Browsing Tag

producer

Wong Diane – Now Only Me: A Tenderly Triumphant Tour De Force

Wong Diane brought style to solemnity with her melodically eloquent composition, Now Only Me, taken from her 1st One Done EP.

With whispers of organ keys in the ethereal background to her minimalist piano-led score to create a luminous atmosphere for her lyrical melancholia to drift into, beguiling barely scratches the surface of this intimately raw exposition of loneliness.

Now Only Me could easily be classified as a tenderly triumphant Tour De Force from an artist who knows exactly how to lock horns with your emotional impulses with her Nils Frahm-esque piano melodies and delicate vocal lines.

As a music producer and composer, the Berklee College of Music and Hunter College graduate has contributed to a series of high-profile projects, including the Daily Podcast, Verizon Rewards and the Samsung Galaxy Watch Experience. She’s also garnered over a million Spotify streams on her most popular piece and performed at some of the most prestigious venues on the globe, but something tells us the best is yet to come from the only true emissary of soulfully diaphanous pop.

Now Only Me is now available to stream on Spotify.

Review by Amelia Vandergast

Andrew Ramey found the middle ground between ennui and euphoria in his indie trap pop single, just fine

With melodies that flow as mellifluously as Jack Johnson’s and Ray LaMontagne’s, the latest single, just fine, from the alt-pop songwriter Andrew Ramey, is a rhythmically arresting earworm that affirms its addictive propensities through the sticky-sweet trap-pop percussive fills and the assured ease of the effect-laden vocal harmonies.

Rather than add to the indie landfill of singles traversing visceral emotion, Ramey found the middle-ground between the extremes of euphoria and ennui to deliver a resonant and relatable hit that is an all too efficacious reminder that when you find moments of gratitude, even on the ordinary to the point of monotony days, you’ll realise that you’re just fine too.

The Birmingham, Alabama-hailing 100% DIY and independent artist and producer’s combination of melodic wordplay and hip-pop beats will undoubtedly see him go far in the industry. There’s no overstating how organically vibe-driven his playlist staple hits are. Find out for yourselves when just fine officially releases on August 8th; hear it on SoundCloud.

Review by Amelia Vandergast

Feel the temperature drop to Absolute Magnitude’s artfully monochrome Drum and Bass single, Cold in November

Sonically signifying that even though the globe is hotting up our modern era of dystopia is growing ever colder in terms of connection, Absolute Magnitude’s latest cinematically monochrome Drum and bass hit, Cold in November, is an arresting sign of the ostracised times.

The magnetic resonance of the release is only matched by the disjointed glitchwavey artfulness of the release that traverses themes of all-encompassing loss that create wormhole-esque voids in our lives. With heartbreak underpinning the futuristic release, Cold in November reaches the pinnacle of visceral vulnerability.

Cold in November is just one of the tracks found on the forthcoming LP, Main Sequence, which is due for release on September 29; it efficaciously sets the tone for the emotionally and intellectually elevated singles that are set to follow in the footsteps of Bjork’s Army of Me Remix.

As you eagerly await the drop of the LP, stream the official music video for Cold in November on YouTube.

Review by Amelia Vandergast

Andrew Bradley advocated for unity in the infectious grooves of his latest single, Everybody’s Welcome Here

Hot on the heels of his debut LP, All Things Considered, songwriter, multi-instrumentalist and producer Andrew Bradley is set to unveil his unifying funk-dripping pop-rock hit, Everybody’s Welcome Here.

After an 80s funk hop reminiscent intro, the single unravels as a kaleidoscopically groovy hit that will leave you itching to hit a dancefloor and move to the intrinsically rhythmic magnetism. With the attitude of Britpop and a perfect pinch of Beatles-esque 60s psych-pop, Everybody’s Welcome Here is a compellingly textured sonic TARDIS of a release that couldn’t be better timed.

In such a divisive era when it feels like the pot is being perpetually shaken to breed antagonism in the atmosphere, Andrew Bradley served an all too welcome reminder that acceptance is one of the highest virtues we should all find a little more time for.

Prior to releasing Everybody’s Welcome Here, Andrew Bradley has gained experience in the industry as an artist and producer. From The Sound Emporium Studios in Nashville to Abbey Road Studios, his multi-faceted talents have graced plenty of the bucket list studios.

Check out Andrew Bradley on Spotify.

Review by Amelia Vandergast

THE VISION blurred sonic boundaries beyond definition in his latest rocksteady with vibes production, WANNA KNOW

Sonic boundaries blurred beyond definition in the latest single, WANNA KNOW, from the London-based fusionist artist, engineer, and producer, THE VISION. Instead of pandering to arbitrary stylistic parameters, the alternative artist let rhythm and soul take the wheel and drive with the top down while painting a contemporary love story with more twists than a Shakespearean tragedy.

With so many lyrical layers to unpeel in WANNA KNOW, the trap pop hit spills a narrative that keeps giving with every listen; lock into the lyricism or lose yourself in the steamy synthetics of the hit, that provides the ultimate soundtrack to hazy summer nights with the Afrobeat rhythms, pop hooks, trap beats and deeply reverberant RnB vocal melodies.

WANNA KNOW hit the airwaves on the 14th of July; stream it on Spotify.

Review by Amelia Vandergast

Freshcobar & Golden Girl released the deep house drop of the summer with ‘Days Long Gone’

Days Long Gone is the latest delicious drop of deep house from the undeniably hot collaborative duo, Freshcobar & Golden Girl; it is summer transcendence in a sonic bottle.

While the bass-drenched grooves dig deep, the Elysian vocal lines will take you even higher as you come up on the builds, which are tenacious enough to leave you on the hook of every ascending beat until the short sharp bursts of euphonic euphoria.

It is only a matter of time before Freschobar ascends from the underground as one of the most revered deep house artists of this era; his passion for the genre is conspicuous in each of his gravitas-graced releases.

Days Long Gone is yet another stellar release from No Ones Safe Recordings; if you want to keep your finger on the deep house pulse, we strongly recommend digging into the digital discographies of artists on their roster.

Days Long Gone will officially release on July 21. Hear it on SoundCloud.

Review by Amelia Vandergast

Aza.B dawned a new era of electronica in his deep house disco anthem, Funkin’ You Up

Lincolnshire, UK-hailing DJ and producer Aza.B’s raucously funked third single, Funkin’ You Up, grooves with big beats and even bigger blasts of euphoria.

After a blazing sax solo, the momentum starts to build in the vibrant electronica tapestry, which grooves through entrancing disco rhythms and the irreplicable atmosphere of deep house to construct a galvanising anthem that could only have been assembled in Aza.B’s wheelhouse of authenticity.

After getting a taste of different EDM scenes and cutting his teeth in many of them as a DJ and producer, Aza.B developed an understanding and passion for a myriad of genres before melding them into bespoke testaments to his boundless creativity. While other producers are attempting to go mainstream or fit into the confines of niches, Aza.B took the less pedestrian route with his interstellar productions to dawn a new era in electronica.

Funkin’ You Up hit the airwaves on June 16th; stream it on Spotify.

Review by Amelia Vandergast

Interview: Dar.Ra opens up the Blood N Treasure on his much-awaited new EP

https://www.youtube.com/watch?v=fEAYyrDmlyU

With a pure sound and meaningful lyrics abundant in each of his well-crafted tracks, London-based author, music writer, producer and remixer pioneer Dar.Ra kindly opened up his busy schedule to have a quick chat with us. Telling us more about the much-loved new EP Blood N Treasure, stories from the music world, and charting worldwide, he also kindly provides valuable advice for all musicians out there who want to be the best.

Llewelyn: We’re super excited to speak with you Dar.Ra. Firstly, how has your 2023 been so far and please tell our readers what it takes to be a successful musician in this stream-friendly world we live in.

Dar.Ra: The year has been flying by, I get up early, stay creative, try not to react to the global madness and meditate as much as possible. I think being successful in this industry is a measure of how you see success. I’ve been making music since the mid-1980s I got a job as a vocalist in a Reggae band called Bass Culture at 16 and went on the road to avoid working in a factory soldiering PCB boards. I think if you’re still going after that long and you’re still putting out good records then that’s success in my book.

Llewelyn: Secondly, let’s chat about your upcoming EP Blood N Treasure. Where did the process begin and what’s the vision behind the new project?

Dar.Ra: ‘No Time For Tears’ came first I wanted to do an epic ballad which moved around arrangement-wise and ended up with a 7-minute tour de force. It was inspired by the story of the last Russian Tsar and how the love they had for each other couldn’t be stopped by bullets that assassinated them. I believe we go on after this. I have experienced other dimensions through sleep paralysis, I know there is something else beyond this third-dimensional experience we call reality. When you ascend from your body and see yourself asleep you explore what your astral self can do which is beyond the physical experience. It’s happened quite a few times and each time it reminds me we are more than this body or ego or car we drive around in. ‘Cure For Jealousy’ came out of left field I had a jam going in C minor for a while and the lyric came into my head as I felt a pang of jealousy when some guy was chatting to my G friend in a club I was DJ ing at. I was being cool but I could feel that uncomfortable fear someone was trying to move in on my Goddess. I was jamming at home the next day and thought I wonder if there is a ‘Cure For Jealousy’. It’s a hard one to crack however much of a Zen master you think you are, it’s the universe’s way of testing you to say you’re not as cool as you think you are. The thing is when you’re too detached from people and things, the less you care about stuff like that, but when you’re connected to something its easy to get triggered when other people aren’t playing by the same rules. I’m still working on it and unless I go live in a cave and meditate all day and night I’m going to get triggered by people not showing respect for you or the things you care about. It’s hard to get the balance, but that’s why we are here on Earth to work through these things. The remixes for both tracks on the EP are equally awesome, both were done by Sri Lankan-born and based Viduala who also did ‘Lights’ which is one of my favourite tracks I’ve worked on to date and features on the ‘New Kinda Normal’ album.

Llewelyn: You are known worldwide for your music and the much-loved Kusha Deep Radio show. Do you still feel the rush of being on such an incredible show and what do you love most about what you do?

Dar.Ra: I go through stages with all things, sometimes I’m buzzing sometimes I’m chilled about things. I love putting together a killer set, be it Tech House or Reggae, when I hear tracks that take me to that next dimension, I’m diving in the deep end to get things rocking. If you’re happy though I’m happy. I’ve always been a crowd-pleaser when I’m out and about, I just want to see you having the best time of your life. I remember playing Camden Palace London in the 90s with my band Bliss I had a number 1 dance record called ‘New Dawn’ and we had 1500 people all unified and rising up as one, total love mixed with euphoria that’s what it’s always been about for me. It’s more than Music it’s a connection of human energy and when it ignites with Love the place explodes. If you come to a Dar.Ra / Kusha Deep show you’ll get what I mean.

Llewelyn: You’re known as one of the best writers in the game and have penned worldwide hits for various EMI and 21st Century Artists. What do you feel makes a truly great song and do you go into a different zone when writing or does it just flow when you want?

Dar.Ra: I think just being as real with what you’re channelling is key, not getting in the way of inspiration and letting it flow without censoring and editing it before you’ve let it flow out of you. There is this space that we can all go into when we silence our thoughts, it’s in that space where genius lies, where all ideas come from it’s a frequency or a universal matrix of vibrations. All ideas come from that silence. You never solve any challenge by thinking about it, it’s when you turn off from thoughts that the ideas flow. Think of any great idea, Tesla for instance would go into that space and feel the energy grid then find the alternating current for instance that makes your car work. He also understood the power of vibration and how to harness it to create endless energy. You can have anything you want you just need to know how to ask for it.

Llewelyn: Cure For Jealousy certainly has our attention. It’s ridiculously infectious and mega catchy (in a good way). Is this your favourite song off the new project and may you kindly provide the A&R Factory readers with some further insight into this terrific track?

