Browsing Tag

RnB Pop

Riding the Whip of Want: Emdee Puts Lust on a Leash in ‘Tame’

With a teasing prelude that feels more like foreplay than an intro, Tame defies its title as Emdee fuses fetish with soul, sonic seduction with salaciously sharp aphrodisiacal elements. With pop and contemporary RnB serving as his playroom, Emdee is in his element in Tame, which utilises playful teasing staccato rhythms until the momentum of the single starts to flow around guitar lines amplified to leave the listener hot under the collar.

With his mix of light and dark, it’s clear that Emdee knows how to bring the rough with the smooth while never being vanilla; his butter wouldn’t melt vocal lines and the tension built in the guitars is enough to leave the airwaves on its knees in submission.

After carving out his name in rap and drill, the Birmingham-born, Coventry-based artist strips it all back to lean fully into melody and desire. There’s nothing tentative about this transition—it’s a controlled burn into sultry new territory, driven by his taste for the provocative and his instinct for sonic balance. Influenced by the likes of The Weeknd and Ginuwine, he’s taken the slow jam blueprint and scratched his initials into it with slick rhythmic restraint and a vocal delivery steeped in self-possession.

Now or Never is set to push this evolution further, but Tame already signals the leash has snapped—and Emdee’s instincts are on full display.

Tame is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

XXLTARIK dragged RnB into the shadows of pop funk with his ahead of the curve hit, RUNAWAY

Moroccan-American artist XXLTARIK is storming through Jersey’s music scene with his spectral and darkly sultry approach to RnB, creatively spliced with alt-pop sensibilities and contemporary funk grooves. His latest single, ‘RUNAWAY’, sidesteps the usual pitfalls of superficial hooks, pulling listeners instead into a deeper, emotionally raw narrative that feels hauntingly personal despite the slick, polished production.

XXLTARIK’s ability to alchemise genuine emotive candour with melodies flooded with unflinching momentum turns ‘RUNAWAY’ into an infectiously arresting anthem—guaranteed to hype any listener, whatever their backdrop. His vocals refuse pretence, showcasing flawless command as authenticity surges through each note, effortlessly oscillating between gritty vulnerability and smooth sophistication.

The track confronts the human tendency to expose our vulnerabilities to those least worthy of them. Through this emotional transparency, XXLTARIK makes ‘RUNAWAY’ resonate as both confession and cautionary tale, exploring the shadows we willingly inhabit for fleeting connections.

With funk-driven rhythms underpinning his dark wave alt-RnB textures, XXLTARIK ensures ‘RUNAWAY’ is a tour-de-force, defined by its depth and cross-over appeal.

‘RUNAWAY’ is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Dana’s ‘More Than Enough’ is RnB Gospel for the Self

Dana is forging his own path to the top of the charts with ‘More Than Enough’, a track that channels RnB, pop, and soul into an intimate yet universally resonant anthem. As he advocates for knowing that the only thing you’ll ever really need to change is how much you value yourself, the production finds space for his growing audience to amplify their sense of self. So often, RnB leans into external validation, but Dana hones in on where affection truly matters—within.

Born in Huntsville, Alabama, and now calling North Carolina home, Dana White has come a long way from the self-doubt that once kept his voice in the background. His reinvention as an artist wasn’t just about sound—it was about shedding insecurities, embracing his own style, and pushing forward with a genre he calls Seren&B, a fusion of atmospheric serenity and RnB’s soul-bearing aura

With layered harmonies building into seraphic choral textures towards the outro, ‘More Than Enough’ is gospel for anyone who needs to find their way back to themselves. The rich vocal layering feels like a sonic embrace, wrapping around the empowering lyricism that doesn’t just suggest self-worth—it demands it. Dana’s trajectory is one of resilience; in ‘More Than Enough’, he makes it clear that he’s bringing listeners along for the ride.

‘More Than Enough’ is available now on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Young Jay Channels the Tides of Romance in His Tropic RnB Trap Pop Fusion, ‘Her Ocean’

Young Jay’s latest single, Her Ocean, is as sonically oceanic as the title—it moves with the same tranquil yet powerful force. Fusing pop, RnB, and trap, the independent artist found his space in the contemporary landscape with a track that radiates warmth and intimacy. There’s a sultry undercurrent, but the real strength lies in the sincerity of his lyricism. While others lean on excess, Young Jay proves that restraint and poetic depth leave a far stronger impression.

After stepping away from music for a year following the passing of his great-grandmother, Lillie Mae Jones Manning, Young Jay resurfaces with a song that feels like both a reflection and a return. Her Ocean is far from surface-level sentimentality—it’s a testament to the kind of romance that refuses to drown in modern trends. With a vocal delivery that rolls in like a tide, carrying both tenderness and intensity, he captures the equilibrium between admiration and longing, bringing a tactile emotional depth to the track.

The production lingers in the same atmospheric space, conjuring images of golden-hour heat and slow-motion devotion. The melody doesn’t overpower; it guides, letting the lyrical honesty take centre stage.

Her Ocean is available now on all major streaming platforms, including YouTube.

Review by Amelia Vandergast

Stephan Folkes Demands Authenticity in His Genre-Blurred Instant Hit, ‘Say It Like You Mean It’

Stephan Folkes isn’t interested in fitting the mould—he’s too busy blasting past the constricting contours. With his debut single Say It Like You Mean It, the London-based singer, songwriter, and producer channels the soul of the greats while making sure his name rings out on its own terms. The track is a sharp-edged lesson in self-worth, delivered with the kind of vocal command that makes empty words feel like an offence.

Raised on the sounds of Prince, George Michael, and Stevie Wonder, Folkes has been chasing musical excellence since he first stunned school audiences at 11. By 13, he was writing his own songs, sharpening his craft under the guidance of former UB40 backing singer Claude Alexander. Now, as a seasoned performer and sound engineer, he refuses to be boxed in—melding R&B, soul, pop, funk, and even trance into his own brand of sonic storytelling.

Say It Like You Mean It is a bold opening statement for his upcoming LP. Seraphic 80s tones hum in the background, while his voice carves through the mix with an urgency that demands attention. The track reflects on pale imitations of love with a vocal bite reminiscent of Prince, refusing to let wasted time go unnoticed. As “The Visionist” and self-proclaimed “King of Fantasy,” Folkes embodies self-investments

Stream Say It Like You Mean It on Spotify now.

Stay tuned for Stephan Folkes new releases on Instagram and TikTok.

Discover more ways to listen and connect with Stephan via this link.

Review by Amelia Vandergast

‘lowkey’ – Rhys Avery Turns Heartache into a Late-Night Confessional

Rhys Avery

Inch by inch, Rhys Avery is carving out a space where storytelling, vulnerability, and early 00s RnB nostalgia collide. The Fort Lauderdale-born singer-songwriter has been commanding stages from Off-Off Broadway to underground venues, bringing his background in musical theatre into the sonic sphere with a knack for raw emotional expression. After refining his craft through a year-long artist development programme, Avery has found his voice in a seamless fusion of pop, RnB, and hard-hitting lyrical introspection.

With lowkey, he paints candour in masterstrokes, unearthing the pain of secret love and the heartbreak of being someone’s hidden truth. The track pulses with euphoric resilience, but beneath the groove, there’s a gut-wrenching exposition of emotional taboo—of breaking your own heart by loving someone who isn’t ready to take that step out of the closet.

His soulful harmonies spill over polished production, igniting the tension between desire and guilt, all while tethering listeners to a reverb-soaked atmosphere where every progression reflects a flicker of light through the darkness.

lowkey is now available to stream on all major platforms, find your preferred way to listen via this link.

Review by Amelia Vandergast

Collier Randall’s RnB Pop Aphrodisiac ‘Be Mine’ Drips with Lust and Luxury

Collier Randall thrives on reinvention. The Maryland-born artist built his foundation in theatre before stepping into the world of rap, songwriting, and production. After earning a BFA in Contemporary Theatre from Boston Conservatory at Berklee, he sharpened his ability to merge storytelling with music. His latest single, Be Mine, released on February 7th alongside a cinematically shot music video, is a testament to his hot and heavy genre-fluid alchemy.

