Browsing Tag

producer

Interview: DJ CoolRex loves that hard-to-get energy on the dance floor winner, I Want

Seducing us into a whole new vortex of discovery, DJ CoolRex rips off the band-aid of the past and drops us deeper into his speaker-shuddering new single, I Want. The Ohio-born tech-house producer reveals to us the inner workings of the music business, surviving 2022’s disastrous Hurricane Ian, future plans, selling cars and how it feels to be completely uplifted by a 24-hour rave in the mountains of Tennessee.

Llewelyn: Welcome to A&R Factory and we’re absolutely delighted to be speaking with you today. Firstly, how did you get in the music game and your DJ name..we love it..what is the story behind it if you don’t mind sharing?

DJ CoolRex: Hi, thanks for having me! It’s really nice to be doing a feature with you guys! I have been making music since I was a kid and actually made a song back in high school that I tried to get our principal to play when our team came out of the tunnel, so you can see that I always had a business-like mindset. I went on to make some songs in my early twenties and got to a point where I had about 50,000 monthly listeners under a different name that had started as a group and ended up becoming a solo act because the guy I made the songs with (who shall remain nameless) after ghosting me three years prior came out of the woodwork demanding all this stuff from me. Then shortly after that the songs were removed by my publisher and that was that, but I learned a valuable lesson. I knew that moving forward if I was gonna make music again in the future I would do it by my own hand. So I moved towards producing and fiddled around with trying to make beats for the next few years just here and there. It was funny though I remember right around when Covid was really taking off I was working at a dealership and would be watching youtube tutorials on beat making or watching some lecture on EQing while waiting for clients because I was really trying to learn. It was always nerve-racking because in car sales you’re kind of always supposed to be on the dealership phones calling clients or sending follow-up emails, and car sales managers are always super inquisitive which makes it extra embarrassing if you get caught.

You might be surprised to hear that I picked the name and had it all mapped out before I even got a DJ controller. The name at first was just going to be CoolRex but one of my best friends Steve told me it should be DJ CoolRex so I made that change. I picked the name because I’m a laid-back guy most of the time unless I’m inspired about something which truthfully doesn’t take all that much but the Rex part is actually a double entendre because it is like a dinosaur like a T-Rex but Rex is also a synonym for King and I think subconsciously that kind of gives a sense of empowerment to the name on top of it already being like a T-Rex, a Cool, T-Rex, DJ CoolRex. I figured also everyone loves dinosaurs so, in the worst-case scenario people are just vibing heavily to some dinosaur visuals with lasers, smoke, and crazy bass which to me sounds like something I would want to do!

Llewelyn: DJs are God-like figures to many who just want to dance and forget their worries. What has been the best experience in the music world, be it with a fan or meeting a youngster who is so inspired to be behind the decks and rock a crowd into absolute delirium?

DJ CoolRex: This is funny to me as well because I just got back from a 24hr rave in the mountains of Tennessee that my brother Jake who is also a DJ he goes by Specs had invited me to last minute. I wasn’t scheduled to play or anything so it was just listening to other DJs for 24 hrs. Lots of dancing and mingling, it was great to be a fan of other people and just be a part of the crowd. I’m sold on the rave scene, I love the people, I love the energy, it’s a blast!

Llewelyn: Covid destroyed many dreams in the music world. Do you feel like everything is ‘back’ in your local area or is there more work to be done to ensure the long-term success of the venues?

DJ CoolRex: Yeah post covid it definitely seems like gatherings have been smaller at those venues but I think things are getting better over time. I think people just got used to not going out for a while so we have to give them a reason.

Llewelyn: Hurricane Ian almost destroyed your family and life. Firstly, we’re so happy you and your loved ones are okay.
Career-wise: You used to sell cars, how has the transition to being a full-time music producer/musician been and do you miss anything about your previous career?

DJ CoolRex: It’s going to take years to rebuild down there. The smaller towns around that area, their structures were like wooden houses on wooden poles extended out of the water. I mean they crumbled; I saw them. I remember not too many days after the hurricane, I was at the dealership helping move the cars back and clean up debris. The cars were ok but the dealership had taken some damage like the shop doors were smashed in. Anyway, This lady showed up in a frenzy asking if she could buy a car and we didn’t have power so we couldn’t sell her one. She was saying that she was from one of the smaller areas like the one I just mentioned and that she needed to buy a car to get out of the state because they had found a dead person in her front yard after the storm. We didn’t have power for weeks, other people went longer than us without power or running water. I miss certain aspects of it. I miss hanging out with my friends but this is better for me. I have more control over what I want to do. I can market/sell how I want and nobody is above me. That’s one way in which it’s similar. It’s still a business. I still manage it like I did in my car sales career. The difference is that I didn’t love selling cars, I love making music.

