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Rock n Roll

Coyote Fire came in electrifyingly hot in their garage rock revival ‘Klepto’

Coyote Fire

Coyote Fire will steal the show with their latest electrifyingly hot garage rock revival, Klepto. Fuelled with the noisy nuances of grunge and reverent to the insurgency of rock n roll, the Chicago fourpiece became the sum of all parts while ticking every conceivable garage rock box with their ferociously infectious track that puts the devil on your shoulder and compels you to fall in line with the kleptomaniac tendency of the lyrical protagonist who makes no apologies before taking what they want. Starting with the track with a voice of contempt in the medium of a voicemail, the tongue in maniacal cheek energy doesn’t hang around before asserting itself in the riled with raucous flavour single.

The ensemble’s roots trace back to the former band of Louie Kertgen and Miguel Contreras, Yard Sale, which couldn’t endure the loss of their leading voice, Jimmy Dooley, who passed away in 2018. As the calendar pages turned, Louie and Miguel’s paths diverged, only to be rekindled when Louie traded his drumsticks for guitar strings, finding solace in six strings and a new beginning.

The spark reawakened; Louie dialled Miguel’s number with a proposition that set the stage for rebirth. They coaxed Austin Yurasek into the metamorphosis from guitarist to bassist, and his conviction to the cause was absolute, “The vision was clear, the purpose was calling, and I was all in,” he affirmed after the pitch of the idea. Yet, their symphony lacked its final note—a drummer. Enter Victor Aguirre, the percussive wizard whose hands could converse with any rhythm. Louie, through a twist of fate and a friend’s recommendation, sent Victor some rough cuts. Victor heard the call, and like a moth to a flame, was enchanted by the vision.

Coyote Fire isn’t about the vanity of uniqueness, the complexity of sound, or the chase for flawless execution. Their creed is to forge a visceral bond with their audience. If the crowd’s pulse matches the beat of their music, their mission is accomplished. They aim to weave an intimate tapestry of emotion, attitude, and raw power. Influenced by the likes of Jack White and The Black Keys, Louie adopted a philosophy where music serves as a bridge to the soul, a raw yet simple channel to convey their stories, and a performance that teleports the listener into the band’s collective consciousness.

Klepto will be officially released on November 15; stream it on Bandcamp and Spotify.

Review by Amelia Vandergast

The Verge struck all the right raw, protestive and empowering chords in ‘Keep the Head Up’

If you fused the ferocity of Rage Against the Machine or Bikini Kill with the rhythmic pull of Guns n Roses and threw in augmented layers of down-and-dirty blues rock, you’d be left with a cocktail as aurally visceral as the seminal single, Keep the Head Up, from the underground’s most indomitable outfit, The Verge.

The Parisian powerhouse has been cranking up the overdrive on their guitars since 2014; since banding together they haven’t failed to establish themselves as an unmissable live act and an ensemble which knows exactly how to infuse that energy into their records.

With melodies and riffs that will tattoo themselves across your synapses from the first spin and the way the vocals pull you right into the core of their boisterously bluesy hits, their provoking emotional depth knows few bounds. In Keep the Head Up, they demonstrate their ability to strike the right raw, protestive, and empowering chords.

The official video for Keep the Head Up is available to stream on YouTube.

Keep up to date with the latest aural antics from The Verge by heading over to their official Facebook page.

Review by Amelia Vandergast

From the cockpit to the mosh pit, the fighter-pilot rock duo Fox 2 played it hard, dirty, and bluesy in their debut LP, Sidewinder

Sidewinder by Fox 2

When the members of the fighter-pilot rock duo, Fox 2, aren’t in cockpits, they’re starting mosh pits with their dirty, hard, and bluesy hits. Last November, the dualistic powerhouse debuted its first LP, Sidewinder, and staked the claim of being one of the hottest rock acts in Portland, Oregon.

Delve into the title single and you’ll be hypnotised by the adrenalised swaggy blues guitar bends in the reverent rock n roll hit, which melds modernist production styles and percussive assertion in the same veins of Royal Blood with classic blues rock cuts to orchestrate an era-spanning testament to their talent, cross-over appeal, and authenticity.

Sidewinder will be a tough record to follow, but something tells us that Fox 2 has plenty more innovative firepower to ignite an onslaught of ensnaring hits; watch this space and feel the heat.

Sidewinder is available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Cali’s sardonic sons El Greasy delivered industrialised synth rock debauchery in their debut, Bad Night for Leather

El Greasy

The Oakland, California melodramatic prodigies, El Greasy, greased up synth-rock to a debauched degree in their debut single and music video, Bad Night for Leather.

After feeling the synergy over Zoom during the lockdowns, the duo laid down seven soon-to-be seminal singles with engineer Ben Hirschfield at Nu-Tone Studios; Bad Night for Leather is the first dripping of their sardonically industrialised sound which obliterated the alt-rock mould.

So much more than the sum of their stoner rock influences, El Greasy’s big, brash, and bold energy lent itself effortlessly well to the narrative weaved through the superlative track which unfurls snarls towards protagonists who believe that superficial modifications will have untold benefits on the pitifulness of their unself-aware existence.

It is easy to see El Greasy riffing their way into the blackened hearts of everyone who takes their alt-rock with adrenalized shots of big-beat electronica and heavy doses of lyrical intellectualism, which elucidates phenomena that your average song crafter wouldn’t dare to work into their concepts. They’re a razor-sharp cut above the rest with their ability to put your speakers to the test while stretching your imagination with their tensile wit.

El Greasy said

“Bad Night for Leather portrays the experience of loneliness and self-acceptance during a night out in the big city.  Inspired by a night of heavy drinking in Berlin, the protagonist retells the story of the night he was kicked out of a bar and stumbled by a pawn shop with a cool leather jacket in the window. By wearing the jacket, he thinks he’ll get into any bar or nightclub but is soundly rejected again and again by surreally large bouncers and the terrorizing “eye” of CCTV cameras.

The character laments that “I let myself get to me” and accepts that it was a “Bad Night for Leather.” The main idea is a character doing something over the top to gain the approval of others when there is no guarantee of this occurring.”

If you can’t get enough of Bad Night for Leather, you won’t have long to wait for the drop of their antithesis of a Christmas single, Jesus Fucking Christ, which is set to rain blasphemy onto the airwaves in December 2023.

The single and official music video for Bad Night for Leather will drop on November 3rd; stream it on YouTube.

Head to El Greasy’s official website, Facebook and Instagram to stay up to date with future releases and antics.

 

Review by Amelia Vandergast

Black Smoker shake, rattle and roll through their raucous and raw garage rock debut, Dissolution

With all the sonic swag of Eagles of Death Metal and psychedelic garage rock kicks of King Gizzard & the Lizard Wizard, the debut raucous and raw with distortion single, Dissolution, from the Washington-based five-piece, Black Smoker, is a frenetic hair-raiser that could easily lead a crowd into sharing the same furore that unfurls like smoke from a loaded gun from the riffs.

It is only a matter of time before the outfit stops reigning supreme in dive bars and takes its sound to bigger arenas; God knows that their maniacally wild hits could fill them. After banding together in 2017 and dominating the live circuit, they’ve got their blackened hearts set on making digital platforms their dominion. You may as well submit to their supremacy now before they assert it with even more force in their sophomore release.

Dissolution dropped on October 10th; stream it on all major platforms via this link.

Review by Amelia Vandergast

Rick Shaffer gave psych the blues in his latest garage rock hit, Bogalusa

Rick Shaffer gave psych the blues in his latest LP, Sleeping Dog, featuring the standout single, Bogalusa, which allows garage rock and 60s RnB to converge to create drippings of nostalgia; fans of The Stooges will want to savour every distorted with vintage glamour drop.

12 solo albums into his illustrious career, and it is clear to see that the guitarist and songwriter is far from fresh out of ideas. The Teenage Kicks-reminiscent raucous power pop panache lends itself effortlessly well to the grooves and hooks which make Bogalusa such a scintillatingly electric ride through the golden eras of music.

Wild and hypnotic in equal measure, the guitar hook and riff-rife euphonic escapade is as close as you can get to sonic pornography.

Bogalusa was officially released on September 23; stream it on Spotify.

Review by Amelia Vandergast

Leah Nawy is the ultimate contender for originator of the year after releasing her debut single, NUISANCE

By combining the soul of Sade with the tongue-in-cheek charm of Kate Nash and leaving plenty of room for her own striking rock-licked sonic signature stylings that open the floodgates to a rush of 90s pop nostalgia, Leah Nawy hit the ground running with her feisty and fresh debut single, NUISANCE.

If you’ve still got the attention span to appreciate a perfect three-minute pop hit, lose yourself in the vibrant tones, groove-driven and funk-dripping instrumentals, and some of the sweetest sugared-with-attitude vocal lines you will hear this year.

With a polyphonically jazzy rock n roll outro that enabled Nawy to dig her heels into her authenticity, NUISANCE is a debut that no one will be quick to forget. Even with the industry more saturated than it has ever been, there’s no denying Leah Nawy is a promising triple threat with her charisma, talent, and ear for earwormy melodies.

After she finishes her Masters degree in songwriting and production at Berklee NYC, she will be an unstoppable force.

NUISANCE hit the airwaves on the 28th of July; stream it for yourselves on Spotify.  

Review by Amelia Vandergast

Pick up Propter Hawk’s seminal blues rock release, Telephone

Fill up your whiskey glass and pick up the seminal single, Telephone, from Propter Hawk – if you can lift the heavy with swaggering rock n roll riffs, that is.

As a born rock frontwoman, Malorie Blake on lead vocals knows just how to pay homage to bluesy overdriven rock with her authentically Americana high-octane vocal lines which effortlessly gel with the if-they’d-be-any-tighter-they’d-be-claustrophobic instrumentals as they weave through eras and genres with ease.

With influence from The Beatles, The Band, and Otis Redding feeding into their amalgamated free bird sonic signature, you’ve never encountered an outfit quite like Propter Hawk before, nor are you ever likely to with their commitment to authenticity and their devilishly distinctive use of distortion on their vintage gear.

If you’re desperate to hear more after Telephone, you only have two weeks to wait before the release to wait before the official launch of the debut eponymous LP, which is due for release on August 18th.

Telephone is available to stream on all major platforms, including Spotify. 

For more info on Propter Hawk, check out their official website. 

Review by Amelia Vandergast

Christo Mondavi reversed the laws of gravity with his psychedelically transcendent single, Daisy’s Gone Electric

Christo Mondavi firmly implanted psychedelic soul back into rock n roll with his latest single, Daisy’s Gone Electric; the hazily lofty single brings brand-new and literal meaning to the concept of dancing on the ceiling.

With the colourful melodies and Mondavi’s honeyed harmonies resonating as though they have been pulled into this atmosphere from a far higher plateau, Daisy’s Gone Electric isn’t a single you can slip into; it is a single that instantaneously reverses the laws of gravity while paying homage to the tones popularised by The Doors and The Beatles.

For an extra lick of authenticity, there are also touches of Bowie to the spacey Odyssey-esque progressions and Zappa to the zanily pure vocal and lyrical presence, which proves Mondavi has a soul of solid 60s psych pop gold. Perfection may often be seen as an unattainable ideal, but if anyone can claim to sonically come close, it is Christo Mondavi.

Daisy’s Gone Electric is now available to stream on Spotify.

Review by Amelia Vandergast

Shake, Rattle and Roll with GaryHalacan’s Latest Nostalgia Slice, Hip Dip

GaryHalacan took rock n roll right back to its roots with their latest jive-worthy single, Hip Dip; there are scat vocal melodies, frenetic blues keys hammering and adrenalizing fretboard work by the smorgasbord.

As the nostalgic tones shake, rattle and roll, reminding us the genre existed way before the emergence of the Rolling Stones, the party-rocking atmosphere of the single is maintained throughout the release which proves the only thing GaryHalacan takes seriously is keeping the vibes high and the riffs soaring.

GaryHalacan is the music project of the Ohio-hailing engineering professor Paul Paslay. After growing up on a steady diet of classic rock, Paslay spent his high school and college days in choirs and multi-instrumentalists in bands. During the early 00s, the muse found him, and he started to write original music, influenced by everyone from the Beatles to DEVO to Spinal Tap. For Hip Dip, Paslay collaborated with musicians from across the globe, including musicians from France, Peru and Argentina to create a sure-fire serotonin spiller.

The official music video for Hip Dip is available to stream on YouTube.

Review by Amelia Vandergast