Browsing Tag


WE ARE MONROE – BABY LOVE: euphorically dark indie post-punk. 

‘BABY LOVE’ is just one of the three tracks that feature on the latest EP, ‘MOVEMENTS’, from WE ARE MONROE, a Canadian-based alt-rock powerhouse making waves by showing the softer, more affable side to post-punk.
With Kessler-style cuttingly angular guitar notes over danceable beats and shimmering synths, BABY LOVE is an enliveningly authentic track that proves why WE ARE MONROE hasn’t failed to gain plenty of momentum with their euphorically dark indie sound. With Gus Van Go (Arkells) on production, it comes as no surprise that BABY LOVE boasts an anthemically absorbing feel that you’ll want to delve into time and time again. BABY LOVE will undoubtedly be a hit with any fans of Franz Ferdinand, The Killers, Spector, Bloc Party and Kasabian.
BABY LOVE is now available to stream via SoundCloud.
Review by Amelia Vandergast

Fading My Creations: Determined LA feminist band Agender things to another level with ‘Astro Tarot’

Returning to our anxious minds with their 2nd shuddering single off their upcoming ‘No Nostalgia‘ album that is set for fall 2021 release, Agender strongly barrage our battered souls with a twitchy new single that will have you looking around quickly called ‘Astro Tarot‘.

Agender is a uniquely ferocious Los Angeles, California-based four-piece indie post-punk/synth band. They make that earth-shattering music that easily breaks the fragile windows down — on small-minded people who just don’t get it — and is packed full of biting symbolism, that causes your blood-filled heart to suddenly beat much faster than before.

The song is an ode to Tarot and Astrology and the role they play in diffusing the anxiety of the unknown, and in navigating an ever disorienting world. It’s a reminder that ultimately intuition and free will prevail, as does the punk spirit.” – Agender

The gritty vocals slice a claw into your mind — as you sit back and imagine how electrifying they are live with such a buzz about them — with a vibe that sends your mind into a spin, as you remember that this is what real music is all about. The grind to get to where you need to be, no what what or who is standing selfishly in your way, is the only path to where you need to be at.

Astro Tarot’ from the new-age LA post-punk act Agender, confidently leads us into a new world that is hard to fathom, as the twists and turns can possibly knot you up quick like playing twister after a few glasses of wine.

Their music is angry, edgy and full of fight — as these are hungry women that are on the prowl and will take their prey — no matter what, as they growl with mighty delight as their street-smarts wins the day again.

Check out the Spotify link and see more of their journey via IG.

Reviewed by Llewelyn Screen

Alt indie newcomers 20-LD have unleashed their foreboding dark earworm, ‘Feel It Now’.

Alt-indie newcomers 20-LD have released yet another transfixing track onto the airwaves with the release of their latest single, ‘Feel It Now’. It comes with the same atmospheric chill as Joy Division, Covenant-style darkwave beats and static choppy guitar progressions that cut through the reverb that bleeds from the synth notes.

With a few psychotropic tones laced into the dark earworm under forebodingly magnetic vocals that will be a hit with any fans of the Editors, it’s safe to say that 20-LD’s sound holds as much distinction as it does commercial potential.

The optimism that rings through in the higher notes feels like the ultimate feat of defiance in this timely melancholic release that pulls sheer ingenuity out of the dark. We can’t wait to see where this lockdown-born artist takes their sound next.

Feel It Now is now available to stream via Spotify.

Review by Amelia Vandergast

Fauxchisels do HG Wells proud with their 2021 noise rock album, ‘Education or Catastrophe’

Education or Catastrophe by Fauxchisels

In 1921, HG Wells observed that “human history becomes more and more a race between education and catastrophe”. In 2021, Birmingham-based noise-rock artist Fauxchisels brought forth their artfully caustic album, Education or Catastrophe, demonstrating that little has changed in the presiding century aside from the widening of inequity.

Education or Catastrophe kicks off with the Fugazi-Esque fervent single, Get Over Yrself, before the despondent Northern roots start to really pull through in Badges and Ideals instrumentally and lyrically through lines such as “You bring the Daily Mail, I’ll bring the matches”; proving that Fauxchisels are just as adept at witty protestive soundbites as any of the contemporary punk-chart toppers.

Track five, Family Friendly, is a meditatively harrowing single that will feel familiar to any fans of Arab Strap as the imploring sermonic vocals act as a candid invitation into the dourness of the thankless domesticity we’ve all wrestled with during lockown.

Constant Ghost is one of those engorging aural oddities that reels you in hook, bassline and sinker, the tumultuous chaos of the breakdowns against the steady canter of the poetic lyrics is art-punk at its finest.

The album is far cheaper and probably far more effective in giving you a cathartic outlet for your rage than therapy. Fauxchisels went above the usual austere indignance in the 12-track release that never gives you the chance to feel comfortable or complacent with the versatility in styling, emotion and volatility.

Head over to Bandcamp to hear the album yourselves or purchase in physical format. Check out Fauxchisels’ on Facebook.

Review by Amelia Vandergast

Shake Off The Race: Sarah Rae reminds us that its okay to be a ‘Blooming Mess’

After falling hopelessly in love with her euphoric single to help us gain that elusive inner acceptance in March called ‘Dancing In The Sun, Sarah Rae returns with a freshly salted new song which will have you smiling all over with ‘Blooming Mess‘.

Sarah Rae is a classically trained Atlanta, Georgia-based indie post-punk/dream-pop singer-songwriter, comedian, actress and pianist. She makes that embracing music which has your ears firmly listening intently, as her authentic style has you in awe of her total originality.

”The music behind Sarah Rae is driven by a plethora of sounds combining dream pop, nerve pop, and pop punk to create soulful music, with clarity that brings you both dissonance, and harmony. She seeks to balance both the ability to breathe life in to the listener with major progression, but also make them think with downward dissonance to create a clash the truly strikes your nerve.” – Sarah Rae

Featuring supremely energetic guitars, that happily swarms your ears with a very deep baseline — and fascinatingly muffled vocals that has you turning the volume up so high your tender ears shake — this is a quick-fire song to remember for so many reasons.

Blooming Mess‘ from the care-free cat-whisperer and wildly talented singer-songwriter Sarah Rae is a quality listen. She leads us eagerly into a world that has opened back up again, as her punk band days are still alive and well on this terrific track.

Stream this new easy-on-the-ear single via Spotify and see her life’s adventures on IG.

Reviewed by Llewelyn Screen

Pleasure Centre – deep, ethereal dreampop with ‘Blue (Bertha)’

Carving a unique niche in the overly-effected and saturated tones of the current Shoegaze scene is a tricky call, but that’s pretty much what Scarborough’s Pleasure Centre have managed to do with ‘Blue (Bertha)’, mixing up old-school Slowdive, Ride, My Bloody Valentine, Cocteau Twins, and BDRMM with Beach House, bits of Bloc Party, and a touch of Morrissey’s vocal vibrato and lazy delivery. Add in some Psychocandy-era Jesus and Mary Chain, a touch of Swervedriver, and a liberal sprinkling of Fleeting Joys, and you get ‘Blue (Bertha) – a gentle, ephemeral thing of beauty, all chiming chorused guitars, pushing, background-soaking bass, and layered, reverb-drenched vocals. Melancholic, ephemeral, and echoing, this is a floaty, ethereal take on post-rock dreampop that – for all its delicacy – really deserves to be played loud.

You can check out Pleasure Centre on BandCamp now, and follow on Facebook and Instagram.

Review by Alex Holmes

Werewolves prove punk does have a place in 2021 with their frenetically fierce debut album, ‘Enjoy Your Fat Self’.

‘Enjoy Your Fat Self’ is the iniquitously confrontational debut album from Flint-based alt-rock outfit Werewolves that shakes the mindlessness out of consumerism and compliance.