Llewelyn: If you met an alien tonight who had never heard music before, how would you describe your sound and craft to them?

DJ CoolRex: If I met an alien tonight firstly, I’d be amped and want to know all about their story and what it’s like where they’re from! If I had to explain my sound to an alien I would first have to ask them what it is they’re hearing, if they can hear. Then I would ask them what they mean? Then as they’re explaining to me through their own words my reactions would tell them if what they’re saying is what I think too. The more fellow earthlings I meet the more I have learned that people hear very differently. So I’m always more interested in how others are interpreting my sound rather than actually giving them a foundation to base their beliefs off on.

Llewelyn: You’ve just been given the keys to crafting a massive festival lineup with an unlimited budget. Who is on the lineup, what is the vibe and where is it?

DJ CoolRex: It’s going to be somewhere that is not too hot or cold so people are comfortable. I’d have to research venues. I’m bringing Fisher, Martin Ikin, Chris Lake, David Guetta, Morten, Skrillex, James Hype, Diplo, Matroda, Noizu, Pauline Herr, DOBe’, John Summit, Chris Lorenzo, Oliver Heldens, Tom Budin, Merk & Kremont, Justus, Header, CamelPhat, armnhamr, Ray Volpe, Wax Motif, Dombresky, Flow Dan, Fredagain, Gorgon City, Zeds Dead, Blasterjaxx, Dom Dolla, Arminvan Buuren, Subtronics, Jay Eskar, Elif. I’m sure there’s more because there are so many dope artists all over the world oh and my brother Specs. The vibe is lots of lasers, bubbles, some fire, a gigantic screen for visuals, it’s a multiple-day festival. There are food trucks, lots of artists with tents to showcase their work, and all just love and fun.

Llewelyn: Lastly, what does the future hold and where do you see your sound headed? Also, where can our A&R Factory readers see you live next?

DJ CoolRex: In the future, I definitely plan to play festivals, and other big venues, and I have more songs in the pipeline so stay tuned! My social media is active and I’m always sharing other music artists’ content on my stories from all over the world so there’s fresh and exciting content daily! Also, please go to my website and subscribe to the mailing list so you can stay in the loop about new shows, merchandise, discounts, giveaways etc.

Turn this up on Spotify and forget all worries.

See the journey expand further on IG.

Interview by Llewelyn Screen

DDRMR dropped the biggest rap hit of the year with King Shit featuring GYZ

If you are looking to discover the biggest hip-hop track of 2023, there is absolutely no point in looking past the latest single unleashed by DDRMR. Created in collaboration with GYZ, King Shit, is a riot of galvanizingly layered ingenuity.

After a prelude of droning synthetics which harbinger cinematic doom, King Shit quickly becomes a multifaceted masterpiece of duality with the gospel-ESQUE backing vocals that have been amplified to the nth degree to enliven the juggernaut of a rap track with a sense of soul that you will want to savour time after time.

The Russia-born, Canada-based artist crafts his genre-fluid hits under the heavy influence of Linkin Park and Mike Shinoda, Buckethead, Kanye West, J-Cole, Hans Zimmer, Odesza and Japanese composer Yuki Kajiura. By having complete creative control over his tracks, from writing to production, he actualises his rhythmic poetry in his monolithic urban soundtracks, which always come complete with storming rap bars that are dominant enough to make your speakers shiver.

While nothing comes close to a live performance from DDRMR, watch the official music video for King Shit on YouTube until he rocks the stage at a venue near you.

Review by Amelia Vandergast

TARISH blew the roof off house music with ‘blurry’

The Iraq-born, Sweden-hailing songwriter and producer, TARISH, blew the roof off the house genre with his stormer of a floor-filler, blurry.

With similar uninhibitedly high-energy to the hit, Filthy/Gorgeous by Scissor Sisters, read through the funky bass-dripping beats and the galvanizingly high vocal notes, blurry is an adrenaline-fuelled slice of euphoria which stores an endless supply of dopamine.

TARISH also audibly wears his Swedish House Mafia influence on his music producer sleeve, but never to the detriment of the originality of his resounding sound, which is currently criminally underrated. If you enjoy discovering underground artists before they break onto the mainstream, your time is running out to discover the electrifying visionary before everyone else.

