Browsing Tag

RnB Producer

Devontaii has unveiled his latest tenderly solicitous RnB single and music video, My Side

By teaming up with the video director BOWJACK, the up-and-coming RnB luminary, Devontaii, cooked up a soulfully rhythmic evocative firestorm with his latest single and music video, My Side, which is the opening track to his third album, LoversOnly2. 

Only after hearing it, did it dawn on us how self-obsessed RnB and soul singles tend to be; the visceral compassion worked into the lyricism hits tear-jerkingly hard, establishing Devontaii as one of the sweetest solicitous RnB artists of this era. It isn’t often that artists manage to leave their ego by the wayside while penning lyrics, but Devontaii is standing at the vanguard of empathy-driven soul in the euphoric revelation that is his latest single.

By using “she don’t want to hurt no more” as a reprise during the chorus in the moody, reverb-y indie pop-spliced single, the singer, songwriter and producer offered sonic sanctuary to everyone who has endured toxic relationship dynamics. The tenderness of the single resonates on a profound level; we can’t rate Devontaii’s ability to better the world with his talents enough.

The official music video for My Side has already racked up 14k streams; jump on the hype via YouTube.

Review by Amelia Vandergast

Deandre Sevon reached the pinnacle of sensuality with his innovative take on RnB in Does That Feel Good

It was about time a new wave of RnB crashed in; it came as a courtesy of the diaphanously artful debut single, Does That Feel Good, from the luminary Miami-based singer-songwriter and producer, Deandre Sevon, who honed his silkily honeyed vocal lines on Broadway.

With experimental electronica motifs that wouldn’t be out of place in an ELO record weaved into the ambiently exhilarant single that features sensuously reverb-swathed synths and vox that put the soul in romantic uncertainty, Sevon became one of the promising conduits of soul in 2023.

Around the delicate keys and lush synths are moody tones which reflect the weight of what is at stake in the sweetest ‘win you back’ record, allowing Does That Feel Good to resonate as an emotionally matured and well-rounded masterpiece of vulnerability.

Deandre Sevon clearly has a bright career ahead of him. We can’t wait to hear what is lingering in the pipeline from the artist who has exactly what it takes to smash through the monotonous mould many RnB artists are too afraid to break through and sonically step into their own.

Does That Feel Good was officially released on June 9th. Hear it on Spotify.

Review by Amelia Vandergast

Ride the new wave of UK RnB with L’Rockett’s ‘Ain’t My Love Story

Cambridge, UK-hailing singer-songwriter and producer L’Rockett has pushed the envelope of RnB by writing his antithesis of a love letter, Ain’t My Love Story.

Fully owning up to the recklessly dumb assumptions that spring to mind every time someone causes our hearts to skip a beat, the RnB pioneer ripped up all of the fantastical tropes and refused to sell even more unrealistic romantic expectations to his listeners. In his track which melds elements of synth wave, alt-pop and neo-soul into the instrumentals that cradle his vulnerably inviting vocals, L’Rockett stands by his word of taking you to places you’ve never been before.

After making his debut, the exceptionally promising artist has been on heavy rotation on BBC Introducing, with his music being selected for ‘Track of the Day’. Perceptibly, the best is yet to come for the up-and-coming artist as he continues to say the unspoken and breaks boundaries with his sultry electro-pop RnB flavour.

Ain’t My Love Story is now available to stream on Spotify.

Review by Amelia Vandergast

Raelle transformed grief into grace in her orchestral RnB Jazz Fusion, Cruel Nostalgia

Following her phenomenally successful single Grace, the London-based breakthrough artist and producer Raelle is here with a gleaming fusion of jazz and orchestral RnB, Cruel Nostalgia.

After losing a close friend to suicide at the start of the year, Raelle was locked in a spiral of grief, where nostalgia was the only comfort and reprieve. Anyone who has ever suffered loss will know how impossible it is to envision anything but the wrenching depression that alienates you from everyone else that carries on in their on-kilter world.

Without the context, Cruel Nostalgia is a stunning score of soul, complete with cinematic flourishes which embrace the fleeting beauty of the bitter world through the live orchestral arrangements and acid-style percussion. In context, it radiates even more beguile by resonating as a sonic redemption story and definitive proof that even if you have to look to the innocence of youth to feel joy, it is still there for the taking.

Cruel Nostalgia will be available to stream from December 2nd. Check out the sensuous single via SoundCloud.

Review by Amelia Vandergast

Hipe the Nomad is Fighting for Love in his Clannad-Esque feat of Alt-RnB

With Clannad-Esque non-lexical vocal lines that are smooth and haunting enough to give you chills, Hipe the Nomad’s latest alternative single, Fighting for Love, does exactly what it says on the tin.

If the Cocteau Twins ventured into RnB, the end result wouldn’t be all too dissimilar from the ethereal soul in Fighting for Love, which was inspired in part by the Weeknd’s Trilogy and Sampha’s Sbtrkt era. Reminiscences aside, it is evident that the British / Saint Lucian artist is a pioneer of his own making. He’s as much of a nomad in the aural world as he is in the physical world; both lend themselves to his smooth, ambient RnB edge.

The official music video for Fighting for Love is available to stream on YouTube.

Review by Amelia Vandergast

The claws are out in Harmonical’s latest single, Cat on Heat, featuring Élan Noelle

It has been a phenomenal run for the effortlessly distinctive RnB artist Harmonical (AKA songwriter & producer James Stretten) with his cinematically contemporary songs appearing on the credits of Hollyoaks and constantly spun on BBC Introducing.

His latest single, Cat on Heat, featuring the enrapturing robust vocals of Washington RnB soul singer, Élan Noelle, is yet another reason to fall head over heels for his funk-riding euphonic sonic signature.

With a narrative as compelling as the Copacabana, the lyrics in Cat on Heat are almost enough to bring out the popcorn. The dynamic that the lyric “she’s my best friend, but she is like a cat on heat” sets up a scenario that most will be able to relate to.

The music video to Cat on Heat premiered on August 11th. Check it out for yourselves by heading over to YouTube.

Review by Amelia Vandergast

Andrew Brown looks for the light in his debut RnB single, In the Dark

For his alt-RnB debut, the independent artist and producer, Andrew Brown, went all-in with the trippy minor-key melodies in his poised yet profoundly raw single, In the Dark, which lasciviously flirts with elements of pop and new wave hip hop after its sombre and ballad-like intro.

When in full momentum, In the Dark is a visceral triumph of experimentalism and straight from the sad boi soul expression. While there is a little room for improvement in the production with the slightly excessive use of phasing, all in all, In the Dark stands as an all too promising debut for Andrew Brown. You can hear it for yourselves by heading to Spotify.

Review by Amelia Vandergast

Orlando Rocco Music & Justis Chanell delved beyond superficiality in their indie RnB single, Way You See Me

https://soundcloud.com/user-532179988/way-you-see-me-ft-justis-chanell

Orlando Rocco Music & Justis Chanell became the ultimate RnB collaborative power couple with the release of the East Coast hip hop-influenced single, Way You See Me, which captures that intoxicatingly euphoric feeling of knowing that someone sees you, with their field of vision extending far beyond surface level.

Justis Chanell’s smoothly sultry yet understatedly charismatic vocals resonate against the slick indie RnB grooves that are swathed in layers of shimmering reverb. Way You See Me stands as a contemporary testament to both of their talent. We can only hope that there’s more collab content in the pipeline. Way You See Me was nothing short of alchemically cathartic for the way the sophisticated style runs on a par with the level of soul.

Way You See Me will be officially released on May 13th; you can check it out for yourselves via SoundCloud.

Review by Amelia Vandergast

DJBrandice is more than ‘Good Enough’ in her latest gospel-inspired RnB single.

Houston TX RnB artist and producer, DJBrandice has released her gospel & hip-hop-infused latest single, Good Enough. Over a simple yet striking melody, the deeply compassionate lyrics smoothly move through notions of self-worth in the context of relationships that plant seeds of doubt.

Even with the heart-wrenching honesty in the lyrics, the nuances of Christian music brings a resolving dynamic to the release that is full of aural salvation for anyone with a confusing sense of self-worth. The instrumentals may be minimal, but with DJBrandice’s unique sonic signature written in the mix and her resoundingly evocative vocals, Good Enough is more than that; it’s exceptional.

Good Enough is now available to stream on Spotify.

Review by Amelia Vandergast

Santi Castro showed us the depth of his affectionate introspection with his indie RnB pop track, Best I Can Do

Since making his debut two years ago, the Richmond, US-hailing indie RnB pop artist, Santi Castro, has consistently proven to be the total package. With lyrics that reel you in as much as the juicy choral indie hooks and the sweet soulful sincerity in the harmonies, his single, Best I Can Do, is the perfect introduction.

Thanks to the finesse in the lyrics “I would give you answers even where your questions felt playing lost and found”, “I’ve been looking for you in all these other women but they don’t have a heart like you” Castro transcends the usual cliché tropes and affirms that this track came straight from the soul. Lyrical poetry like this doesn’t come cheap.

You can delve into Best I Can Do yourselves by heading over to SoundCloud.

Review by Amelia Vandergast