Brooklyn, NY-born, Houston-residing singer-songwriter, Catterina, is set to make her unmissable debut with her heartache-inspired single ‘Wasted Time’, with an eclectic array of influence behind her accessible radio-ready Pop style, if anyone’s got what it takes to break into the charts in 2021, it’s Catterina.
Through a combination of blues, folk, indie and pop, Wasted Time is a track so fresh you can almost feel the breeze, and with the ability to make her lyrics as empowering as they are absolving, one hit of Wasted Time will affirm that Catterina is one to watch.
The production may be polished, but the lyrics run through unfiltered, bleeding sincerity and vulnerability in pitch-perfect harmony. I feel like if I heard Wasted Time when I was 16, I’d be much better prepared for life.
Wasted Time is due for official release on January 15th. You’ll be able to check it out for yourselves by heading over here. In the meantime, follow Catterina via Facebook.
In 2021, it’s harder than usual to create everlasting positive memories, with timely their sophomore release, ‘First Time’, alt-electronic pop duo, Anaté, invite the listener to rekindle the magic of affable memories have become soured by embitterment.
First Time asks the listener to stop throwing previously cherished memories away by the wayside just because the co-creator of them is no longer around. It’s a difficult request to make, but through the celestially panoramic alchemy of this intrinsically stylistic feat of downtempo electronic pop, you won’t just feel yourself become open to suggestion. You’ll feel floods of nostalgic imagery finding synergy with the melodic tides of the sensual yet powerful release.
If the difference between Anaté’s debut and sophomore single tells us anything, it’s to always expect the unexpected. Yet, one constant is the depth of the lyricism which works alongside their intoxicating sound.
First Time may not fit the usual perennial pop earworm mould, but it’s all the more unforgettable for it. Anaté’s succinct command of melodies and ability to offer a resounding directness with their music will undoubtedly see them go far in 2021 and beyond. If you’re sick of artists who only scratch at the surface of superficiality with their music, it’s time to start paying attention to Anaté.
To revel in some amorous nostalgia for yourselves, you can check out First Time which was released on January 13th, 2021 via Spotify.
For more ways to listen and more information on the luminary duo, head over to their official website.
ThoseBricks sends us a message of hope that is inspired by his newborn daughter on the new single ‘Keep My Feet on the Ground‘.
The silky smooth Norwegian indie-pop artist and producer who has been open about his struggles with Complex post-traumatic stress disorder, brings us a ray of sunshine and a song that helps him each day to conquer the next step of his life.
When you have a child it changes everything in your world. Those little hands and feet, innocent look and at-times scared eyes, shine through all darkness as you find purpose. Raising a youngster in this wild world is not easy but it helps with easing the pain and deep scars you have inside Its like the re-birth of yourself in someway as you help raise a small human to be big and strong, just like you are.
His voice is so honest and he sings like a angel sent from above. Each word is meaningful as he is so inspired by his daughter that has come into his life at exactly the right time. The soothing melody is so glorious to hear and the soft piano background is perfect for this special moment. A man who now knows his purpose. Raising his daughter and making incredible music that helps us all heal together.
His young daughter Zelda gives him hope that each day is going to be a better one than before as she needs and wants her Daddy to be there for her. ‘Keep My Feet on the Ground‘ will bring tears to your eyes and you want Norway’s ThoseBricks to win at life.
You might not understand all that is going on inside his brain but you support him and wish him well. This is real music that has been created to share, inspire those who need it and also bring positive energy to a world that needs each sinew of it to re-boot again. The future is in the youths hands and we need to protect, teach and guide them, so they can reach their dreams and live in a better world.
Heart this incredibly real song on his Spotify and see how fatherhood goes on his IG.
Classically-trained singer-songwriter Molly Clare here brings her stunning, soaring voice to new single ‘Wings’, a divine, heartfelt piano-led ballad of love. Already garnering multiple radio plays, ‘Wings’ is the follow-up to ‘The Sun After The Rain’, which notched up over 40,000 views in support of NHS charities.
‘Wings’ really is an absolutely beautiful creation, the piano carrying the melody whilst leaving just enough space for Clare’s magnificent vocal to really shine. It’s no surprise that it’s already seen Clare into the semi-final of the International Song-Writing Competition and the John Lennon Song-Writing Contest, and as one of five finalists in the ‘Snowdrop Song-Writing Conpetition’ in front of judge Glastonbury-supremo Michael Eavis. With soft-but-supremely-powerful vocals in the style of her inspirations Joni Mitchell and Dido, ‘Wings’ is the lead singles from Clare’s forthcoming EP ‘The Sun And The Stars’, released this month, and it’s a perfect introduction to the incredible talent that Clare has at her disposal.
Indie pop artist Jack Buckley has made his debut with the soul-rippingly-raw hit ‘Let Go’, which will hit you with the same evocative weight as tracks by the National and Frightened Rabbit. There’s even some Dessner-style sonic guitar blazing behind the trepidation-laden piano keys which take the score to a cinematic level.
Stylistic reminiscences are incredibly fleeting in Let Go, as the track runs through, you won’t have much cognitive function left to find similarities as you’re overwhelmed by the sheer amorous agony the single contains. In a time when most relationships are superficial and disposable, it almost feels like a blast from the past hearing Jack Buckley’s ardent vocals, but it’s a kiss with a contemporary fist.
With their sophomore single in production, you’ll definitely want Jack Buckley on your radar in 2021.
You can check out Jack Buckley’s single, Let Go, on all major platforms via this link.
Following on from the success of her debut single, ‘Fly Your Way’, London-based singer-songwriter, Abi Mia, has released her confessionally powerful sophomore single ‘This Life’ and proven that it is possible to offer a monumental dance track and pop ballad, all in one evocatively arrestive package.
With her unflinching vocals paralleling the sheer veracity of the pulsing synth notes and euphoria instilling beats, if you don’t feel something while listening to This Life, your soul might have checked out.
Abi Mia may take influence from the likes of Kelly Clarkson, Demi Lovato and Alicia Keys, but discernibly, she runs with her own resounding style; and the airwaves are all the better for it.
You can check out This Life for yourselves by heading over to Spotify.
If you hit play on any alt-pop debut this year, make it RONA MAIRI’s stormer of a single ‘Sliding Away’ and test your capacity to feel.
Sliding Away may not be the most polished single that you’ve heard this year, but it is all the better for it. The piercingly resounding alt-pop single transcends directness and delivers unapologetically confrontational soul. Maybe not the sticky-sweet and superficial soul that is prevalent in the pop charts, but you’re in for an evocative experience all the same as the tremulous electronic track plays havoc with your rhythmic pulses.
The Scottish singer-songwriter’s original aural passion fell into the lap of grunge, but as exhibited in Sliding Away, her contemporary inspiration comes from game-changing producers such as Lorn, Clams Casino and Shlohmo. After hearing Sliding Away, it would come as no surprise if RONA MAIRI started to share the very same acclaim as the luminary producers who compelled her to share her distinctive vision with the world.
You can check out Sliding Away for yourselves by heading over to YouTube.
We’ve heard our fair share of debut singles this year after so many artists were driven to find the catharsis in expression in chaotically confusing times, but very few, if any, were as soul-meltingly powerful as ‘To the Moon and Back from Maddison Skies.
Maddison Skies consists of Gracie May, Thea, and Sophie; three phenomenally talented UK-based vocalists who banded together through adversity. On their first real life meeting, they recorded their debut single to instil some much-needed optimism on the airwaves. To the Moon and Back is a stunning Indie Pop testament to the power and necessity of love, if you’re not convinced, their harmonised vocals will give you all the assurance you need.
If this is the future of girl groups, colour me excited.
You can check out the official music video to Maddison Skies’ debut single by heading over to YouTube.
Breaking Pop artist, Cami Bex, is set to release her sophomore single, ‘Are You Thinking What I’m Thinking’, following on from the resounding success of her debut single ‘Type’.
With her relatable brand of served-from-the soul Pop, The Aussie singer songwriter is already exhibiting her ability to orchestrate evocatively enticing feats of contemporary hits with chart-topping potential. The synth-led soundscape gives ‘Are You Thinking What I’m Thinking’ a bubble gum Pop feel, but there’s no ignoring the sonorous maturity which oozes from this stylistic release.
You’ll have to wait a little longer before you can check out Cami Bex’s latest single. In the meantime, head over to her official website and delve into her debut.
Dublin-born singer-songwriter Rae Kelly mixes heartfelt, philosophical, and evocative lyrics with a blend of mildly jazzy pop piano to produce a beautiful, delicate, and charming new single in the shape of ‘Ignorant As Icarus’. Kicking off with some real Tori Amos/Amanda Palmer vibes with the solo piano and vocal section before the rest of the band kick in, it’s an intriguing mix of repeating bass motif and keyboard behind Rae’s stunning, lilting vocal.
The delivery is divine, dropping down to an almost choral middle eight, Kelly’s vocal becoming one more instrument in the mix before slipping back to poetic, storytelling, questioning lyrics once more.
There’s some serious talent on show here, Kelly’s voice exquisite and graceful whilst her lyrics are engaging and thought-provoking; there’s no mistaking the ‘early years’ training of Kelly’s church choir experience in her confidence and soaring mezzo-soprano range, but there’s some avant-garde pop perfection on display as well, all capped off by the stunning piano and bassline of the track. Now back writing and recording after an enforced hiatus, hopefully, there’s much more to come from the sublime Rae Kelly.