Browsing Tag


Let go of the tangible and embrace the ethereal with Ltronnika’s latest release, Drifting Away

As an ambient electronica producer, Ltronnika stands as a figure shrouded in mystery, yet their enigmatic presence has done little to dim the allure for their legions of fans. With their latest release, ‘Drifting Away’, Ltronnika sculpted an auditory experience that transcends the mundane and washes away every echo of anxiety.

The instrumental release is a paradox of simplicity and complexity. It’s as if Ltronnika has distilled the essence of a dream and set it to music. The track begins with a subtle, almost understated elegance, but as it progresses it reveals layers of sound that are both intricate and immersive. The use of piano keys is an infallible artistic statement; each note, a brushstroke, adding depth and emotion to this sonic canvas.

Drifting Away is a journey, but not one with a clear destination. Instead, it invites listeners to lose themselves in the experience, to let go of the tangible and embrace the ethereal. The ambient leftfield house elements serve as a guide, leading you through an otherworldly landscape. Do yourself a favour, and dive in.

Drifting Away was officially released on January 30th; check out the single on YouTube.

Review by Amelia Vandergast

Darth Athena took us into the depths of techno’s shadow with ‘Black Mojo’

Dark Athena’s tempestuous latest release, Black Mojo, plunges into the depths of techno’s shadow. With its monochromatic palette, this piece from the Atlanta-based producer is a bold foray into the heart of darkwave electronica, where precision and chaos dance in a delicate balance.

Darth Athena, the architect behind this auditory odyssey, weaves a tapestry of sound that reflects his eclectic musical upbringing. From the pulsating beats of EDM to the haunting echoes of darkwave and the rhythmic complexity of jazz and R&B, Black Mojo is the culmination of a lifetime spent in the company of diverse genres.

The track’s progression is a masterclass in tension and release. Each beat is meticulously crafted, ebbing and flowing with a rhythm that seems to sync with your heartbeat. For seven minutes, you are lost in a world where time bends to the will of the music. The laser-like strobes and sci-fi motifs add a layer of dynamism, yet it’s the relentless, hypnotic beats that anchor you in Darth Athena’s universe.

Black Mojo will do more than just fill dancefloors; it will command them. It’s a siren song for the night, calling out to those who find solace in the pulsating heart of techno. As the final beat fades, you’re left with an insatiable hunger for more – a testament to the enduring power of Darth Athena’s musical alchemy.

Black Mojo was officially released on January 19; stream the single on Spotify.

Review by Amelia Vandergast

Ceaser Live Soul – Never Enough: A Hip-Hop Symphony of Tenacity and Soul

Pivot by Ceaser Live Soul

Ceaser Live Soul, hailing from Brooklyn, NY, didn’t stop at loading his latest single, Never Enough, with a series of mic drops. With the hit from his eagerly anticipated Pivot EP, he detonated lyrical dynamite while affirming that just because the next goalpost always seems greener, that doesn’t mean you will be any happier when you reach it.

The urban cautionary tale, versed through superlative lyrical dexterity, is a pathway through the labyrinth of contemporary hip-hop with 70s soul acting as a guide and unflinching intersections of 90s hip-hop bringing the momentum. Each syllable in Ceaser’s flow is felt as it dances over the soulful beat, bringing his poignant wordplay to life.

The refrain, “You can have it all but it’s never enough”, is more than a catchy hook; it’s the heartbeat of the song. It encapsulates Ceaser’s relentless pursuit of greatness, his unwavering tenacity, and the paradox of success – the constant yearning for more, even when you’ve seemingly reached the pinnacle. This theme resonates deeply, especially for those familiar with the relentless hustle of urban life.

Adding to the track’s allure is the soulfully strident backing vocals by Caribbean Pop sensation Hovlaine. Her voice adds a layer of depth and emotion, elevating the song to new heights. The collaboration is seamless, a testament to Ceaser’s skill as a producer and artist.

Stream and purchase the radio edit of Never Enough via Bandcamp.

Review by Amelia Vandergast

Skimo followed the muse of dystopia into their most scintillating release to date, Let It Fly, ft Ash

Skimo’s seminal single, Let It Fly, featuring the hauntingly introspective vocals of Ash, is a mesmerising journey into the depths of EBM. Taken from the LP, Connected Memory, the single begins with a cascade of shimmering reverb, wrapping around the striking non-lexical vocals of Ash. This introduction draws listeners into a world where darkness and mechanical synthetics mercilessly construct a platform around the raw vulnerability within Ash’s vocals.

The electronic beats, meticulously crafted, ensure a deep immersion into Skimo’s artistic vision allowing Let It Fly to unravel as a narrative painted in sound; a vignette which portrays the relentlessness of our evolving for the worse climate. The track resonates with a sense of harbingering urgency, which filters from the progressions into a trepidation shared with the listener. The result is a piece that not only captivates but also invites them to delve deeper into the themes Skimo explores. For any electronica fans who want their eyes wide open to the world, to lock horns with the chaos, the Connected Memory LP is as essential as they come.

Stream the Connected Memory LP in full on Spotify.

Review by Amelia Vandergast

Kanyun sonically embraced the duality of December with the warmth in the chill of ‘Winter In Sight’

Kanyun’s seminal single, Winter in Sight, is a testament to the power of musical innovation; the journey through the heart of winter encapsulates its contrasting emotions with a finesse that only a cultivated artist like Kanyun could achieve.

The track opens with a haunting melody reminiscent of a Nils Frahm composition, setting a profound and melancholic tone. The minor keys speak volumes, hinting at the long, dark nights of winter and the introspection they bring as the lo-fi production shares the cosiness of intimacy, away from the biting cold.

The soft meandering guitars weave through the track like warm threads in a winter tapestry, creating melodies that comfort and embrace the listener. The guitar lines are an embodiment of sitting by a crackling fire or finding solace in the arms of a loved one.

Kanyun’s journey from a trap-beat producer to a lo-fi maestro is evident in this track. His ability to create a sound that resonates with a broad audience while retaining a distinct personal touch is remarkable. Winter in Sight is not just a song; it’s a feeling, a moment in time captured through the lens of a gifted artist.

As we look forward to Kanyun’s future projects and the evolution of his new record label, Amelia Grace Recordings, Winter in Sight stands as an attest to his artistic growth and the potential that lies ahead.

Winter in Sight is available to stream and purchase on all major platforms via this link.

Review by Amelia Vandergast

Desire oscillates through MXY’s latest hypnotic house anthem, Since I Met You

MXY, a trailblazing artist hailing from Bradford, UK, has once again demonstrated her unparalleled prowess in blending genres with her latest hypnotic house single Since I Met You. The track is a masterclass in musical alchemy, seamlessly fusing MXY’s innovative house and garage influences with the sultry undertones of contemporary R&B. It’s a potent testament to her evolution as an artist, producer, and songwriter since she began her journey at the tender age of fourteen.

Since I Met You is imbued with an intense, fervent desire that is almost tangible. MXY’s skill in crafting a fiery anthem is evident as the song oscillates, capturing the transformative power of desire. This transformation is not just lyrical but also musical, as the track delves deep into the core of our emotional spectrum.

The true genius of the track lies in its ability to ensnare the listener’s rhythmic pulses as captivatingly as it compels you to surrender your emotions and kneel at the altar of the progressions. The vocal lines are a force, ensuring that you feel the gravity of the emotion conveyed. Each note pulls you deeper, immersing you in an impeccably polished transcendence that is both uplifting and introspective.

MXY’s background, collaborating with industry stalwarts like Chad Dexter and Elliot James, shines through in the production quality of Since I Met You. As she continues to evolve and expand her horizons, there’s a palpable sense of anticipation for what she will bring in her debut album.

MXY’s debut album will drop on February 1st, 2024; stream the title single on SoundCloud now.

Review by Amelia Vandergast

Omni Optometrist prescribed the antidote to sonic monotony with his jazzy prog-rock track, ‘Converging Forces’

Omni Optometrist’s (AKA Mitch Protheroe) jazzy synth-driven prog-rock-driven soundscapes won’t be everyone’s cup of tea, but if you’re looking for the antidote to sonic monotony, look no further than his latest Avant Garde orchestration, Converging Forces.

Between the frenetic time signatures which the scintillating symphonic tones weave through, there’s just enough room for star-roving constellations of trip-hop to add to the superlative almost dystopic in nature instrumental score, which adds a touch of interstellar ambience to the release.

Along with Omni Optometrist, Mitch Protheroe’s creativity has known many guises; he started composing under the name Of Keys and Cages in 2008, since then, he has released several jazz fusion records and has only become more ambitious with each subsequent release. After honing his production skills, he’s reworking his old demos and slowly but surely started introducing them to the airwaves from his studio in Florida. If Converging Forces set the standard, we can’t wait to hear what follows.

Converging Forces is now available to stream on Spotify.

Review by Amelia Vandergast

Drift into a higher dimension with the latest interstellar single from Rae Larz, ORACLE

Back in February, Rae Larz invited us to a tea party with a cosmic difference via her single, Tea in the Stratosphere, going by her latest release, ORACLE, she’s still reigning interstellar supreme.

After a sequence of moody stabbing synth lines, the Brooklyn-based artist’s demurely magnetic vocal lines start drawing you into the gravity of the release by transitioning between the high vocal harmonies and sermonic spoken word utterances which command with sublime conviction.

ORACLE may be more niche than your average synth pop release, but the singer, songwriter, and producer never compromises with her deep emotional expression and visualises soundscapes that are infinitely more enriching for the heart, body, soul and rhythmic pulses. Freedom emanates through every progression within ORACLE; unshackle yourselves, especially if you’re a fan of Black Honey, She Draws the Gun and Warpaint.

If you can’t get enough of Rae Larz after hearing ORACLE, you won’t have long to wait before her vibration-raising EP hits the airwaves.

ORACLE dropped on November 3rd; stream it on Spotify.

Review by Amelia Vandergast

Laura Loh illuminated the airwaves with her latest installation of alt-pop, City Lights

Laura Loh’s latest alt-pop single, City Lights, co-produced with MUNBOI, has already been picked up by BBC Introducing; given the earworm appeal of the release from the Hampshire, UK-based singer-songwriter, multi-instrumentalist and producer, the question is, can they put it down?

With nuances of ambient leftfield electronica oscillating in the atmosphere of the scintillating single which pays an ode to the magnetism of metropolises and their tendency to keep pulling us back with the promise of limitless potential, City Lights is a compellingly immersive release, which stands as a testament to how honed Laura Loh has become since making her debut. Synthesising instrumentals which stand a chance of complimenting her naturally compelling vocal range is discernibly no easy feat.

As she’s veered away from her classical vocal, piano, and violin training and jazz music background, Laura Loh has audibly moved towards commercial appeal while never letting her folky alt-pop edge betray her authenticity.

City Lights will illuminate the airwaves on November 9th; stream the single on SoundCloud.

Review by Amelia Vandergast

JANAYAH & Marcus Wiles brought euphoria to the dancefloor with their liberating EDM anthem, NOTHING TO LOSE

With their tantamount talent, the debut single, NOTHING TO LOSE, from the emerging vocalist and lyricist JANAYAH and EDM producer Marcus Wiles, who are both enrolled in the prestigious BRIT School in London studying music and production, respectively, is a radio-ready affirmation that whether they’re honing their collaborative chemistry or going solo, they’ll both have an illustrious career ahead of them.

The way the tension and emotion-fraught stabs of piano keys under JANAYAH’s stridently pitch-perfect vocals lead up to a mind-bendingly liberating drum n bass-drenched EDM crescendo signed, sealed, and delivered a promising future for the duo.

Their reverence for EDM and ability to emanate the same meticulous song-crafting flair as the likes of Calvin Harris, 3LAU, ChrisLake, Joel Corry, David Guetta, and Tiesto, will leave you on a knife edge as sharp as the hooks.

Once the monolithic momentum grips you, you’ll be at the mercy of the powerhouse duo. We can’t wait to hear the sophomore release after getting to grips with the transcendent debut, which could easily be considered the strongest EDM debut in 2023.

NOTHING TO LOSE is now available to stream on Spotify.

Review by Amelia Vandergast