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Pop

A Bed of Nails for a Teenage Crown – Tara Bleeds Through Her Debut Indie Pop Single, ‘Pain’

At the bitter-sweet age of 16, Tara has already mastered the art of balladry in her debut single, Pain. The Serbia-born, Sweden-raised singer-songwriter poured right from the pain in her soul, allowing it to transmute into haunting metaphors, ensuring they resound with maximum resonance as they articulate the frustration of hearing that your teenage years should be the best of your life, yet, you can’t escape the agony of them when depression, apathy, betrayal, uncertainty and heartbreak have you in a multifaceted chokehold.

With the production support of Tim Gosden, whose work cloaks the track in brooding textures, Pain sets the stage with aching progressions that echo the low-end dissonance of coming-of-age realism. Tara doesn’t posture; she gives voice to the unspoken realities of adolescence with the same conviction she uses to wrap her vibrato around each lyric. Her command of vocal expression carries the emotional weight without tipping into melodrama, grounding the track in raw authenticity.

Her cultural duality – growing up in Serbia before resettling in Sweden – doesn’t scream through the production, but it subtly informs her capacity to view the chaos of teenhood from an introspective, poetically jaded lens. Her tone is mature without shedding the fragility that makes her debut impossible to dismiss.

With a voice and instrumental blueprint exclusive to her, Tara’s success is fated in Pain.

Pain is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.

Pop Culture’s Powder Keg: Maeve Riley Lights the Fuse with her EDM Pop Anthem, ‘Oops’

Maeve Riley

After a year where pop icons have openly paraded the imperfect and the unruly, Maeve Riley set the dancefloor on fire with Oops—a decadent pop explosion that anthemises digressions with no intention of cleaning up the mess. From the first hit of the tropic house kicks and 80s polyphonic motifs, Riley slams the accelerator on sonic excess, riding a disco groove fuelled by one of the rawest rock riffs ever dropped into a pop production.

The hedonism only intensifies around Riley’s meteorically magnetic vocal lines, which invite you to shed shame, strip away your inhibitions, and groove to the realisation that few things in life are as pristine as idealism, so get lit to the rapture of chaos. Every beat is a rebellion, every lyric a permission slip to abandon composure in the name of unapologetic pleasure.

Born in Rancho Cucamonga and now entrenched in LA’s music circuit, Riley sharpened her performance edge at UCLA’s School of Theatre, Film, and Television before becoming a fixture in the entertainment world. With 200K+ followers across TikTok and Instagram, she’s turned visibility into credibility without sacrificing authenticity.

Connect with Maeve Riley on Instagram and TikTok and wait for the drop of what will undoubtedly become one of the hottest tracks of the summer.

Review by Amelia Vandergast.

Niamh Casey lyrically grounds the grandeur in her chamber pop diary entry, Fake Friend

Niamh Casey

Niamh Casey delivers tonal grandeur through grounded intimacy in her standout single, ‘Fake Friend’. Her flawlessly pitched, unfeigned vocal lines soar alongside an orchestral pop intensity, swiftly shifting into raw rock reverence with a broadsiding crescendo that spills beyond stadium proportions. Beneath the ornate instrumentation lies a deeper emotional reckoning: Casey captures the sheer exhaustion of existing at your emotional limits in a friendship devoid of reciprocity, where all is expected but nothing mutual ever materialises.

Pivoting away from her familiar themes of romantic heartbreak, Casey turns her gaze towards the murkier waters of friendship, highlighting the stark reality that bonds built on trust, honesty, and mutual support often fracture painfully. The single’s ironic title cleverly frames the cycle of adolescent reflection as Casey carousels through repeated disappointments, mirroring the shallow interactions with her own weary realisations. Each verse speaks rhetorically to the friend, challenging their conscience before swiftly turning inward, questioning her own judgement and emotional resilience.

As the bridge ignites, resentment physically releases through echoes of past betrayals and broken trust, vividly portraying how exhausting one-sided friendships truly become. Casey’s lyrical narrative relentlessly explores how grief and contempt intersect when the loss of a so-called friend offers more peace than pain.

With the potential of becoming the Tori Amos of her generation, all eyes and ears should be on Niamh Casey as the release of her upcoming EP inches closer.

‘Fake Friend’ is now available to stream on all major platforms.

Follow Niamh Casey on Facebook, Instagram and TikTok.

Review by Amelia Vandergast

Jason Klaire Holds the Door Open to Solidarity in His Nine-Minute Pop-Rock Reckoning

Jason Klaire has always had a knack for translating chaos into art. With Open the Door, he strips away the noise of nationalistic chest-pounding and forces attention onto the slow rot of a society that’s convinced itself of its own superiority. Through theatrical piano-laced pop-rock progressions and gruff lyrical reckonings tempered by falsetto-soaked crescendos, he lays bare the internal malaise that festers in the face of external injustice.

The production carries the weight of disillusionment with a world that grows more fractured as the sands of time erode compassion, youth and the impulse to question. Open the Door isn’t content to simply reflect existential dread—it pushes past guilt and calls for a collective pivot, urging listeners to abandon cynicism and step into a future shaped by shared humanity. There’s no patience here for apathy, no room for denial.

Written as a defiant stand against territorial arrogance, Klaire’s nine-minute single was sculpted through painstaking revision, mastered by Steve Kitch, and eventually paired with a macabre AI-generated visual epic that consumed two months of obsessive perfectionism.

Klaire may have started with guitar chords and frustration, but what he built is a manifesto. One that swells with theatrical poise and lands with an emotional impact few artists dare aim for.

Open the Door is now available to stream on all major platforms. For the full experience, watch the music video on YouTube. 

Review by Amelia Vandergast

Keli Woods’ ‘Around the Sun’: An Alt-Pop Anthem Illuminating Life’s Luminous Transience

Keli Woods’ latest single, Around the Sun, masterfully plunges listeners into vivid visualisations of its emotive thematic depths. Bathed in tonal warmth from the opening rays emanating from acoustic guitar strings and magnetically arresting vocals, the song immediately invites you into its temperate bliss. As the track progresses, synths scintillate grooves and beats as a funk fusion is dripped into the soul-driven earworm,  further textured by folk-esque instrumentation, amplifying Woods’ storytelling chops.

Possessing a dance-worthy chorus balanced by verses that encourage introspection, Around the Sun leaves little unfulfilled. By the outro, the track becomes a celebration, fortifying our gratitude for the fleeting sands of time and our shared human existence.

Woods, a UK-based multi-instrumentalist and former monk, distils his diverse experiences—ranging from big band swing and Vedic kirtan to musical theatre—into profoundly soulful compositions. Once poised for West End stardom at just 11 and leading a teenage jazz band touring Swansea’s streets in their whimsical ‘Jazz Ambulance’, Woods stepped away from music to seek deeper meaning through monastic life. Returning with renewed purpose, he now harnesses music as a conduit for philosophical exploration, crafting lyrical narratives that confront life’s significant questions with fearless authenticity.

With Around the Sun, Keli Woods has delivered a luminous alt-pop anthem—a reminder of our innate desire to savour existence.

Around the Sun is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Darcy Thomas’ ‘It’s You’: Aussie Pop’s Anthemic Heartbreak in Full Bloom

Darcy Thomas’ latest single, ‘It’s You’, carries 00s pop nostalgia in acoustic guitar chops that lend immediate intimacy before the track swells into an anthemic radio-ready proclamation. Raw rock riffs spike through the chorus, fuelling a heart-in-throat crescendo as the lyrical protagonist lays it all unapologetically on the line.

The emotional intensity strikes hard enough to bruise, providing a bittersweet reminder that fairytale love stories rarely survive off the page, screen, or airwaves. Thomas deliberately avoids neat resolutions, leaving listeners tangled in ambiguity as they root for a protagonist faced with losing the one person who makes them feel whole.

At just eighteen, Darcy Thomas has transitioned from writing his first song at six to crafting his vocal identity under the watchful eye of renowned vocal coach ‘Mama Jan’ Smith, whose clientele famously includes Justin Bieber and Usher. Alongside producer Greg Stace, whose guidance at Ignite Studio in Alexandria has been pivotal, Thomas has shaped a visceral sound ready to capture global attention through its expansive cross-over appeal.

‘It’s You’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Amanda Gabriel Crystallises Nostalgia into Sentimentality’s Sharpest Edge in Her Indie-Pop Single, Always Better

With her theatre roots, New Jersey-bred vulnerability, and a self-diagnosed tendency to feel too much, Amanda Gabriel builds entire sonic topographies from emotion. In Always Better, her girl-next-door demureness sharpens the blow of her emotional candour. The single pulls you under with infectiously seraphic progressions, tinged with a gentle nod to 90s and 00s pop, while keeping one eye fixed on the horizon.

The production elevates the songwriting to stratospheric heights. What begins with a dreamy, cloudlike atmosphere slowly tightens its grip as jangly guitar chops carve through the softness. It’s delicate without being breakable, with Gabriel’s dynamic vocal range gliding over the instrumental with glassy, diaphanous harmonies that feel fragile and unshakable.