The track lands squarely in the heat of pop, rap, and RnB, finding room for afrobeat influences and sculpting a sound that feels decadent from the first beat. The production is thick with atmosphere, while the instrumental progressions shift like a lover’s mood—always in-flux but never losing their ability to put you under their spell. Randall’s vocals are just as mercurial. His RnB harmonies pull close, his rap cadences cut through with precision, and his pop crescendos lift the track into hypnotic territory. Every listen is a lustfully sticky-sweet revelation.

Timed for Valentine’s Day, Be Mine holds its weight as both a love song and an aphrodisiac. Randall’s background in theatre seeps through every detail, from the arrangement to the lyrical delivery, creating a track that commands attention without ever feeling forced.

Be Mine is available on all major streaming platforms. For the full experience, stream the official music video on YouTube.

Review by Amelia Vandergast

Noah Meadors Stakes His Claim with His Emotionally Raw, Euphonically Polished Earworm, ‘I Want It All’

I Want It All bleeds synth pop and R&B over a trap beat as Noah Meadors shape-shifts through his vocal delivery, slipping between honeyed low reverberant harmonies and pseudo-rap verses that slap just as hard as the beats cutting through the wavy, delay-saturated production. Lyrically, it’s a straight-from-the-soul confession—an unfiltered declaration of desire for a life and love without compromise. If one of the things Meadors wants is a revered career, this hypnotically aphrodisiacal track proves he’s already well on his way.

Born in Tennessee in 1998, Meadors has been writing songs since he was twelve. Releasing music under the moniker Only Lonely, he built a foundation before deciding to step into the spotlight under his given name, embracing a more personal and uninhibited creative approach. With I Want It All, he distils his most primal pop sensibilities into a release that leaves no doubt about his versatility as a singer, rapper, and producer.

The track pulses with urgency yet never loses its smooth magnetism; if this is your first introduction to Noah Meadors, it will be an unforgettable one.

I Want It All is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

‘Good Lord!’ – Malya Tempts the RnB Gods with Her Sultry Debut

Some artists tiptoe into the industry, but Malya kicked the door wide open with her debut single, Good Lord! The Sydney-born singer-songwriter has spent nearly a decade honing her craft on stage across the Western Suburbs, and at 23, she’s finally ready to take her own sound to the airwaves. Taking cues from the vocal fluidity of Ariana Grande and the soulful weight of SZA, she’s riding the contemporary RnB wave in a direction that pays homage to the golden era of 90s icons while staying radio-ready for the new generation.

Good Lord! is a full-bodied meditation on desire—sensuous in its production, intoxicating in its delivery. Every note carries intent, ensuring not an ounce of the soul in her performance slips by unnoticed. Self-produced and sonically rich, the track boasts the same earworm appeal as her influences without leaning into imitation. The hypnotic melodies wrap around lyrics that revel in the body’s ability to spark obsession, making for a track that doesn’t just flirt with seduction—it commands it.

If this is Malya’s first step, it won’t be long before she’s towering above us from the RnB pantheon.

Good Lord! was officially released on January 26th and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

CMC J$ap’s ‘No Limits’ is the Sound of RnB Breaking Orbit

CMC J$ap isn’t interested in following the gravity-bound formulas of RnB—he’s hurtling past them at full velocity. ‘No Limits’, lifted from his interstellar LP Woke Up on the Wrong Side of Orbit, doesn’t just flirt with genre fluidity—it obliterates the concept of genre constraints entirely. Synthwave, hip-hop, trap, pop, and RnB all collide in a kinetic explosion of sound, with beats that ignite the track like rocket fuel and an energy level that refuses to wane.

The Kansas City-based artist, producer, and songwriter has never been confined to a single lane, and his global reach is proof that his boundary-smashing approach resonates. As co-founder of Canis Major Collective and NerdLyfe Global LLC, CMC J$ap has built more than just a discography—he’s constructed an empire where music, fashion, and business intersect. But it’s his ability to push a new evolution into the trajectory of RnB that has allowed him to reach his creative zenith, and ‘No Limits’ is an emphatic testament to that.

This isn’t just a track for today—it’s a future blueprint for RnB evolution. If your playlists are stuck in the past, let CMC J$ap propel them forward. ‘No Limits’ is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast