Browsing Tag

prog rock

The John Lister Project drove ‘Highwayman’ through hazy sublimity and raw rock resolve

The John Lister Project

The John Lister Project exemplified the importance of the human soul in sound with the latest single, Highwayman. At the centre of the project is composer, musician and producer John Lister, whose body of work is built on original songs played note by note on real instruments, with no AI shortcuts, no borrowed performance samples, and no drum-loop sterility flattening the life out of the music. That commitment matters, because Highwayman lives and breathes through raw resolve. Reverent to the roots of rock, Lister knows exactly how to tap into your psyche through your rhythmic pulses while immersing you in lyrical narratives which sprawl before you as vivid vignettes.

There’s an almost arcane air to Highwayman, delivering the same hazy sublimity as The Zombies through the shimmering organ tones, while intersecting those woozy qualities with gasoline-soaked, overdriven rock ’n’ roll guitars. That tension gives the release the progressive panache to keep you hitting repeat, wanting to be gripped again by the chameleonic transitions between timbres and levels of visceralism. The road-worn narrative of speed, distance and lone-eyed fixation only deepens the spell. It’s a stunning release, and an unquestionable triumph for artists pushing back against the generic banality of AI. Rock roots don’t get much deeper than this.

Highwayman is now available on all major streaming platforms, including Reverbnation. 
Review by Amelia Vandergast

Psychedelic sadness and soft revolt: July Morning lifted indie folk into the ether on Beacon

July Morning approaches indie folk as a respected art form. In their latest transcendently proggy single, Beacon, the Australian breakthrough band tantalises through instrumental and harmonic timbre, creating a rhythmic lullaby for the disenfranchised who don’t frequently see the end of many olive branches.

From the soft inflexions in the vocals to the way the instrumentals pour as though they’ve never felt the string of restraint, to the seamless emotive expression, Beacon is a single that finds a plateau above shadow and invites listeners there; to a space where sadness and psychedelia combine, creating a tonally masterful escape from the void. Genuinely, it’s one of those rare singles that makes you feel mournful when the outro delivers you back to material reality.

Formed in Eora/Sydney, July Morning occupies a liminal space between prog rock, folk, art rock, and the kind of emotionally literate indie that prioritises poetic provocation over surface-level sensibility. With roots in British dad-rock royalty and a deep affinity for experimental arrangements, they channel everything from post-punk freak-outs to epically composed dirges and aching ballads. But rather than splitting the seams between their eclectic influences, they stitch them together with a rare sincerity that never overstates itself. Beacon marks their continued re-emergence following time away from the scene; they’ve re-entered with something rarer than hype: purpose.

Beacon is now available on all major streaming platforms via this link. 

Review by Amelia Vandergast

Gloria Tore Through Hard Rock Anatomy with Dark Prog-Rock Anthem ‘CATACLYSM’

Gloria

The airwaves will need to brace themselves for impact on September 19th when Gloria release CATACLYSM, a meteoric rock juggernaut that toys with the anatomy of a hard rock anthem while tearing into darker terrain with distorted prog-rock flourishes. The conspiracy theorists might say Ozzy passed his Prince of Darkness crown to Yungblud, but after hearing CATACLYSM, Gloria sound far more deserving of a throne in the seven-ringed pantheon.

What makes CATACLYSM a reckoning is the way Gloria alchemise scuzzy 80s undertones into a track fit for contemporary unrest. The riffs aren’t just designed to rattle heads, they carry a cerebral edge, finding fresh pathways through breakdowns that refuse to follow convention. It’s as though the Seattle sound has been pulled through the fire and given a baptism in something far more sinister.

Gloria, a five-piece from the North West of England, has built a reputation for reinvention with their chameleonic approach to rock. CATACLYSM solidifies their talent for harnessing heavy nostalgia while dragging it into a modern framework that feels reverently destructive. It’s unholy in all the ways you’d want prodigal sons of rock to be.

CATACLYSM is now available on all major streaming platforms via this link.

Review by Amelia Vandergast

To Bloom Channelled A Manifesto of Mourning in the Visceral Post-Hardcore Anthem, ‘Daughters’

Portland’s own To Bloom delivered an absolute gut punch with their latest single, Daughters. As a manifesto of poetic grief, they waste no time in hurling listeners straight into a heady maelstrom of progressive post-hardcore where light and darkness wrestle for dominance. Every progression feels scathing by design; the poetic lyrics cut right through the mix as Bruno López-Vargas’ vocals oscillate between guttural screamo ferocity and falsetto harmonies that act like flickers of hope among the chaos.

The track is laced with intricate guitar work that drives the drama, matched by symphonic euphony in the background, while post-rock elements cascade into something raw and untamed. There’s nothing half-baked about the emotions here; To Bloom are mourning, fighting, and remembering, all at once, as they process the pain of witnessing someone’s decline and the grief left in their absence. Yet, there’s something uplifting woven into the DNA of the track: a belief that even inside sorrow, community, and memory can become lifelines.

Born from the long-standing creative partnership of López-Vargas and Kevin Merrill Payne, and fuelled by authentic Latin grooves and bilingual lyricism, To Bloom have manifested a rare identity in a crowded scene. Their DIY ethos, bolstered by Portland’s own Logan Candelaria, Nolan Plummer, and Cory Wolfe, keeps the spirit honest, raw, and utterly magnetic.

Daughters is now available on all major streaming platforms, including SoundCloud.


Review by Amelia Vandergast

Third Man Syndrome Set ‘Ikarus’ Ablaze with Frenetic Post-Rock Progressions

If you’re in danger of flying too close to the sun, slip into the latest progressive post-rock release, Ikarus, by Third Man Syndrome. The epic aural chronicle uses the chill of frenetic, angular, post-punk adjacent guitars to bring you back down to earth before building cinematic euphony around the progressions, lending melodicism to the release that is always waiting to flip the switch and launch you into a white hot classic guitar riff, a momentous tide of fervent energy, and whatever the soundscape demands of Third Man Syndrome to bring the saga back to life in the form of an instrumental alt-rock firestorm.

Third Man Syndrome was born from an Austrian artist’s renewed devotion to music after time away to focus on family, pouring years of reflection into the strings. Every motif in Ikarus is sculpted with purpose—balancing tension, ambition, and catharsis. The fretwork orbits myth, burning with the risk and release of flight, pushing and pulling through restless crescendos and abrupt plunges. With every passage, the track demands surrender to the drama of soaring and falling, capturing the mythos of Icarus in full instrumental form.

‘Ikarus’ is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Ramener’s ‘Anything & Everything’ Injects Visceral Emotion into Prog Rock Panache

Ramener, the veritable titans of Long Island’s alt-rock scene, flex their prog-rock muscles in Anything & Everything with an intro that wouldn’t be out of place in Tool’s discography. But it isn’t long before a high-octane melody locks into the monolithic tableau of viscerally expressive hard rock. The vocals don’t just cut through the mix—they soar beyond the riffs, injecting raw tendrils of emotion that twist around the instrumental intensity, making it clear that the aching lyrical delivery is the real driving force behind the crescendos.

Instead of using their technical chops as a means to showboat, Ramener channel their ability into something far more impactful—a sound that tightens around the soul with an iron grip. The sheer force of the track isn’t about volume or distortion; it’s about how much weight they pack into every note, every lyric, every calculated shift in dynamics. The instrumentals are wielded as artistic devices rather than the centrepiece, amplifying the tension until it reaches breaking point.

With a radio-ready sound that sacrifices none of its authenticity, Anything & Everything is a testament to Ramener’s ability to command attention without compromise. Their future couldn’t be much brighter.

Anything & Everything is available now on all major streaming platforms via this link.

Review by Amelia Vandergast

A Sonic Rapture: AILEN Channels the Divine in Catharsis

Hummingbird by AILEN

Delivering everything it says on the titular tin through the sonorously enriching tones of every sonic spectre in the single, Catharsis demands your surrender, compels you to sink into the evocatively weighted production and allow the progressions to abstract the weight from your soul. With divinity oozing from the piano keys into the ethereal grace of her vocal lines, AILEN doesn’t just compose—she conjures.

Drawing influence from Pink Floyd, Queen, and Steven Wilson, the London-based alternative and progressive rock artist has made her mark alchemising hybrids of 70s prog, symphonic rock, and cinematic grandeur. Her thought-provoking lyricism and larger-than-life arrangements dissect existential loneliness, social corruption, and the fragile threads of human identity.

Catharsis is a consoling panorama in sound which artfully cuts above AILEN’s contemporaries. The prog rock inclinations wait until you’re off guard, finding the perfect time to cut a mournful electric guitar solo through the euphonic bliss of the single before a percussive build heightens the tension. AILEN’s vocals, which follow, are enough to bring you to the brink of tears, grounding the composition’s transcendence with raw, unwavering emotion.

Catharsis is now available to stream on all major platforms, including Bandcamp.

Review by Amelia Vandergast

Tempus Cucumis reached the epitome of cutting-edge with their prog-rock tour de force, The Axe Drops

Tempus Cucumis have sharpened their classically-trained chops once again for ‘The Axe Drops’, a six-minute tempestuous slice of prog-rock featuring the mesmerising jazz-tinged vocal talent of Anne-Lien. As an extended adaptation of the track that first appeared on their 2021 experimental demo album Mini Mouton—a prog soundtrack to the 1926 silent film Ménilmontant—the single transcends its cinematic roots and evolves into something far more colossal.

Crafted by the formidable duo Jeroen De Brauwer (guitars, drums, composition) and Lukas Huisman (keys, production), the single builds on their signature style of seamlessly balancing storm and stillness. The quiet, reflective interludes, where guitar and keys take centre stage, are fraught with tension, leaving you holding your breath for the monolithic crescendos of doom-laden riffs and symphonic flourishes.

These climaxes pulverise, especially when Anne-Lien’s ethereal vocals sweep in as an arresting juxtaposition to the hostility which breeds in the ferocity of the heavier sections which will leave fans of prog and post-rock slack-jawed. It’s the band’s deft ability to maintain captivation even in the stripped-back moments that make The Axe Drops a triumphant tour de force. The polished production ensures every note feels deliberate, every beat intentional, and every shift monumental.

As Tempus Cucumis work towards their eighth album, this single not only pays homage to their roots but also cements their status as titans of atmospheric innovation. The album artwork, a painting by Giorgi, is a fitting visual companion to a track that feels as vivid as it sounds.

Stream The Axe Drops on Spotify now.

Review by Amelia Vandergast

INTERCONTINEN7AL made history with the post-rock panache in their globally recorded single, Night Shift

Night Shift, the standout single from INTERCONTINEN7AL’s history-making EP World Over, isn’t just an ambitious cross-continental collaboration; it’s an emotive tour de force, commanding you to succumb to the progressive rock sublimity.

The single opens with a cinematic neo-classical prelude, complete with intricate finger-picked guitars and orchestral swells, setting a reflective and ornate tone. As the track evolves, the mood shifts seamlessly into psych-pop territory, with Beatles-reminiscent guitar riffs that carry listeners deeper into its emotional core.

When the soft melodic rock vocals enter, backed by soulfully ethereal harmonies, another seamless metamorphosis is complete, one which will allow fans of Chris Cornell and Eddie Vedder to recognise the heartstring-pulling resonance as it resounds over the essence of 70s folk rock.

INTERCONTINEN7AL, based in Castle Rock, Colorado, emerged from the COVID-19 lockdowns, redefining global collaboration with their innovative use of virtual tools like BandLab. World Over is their fourth album, showcasing an eclectic range of styles, from progressive rock to bossa nova. By recording instrumentation in locales as remote as Antarctica, they created a genre-spanning collection that’s as inspiring as it is groundbreaking.

With Night Shift, the band transcends novelty and crafted a testament to the universality of emotion, delivering a track that lifts listeners far above the confines of geography or genre.

Stream the World Over EP on all major streaming platforms, including SoundCloud.

Review by Amelia Vandergast

Rooftop Screamers & Randy McStine – Souvenirs: A Mesmeric Prog-Pop-Rock Keepsake of Nostalgia and Emotion

In Souvenirs, Rooftop Screamers, the passion project of Mike Collins, pulled from his well of diverse musical influences and delivered a sonic experience that echoes through the past and present. With Randy McStine (Porcupine Tree) and Mark Plati (David Bowie) lending their talents, the track captures the bitter-sweetness of nostalgic reflection to transmit an affecting ode to the beauty of mementoes and the sorrow of losing touch with people who have shaped your soul.

The choral pop-rock energy of the song, tinged with prog-rock guitar motifs, rises and falls like waves of memories rushing through the psyche. Shimmering 80s chords lift the track into an almost celestial realm, while the melancholic lyrics drag you back to Earth with a gravity that’s hard to shake. You’ll find yourself torn between the elation of the instrumentals and the heaviness of the message which we can all relate to. We’ve all been there as protagonists in the universally resonant vignette after loving in losing, whether that person is no longer with us, or we’ve just shifted with different tides.

Every Rooftop Screamers release reveals a new avenue of Collins’ ingenuity, and Souvenirs is no different. Much like every other triumph in his discography, you’re still led to the same emotionally scintillating destination with the single that hits just as hard as the Christmas song that always knows which evocative triggers to pull. There really is no overstating the impact of this stellar slice of proggy 80s pop rock.

Souvenirs was officially released on October 11; stream the single on Spotify now.

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Review by Amelia Vandergast