Browsing Tag

prog rock

Nullor has arrived with his compelling prog rock Tour De Force,  Here

The Fort Worth, Texas-hailing solo artist, Dan Crawford, operating under the moniker Nullor has made his long-awaited debut; it came in the form of his dynamic LP, Finalform. The dusky, doomy and artfully captivating lead single, Here, envelops you in an atmosphere you will never want to come up for air from.

The progressive 6-minute Tour De Force won’t fail to evoke contemplation; the grungy vocal lines which run in the veins of Alice in Chains allow the melodic ambience in the orchestrally cut instrumental arrangement to resonate as a sonically sweet sedative before the monolithic build and burst into intricately electric groove metal.

In the following single, Overdrive, Nullor gives you a taste of classic thrash metal, proving that there are few alternative genres outside of his repertoire. Rather than being a jack of all genres, the versatility of his talent is just as impressive as the degree of it.

Here was officially released with the Finalform LP on September 29; stream it on Spotify and follow the artist on Facebook.

Review by Amelia Vandergast

Gain a lesson in virtue with Cagri Raydemir’s Absence of Patience

Taken from the four-track EP, Absence, which extolls the virtues of patience, candour, courtesy and tolerance, the opening single, Absence of Patience, featuring Julian Hesse on trumpet, is some of the Munich-based singer-songwriter and producer, Cagri Raydemir’s finest work to date.

After teasing a post-punk atmosphere in the intro, exotic folk nuances begin to weave their way into the progressively avant-garde production before Cagri Raydemir’s vocals become a magnetic centrepiece in the sonic pool of beguile. Imagine Serj Tankian turning his talents to folkish prog rock, and you will get an idea of the organic alchemy caged within this exemplary feat of artistry.

12 LPs and 7 EPs down, it is safe to say the qualified recording engineer and artist has honed his sound and his ability to bring lyrical concepts which explore the human condition to life within his soundscapes. We can’t wait to hear what he conjures next.

The Absence EP was officially released on October 16th; stream it on Spotify.

Review by Amelia Vandergast

Culann animated the Scottish alt-rock scene with their standout single, City Eternal

After picking up the Best Rock/Alternative Artist accolade at the Scottish Alternative Music Awards, the Scottish-and-proud-enough-to-mainline-their-heritage-into-their-high-octane-hits powerhouse, Culann, have unleashed their inexorable EP, The Songs of Saints & Reivers.

The standout single, City Eternal, may be best enjoyed with a beer in hand in an atmosphere as lively as the anthemics of the unpredictably progressive fervour, but the cocktail of heart-in-throat immersion, tightly wound rhythmic chaos and swaggering hooks is just as sweet listening solo and in stereo.

Listen closely, and you’ll hear the rules of traditional songwriting being torn up and scattered like confetti in the exhilarant alt-rock arrangement, which isn’t afraid to show its histrionic side, pull punches with tumultuous math rock guitars, or cut itself with an edge of Glaswegian indie.

The Songs of Saints & Reivers EP was officially released on September 15; stream it on Spotify.

Review by Amelia Vandergast

 

Hotel Security reached the pinnacle of euphonic furore in their symphonic pseudo prog rock hit, Forget It

If Eighties Matchbox B-Line Disaster did an 8-ball of speed before falling into the studio, their sound still wouldn’t match the fervour in the latest single, Forget It, from New York City’s most volatile prodigal sons, Hotel Security, who have been trailblazing through the NYC alternative scene since 2020.

With the symphonic keys adding a histrionic edge to the tumultuously tight instrumentals that revolve around the dizzying guitar riffs that rip roar with Psychobilly-esque furore, Forget It would be an all-out attack on the senses if it weren’t for the melodic hooks infused through the catchy vocal melodies that give you a centre of gravity in the chaos of the pseudo-prog rock orchestration. Ironically, Forget It is as brutal as an MK-Ultra operation.

Forget It was officially released on September 15th; strap yourselves in and experience it for yourselves via Spotify. For more info on the self-professed band of music nerds, visit their official website.

Review by Amelia Vandergast

Gabriel Lucas Music’s seminal prog rock single The Tower is a placatingly electrifying juxtaposition

After the droning guitars veer into their first melodic break, the seminally artful prog rock single, The Tower, from Gabriel Lucas Music, featuring Anneke Van Giersbergen, is an ascension into gravity-defying sheer sonic beguile from there on out.

The alchemy that breathes between the dual-layered harmonies and the soaring guitar solos which bring elements of classic rock into the prog masterpiece registers as a placating yet electrifying juxtaposition. Even when Lucas’ vocals forsake harmony to deliver a raw primal outpour, the arresting catharsis of The Tower refuses to loosen its vice-like grip, which will also compel you into affixing the track onto your staple playlists.

In the same way that Ne Obliviscaris take you on a journey orchestrated to awaken and simultaneously sate the senses for desires you never knew needed satisfying, Gabriel Lucas’ prog sound crafting is a testament to his trailblazing talents.

Stream the official music video for The Tower via YouTube.

Review by Amelia Vandergast

Sentia released the most seductive synthscape of the summer with ‘Make You’

Sentia’s latest single, Make You, kisses you through a cosmic installation of smooth analog synth-swathed rock grooves, comprised of velveteen guitars and basslines that funk up the seductively seminal reimagining of alt-rock just enough to put you on a proggy star-roving plateau of pure euphonic appreciation.

If you gave Editors the sex appeal of Alex Cameron, you still wouldn’t come close to what Sentia have crafted in their hit that encompasses the kind of carnal desire which leaves your psyche rife with indecision as the prospect of taking a chance leaves the line between right and wrong obscured with wanton lust.

With their consistently evolving discography, the iconic anomalies of the Australian alternative scene are increasingly hard to pin down, but considering that all their synthscapes are underpinned with sheer sonic beguile, fool on you if you want to force them into a pigeonhole choked with uninspired assimilators.

Make You hit the airwaves on August 18; stream it on Spotify.

Review by Amelia Vandergast

Tony Coppola filled the entropy void with his debut alt-rock track, Empty Shell

The Adelaide-haling independent singer-songwriter Tony Coppola called out into the vacuous atmosphere which is leaving its mark on increasing numbers of us with his artfully progressive alt-rock debut single, Empty Shell.

Ironically if you want to remember what it feels like to feel viscerally alive, sink your teeth into the sonics of the crescendos, powerful enough to make your rhythmic pulses fasten to the builds in momentum before the breaks give you a cathartic cortisol release.

With his devilishly diaphanous vocal lines in the intro that will render your heart just as raw as the vox that features on Porcupine Tree’s Fear of a Blank Planet paired with the assured ring of the acoustic guitar against the cinematic strings, Tony Coppola set the standard for evocatively strong debut singles.

After sharpening his instrumental chops in prominent bands in the Adelaide live circuit, Coppola clearly had no more teeth left to cut before he stood alone and orchestrated this monolithically mesmerising feat of alt-rock

Empty Shell will fill an ingenuity void on the airwaves on June 16th; stream it on SoundCloud.

Review by Amelia Vandergast

Black Stone Brewers Distilled Excitement For Their 2023 EP Launch In Their Expositionally Expansive A&R Factory Interview

From the first shot of Perth’s hottest up-and-coming alt-rock outfit, Black Stone Brewers sound, we were intoxicated. Between their hectic tour schedule and priming their new singles to be launched, we sat down with the enthralling outfit to get a more intimate taste of their ingenuity. They’re quickly becoming our new favourite poison.

Black Stone Brewers, welcome to A&R Factory! You’ve been making major strides despite your relatively recent integration into the music industry. What has been the highlight for you so far?

Thanks so much for having us! A few of us have been playing together for several years, with Simon (bass, ridiculous good looks) and Luke (lead guitar, memes) coming on board for this iteration of the band. So having played together for so long, probably the best thing for us right now is landing some shows on some bigger stages in front of more people! We love and believe in our music, and it really makes it real when a few people you’ve never set eyes on before in your life come up after a big set and honestly tell you how much they loved it.

With five of you within the band and your sonic style being so fluid, how often do creative differences crop up?

Often enough to talk about, that’s for sure! I remember a few instances where a couple of us got fixated on one or two notes here or there and argued back and forth about which way it should go, while the rest of the guys shrug and say does it really matter? They’re usually right, but you get so caught up in exactly how you want a certain part to sound that you’re prepared to get into fisticuffs over it! Nothing a cold beer can’t solve, however! But really, we’re usually pretty aligned in the overall feel and direction each song takes as it comes together, where there’s usually one driving idea and everyone gets behind it. If no one seems to know which way a song or melody is going, we tend to find those are the tunes that fall by the wayside anyway.

What’s the secret ingredient in your evocatively Kryptonitic melodies?

What’s the secret in your fabulously worded questions?! You’ve got us stumped here. If by Kryptonitic you mean our melodies are the downfall of superheroes everywhere, then I guess one of the key things we strive for is the perfect blend of heavy, prog, and metal influences, with catchy pop hooks and sing-alongs. Jono (guitar, keys, vocals, any other instrument he can get his grubby mitts on) has some really solid pop foundations and just pulls these incredibly catchy melodies and chord progressions out, whereas Rob (guitar, vocals, beard) is always just sitting around in a corner (when he’s supposed to be working) agonisingly putting note next to note in the rhythmically weirdest spot, trying to create something unique. Throw that at a wall with one of the most solid rhythm sections around in Simon and Blair (drums, cigarettes), layer some well-thought-out leads and Strymon effects on top, and voila! How’s that for Kryptonite?

What led to your two battle of the bands wins in 2020 and 2021 respectively, and how has your stage presence transformed since?

The first battle of the bands we played in 2020 was a little local one at a pub and was the first gig this iteration of the band ever played. It was fun, and we managed to pull enough mates to score the win and a few dollars in the bank. We were nervous, someone was incredibly late and disorganised, and we just about pulled it off. By 2021 we had a solid set of shows under our belt, were working on newer, better material and our stage presence had actually turned into something. We pride ourselves on not just standing on a platform plucking at a few strings, Black Stone Brewers shows are energetic, they’re sweaty, they’re loud, and they’re often punctuated with sub-par banter. We’ve never watched one, but we imagine it’s pretty entertaining to watch. It’s more fun and exciting watching a band play when it looks like they’re having a real good time too. Let’s get sweaty together!

What particular line of philosophy does your latest single, Cut the Cord, lyrically tie in with most closely?

Now that’s a doozy! You’ve done this before! Cut the Cord was a back-and-forth lyric trade-off between Rob and Jono over messenger a while ago, exploring the role religion has played in our formative years, and how different that is to the instant gratification social media mess that a lot of life is today. It’s a bit of a bleak message and a reflection on some things we see around us, but it also has that little undertow of hope – how can this be the next evolution? Let’s cut the cord, clear all these illusions that are blinding people and set a new course. It’s time now to make it right.

It has been a while since rock music has been one of the most popular genres; what do you think it will take for the rock appetite to make a ravenous comeback?

It’s true on the face of it, but there’s still an incredible amount of heavy rock music out there, you just have to look a little harder. Hopefully, with Covid out of the way, the big rock festivals start up again and some of the bigger names in the scene kick off a bunch of tours, and people can get back in the pit and remember how great it feels to be part of a loud, moving mass of people singing along to their favourite tunes, and head banging to their favourite riffs. Nothing get’s you like a brutal riff! And hopefully, we’ll be right there alongside it all, so keep an eye and an ear out!

You worked with the nationally renowned producer, Matthew Templeman, on your forthcoming EP that is set to release in early 2023; how much creative licence did you give him over the EP?

This was such an incredible experience. Matt is one of the nicest people you will ever meet, and an absolute wizard at his craft, we’re totally thrilled to have been able to spend as much time working on this EP with him as we did. Matt initially approached the project relatively hands-off, as the songs were already finished, and we hadn’t worked together before. But as we got into the studio and started getting more comfortable with each other, we saw some more of his production mastery. Matt has an incredible grasp of how a song fits together, what each musician needs to get the best performance at any given time, and an innate sense of what just sounds plain old good. We threw all our messy ideas and hopes and dreams at him, and he helped us craft them into a finished product that we couldn’t be prouder of. As far as we’re concerned, the next time around Matt can do whatever he wants!

What else do the Black Stone Brewers have in the pipeline?

So, our focus right now is obviously releasing a couple of singles and building into a big exciting EP launch. We’re working hard to build our brand and get the best of our music out into the world as far as we can get it. If you like what you hear, please give us a spin, sling us a follow-on social media and tell your mates! Other than that, we’ll be pulling together a line of merch with some great local artists and vendors, and then knuckling down to write the next set of straight-up bangers. Our sound is still evolving from the first EP, and we can’t wait to get back into the studio and get the next thing out into the world! Until then, keep on rocking!

Listen to Black Stone Brewers on Spotify, YouTube and Bandcamp.

Give them a follow on Facebook & Instagram.

Interview by Amelia Vandergast

Kiss the Scientist is ‘Waiting on the Rest of the World’ in their psych-tinged orchestrally-heightened post-rock triumph

After opening for the Plain White T’s and Hoobastank, LA alt-rock powerhouse Kiss the Scientist is priming the airwaves for their debut EP that is set to release in 2023. Their latest single, Waiting on the Rest of the World, starts with an ambient neoclassic stringed prelude before waves of momentously high energy break around the alt-rock instrumentals.

Strap yourselves in and prepare for off-kilter curveballing progressions that make delving back into Waiting on the Rest of the World infinitely pleasurable. With every repeat listen, you pull something new out of the multi-sensory experience that entices you with the punk ethos in the lyricism and the delicate motifs around the monolithic breakdowns.

The swirling psych-rock cascades cut up by classic rock riffs create a stunning score of ingenuity for lead singer and guitarist Max Tomack to lay down his dynamic vocals that range from ragged post-hardcore screams to hook-filled melodic lines.

As if we didn’t love the latest single already, we were infatuated upon finding out that all of the music that spills from the practice room is a happy accident made through their sheer unadulterated love of making music. We’re officially psyched for the debut EP.

Waiting on the Rest of the World will officially release on November 18th. Catch it on Spotify and all other major platforms via this link. Follow Kiss the Scientist on Instagram.

Review by Amelia Vandergast

Cash Machine delivered 70s prog-rock perfection with their soul entwined single, Digital Zeus

After dropping their raunchy funk-sliced prog rock debut single, Promises, the Upstate SC outfit Cash Machine subverted our expectations entirely with the sophomore follow-up, Digital Zeus.

The seamlessly progressive single starts as a smoky, lounge-y feat of late-night bluesy soul before progressing into a riff-led prog rock epic that would leave any Genesis fans kneeling at Cash Machine’s unholy alter.

The screeching guitar riffs to the almost thrashy percussion builds an immersive 70s prog-tinted crescendo before the timbre temporarily winds back down to a Jeff Buckley-style serenade. Naturally, we can’t wait to hear what follows this solid feat of ingenuity and technical ability.

Digital Zeus officially released on September 28th; check it out on all major platforms via this link.

Review by Amelia Vandergast