully written contemporary rock that brings to mind passion, love and unrelenting passion. The song opens with some exceptional guitar riffs, dynamic tones, and it even utilizes some classic rock chords, patterns, and traditional tempos. The exceptional vocal melodies provide accessible and dynamic tones as it builds at full length in intensity and energy. There’s a slight stream of consciousness in the lyrical delivery which only enhances the classic feel.
Miles’ voice, although light and crisp provides such an intense trance that seems to seamlessly pull you in with just the right amount of riffs and adlibs. Production and arrangement wise this song although similar in quality is slightly above what you may be used to with indie artist. It’s crisp, very clear, there’s no oversaturation of reverb, there’s no unnecessary enhancements to the vocal patterns only pure artistry. The song keeps a basic arrangement through several distinct sections with only some fine adjustments to the bass line and slight additions of a few blues infused chords joining the ever-present classic guitar. This piece has been perfectly molded into a well-orchestrated symphony of diversity. Its classic, it’s modern, it’s soulful, it’s harmonious, it’s authentic, it art, in short, its music. Although the piece is classified as; “rock,” the rich vocal presence coupled with the dulcet driven guitar easily provides this song with a mass crossover appeal.
“Flame,” incorporates elements of alternative rock, blues, and even a slight hint of country while remaining rooted deeply in originality. If this song is at all a hint of what’s to come from Miles Blue Spruce, then I expect to hear quality music for years to come.
Bad Saint is a solo project by Tess Freedel based in Seattle. What is so fascinating about this is that she composes all the parts of the song and has fellow musicians join her for performances and “Hanging on the Telephone,” is no exception. This girl knows what she wants and she not only shows this in the way she composes her music but also in her very straight forward, fresh lyrics. With a strong pop rock vibe and an element of punk rock thrown into the mix, this song is one of those that you will find yourself singing randomly throughout the day.
With a cool edgy vocal tone, crunchy guitar sounds and underlying synth sounds sustaining the foundation, all performed by Tess Freedel herself, “Hanging on the Telephone” is basically an explosion of vibrant sonorities brought together in a fascinating way. The vocal tone also gives the song its character and attitude and it is evident that all instrumental and vocal parts are performed with conviction and very confidently, proving that this girl is definitely ready to take over the music scene with her sparky and creative ideas and a very unique and clear artistic vision!