The title track is a frenetic feat of high-octane sleaze rock that will be a hit with fans of the Cramps and Motley Crüe alike. With rock rhythms distorted into tumultuous discord under the whiskey-soaked brash vocals, it is adrenalizing from the intro. The release proves just how far Werewolves have taken their sound since establishing their line-up in 2017. In their current formation, Werewolves is Bruce Horn (guitar & lead vocals), Paul Owsinski (guitar & backing vocals), Aaron Reinhard (drums & backing vocals), Doug Wilson (bass & backing vocals (on album)) and Nick Baker (bass & backing vocals (current & live)).

Through the rest of the album, you’ll find plenty of exhibitions of Werewolves’ versatility. With some tracks oozing the stylish despondence of Dinosaur Jr. and others being experimental with psych-laden prog structures; there isn’t a skippable track.

The debut release shatters Danzig’s claim that ‘punk can’t happen in our woke generation’, punk tears through this release with sharper teeth than ever, and discernibly, far better musicianship.

With their next LP already in the works and their motivation to release a constant stream of high energy, angsty life-affirming tracks, Werewolves are worth getting acquainted with as they take the scene by storm in 2021 and beyond.

Enjoy Your Fat Self is now available to stream via Spotify & Bandcamp.

Connect with Werewolves via Facebook & Instagram.

Review by Amelia Vandergast

Young Fatigue attack aesthetic obsession with their single Am I Pretty Now?

After forming in 2019, London-based three-piece powerhouse Young Fatigue is gaining all the right attention and are on track to take the Alt-Rock scene by storm in 2021, especially with the release of their latest single, Am I Pretty Now?

With crystal clear nods to Daniel Kessler’s lead work in the intro giving way to the grungey carnage in the first verse combined with throbbingly ominous post-punk basslines, Am I Pretty Now? hooks you in, right from the start. As the single continues to evolve, pop-punk biting energy transgresses into post-hardcore-style-furore, delivering an angsty scuzz that you are unlikely to forget.

Tune into the lyrics, and you will find that Young Fatigue attack aesthetic obsession with the same poignancy as Richey Edwards. If Richey was around to witness the Instagram generation, I do not doubt that his lyrics would be reminiscent of Young Fatigue’s.

You can hear Young Fatigue via their Website.

Review by Amelia Vandergast

Vex Message slams the surveillance state with their darkwave earworm, ‘Data Regime’

Vex Message

If you share Vex Message’s hatred of our surveillance state, you’ll definitely want to introduce yourself to the earworm which resides in their latest darkwave post-punk release, ‘Data Regime’.

Vex Message may be fresh on the scene, but founding member, Derek Meins, was formerly part of Rough Trade-signed Eastern Lane, The Famous Poet and The Agitator. They brought all of their rhythmically astute professionalism to Data Regime; an unforgettably catchy hit that allows their enigmatic personality to shine through.

If you could imagine what it would sound like if Peter Murphy embraced his playful side and brought funky gothy grooves into his sound, you’ll get an idea of what is on offer in the danceable mix that will be a hit with any fans of Talking Heads and The Wire.

Data Regime officially released on April 9th. It is available to stream and download via Bandcamp.

Review by Amelia Vandergast

Judge Silver is coming off the bench with ‘Angeline’

‘Angeline’ is taken from Judge Silver’s debut album ‘Still On The Bench’, nine tracks of relatively gentle alt-flavoured-rock with a lyrical bent and a certain nod to football-related metaphors here and there. There’s some synth and dancey bass across the album, along with the more ‘rock’ flavoured guitars – think Orange Juice and Edwin Collins, a little of the Presidents of the USA, and maybe a touch of Tin Machine-era Bowie, and a little of Amigo The Devil in the vocal delivery.

It’s perhaps a little self-consciously ‘self-effacing’ when it comes to the lyrics, but in between the tongue-in-cheek there are some killer couplets, and in ‘Angeline’ an albeit unconventional love-song.

You can check out ‘Angeline’, and the rest of Judge Silver’s debut, on Soundcloud. Follow Judge Silver on Facebook.

Review by Alex Holmes