Browsing Tag

Retro Rock

‘Benjy’ Dances Between Satire and Stardust in Rex on Demand’s Seminal Single from ‘The Angel Sessions’

Take the experimentalism of Grandaddy, fuse it with cosmic rock reverence, and you’ve got the eccentric sublimity of the standout single, Benjy, from Rex on Demand’s latest release, The Angel Sessions. The celestially synthesised and scuzzy release veers straight towards uncharted territory with its nuanced social dissection that, rather than launching an all-out attack, delivers a narrative which leaves the vitriol between the lines, offering vindication for anyone who can already see where we are and how we got here. While drinking in delicious synth rock grooves, listeners can find their rhythm in the chaos of modernity.

Based in London, Rex on Demand has been steeped in music since his school handed him a cello at six, which he played through to grade eight before expanding his sonic vocabulary at university. You can feel the years of musicianship in the intimacy that belies the polished production here, and in the satirical edge that makes Benjy bite just enough without losing its sweetness.

The nods to new-wave and the belt-out sensibilities of Springsteen are there, but Rex on Demand keeps his lens firmly fixed on the present, building worlds where the retro glimmers illuminate the dystopian present.

Benjy is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

The Vanities Trace the Collapse of Connection Through the Neon Lights of an 80s Synth Pop-Rock Arcade in ‘The End of Love’

In The Vanities’ universe, love isn’t infinite, let alone unconditional. Their latest single, The End of Love, featuring Kaysha Louvain, traces the start of a loveless epoch right back to the 80s with a shimmering synthesis of synth pop and retro rock, soaring sax solos and all. If there’s ever a romantically pessimistic Blockbuster set under the buzzing lights of a neon arcade, this track would be the soundtrack to the final scene as love evaporates into the pixelated night.

The Cardiff-based pop duo, who have previously collaborated with Tony Hadley, Peter Cox, and Bob Fitzgerald, brought Al Steele of The Korgis on board to produce at Shabbey Road Studios. Jack McDougal’s saxophone screams through the mix as Owen Powell and Andy Fairweather Low lace the soundscape with searing guitar lines, letting every note cut deeper into the dissolution theme. Louvain’s vocal delivery seals the cinematic desolation with a finality that feels chillingly resolute.

The End of Love is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Brashy Romanticism and Analog Warmth Reign in GoldCoast’s Debut Single, Angelena

GoldCoast

Brashy retro rock romanticism is resounding through the underground airwaves yet again after the release of Angelena by the up-and-coming powerhouse duo GoldCoast. Their sunny-day, top-down-on-PCH groove doesn’t just conjure heat, it radiates the same kind of warmth that used to pour out of Laurel Canyon speakers before algorithms got involved. You can practically see the glow of the amps as they register the alchemy they’re augmenting.

Imagine New York Dolls if they swapped the swagger for soul, and you’ll be somewhere close to what GoldCoast cooked up in this temperately euphoric radio-ready anthem. There’s something about the resolving resonance of the pitch-perfect vocals after the fuzz of the vintage guitars that lends Angelena the same kind of infectious songwriting chops as Laura Branigan’s Gloria, while still keeping its boots planted in the analog-driven dirt.

The track was born thousands of miles away from home while Rich and Jen watched wildfires devour Los Angeles from a distance. The song became a love letter to their hometown and a note of encouragement: “You’re not alone. We’re coming home. We’re in this together.” With the Muscle Shoals soul and the AM Gold warmth bleeding into the mix, it’s one hell of a way to kick off a discography.

Angelena is now available on all major streaming platforms, including SoundCloud. 
Review by Amelia Vandergast

Scott McDonald Poured Anthemic Defiance and Rose-Tinted Melancholy into His Retro Rock Anthem, ‘Wave’

If life is a wave, Scott McDonald’s power pop meets retro rock signature is a tsunami of feeling. His standout single, Wave, taken from his debut LP See It Through, carries the incendiary fire of The Manic Street Preachers in their Generation Terrorists era, while channelling the glamour of Michael Monroe and the riotously infectious euphoria you’d expect from a Tom Petty record. With lyrical substance at its core, the augmented atmosphere traverses different epochs of rock with an energy that borders on the feral.