Lyrically, Always Better distils emotional chaos into clarity, moving through beauty, confusion, pain, and longing without over-explaining or overstating. From the first verse, the sentimental pull is inescapable, and by the final note, you’ll know precisely what she meant—even if she never told you outright.

Her debut EP, also titled Always Better, made a strong first mark in early summer 2024, with the title track climbing to #16 on the aBreak58 chart and earning a slot on their radio station and playlist.

Always Better is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

OCEANS OF TEARS Delivered a Neon-Lit Lifeline with ‘LOSING MY WILL TO LIVE’

After starting with the iconic ‘snap out of it’ line by Cher in Moonstruck, which proves OCEANS OF TEARS has their finger on the pulse of the cultural zeitgeist, ‘LOSING MY WILL TO LIVE’ slides into a high-energy synthesis of 80s-spiked pop rock which serves an infectious chorus as the main sonic dish in this existential utopia.

With synth lines streaming neon lights into the production in place of a cliché rock riff, the track remains a seamless ride through synth-pop nostalgia while OCEANS OF TEARS maintains a firm grip on what brings distinctive panache to his sound.

Drawn from Steve W. Boily’s rock musical, Bullet in a Gun, ‘LOSING MY WILL TO LIVE’ confronts despair at its most unfiltered, capturing the raw agony of losing everything—love, work, pride. In a global climate weighed down by economic uncertainty, looming tariffs, and widespread job insecurity, the soul-stirring lyrics feel heartbreakingly real and strike harder than ever. Ian Hardwick’s guest vocals amplify the emotional intensity, channelling betrayal, failure, and isolation into a powerful anthem of desperation.

This is pop-rock sharpened to a neon-lit edge; honest, relentless, and emotionally charged.

‘LOSING MY WILL TO LIVE’ is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Francesca Pichierri’s ‘Amen’ Strikes Alt-Pop Gold with a Groove-Soaked Rebuke

Francesca Pichierri never lets sentimentality get in the way of precision. With ‘Amen’, her fifth single and a pivotal chapter in her concept album Cellule Stronze, she lays a satirical yet razor-sharp lens on cancer ghosting—the social retreat of those who disappear when illness walks into the room. Rather than wallowing in the emotional wreckage, she chooses to let irony march straight to the dancefloor.

Musically, Amen firmly implants alt into pop. Retro-futurist synth lines and swathes of synthesised bass bring the funk, summoning a sound reminiscent of Depeche Mode warped through the lens of South American disco and gospel. But it’s Pichierri’s performance that overrides the energy of the release. Her vocal lines carry a seraphic sanctity, acting as a vocal exorcism of all the shallow well-wishers and their hollow “thoughts and prayers”.

You plug into Amen—not the other way around. It strips you of autonomy with its animatronic pull, transposing darkness into an earworm of euphoria. The lyrical sting doesn’t get lost in the groove. Instead, it’s accentuated by it. Her vocal delivery pivots from soulful sincerity to smirking irony with a deftness that makes every line land harder. It’s funk with bite. Gospel with gall. Dance music with a grudge.

With Amen, Pichierri soundtracks the uncomfortable silence left by those who recoil from pain—and she sets it to a beat they can’t ignore.

Amen is now available to stream on all major platforms, including SoundCloud and Spotify.

Review by Amelia Vandergast.

Perenna King Fires Shots at the Elite with ‘Billionaire’

Perenna King isn’t here to play nice with the 1%. Billionaire is a slick, sultry rejection of the pop mould, drenched in bass-heavy afrobeat rhythms that instantly set the NYC singer-songwriter apart. With rap verses that cut through with razor-sharp conviction, she delivers a scathing critique of the ultra-wealthy, making it impossible not to get caught up in the hype of this protest anthem.

In a world where Elon Musk is unavoidable and the rich-poor divide stretches further by the day, King amplifies the frustrations of those grinding to get by, only to realise the system was rigged against them from the start. The track doesn’t just highlight the disparity—it vindicates the ones left fighting for scraps while the billionaires hoard power, influence, and entire economies.

Raised on a fusion of classic rock and literature, King has always had a flair for injecting her music with theatrical drama, but Billionaire isn’t just spectacle—it’s a battle cry. Her latest tour de force breathes fresh air into a genre often too cautious to take a stand. The message is as biting as the beat is infectious, proving that resistance isn’t futile.

Billionaire is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast