Browsing Tag

Progressive House

Show Me A Sign: UK-based EDM producer Vekken shows us the light with ‘Never Felt So Good’ (ft. Brooke Telling)

Dropping his debut single to have us thinking that hope is on the way, Vekken shows us that good times are coming back with his debut track called ‘Never Felt So Good(ft. Brooke Telling).

Vekken is a UK-based EDM music producer, who brings forth a real message from his creative imaginations, as he opens the door to positive energy to return again, when there was just darkness before.

With a whirlwind effect that has you smiling again, whilst peering through your window and looking a bit deeper than before. The atmospheric beat has you lifting the keys from the table and venturing out again to see if its safe outside again. This is the mood changer that is needed, as staying home and being glued to the screen and stuck into your pajamas like glue, has become way too tiresome.

Never Felt So Good‘ (ft. Brooke Telling) from UK-based EDM progressive house producer Vekken, is a catchy new single from a new artist that has decided to shove away the negative vibes, to score a goal with this awesome new single that will have you thinking that better days are ahead, no matter what it says on the news.

Watch this fine video on YouTube and check out his IG to see future releases and visuals.

Reviewed by Llewelyn Screen

Muscular – Auraraver: Synth Soul Food

Muscular’s debut electronica single is the aural equivalent of soul food. Synths may not be known for their soulful propensities, but in ‘Auraraver’, the ardent alchemy refuses to hide behind futurism.

Synths and basslines lead the way, and through the infusion of organic percussion, piano and guitar, the track quickly evolves from a dark hard-hitting feat of techno into a mix that will get you higher than Mind.in.a.Box’s iconic EBM track, 8-Bits. Through shimmering reverb and teasing build-ups that will leave you as eager for the drop as Infected Mushroom’s mind-melting mixes do, it’s safe to say that Auraraver will leave you hooked right through the extended duration.

Auraraver released on March 26th; you can hear it via Spotify.

Review by Amelia Vandergast

Finnish Grammy-award-winner JORI SJÖROOS has unleashed their forceful-feat of future pop ‘TAKE A CHANCE ON ME’

Every up and coming artist wants nothing more than for people to take a chance on them, but that’s something only the brave will admit; JORI SJÖROOS’ standout single ‘TAKE A CHANCE ON ME’ puts harmony to the desire which hides behind our assured facades.

The entrancing hit maybe lyrically reaching for love, but the humble vibe to the single permits you to unashamedly embrace all facets of desire. As it allows you to recollect all of the times you wanted nothing more than for your potential to be seen, the forceful and polished beats, orchestrated by the Finnish artist, producer and songwriter, will make sure that emotions are running high.

It comes as no surprise that JORI SJÖROOS has achieved gold and platinum status on their releases and has been awarded multiple Finnish Grammys. Their sound is beyond radio-ready and given the diversity in their discography, you never know quite what they’ll pull off the soundboard next. Get them on your radar.

TAKE A CHANCE ON ME is available to stream via Spotify.

Review by Amelia Vandergast

Treyeful x Esther Rowena Louise – A Different Her

Pop producer Treyeful has followed on from the success of his 2020 EP, ‘Neon Green’,  by collaborating with vocalist Esther Rowena Louise, whose vocals breathed plenty of multifaceted soul into the production.

It’s the aural equivalent to a page-turner as the progressive track evolves through the ebbs, flows, crescendos and breakdowns, steadily increasing the adrenaline. When the track hits its energetic peak, you’ll remember the haunting echo of Esther Rowena Louise’s melancholic harmonies from the intro while simultaneously being arrested by her ability to command such resilient ferocity through her dynamic vocal range..

Outside of soundscapes, it may take longer than 5:46-minutes to weather storms and come out on the other side, but it’s a stunning reminder that the clouds have to move eventually, and when they do, everything will be brighter. A Different Heart may sting for anyone with raw romantic wounds initially, but by the outro, you might find that the entrancing dance-pop track has put yours back together – or at least implanted a little bit of optimism.

A Different Her is now available to stream via Spotify. Keep up to date with Treyeful’s latest releases via Facebook.

Review by Amelia Vandergast

RavenRain is a positive presence on the airwaves with her latest EDM pop track, ‘Don’t Back Down’

If descents into darkness have been part of your daily routine lately, your sanity could probably benefit from hitting play on RavenRain’s latest EDM pop hit ‘Don’t Back Down’.

The forcefully rhythmic is strong enough to push back on feelings of existentialism and apathy as RavenRain’s entrancing vocals reach out and offer an olive branch of consolation that you’ll be inclined to grab.

