Browsing Tag

The 1975

Bad Weather delivers an anthemic alt-pop reminder with ‘Caring Is Cool’.

Perth’s most promising alt-pop artist, Bad Weather, has released his stickiest earworm to date, Caring is Cool, which merges anthemic nuances of power-pop, pop-punk, 80s pop and contemporary indie-pop in the same vein as M83 and The 1975.

The sonic eclecticism is one thing, but Bad Weather (AKA Callum Robertson) has plenty more in his aural arsenal than just crumbling genre constraints with his sound. His ambition to bring the best out in people through his music rather than attempting to emanate the cool indie rock stereotype will leave you instantly enamoured. I can only imagine how hard the choruses of sticky-sweet high vibes, overdriven guitars and galvanising synths hit when hearing them live.

Caring is Cool is now available to stream via Spotify.

Review by Amelia Vandergast

Cherry Vynil has released their optimism-imparting indie rock single, ‘Lights’.

Cape Town’s most promising indie pop-rock outfit Cherry Vynil released their latest single, Lights, which explores the meaning of life through shimmering melodies, vibrantly uplifting vocals and an anthemic level of energy.

With a sound that sits somewhere in between Bastille’s and the 1975, they’re seamlessly in line with the jangle-pop trend, but with their optimism-spilling lyricism, they well and truly set themselves apart on the airwaves.

Lights officially released on June 25th; you can check it out on all major streaming platforms via this link.

Review by Amelia Vandergast

Aza Nabuko leaves us feeling anything but ‘Blue’ in her latest indie-pop-rock single.

After her latest single racked up over 200k streams on Spotify, indie-pop soulstress Aza Nabuko released her debut album, Indigo, on June 4th. The standout single, Blue, is a flawless feat of panoramic pop that will be a hit with any fans of Pale Waves, Wolf Alice or the 1975.

The Vancouver, BC-based 18-year-old multi-instrumentalist and singer songwriter’s authentic indie-folk-pop fractured vocals bring a sense of intimacy and vulnerability to the otherwise sonic and high-octane hit that carries all of the emotion of a ballad and all of the energy of an anthem.

After Aza landed a sync placement with Netflix’s ‘Tiny Pretty Things’, her power-pop sound has earned her international acclaim. After the release of her deeply confessional and expressive debut album, the possibility of her becoming a household name matches the level of talent in the release. Hint, that’s pretty damn high.

Blue is now available to stream via Spotify.

Review by Amelia Vandergast

In Reverse – Ready: Soul-Driven Indie Synthpop  

In Reverse

If you could imagine what it would sound like if the 1975 and the Midnight met in the middle while incorporating elements of soul pop in the style of Maroon 5, you’ll get an idea of the stylistic melding which took place for In Reverse to create their latest single ‘Ready’.

The Oslo-based Norwegian Pop band’s approach to Pop may break free of the usual constraints which Pop artists find themselves bound by when they’re writing tracks with commercial potential in mind, but their sound is all the more immersive for it.

The unpredictably progressive electronic pop hit blends elements of contemporary synthpop with hints of indie jangle pop which are palpable in the guitar progressions, yet, Ready still unravels without experimentalism being the main focus. It’s a track which makes sure that the sentiment it was inspired by is harmonically hammered home. It may leave you with a little bit of procrastination guilt, but if any track is going to leave you psyched to attack everything you have been deliberating on, it’s this one.

The ‘Rona may have hindered In Reverse’s plans of aural domination, but on the basis of Ready, we can’t imagine they’ll let anything as small as a global pandemic get in the way.

Ready was released on January 15th, you can check it out for yourselves by heading over to In Reverse’s official website.

Review by Amelia Vandergast

Youth Antics grab ‘This Moment’ with some seriously catchy Indie New Wave glory

Poppy, upbeat, sparkling, jangly, and utterly, indecently catchy, ‘This Moment’ is the new single from Floridian quartet Youth Antics. Unabashedly retro yet bang up to date, wearing a bunch of 1980’s influences on its presumably pushed-up-suit-jacket sleeve, ‘This Moment’ is that rare beast of simultaneously ear-worm pop song and seriously credible indie-rock track.

Riding on the sunny, neon-and-dry-ice-loving tide of Depeche Mode, Duran Duran, The Cure, and their ilk, ‘This Moment’ is a proper New Wave track, trebly guitars to the fore, bouncy rhythm parts, and reverb-laden deep baritone vocals. Easily equally at home on any number of indie festival stages this summer as in a John Hughes or Daniel Waters film soundtrack, ‘This Moment’ is a genre-crossing, time-defying banger of a track; if ‘Ferris Bueller’s Day Off’ had a drunken night with ‘The Broken Hearts Gallery’ over cocktails and a couple of Blockbuster Video’s VHS finest, then ‘This Moment’ might well be the musical love-child outcome.

Listen to ‘This Moment’ on Spotify and follow Youth Antics on Instagram.

Review by Alex Holmes

The Garnetts have taken Guitar Pop to a brand-new level with their romantically groove-soaked single “This Dance”

https://soundcloud.com/thegarnettsmusic/this-dance/s-GaaBZFzHwr3

This Dance” is the lead single from Indie Pop artist The Garnetts’ forthcoming EP of the same title. It’s also one of the most compellingly magnetic feats of Guitar Pop that we’ve heard this year.

With a sound which is somewhere between The Midnight and the 1975, The Garnetts’ sound moves in perfect parallel with the contemporary curve. It also unravels as the perfect Pop track to hit play on as Autumn starts to draw in with the shorter days and colder nights. Whether you’re amorously savouring the warmth of a season are a lover, This Dance is sure to hit you right in the feels.

You’ll be able to check out This Dance for yourselves from October 2nd, 2020 by heading over to SoundCloud.

Review by Amelia Vandergast

Qeeran – More Than Enough: RnB-Infused Bedroom Pop

Qeeran

Even a global lockdown couldn’t stop Malaysian-born, Melbourne-based artist and producer Qeeran releasing yet another smoothly amorous RnB-infused bedroom Pop single.

Hit play on “More Than Enough” and you’ll sink into a hazy, atmospherically sweet soundscape which has plenty of familiar sentiments to share with anyone who has experienced conflict burning between insecurity and infatuation.

Any fans of The 1975, SG Lewis, Alina Baraz and ELIO will undoubtedly want to delve into this evocatively nostalgic melancholic bedroom Pop masterpiece.

You’ll have to wait a little longer before you can check out More Than Enough for yourselves. In the meantime, check out Qeeran’s equally as airy and resolving releases via SoundCloud.

Review by Amelia Vandergast

Scottish duo MarionvilleModels drop their new track Reminds Me

With a long-lasting collaboration in the works, Scottish duo MarionvilleModels drop their new track Reminds Me, a dive into electro-pop meeting indie pop.

To the likes of bands like The 1975, Reminds Me rolls out an array of synth and guitar sounds creating a widely reverberated harmony in new wave style. Dance-y drums and groovy bass lines do the rest, creating an engaging indie pop vibe that many UK acts have fostered in the last decade.

Due to their plenitude of sounds, MarionvilleModels pass as a 5-man band, when in reality the project solely relies on the stupendous proficiency of vocalist, guitarist and songwriter Jake Berry, and producer and multi-instrumentalist Jack Davis – a quality that fellow peers and musicians know how to appreciate. As well as their fans, hopefully.

You can listen to Reminds Me for yourself on Spotify.

Review by Jim Esposito.

Dan Plants and Nate Cronk- Stay: A journey through the sound of Synthwave

‘Stay’’ was created by two great friends Dan Plants and Nate Cronk, it dives straight into the Synthwave style as it introduces a variety of different sound effects as well as some catchy vocals.

From start to finish it has this up-lifting beat that gives the track so much energy, there’s a mixture of hard-hitting drum beats, insane riffs on the guitar as well as the synth effects that intertwine themselves into the vocals and instrumentation.

It tells a story throughout about love and heartbreak, but even if it tends to have a more poignant meaning, it still manages to keep your spirits high as the melody is so contagious and it gives off this cheery feeling.

Dan and Nate have made something that’s creative, something that may not be for everyone, considering the overall sound is not as popular as it once was, but even then Stay shows just how good it can be. It has some incredible rhythms and a superb lyrical approach, if you’re one that hasn’t really delved into the world of Synthwave music then you must!

You can check out Stay for yourselves by heading over to YouTube now.

Review by Karley Myall

Anyone Can Relate To Bethany Janette’s “I Miss You”

Bethany Janette is a singer and songwriter with a unique approach to her sound. Her recent single, “I Miss You” is a great example of her intimate lyrics and mellow sound. The song has a beautiful arrangement, where string sections create some amazing atmospheres, and the piano chords really drive the song’s structure.

On top of it all, the song strikes for Bethany’s remarkable ability to really stand out. Her phenomenal approach to songwriting truly strikes a chord with lyrics that are deep and very personal, yet very easy to relate to.

“I Miss You” is a beautiful song of longing where emotion flows like a river.