Dar.Ra: It is a cool tune and one which I enjoyed making, once they are out I’m on to the next thing though writing the next thing of hearing a new melody in my head, I do not look back too much once they are mastered. It’s fun though to go back and re-learn how to play them if you have to do it live. Each track brings a new challenge and that’s what keeps me interested in making music. I remember meeting Debbie Harry when I was at Chrysalis and I remembered her Heart of Glass track and how Georgio Morroder, produced it and got vibed up on that live Disco/ Rock feel, and I just went down that road with it. It’s got a lot of flavours on the track which you are not hearing on a lot of tunes out at the moment. It’s real and all played live. I do not rely on loops, auto tune or AI to make music, it’s all 100 organic like a Veggie Stir Fry.

Llewelyn: Do you have any funny or wild stories you’re allowed to share from a past gig or a moment in your career that makes you laugh or cringe a little?

Dar.Ra: I played a gig in Queensland Australia in 2003 and the place had been used as a wake for a person who had died earlier in the afternoon. When we came on the coffin was standing on the side of the stage in the wings but you could see it every time you looked right. We just got on a rocked the place, everyone dancing and going off and the coffin was moving to the vibrations of us playing, I was praying it didn’t fall off the stand and the dude roll out into the crowd. That was a weird one. I wrote a book called ‘Road Tales’ (Darragh J Brady) about being on the road with all the crazy people I met from 1995 to 2007 who all had incredible life-changing experiences. It’s on Amazon and tells you more about that kind of intense but cool moments. It goes from the UK to Australia to America and Central America, worth a go if you’re looking for a good read. My other book is the ‘Night That Jimi Died’ which is about a girl who can channel the Spirit of Jimi Hendrix, she changes the world through using certain types of frequencies that alter people’s DNA in order to awaken them to the great takeover of human freedom from the powers that be. They both have 5-star reviews on Good Reads.

Llewelyn: Lastly, do you have any plans for the rest of 2023 and what exciting projects or shows are scheduled?

Dar.Ra: I’m recording some Audiobooks, producing a new album later this year and looking to leave England for pastures greener setting up a well-being centre which will hold music and yoga and meditation workshops. You will all be welcome!

Check out the video for the lead single Cure For Jealousy on YouTube.

Follow this experienced artist on all his adventures via IG.

Interview by Llewelyn Screen

Take a trip with GeoMike122’s synthwaves in ‘Mode’

Ride the synthwaves in GeoMike122’s latest single, Mode, right through the 80s nostalgia and into the electrifying escapism the alt-electro single provides. The trippy tendencies of the pulsating basslines are only amplified by the official music video, which distorts reality as much as the oscillating trance-y EBM beats and synths that put a myriad of EDM genres under heel to knock you off an even keel.

When GeoMike122 isn’t orchestrating alchemy in his studio and allowing his audience, affectionally dubbed ‘the travellers’, to sonically arrive at new destinations, he’s sating his desire for wanderlust or enriching minds by the more conventional means of being a teacher. Mode is a scintillating convergence of his adventurous tendencies; grab your passport and sink into the cinematic sci-fi-esque tones.

Check out the official music video for Mode, which premiered on May 15, via YouTube.

Review by Amelia Vandergast

DJ CoolRex grooved through the depths of desire in his tech-house debut, I Want

After the debut single, I Want, from DJ CoolRex, it is safe to say tech-house has a new iconic architect. While encompassing the epitome of desire, the techno kicks and basslines punctuate the soul-soaked house synthetics to create an authentically immersive atmosphere that electro heads will want to drench themselves in time and time again.

His future-ready flair, noted through the bass-drenched deep cuts, effortlessly set him apart from his contemporaries and the tech-house pioneers Laurent Garnier and Carl Cox. DJ CoolRex may be new to the scene, but on the basis of this deliciously strong debut, the Ohio-born and raised innovator has exactly what it takes to make his ascent from the underground an ephemeral trip.

Check out the DJ CoolRex debut by heading over to Spotify.

Review by Amelia Vandergast