Her positive presence on the airwaves is a breath of fresh air. Not all too many artists can simultaneously offer danceable beats and empowering vibes, but with RavenRain’s alchemic approach to production, she can seemingly do it with ease.

Naturally, we’re all too excited to hear what follows her sophomore single.

Don’t Back Down is now available to stream via Spotify.

Review by Amelia Vandergast

2SixEight ‘Don’t Need Nobody’ to make us party.

Sri Lanka might not be the first place that springs to mind when you think of house music, but this – the new single from 2SixEight – adds vocalist Iman C, a Sri Lankan model with over 20,000 followers. The result is a full-on house dancefloor attack, heavy on the drum and bass with an impressive lift and drop; it’s got some proper grind to it, Iman’s mantra-like vocal breathy and seductive over the sparse instrumentation. There’s an element of Beardyman’s ‘6 am (Ready To Write) to it, along with some of Breach’s ‘ Let’s Jack’ and maybe even a little Flat Eric in places – it’s catchy, but it’s also effortlessly cool.

2SixEight – a reference to the artist’s home number – plan to release some official remixes of the track too, in the coming months, but for now ‘Don’t Need Nobody’ is a killer dancefloor groove all of itself.

Check out ‘Don’t Need Nobody’ on Spotify now; follow 2SixEight on Facebook.

Review by Alex Holmes

Zachary James & Rene Orth – Jabberwocky: A Harsh Electronica Sci-Fi Serenade

Electronica artists generally fall into two categories, the assimilators, and those who throw their authentic expression into their projects to create mind-blowing feats of indulgent insanity, ‘Jabberwocky’ from Zachary James’ 2020 album ‘Call Out’, definitely falls into the latter camp.

‘Jabberwocky’ is a theatrically enticing Sci-Fi laden hit which Zachary James created in collaboration with Rene Orth and Lewis Carroll. The progressive track runs through teasing melodic increments before crashing into tremulously bass-drenched Industrial electronica. It doesn’t matter which extreme the tempo is sitting at; you’ll be transfixed from start to finish in the mix which gives Jeff Wayne’s War of the Worlds a run for its money.

The multitalented artist’s experience as a Broadway actor discernibly fed into the monumental 7-minute visual single which becomes so much more than a soundscape as you embrace the chaos, imagination and cinematic style.

Jabberwocky is available to stream with the rest of the epic 25-tracker album via Spotify.

 

Review by Amelia Vandergast

ADT proves that ‘The Truth’ doesn’t have to be uncomfortable with his latest moody electro pop hit

Dark, brooding electronica with a serious hip hop influence, all speeding beats, thumping piano chords, and layered, effected vocals, ‘The Truth’ from ADT is bass-heavy electronic pop with a menacing undertone; if Dre and Eminem had produced Avicii, it might sound something like ADT on ‘The Truth’.

There’s an obvious Marshall Mathers quality to the vocal here, mixed up with a very techno 140 BPM drum pattern and rising instrumental section. It’s a proper, classy dancefloor anthem with a catchy chorus and a kick to the drop, atmospheric and immediately comfortable at the same time.

Check out ADT’s ‘The Truth’ on Spotify, and follow on Facebook.

Review by Alex Holmes

Get a Shot of Electro House Euphoria with Too Martian’s Single ‘Changes’ featuring Sara Chay

Netherlands-hailing artist and producer Too Martian’s short but significant career has seen him achieve airplay on major stations and garnering plenty of hype with their entrancing mixes, their latest release ‘Changes’ exhibits the best of their euphoria-rousing talent.

With Too Martian’s bass-riding beats in a high-vibe progressive rollercoaster of a track, you’ll quickly feel your rhythmic pulses become intrinsically combined with the playfully devilish breakdowns and build ups which will always leave you wondering what kind of aural curveball will be thrown at you next through the shimmeringly entrancing production.

The Future Pop vocals perfectly round off the track by complimenting the stylistic tone of the EDM beats which combine all of the best components of Melodic House and Electro House.

You can check out Changes for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Fire Jane – Blind: Unapologetically Empowered EDM Pop

“Blind” is the intensely euphoric latest EDM Pop single from up and coming Boston-based duo Fire Jane. It finds the perfect balance between emotion and energy by running through as an undeniable testament of the artist’s ability to not only create a radio-ready earworm but to create an infectious drop which will leave you psyched every time you hit play.

Blind feels like an almost serendipitously timely release, when the world is sitting in their respective anger or apathy, Fire Jane is reminding us what visceral emotion feels like. The unapologetically empowered edge to the harmonically succinct vocals is something that I’ll never forget.

You can check out Blind by heading over to Spotify.

Review by Amelia Vandergast