Browsing Tag

Soundscape

Daniel Walzer bathed jazz in sun-warmed ambience on ‘Sounds of Summer’

Hoosier Songs by Daniel Walzer

Daniel Walzer invited the natural world into the studio for Sounds of Summer, a piece drawn from his labour-of-love LP Hoosier Songs, recorded across the slow arc of 2022 to 2025. In collaboration with nature itself, Walzer shaped a release that feels like a breath of temperate air, capturing the sublimity of summer through a hypnotic synthesis of environmental melodies and jazz’s famously wayward time signatures.

There’s an amorous warmth to the instrumental score, shaped by echoes of Latin grooves you could happily tango to, then softened into a gentle simmer of summer-tinged scintillation. The synaesthesia-inducing flow drifts forward with playful lightness, sitting in sheer juxtaposition to the savant-esque musicianship that allows the track to blossom so effortlessly. Piano, percussion and textured ambience move together with a sense of patience, as though the music itself has learned how to listen before speaking.

Whether experienced on a veranda, absorbed through meditation, or shared with someone close enough to lean into the tenderness, Sounds of Summer leaves its imprint quietly but decisively. This is jazz that breathes, that notices the small details, that allows space for warmth to settle rather than rushing toward resolution.

Beyond the single, Walzer’s wider practice reflects a deep attentiveness to place and process. Based in Indiana, he has spent years gathering field recordings from across the state, weaving them into instrumental compositions that feel rooted, reflective and texturally alive. Working alongside trusted collaborators and co-producer Matthew Parmenter, with final mastering handled by Streaky in Oxford, Walzer’s approach places care and curiosity at the centre of every note.

Sounds of Summer is now available on all major streaming platforms, including Bandcamp. 

Review by Amelia Vandergast

We Choose the Bear After Bear Beat Dropped His Ethereally Transcendent Track, Santa Fe

Bear Beat

With the release of their debut LP, Bear Beat put an end to the tired debate of choosing the man or the bear – the answer is now always the bear. There’s no missing the paragon status that the standout track, Santa Fe, holds for downtempo IDM; inextricably nuanced reverberations of EDM ripple through the almost phantasmic mix, where hauntingly ethereal vocal lines and transcendent timbres radiate out from the lush production.

Santa Fe acts as a magnet to the senses, drawing you deep into the darkness before letting the redemption in the light tonal juxtapositions seep through. It’s slick with longing and tinted with diaphanously vulnerable emotion; the track resonates on every conceivable level, confirming Bear Beat’s place in the lineage of electronica’s most daring innovators.

Drawing inspiration from artists like The Prodigy, The Chemical Brothers, and Fatboy Slim, Bear Beat’s sound is steeped in hypnotic soundscapes and haunting political undertones. There’s a hyposonic pull to the project, laced with comical glimmers, yet always immersive enough to feel like you’re living inside a fresh take on the dance music scene.

With an expansive unreleased catalogue waiting in the wings, Bear Beat’s vision already feels like essential listening for anyone who needs their electronica to cut deeper than the dancefloor.

Santa Fe is now available on all major streaming platforms, including SoundCloud. 


Review by Amelia Vandergast

Let your imagination breathe in the woodland lore in Supernova Goldfish’s composition, Mystic Forest

Few modern orchestral pieces resonate with the vivid imagery and emotional depth of Supernova Goldfish’sMystic Forest‘. This single, a masterful blend of neo-classical composition and ornate folk elements, invites listeners into a realm where material reality slips away and imagination breathes freely.

Alexis Walter Blaess, the Argentine-American composer behind Supernova Goldfish, draws inspiration from luminaries like George Winston and Olafur Arnalds. He has a unique ability to instil awe and wonder into his productions which find opulent balances between worldly and introspective qualities.

Mystic Forest unravels as a reflection of the composer’s respect for nature; it shifts from the serenity of a sun-dappled glade to the subtle trepidation of unknown paths while encapsulating facets of woodland lore. The interplay of light and dark, the dance of trepidation-tinged and playful tones, all coalesce into a cinematic score that engulfs the listener in aural fantasy.

The release is a reminder of the enchanting power of music to transport us to places unseen, to touch the intangible, and to reconnect us with the natural world’s mystique.

Mystic Forest was officially released on March 1st; stream the soundtrack on SoundCloud.

Review by Amelia Vandergast

Nim – Avalon: An Expansively Intimate Exploration of Dystopic Ennui

Nim’s latest single, ‘Avalon’, is a testament to his evolution as a multi-instrumentalist and sound designer. From the outset, the track immerses listeners in a world where ambient electronica melds seamlessly with a cinematic synthesis of post-rock and trip-hop. The minor key arrangement, rich in ambient textures, sets an ethereal yet intensely emotive tone to maintain a melancholic undercurrent without becoming overwrought.

The lush reverb sugars the pill of the dystopic ennui, while the desolation in the vocals is so laden with solitude they feel as if they are reaching out from the vastness of space, seeking connection in their isolation.

Nim’s background as a pianist and singer is evident in the meticulous construction of ‘Avalon’. The track defies easy categorisation, drifting through the realms of post-rock, trip-hop, and ambient IDM with a fluidity that speaks to his versatility. The introduction of a trappy backbeat, both solid and glitchy, adds an unexpected yet mellifluous twist, intensifying the track’s introspective mood.

Hit play and journey through Nim’s dystopian vision, where the feel of the music takes precedence and the haunting exploration of malaise resonates long after the last note fades.

Stream Avalon on Spotify now.

Review by Amelia Vandergast

October Swimmer dialled dystopia into darkwave trip-hop in his IDM production, Fevered

In the labyrinthine world of IDM, October Swimmer’s latest single, Fevered, which will be a seminal score in the London-based composer, songwriter, and producer’s upcoming EP, Sanctuary, is a hauntingly immersive soundscape that bleeds cinematic scintillation.

The track is underpinned by a pulsating backbeat that serves as the heartbeat of this dark, electronic odyssey. The monochromatic tones, reminiscent of a dystopian fever dream, meld seamlessly with an aural canvas of darkwave and trip-hop, creating a texture that is both ethereal and jarringly chill-inducing.

If you’re tired of tuning into artists who opt for style over substance, wake up with Fevered, which is a culmination of October Swimmer’s talents and experience. His background as a session musician for legends like Mick Jones and collaborations with producers like Myles Clarke have honed his understanding of melody and harmonic structure. This expertise is evident in Fevered, where every note and nuance is meticulously crafted.

The track doesn’t just engage; it immerses into a world where October Swimmer’s rhythmic pulses take the reins, guiding them through a landscape of volition, discord, and chilling electronic synthetics. In a genre often crowded with imitators, October Swimmer stands out as a true innovator. This is a release you won’t want to miss.

Fevered will be available to stream on all major platforms from March 1st. For more info, visit October Swimmer’s official website.

Review by Amelia Vandergast

Elevate your playlists with Tom Gimson’s architecturally inspired ambient electronica piece, Ridge

Tom Gimson’s latest single ‘Ridge‘ reflects his richly multi-faceted creativity as a London-based multi-media artist; the track is a journey through complex intersections of music, film, and architecture. Gimson, with his background as a performing saxophonist, composer, and crew member in the UK’s commercial photography and film industry, brings a unique perspective to his craft, and ‘Ridge’ is a shining example of this.

The single begins with the pulse of a heartbeat, a foundational rhythm that sets the stage for a multi-layered auditory experience. From this simple beginning, ‘Ridge’ builds into a complex tapestry of sound. The use of scintillating droning synth lines introduces elements of discordance, creating a striking contrast with the euphonically melodious core of the track. This intentional juxtaposition and use of more exotic percussive fills breaks the mono-cultural mould, showcasing Gimson’s ability to challenge conventional musical boundaries.

The amalgamative nature of the sonic catharsis and harbingering tones in the track elucidates the harsh realities of our social tapestry, inviting listeners to engage with the music on a deeper, more introspective level. Sink in, and sink into yourself.

Ridge was officially released on February 2nd; stream the single on all major platforms via this link.

Review by Amelia Vandergast

The ‘Reckoning’ is Here, in the Form of Dissolved Girl’s Darkly Dystopic Trip-Hop Debut

With the juxtaposing vocal samples setting the cinematically disquiet tone as efficaciously as the harbingeringly dark electronic synthetics, which delve far beyond the dark depths of PJ Harvey, Massive Attack, and Portishead, Dissolved Girl made one hell of an entrance with their debut single, Reckoning.

The haunting anthem for a world teetering on the brink of collapse is a dystopian masterpiece, which encapsulates the unease and turmoil of contemporary times with its perturbed tones and intricately layered instrumentals. We all knew a reckoning was coming, but who would have known it would be delivered by a London-based four-piece with a penchant for the alt-90s, alt-rock, and hip-hop? Dissolved Girl not only captures the essence of an impending societal storm but also delivers a sense of catharsis – a release that fans didn’t realise they needed until it was upon them.

Forward-thinking and accessible in equal measure, the debut is a stark testament to their ability to innovate within the modern music scene. We can’t wait to hear the debut LP, which has been four years in the crafting, with the help of producer Dani Castelar and mastering engineer Matt Colton. The attention to detail paid off immensely; each note and nuance served the song’s brooding atmosphere and intensified the listener’s experience to the nth degree.

In an industry saturated with fleeting trends and disposable hits, Dissolved Girl stands as a beacon for those who crave depth, complexity, and sincerity in their playlists.

Reckoning debuted on November 13th; stream it on Spotify.

Review by Amelia Vandergast

Basil Babychan cast a spectral shadow over his latest filmic score, Insentient Nature

Insentient Nature is the latest cinematically sombre neo-classic score from the avant-garde ambient composer Basil Babychan, who has garnered international critical acclaim for his phantasmally affecting work, which entwines futurism with touches of classical orchestration to create profoundly reflective sonic spaces.

The darkly compelling minor key progressions against the spectral shadows cast by the classical strings and glitchy synths lead the instrumental soundscape into a brand-new depiction of dystopia; one which allows you to see the beauty beyond the consternation. Harbingering the age of the machine and a sense of detachment from the organic world, Babychan taps into our fears, while demonstrating everything has its place and a right to belonging and freedom.

Insentient Nature is due for official release on November 10th; stream it on SoundCloud.

Review by Amelia Vandergast

Hemlock for Socrates put purgatory on a higher plateau with ‘Iridescent – Come Over Here Variant’

Doom-disco, Industrial blues, math-wave, call it what you will, but words can scarcely capture the alchemic aural experience of the latest installation of experimentalism, Iridescent – Come Over Here Variant, by Hemlock for Socrates.

With vocal lines so phantasmal in their arcane magnetism they put Bjork in the same league as Dua Lipa and a soundscore that allows the cinematic alt-electronica progressions to carve out a cage of tormented motifs, the sonics plunge you to the murky depths of despair to bring you back up from it, using resonance and the frenetic polyphonic keys in the outro as an inexplicably ingenious knotted rope ladder.

Even with the dramatic touches to the score, nothing about Iridescent – Come Over Here Variant feels theatrical. Instead, Hemlock for Socrates turned the fabric of reality inside out to put purgatory on a higher plateau.

Iridescent – Come Over Here Variant will officially be released on August 4th. Hear it on SoundCloud.

Review by Amelia Vandergast

 

Break the day the right way with SnoZ’s tranquillity transcending electronica score, Morning

Finding the perfect balance between tranquillity and enlivening energy, SnoZ scored the ultimate playlist staple to spin when you want to break the day the right way; your morning commutes will never be the same again.

The transcendent tones and ambient textures elevate the vibrantly strident tempo in ‘Morning’, which features on the three-track single, Day, allowing the instrumental soundscape to unravel as the ultimate soundtrack to your transition from exploring your subconscious to embracing waking reality.

The innovation in the chiptune/house crossover in the mix is the ultimate testament to SnoZ’s originality. It’s only a matter of time before his tracks are at the front and centre of editorial electronica playlists.

Morning is available to stream on Spotify. For more ways to listen, visit the artist’s official website.

Review by Amelia Vandergast