Wave lands as an anthem for anyone wrestling with karmic injustice, for those attempting to make sense of reality’s increasingly obscure forms, and for listeners trying to reconcile rose-tinted pasts with the black clouds hovering over their present. It is both escapist and grounding, offering catharsis through its relentless rhythm and soaring vocal delivery.

At the heart of See It Through lies McDonald’s own songwriting fire. As both lead vocalist and primary writer, he poured his personal touch into all twelve tracks, reflecting resilience, hope, and the fight to keep moving forward. Produced alongside Brian J. Anthony in Pennsylvania, the album’s sessions thrummed with an atmosphere that allowed McDonald’s creative spirit to fully ignite. With Wave as its flagship, this debut cements him as an artist who can soundtrack both despair and defiance with equal intensity and consolation.

Wave is now available on all major streaming platforms, including Spotify. 


Review by Amelia Vandergast

Hypnotic Romanticism and Aphrodisiacal Guitar Tones Drove Brian Lindsay’s ‘Hexbreaker’

No one plays quite like Brian Lindsay, or channels the key of retro rock harmony with such intoxicating magnetism. If he had broken onto the scene alongside Elvis, the contest for sonic sex appeal would have been fierce. With Hexbreaker, Lindsay delivers a devil-may-sensuously-care performance that teeters between nostalgia and raw seduction. The guitar chords curl like smoke around your imagination, casting you as the lead in your favourite 80s rom-com, while his deep, quasi-staccato vibrato pours aphrodisia into every bar.

Hexbreaker is escapism in its most potent form; surrender is inevitable as Lindsay lures listeners into a world where diehard romanticism reigns supreme, where guitar tones swagger with lustful intensity, and where his vocal performance absolves even the heaviest melancholy. It is a single that confirms why the NYC singer-songwriter has long been a force within roots-rock circles, building his reputation through records and performances that leave indelible impressions.

Across a career that has seen him perform alongside The Smithereens, Shooter Jennings, and Grand Funk Railroad, Lindsay has never ceased to evolve while keeping authenticity firmly at his core. With Hexbreaker, he cements his reputation not only as a lyrical craftsman but as an architect of retro rock escapism, able to shift the atmosphere of any room with a single chorus.

Hexbreaker is now available on all major streaming platforms, including YouTube.

Review by Amelia Vandergast

Call Me Cannon rekindled the resonance of rock’s golden era with their latest nostalgic installation of soul, JAMEY

Call Me Cannon’s latest single, JAMEY is a nostalgically fresh breath of air. The pop-rock gem, infused with soulful undertones, is a masterful blend of past and present and echoes the robustness of rock with the catchy allure of pop.

The track is a harmonious blend of piano-driven melodies and rock-solid guitar riffs, creating a sound that carries the influence of the Human League, Billy Idol, and Aerosmith while reverberating a sonic signature steeped in a style of soul that could only belong to Call Me Cannon.

The trio, consisting of Michael Fitzgerald, Jonathan Clark, and Tony Brock, brings a wealth of experience and musical prowess to the table. Their chemistry is undeniable, evident in the seamless way their talents converge in their latest evocative earworm. The song is a testament to their philosophy of “doing what we want as long as it rocks”. We can definitively argue that it does.

Michael’s songwriting shines, offering a glimpse into his impressive repertoire of 17 independent albums and multiple award nominations. Tony Brock, with his extensive credentials, and Jonathan Clark, known for his collaborations with music legends, add endless layers of depth and expertise to the mix that you’ll turn to every time you want to feel the sanctity that only soulfully constructed rock can deliver.

JAMEY proves that sometimes, the most impactful innovations are those that skilfully revisit and revitalise the past.

Watch the official music video for JAMEY on YouTube or add your single to your Spotify playlists.

Review by Amelia Vandergast

Ana & Gene scribed a modern love story with retro tones in their power-pop hit, Narcissistic You

Ana & Gene, the dynamic duo behind the fresh and invigorating EP, Uh-Oh Who Do You Love, have struck gold with their single Narcissistic You. The earworm is an infectious paradox through its synthesis of sticky-sweet retro power-pop and modern fusionist and lyrical touches.

The song is a masterclass in blending genres, contorting classic rock riffs into pop hooks without losing an ounce of their retro charm. Ana & Gene’s commitment to live elements in their recording process shines through, promising an electric replication of this energy in their live performances.

What sets ‘Narcissistic You’ apart is its playful yet piercing commentary on the modern lexicon and societal shifts. The lyrics cleverly weave in the increasing awareness of narcissism, striking a chord with contemporary listeners. The dual harmonies between Anastacia Bella and Gene Roberts are nothing short of magnetic. Their voices intertwine with a natural chemistry, elevating the song’s playful, tongue-in-cheek nature.

The track is a testament to Ana & Gene’s ability to craft music that appeals across generations. Their aim to reach audiences through radio, TV, commercials, film, and social media is not just ambitious but achievable with such a universally appealing sound.

Stream Narcissistic You with the rest of Ana & Gene’s 4-track EP, Uh-Oh Who Do You Love on Spotify.

Review by Amelia Vandergast

Nate Ridgeway romantically reinvented the 80s rock aesthetic with ‘Here I Fall’

Nate Ridgeway romantically reinvented the 80s rock aesthetic with the standout single, Here I Fall, from his double LP, The Emancipation of the Heart. The seminal single has already racked up over 71k streams on Spotify alone. From the very first hit it is evident why people struggle to part ways with the inexplicably superlative track which will cause your serotonin levels to spike as you lose yourself in the dreamy harmonies which blend effortlessly well into the colourfully rich choral atmosphere of the single.

Here I Fall effortlessly reignites the spirit of 80s rock, infusing it with Ridgeway’s unique blend of pop-rock and R&B influences. This sonic tapestry evokes the essence of iconic bands like Boston, Journey, and Foreigner, making it a perfect addition to playlists that celebrate the golden era of rock music.

Ridgeway, hailing from Muscle Shoals, brings a distinct authenticity to his music, drawing on the legendary musical heritage of the region. His double LP showcases his talent for crafting songs that resonate with listeners; produced and engineered by Eric Myers of Sonic Boost in Raleigh, NC, this record is a testament to Ridgeway’s commitment to quality and his passion for music. For those looking to rekindle their love for classic rock or discover its timeless charm, Here I Fall is a must-listen.

Stream Here I Fall on Spotify and keep up to date with Nate Ridgeway’s latest sonic ventures via Facebook.

Review by Amelia Vandergast

Black Smoker shake, rattle and roll through their raucous and raw garage rock debut, Dissolution

With all the sonic swag of Eagles of Death Metal and psychedelic garage rock kicks of King Gizzard & the Lizard Wizard, the debut raucous and raw with distortion single, Dissolution, from the Washington-based five-piece, Black Smoker, is a frenetic hair-raiser that could easily lead a crowd into sharing the same furore that unfurls like smoke from a loaded gun from the riffs.

It is only a matter of time before the outfit stops reigning supreme in dive bars and takes its sound to bigger arenas; God knows that their maniacally wild hits could fill them. After banding together in 2017 and dominating the live circuit, they’ve got their blackened hearts set on making digital platforms their dominion. You may as well submit to their supremacy now before they assert it with even more force in their sophomore release.

Dissolution dropped on October 10th; stream it on all major platforms via this link.

Review by Amelia Vandergast

The Impersonators evoke campus radio nostalgia with ‘Scarlett Hell’

The Impersonators unleashed the ultimate perennial pop-rock earworm with the release of ‘Scarlett Hell’, just one of the soul-kissed tracks found on the duo’s debut LP, ‘Life of Grant’.

If you could imagine what it would sound like if Ricky Martin collaborated with R.E.M., you’ll get an idea of just how enlivening the timeless pop melodies in Scarlett Hell are. With funk-infused instrumental breakdowns between the choppy sun-bleached staccato guitar chords and the upraising vocals that are sure to evoke campus radio nostalgia, it is a serious contender for your alt pop-rock Summer playlists.

Scarlett Hell is now available to stream via Spotify.

Review by Amelia Vandergast