Blurry hit the airwaves on April 21; hear it on Spotify.

Review by Amelia Vandergast

CONT4MIN4TED – This is the Way: An Alt-Electronica Journey for the Mind, Body, Soul, and Rhythmic Pulses

https://soundcloud.com/cont4min4ted/sets/this-is-the-way/s-lYo30PwNNHK?ref=clipboard&p=a&c=1&si=67a3e5c169854d6d9ec28a67dcadf4b6&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

After aurally relinquishing their emotional baggage via their debut LP, the Gainesville, GA alt-electronica producer, CONT4MIN4TED, went even further leftfield with their sophomore album, This is the Way, which will take you on a journey of the mind, body, soul and rhythmic pulses.

I could dissect each of the 16 singles that were intuitively curated to orchestrate the ultimate sonic experience, but perceptibly, the greatest achievement of this LP is the cinematic journey it will take you on straight from track one, Stuck, before the stagnation lifts in the fervidly exhilarating soundtrack, Drifting.

Even with the chillier tones and ethereal vocal lines in the cinematic slices of synthesised soul, you won’t fail to find the impassioned warmth in the emotion and experience-driven soundtracks to vignettes that are universally shared. The album is enough to make you forgo your usual vibe-out electronica playlists; it is a smorgasbord of constantly in-flux electronica ingenuity. For your sanity’s sake, sink your teeth into the catharsis.

Stream This is the Way from April 28 on SoundCloud, Spotify and YouTube.

Review by Amelia Vandergast

Masses Against the Classes: NIGHTSHIFT Joka-B x MrLee x Ultra_Eko

Punk may have lost its bite in the light of the global financial crisis, but grime artists are picking up the slack and sinking their teeth into the injustice that is cowing the majority into oppressed submission. For his latest single, NIGHTSHIFT, the West Yorkshire-hailing, rural Poland Emcee & Producer, MrLee versed for the masses with the help of Joka-B and Ultra_Eko.

By mixing light and dark tones in the polyphonic beats, MrLee created an emotionally rounded hit, rather than running through with nothing but the all too relatable working-class anger to give his succinct words even more resonant weight. But that isn’t to say he held any prisoners in his lyricism that has made him stand out in an oversaturated scene. He could more than stand his own against Bob Vylan and Kid Kapichi with the socially conscious lyricism in NIGHTSHIFT.

Hear NIGHTSHIFT from May 5th on SoundCloud.

Review by Amelia Vandergast

Chxmist drops an instant electronic classic to turn up all night called Rather Be

Seducing our inner party mode with punchy electronic drum lines to start the weekend with, Chxmist does his hometown of Dublin rather proud with a rather excellent soundtrack for summer on Rather Be.

Chxmist (pronounced chemist) is a Manchester-based project formed by the exceptional electronic producer and DJ Conor Barry.

Pitched vocals and garage grooves complete the sound forged from an ambient project birthed during the national lockdown of 2020.” ~ Chxmist

Scintillating with an assortment of delightfully crisp and saucy music to get enthusiastic about, Chxmist demonstrates so much quality in boatloads as we feel happy and free-flowing excellence to munch on for hours on end here.

Rather Be from Manchester-based electronic music producer and DJ Chxmist is a rocket-fueled mission that Elon Musk might listen to. This is a superbly lit experience which didn’t need too many vocals. Each ear shall feel thunderbolt stuff from a hearty meal of a song that shall change moods and get many dance fans excited. For good reason too.

This is addictive music which will get the body moving. Turn it up.

Listen up on Spotify.

Reviewed by Llewelyn Screen

 

Make your perspective as luminary as abstract.ortiz’s latest single, Lighten Up

Even the sky won’t be blue if it is lucky enough to be exposed to the soul in abstract.ortiz’s latest single, Lighten Up. The alt-electronica downtempo manifestation of euphoria enmeshes you with its colourfully-hazy tones before the artist and producer prises you away from ennui with his sticky-sweet vocal lines that will be all too efficacious on fans of Grandaddy.

Bringing his art into this era, there is a trappy feel to the release through the cadence of the vocal melodies and how the harmonies bleed into the synthetics of the soundscape that ensure that by the time the single reaches the prelude your perspective will be as luminary as this release.

Lighten Up was officially released on March 14. Hear it on Spotify.

Review by Amelia Vandergast

Timothy and the Apocalypse pushed the boundaries of apocalyptic perception with his ambient trip-hop LP, All Busted Up 

Since 2021, the Australian artist and producer Timothy and the Apocalypse has been taking over the ambient trip-hop scene; the cinematically lush layers in his downtempo discography soundtrack society as we cling to the precipice of our destruction. In his fourth album, All Busted Up, written between the dystopian motifs are memorandums of what it means to be human on the edge of blind capitalist collective masochism. 

After track one, Speed of Life, which mournfully ponders how much sand stands between our demise, inspired by the loss of his mother, the LP slams into the sexier than The Deftones groove-driven piece, The Reckoner. The angularly harbingering guitars and fervid breakbeats cloaked under reverb definitively prove that visceralism isn’t out of the producer’s remit. 

Track three, When You Dream, lays the barely lucid psychedelia on thick as the Lynchian soundscape drifts through its arrestingly jarring progressions that distort jazzy timbres and soul-soaked ethereal female vocals. In all sincerity, it is enough to make Portishead sound pedestrian.

Track four, Driving Me Crazy, lends itself well to the titular illusion; the dreamy descent into surrealism drifts through subversively glitchy progressions in the extended piece, which keeps you hooked into the artfully experimental beguile. If any soundscape on the LP will make a meal of your rhythmic pulses while vindicating your own insanity, it is this sonic gem. 

Track five, Saved, introduces some darker ambient industrial tones while still scribing the sonic signature that the preceding singles have allowed you to become accustomed to before Beautiful Chaos melodically exhibits the relenting capacity of awe in times of mass disillusion. With nuanced Eastern flavour worked into the kaleidoscopic rhythms, Timothy and The Apocalypse broke the monocultural mould to deliver his staunch fanbase from entropy.

Dreaming When You Hold Me could only be described as a leftfield electronica dream for the way the transcendence binds with the experimental gravitas permitted by the strobing synths, a sonic theme which continues through to track eight, Only You; the deliciously distorted soundscape is a meditation in tranquil obscurity. 

By closing the LP on Nothing Forever, Timothy and the Apocalypse sealed the album’s fate, allowing it to resonate as one of the most seminal ambient electronica records of the year. It’s the ultimate audial space for reflection on all the instrumental introspection that preceded it. If you want to push the boundaries of your apocalyptic perception, take a dive – you won’t regret it. 

All Busted Up will officially release on April 14th; catch it on Spotify & SoundCloud.

Review by Amelia Vandergast 

 

Forest Funk exhilarated hip-hop in his funked-up reggae mash-up, Run It

Augsburg, Germany DJ and producer, Forrest Funk, stayed true to his moniker in his latest cross-genre mash-up of hip-hop, funk, and reggae, Run It. The stylishly energised amalgamated ensemble of funked-up progressions exhibits his unparalleled reverent approach to celebrating the diversity of the roots of urban sounds. Yet, perceptibly, there is plenty more to the producer’s modus operandi than keeping a fixed gaze on the past; he is bringing in the future of funk with his own authentically funked flair that is as moody as it is euphoric.

After touring the German gig circuit and rubbing shoulders while sharing stages with the likes of Jayl Funk, Lack Jemmon, Quincy Jointz, Dj Maxxx, Nobody’s Face, Djane Jo-C, XRated, Dj Sticky, Len Beam and many more, he’s turning his attention to enlivening the airwaves – there’s no denying that his approach is highly efficacious.

Run It was officially released on April 7; delve into the groove pockets on Spotify.

Review by Amelia Vandergast

Supa G Swift has launched his dark, dirty, and droning techno debut, Take You to Attica

Take You to Attica is the debut dark, dirty and droning tech house hit from the up-and-coming artist Supa G Swift. Taking their listeners far beyond earth’s banal and predictable atmosphere, this helter-skelter ride through the cosmos treats you to funked-up surging electro-electricity by the smorgasbord.

The Cork, Ireland-based artist, DJ, and producer initially set out to take over the hip-hop scene in Cork before entering DJ battles in Ireland and relocating to Canada, where he became one of the most notorious and revered DJs in Vancouver.

For the past seven years, his upcoming debut album, Enter Infinity, has been his labour of love; it promises to be a psychologically expansive high-energy ride. On the basis of Take You to Attica, we don’t doubt his ability to deliver exhilaratingly trippy hits that could lead to a dancefloor frenzy.

Take You to Attica released on April 3rd; entrance yourselves via SoundCloud.

Review by Amelia Vandergast