The Ivins stirred up the Nashville sound with their Funk-riding take on Indie Alt Rock through their latest single ‘Bloom’. Expect sonic nuance and melodic angular hooks which will leave you lacerated as you fall into the sticky-sweet nectar which drips from their affably accessible sound.
With soaring choruses, tenderly imploring vocals which share the same soul-stroking propensity as the likes of Silversun Pickups, you can’t help getting engrossed by the familiar yet discernibly fresh mix of modern Indie and the timeless tones of the Alt 90s.
It’s hard to feel pessimisic about the future of the music industry when artists such as The Ivins offer such adrenalizing vitality in their sound. Get them on your radar.
Newly formed Nottinghamshire-based alt-indie rock band The Fall of Ego have released their new track ‘World In Disguise’.
Drenched in gratuitous levels of overdrive and wrenching with anti-capitalist overtures, ‘World In Disguise’ plays against some widely-regarded sentiment about today’s society. Its frequency maxing and furiously penned lyrics mirror the incredible amount of angst many today can relate to. It’s easy to admire where the feeling is coming from too – our reality is not normality and pretending it isn’t amounts to, well, insanity.
It’s a track that stands strong through its devotion to its unabashedly protestory lyrics. Plus, it’s not phased about being too reliant on avoiding the numerous traps many of its contemporaries might, and so ‘World In Disguise’ manages to fit The Fall of Ego, quite suitably, into an enjoyably mouthy set piece of counterculture. Check it out.
83 7H3R3 4 M3 is the instantly endearing single from 8udDha bl0od which any fans of The Smashing Pumpkins are going to want to check out.
The acoustic Alt Indie track may seem a little twee in comparison to 8udDha bl0od’s other releases, but the captivating tones offered an all too welcome view of the artists more amorous side.
The intricately quaint acoustically-carved reggae melodies created the perfect platform for 8udDha bl0od’s soft yet sonorous all the same vocals. My soul feels significantly fuller after listening to 83 7H3R3 4 M3, if yours still functions, it’s likely that you’ll feel exactly the same after listening to the aurally resolving track fade to a quiescent close.
You can check out 83 7H3R3 4 M3 for yourselves by heading over to SoundCloud now.
If you want something that’s going to throw you right back to the old school Classic Rock days then this is the one for you. Happy Freuds have this contagious energy, manic instrumentation and insane vocals, that real rock feel that throws you right back.
‘’Break’’ is a track that you can’t help but love, it’s energetic, chaotic and has so much personality that shines through, as a listener you can hear how much energy goes into the music and how well it comes out.
They have this talent that definitely shouldn’t go unnoticed, the guitar riffs are so precise and electrifying, the light taps on the drums and not to mention the killer vocals that just completely top everything off, it all combines so well together.
Happy Freuds have clearly shown the Rock world what they have to offer in this track, just by showing how good old school Classic Rock can really sound. A band with huge potential to make it massive and one we can’t wait to see do so.
Be sure to check out Break for yourselves by heading to SoundCloud now.
If all good things come in small packages, expect to listen to this song and get one of the best surprises from a dynamic duo from Jackson, Tennessee. Hunter Cross and Cameron Briley make up the members of The Skeleton Krew and their latest offering called “Love”, is already making some serious waves on the internet.
The song starts off with sweet, intricately woven harmonies, reminiscent of Crosby, Stills and Nash or Alison Krauss, and one would be forgiven for thinking that they were about to take us on a journey down the best of a scenic Country or Soft Rock road. Instead, a few face melting guitar solos, talented drum rolls and riffs that are played deep in the pocket, and an incredible vocal performance, make for a heady mix of Punk, Rock, and Goth that is teeth clatteringly good. It’s eight short bars in the back of Buick but the rest is pedal to the metal in a Mustang all the way!
You are going to want to rewind this track a few times as the musicality and vocal dexterity is subtle but brilliant.
Listen to “Love” by The Skelton Crew here at Soundclound. Have fun, we sure did!
As alt-rock has become a testosterone fuelled battle ground trying to be the hardest, heaviest and most alternative, one thing has been lost along the way. Melody! No matter what you think of classic rock…the thing that alt-rock inversely defines itself against, you could sing along to it at least. What if a band came along that blended the modern alt musical trappings with the accessibility of music from an older time. Well, The Chance do just that.
Won’t Let You Go sits in a sweet spot for rock music, the tune is memorable, the vocals infectious, and the melodies pass the acid test of lingering in the brain long after the track has finished. But it also has enough modern grit and rough edges to appeal to the black clad modern age rocker. This isn’t alternative rock at all, this is evolved rock, rock music which has learnt the lessons of the past and moulded it to the fashions and tastes of the modern music fan. How hard was that? Consider yourself schooled.
They are the real deal, just listen to the whole album for yourself. (loud)
Partybaby was formed by ex Portugal. The Man guitarist Noah Gersh and producer and engineer Jamie Schefman. Both were working together on a song for Christina Aguilera when their frustration spurred them to write the song Your Old Man which became the group’s first single released in late 2015.
Partybaby played SXSW in 2016 and toured nationally with The Academy Is.They also toured with SWMRS and Wavves. They also released their album, The Golden Age of Bullshit, in September 2016. Everytrack is killer, we can not wait to see them play live, but god help who is playing after them, they sound like they are going to eat your souls.
The past few months have seen the ‘Godfather of punk’ himself, Iggy Pop, singing the young trio’s praises and name-checking them along Sleaford Mods and Skepta as one of his favourite artists right now (“These kids make a lot of noise. I like it!”). After being blown away by their live show, Ex-Ramones manager Danny Fields excitedly declared the band as “the future of rock n’ roll”, while The Libertines’ Gary Powell quickly signed up the young upstarts to his 25 Hour Convenience Store label.
NME, Clash Magazine, Q Magazine, Artrocker, Drowned In Sound, 6Music, Radio X and BBC Radio 1’s Huw Stephens have also all waded in with support and praise for the trio’s delinquent, punk-driven assault, that finds themselves caught somewhere between the early grunge of Foo Fighters, the infectious songwriting of Pixies, and the snotty punk attitude of The Buzzcocks.
Following two early DIY EP releases (‘Tunnel Vision’ and ‘Wear and Tear’), False Heads were invited in to Pete Townsend’s studio earlier this spring to cut a series of new tracks, and ‘Thick Skin’ is the first single to emerge from those sessions – a perfect riot of energetic, leering bawdiness that is released on July 1st, and sets another huge marker for a band whose remarkable rise is seemingly unstoppable. ‘Thick Skin’ is released through 25 Hour Convenience Store on July 1st 2016, available from all good digital stores. False Heads have also announced a series of new live dates in their hometown, including a performance at the Camden Rocks festival in June, and at The Roundhouse this July to celebrate 40 years of punk.