Browsing Tag

Pop Singer Songwriter

Abi Muir Unleashed Her Inner Spark with Unapologetic Confidence – An Interview

If you have ever found yourself seeking that push to move from heartbreak to bold self-celebration, Abi Muir’s latest single offers a fresh sense of empowerment you will want to experience firsthand. In this candid interview, Abi shares the honest roots of her new track, On One Knee, and discusses her shift from confessional heartbreak anthems to a defiant celebration of personal worth.

She opens up about writing through vulnerability, embracing self-love, and the surprising moments that shape her songwriting. With insight into the making of her new anthem and advice for anyone working through the weight of past relationships, Abi’s openness makes this a must-read for anyone searching for a soundtrack to their own comeback

Your new single On One Knee takes a marked turn from your previous heartbreak anthems towards a far bolder sense of self. What prompted you to move away from those raw themes of heartbreak and step into the unapologetic confidence we hear in this track?

I definitely brought a new energy to the table with On One Knee, it’s sexy and playful, the big sister to my other songs. The narratives of my songs until I released On One Knee has been very ‘woe-me’, but I think my art just reflects my feelings and mind. At this point in my life, for the first time I’m actually confident and proud to be in my own skin. I wanted to put a song out that could help others step into their power and feel like a million bucks! There is definitely more like On One Knee to come, but I wouldn’t say I’ll ever move on from expressing my heartbreaks and sadness through my music because it’s a creative outlet for me. And the goal for my music is just to make people FEEL. Happy or sad, I just want to give them a feeling so they can connect and hopefully give them power in whatever situation they’re dealing with personally.

The lyrics of On One Knee carry a fierce sense of independence and boundary-setting. Can you share a moment or experience that inspired you to write so candidly about reclaiming personal power?

 I went through a rough breakup, and this person was really my own friend too so I was completely alone for a year, depressed with unhealthy coping mechanisms. I thought I’d never live or love like a normal person again. But time did in fact heal, and I started to look after myself again. I practiced gratitude, and slowly started reconnecting with friends and my own family again. I wrote On One Knee on a random night almost as a manifesto. I just wanted to sing about something that would make ME feel good. I wasn’t trying to make it complex; I honestly wrote some of the lines as a joke that I thought I’d change later. But I kept everything exactly how it was from the night I wrote it because it was stuck in my head and that was a GREAT THING, because the lyrics were so uplifting and fun.

There’s a magnetic sass running through this single, especially in lines like “If you wanna play games, might let you play with me, but baby, you’ll end up on one knee.” How did you land on that line, and what does it represent to you?

I think the biggest sign of dedication you can receive from a man is him getting down on one knee. The power as a woman in being looked up to and respected in that way is unmatched. I’m saying in the sweetest way possible, “don’t flirt, because I will flirt harder, and then you’ll have no choice but to get on one knee because how will you ever find better?”

You’ve described this single as the end of your heartbreak era. Was there a specific turning point that made you want to close that chapter and embrace this new, more empowered outlook?

To be honest, I healed my heart in real life, so that translated over to my music. I feel all of my emotions very heavily and this era for me happens to be all about feeling good in my own skin and knowing I deserve the best and the best only.

The press release celebrates the track as an anthem for anyone who’s felt underestimated, ghosted, or gaslit. What advice would you offer to listeners currently working through those kinds of experiences, based on your own journey?

I think every woman in the world has been made to feel unworthy or insecure at some point in their life. We all deal constantly with social/beauty standards and how hard it is to just exist as a woman. But I wanted to give the girls something to uplift them instead of focusing on the issue. My best advice is don’t let a relationship isolate you from your friends and don’t settle if your nervous system is constantly triggered by your partner!

With the acoustic set at Stratford Sounds: Live & Local Music Festival on the horizon, how do you approach stripping a powerhouse track like On One Knee back for a more intimate live performance?

I’ve been gigging locally with my partner for the past year, almost every weekend, so we’ve gotten super comfortable ‘acoustic-ifying’ my songs. The next song I plan on releasing is actually our favourite to play, which we’ll also be playing at Narrowtracks, so the audience will be getting a sneaky preview of what’s to come!

Your music flips the script on the idea that vulnerability is a weakness, instead presenting it as a source of strength. Has this ethos influenced other aspects of your life outside of songwriting?

My mindset shifted in real life from victim to in charge of my own life, and I wanted to share that newfound confidence. I’m also a believer that being emotional and vulnerable is actually powerful, and gives others the confidence to do the same. It’s unhealthy to bottle up feelings. And I honestly just can’t keep my feelings to myself; I physically need to share them or I’ll be mentally tormented.

As On One Knee takes its place as a girls’ night out anthem, what do you hope listeners take away from it, especially those still searching for their own sense of worth after heartbreak?

I hope it makes them feel powerful and all the self-love in the world. I hope it’s a reminder that they are the prize and should feel beautiful AT ALL TIMES. A life hack is to listen to On One Knee at least 5 times a day, and sing the lyrics because you’d be surprised how your words can manifest in real life! Feel the power, even if it’s just for the 2 minutes and 30 seconds you’re listening!
Stream Abi Muir’s latest single on Spotify now.

Interview by Amelia Vandergast

Megan Wheeler Held a Mirror to the Price of Connection in the Shoegazey Pop Reverie of ‘Acceptance of You’

Megan Wheeler is on a home run of hit singles in 2025, and Acceptance of You proves she’s not ready to slow the momentum. After turning heads with Now That I’m Gone, she put her own stamp on a contemporary pop ballad shaped by trip-hop-esque beats and shoegazey dream pop guitars, raising the bar for innovation in the indie pop arena. With space carved out for experimentation in the instrumental arrangement, her glassy diaphanous vocal register consoles with classic indie pop grace, ethereal in all the right places, longingly impassioned in all the rest.

Wheeler paid justice to the emotional architecture of the track, which explores how acceptance often arrives as a bittersweet revelation. One that gifts us freedom and loss in the same breath. As messy as the dynamics between two imperfectly entangled people, yet as clean cut as a diamond in the rough, Acceptance of You is a profound account of the cost of connection and the resilience needed to live with the fallout.

Originally from St. Petersburg, Florida, Wheeler’s roots stretch from Nashville to Ireland, and her writing has carried emotional weight since her 2020 debut, Replaced. Now in full control of her creative direction, she continues to forge an authentic path as a singer-songwriter who values emotional candour over surface-level sentiment. Acceptance of Yo umarks a striking high point in her evolution, driven by maturity, clarity and a refusal to compromise.

Acceptance of You is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Mahathi Malladi Threaded Longing Through Orchestral RnB Pop Tension in ‘Say It’

With her debut single Say It, Mahathi Malladi didn’t need to obliterate the mould to command attention. She took the familiar structure of a pop ballad and redefined it with precision, poise and a quietly devastating emotional undercurrent. By weaving orchestral motifs into a contemporary RnB-pop soundscape, she carved a delicate, resonant tension that carries the weight of unanswered questions and unvoiced desires. Her vocal agility and lyrical candour ensure that every note lands with intent, never falling into decorative excess.

Raised in New Jersey after being born in India, Malladi channels the duality of first-generation experience into her music without resorting to overexplanation. Her voice alone holds enough force to skate across any beat, but she refuses to coast. She shows her hand as a triple threat by keeping the songwriting honest and the delivery emotionally immersive without crossing into indulgence. The push and pull within Say It is not only written into the lyrics but lives in the sonic fabric of the track. From the layered production to the poised progression, nothing feels accidental.

Malladi’s return to music after a period spent exploring identity and mental health gives this release weight. There’s a reason this debut hits differently — it doesn’t posture or overreach. It holds space for the ambiguity of affection and the ache for clarity with self-awareness and maturity. Say It captures a specific emotional stasis with a tone that guides rather than overwhelms, offering a rare example of sincerity sharpened into something commercially viable without compromise.

Say It is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Inamorata Refracted Unspoken Reverence Through a Prism of Power Pop in ‘Rainbow’

True to its title, Inamorata’s latest single, Rainbow, is a kaleidoscope of colour, filtered through the prism of power pop nostalgia. Echoes of the Psychedelic Furs ripple through the verses before the choruses erupt in vibrant guitar-driven fervour. Even with its lo-fi aesthetic, nothing gets lost in translation. The textures may be frayed at the edges, but everything within the mix rings with clarity, framing singer-songwriter Ramses Bulsara as one of the most affectingly uplifting evocateurs of his generation. If your world is lacking colour, you know exactly where to find it with this release.

Beneath the punchy chords and fluorescent hues lies an emotional nucleus few would expect. Rainbow is not a romantic confession, it’s a secret sent out into the ether. A love letter without a name, written in solitude, addressed to Daniela Villarreal of The Warning. The admiration lives in the subtext, buried in the late-night recordings and the soaring refrains. Bulsara never dared to send her a message. Instead, he gave the world this track, hoping it might drift into the right ears.

It’s a bridge built between continents. A sonic thread stretched between Jakarta and Monterrey, wrapped in admiration and vulnerability, but never veering into self-indulgence. His longing never asks for reciprocation. It simply asks to be heard.

Rainbow is now available to stream on all major platforms, including Spotify. Connect with the artist and find your preferred way to listen on Instagram.  

Review by Amelia Vandergast

Lisa Goldin Turned Fantasy into Feeling in the Epic Piano Pop Ballad ‘How Love Can Start’

With How Love Can Start, Lisa Goldin channels the kind of emotion that could shatter silence in a stadium or breathe warmth into a dark theatre. The South African-born, UAE-based artist knows exactly how to evoke emotion through the interplay of her piano progressions and the euphoric romanticism in her harmonies. There’s a magnitude in her vocal presence that carries the power of Broadway without tipping into the theatrical. Her delivery remains intimate, even when it feels monumental.

There’s something sentimentally spectral about the dreamy way she takes the phenomenon of love and portrays it as a liveable fantasy, one that we all have the potential to touch. This life may not be a fairytale, but within epic piano pop ballads such as How Love Can Start, we can briefly feel the blissfully safe emotion ebb and flow as we explore and appreciate the beauty and possibility of sparking new connections.

With a global presence spanning London, Ibiza, Dubai and beyond, Lisa Goldin has earned her place alongside international icons. Whether gracing stages with Ed Sheeran or fronting events from the Coca-Cola Arena to UEFA finals, her reach speaks volumes. But How Love Can Start shows that behind the accolades and airplay, her focus is firmly rooted in human emotion, delivered through music that was made to matter.

How Love Can Start is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Trukadi Bottled the Sweet Bruise of Longing in the Emo-Tinged Pop Euphonic Euphoria of ‘Arizona’

Trukadi pulled sincerity out of the abstract and dressed it in melody for his first 2025 release, Arizona. By kicking trends to the curb and bringing hooks that ensnare with an unflinching grip, he built a euphoric mirage of Midwest emo guitars and pop sensibilities so sticky-sweet it practically melts into your chest. His unique aural blueprint feels less like a stylistic choice and more like an atmosphere; one that seeps through the cracks and soaks you in nostalgic ache and starry-eyed optimism.

The San Francisco Bay Area artist has already proven his prowess behind the console with his instrumental EP Threshold and emotionally raw glitch-hop outings like Pick and Choose. But Arizona marks a definitive evolution. The vocal tone is fuller, the songwriting sharper, and the emotion even more unfiltered. There’s no hesitation in how the track leans into vulnerability. There’s bruising in every shimmering chord and beat, but it’s the kind of ache you welcome. The kind that reminds you what it means to feel everything at once.

Between his finesse over fretwork and his ability to turn yearning into something you can wrap yourself in, Trukadi offered a self-examination soundtracked by subtle euphoria. Arizona hits on every level. You might have to explain the marks.

Arizona is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Pam Messer Painted Wistful Waltzes into Indie Balladry with ‘Only This Song’

Pam Messer reimagined indie balladry through a lens of cinematic opulence and spectral artistry in ‘Only This Song’. The South Devon multi-instrumentalist orchestrated a waltz that pulses with soul and sensuality, transforming traditional ballad conventions into a living, breathing fantasia. Messer’s arcane vocal range serves as the gravitational force, her harmonies floating above an arrangement that doesn’t so much serenade as awaken the senses. Each note arrives with the promise of spiritual rapture, the spectral instrumentation lingering like a half-remembered dream.

Messer’s background, shaped in a home studio built by her father and further refined at Dartington College of Arts, infuses the track with decades of creative immersion. The influence of contemporary opera and a painter’s eye for subtlety radiates from the composition; Messer draws beauty from the intersection of joy and sorrow, sound and colour, nostalgia and invention. Through oscillating electronic pulses and reverberant synths, she conjures an atmosphere that straddles the material and the otherworldly, building a single that moves beyond indulgence to evoke decadent romance.

‘Only This Song’ is a rare feat in modern indie—a sensual waltz where Messer’s voice drifts and dances between the lines, never settling for less than transcendence. This is a track for those who believe balladry still has undiscovered territory, where echoes of tradition can spark experimental reverie.

‘Only This Song’ is now available to stream on all major platforms, including Apple Music. 

Review by Amelia Vandergast

Josh Raines Gift-Wrapped Affection-Instilled Euphoria in Euphonically-Packaged Soul-Pop in ‘Two Bears’

Josh Raines’ new single, Two Bears, swells with the feeling of love discovered and treasured, wrapped in soul-scintillating pop that flows with the confidence of a songwriter who has witnessed the mechanics of the industry from every angle. Each lift in the production forms a melodic updraft, allowing listeners to ascend alongside the track’s buoyant motifs—pop Americana with the warmth and clarity of a newly cut diamond.

Raines’ old-school sensibility is inescapable; it lingers in the careful craft of his arrangements, shaped by a youth spent absorbing Motown classics and ‘60s and ‘70s pop, and later fine-tuned as he moved from indie band frontman to seasoned producer for artists like Zach Royal and Lexie Rose. This musical pedigree is evident in the way he layers psychedelic colours through the mix, never overloading the senses but allowing each note to resonate with meaning. The pop-rock textures he brings from his teenage years surface in the guitar hooks, which refuse to be boxed in by nostalgia and instead propel the song with a rhythmic pulse that feels alive and undeniably present.

Lyrically, Raines threads appreciation and introspection with the skill of someone well acquainted with life’s sharper edges. The line “I found someone who loves me” lands with the force of a revelation, distilling gratitude into a statement that’s impossible to ignore—if you feel nothing, your soul may as well be on a mortuary slab. The gospel-tinged motifs and rock crescendos bring a thematic substance that effortlessly distinguishes Raines as a pop artist determined to transform personal history into something universally felt.

Two Bears is now available to stream on all major platforms; for the full experience, watch the official music video on YouTube.

Review by Amelia Vandergast

Xocoa McGee Torched the Past and Soundtracked Sovereignty in the Alt-Pop Firestorm ‘Bye Bye Ali’

Xocoa McGee, a veritable renegade in the alt-contemporary pop scene with her so-raw-it’s-off-the-bone rap verses and cinematically augmented drops, struck the airwaves with the impact of a meteor on Earth in Bye Bye Ali. When she isn’t waxing lyrical with the conviction of Cardi B and Minaj, Xocoa McGee is proving she’s no stranger to pitch-perfect harmony. Lyrically, Bye Bye Ali strikes a far more empowering chord than the iconic hit Flowers by Miley; consider the track as the antivenom equivalent to remedying your world after it has been ran through by someone who paraded pain as love – if your breakup playlists are missing this hit, it’s time to amplify the vindication of riding solo and on your own terms.

Raised in Marlow, Buckinghamshire, and musically forged through formal training at the Royal Northern College of Music, McGee builds entire emotional terrains. As the sister of Ben Jolliffe from Young Guns and the niece of a member of Tangerine Dream, her lineage practically hardwires her to thrive in a world where storytelling and sonic impact collide. She pulls from the past and the now with equal potency, wrapping visceral narratives in contemporary production that leaves bruises and clarity in its wake.

Bye Bye Ali is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Wowuh Stitched the Fabric of Memory into a Pop Anthem in ‘Your/My Mess’

Wowuh

Your/My Mess by Wowuh is a vignette that finds an epiphanous way to exhibit how love lingers in the most unexpected corners. Most people are completely oblivious to the meaning we subconsciously attach to material possessions, but the way Wowuh takes a discarded red dress and uses it as a precipice for an exposition on how even when memories fade, they are still part of the fabric of our being allows transcends profound introspection. The track doesn’t seek resolution—it holds the weight of the aftermath with poignant grace to recontextualise views and perspectives with the soul of poetry.

After opening with emotive acoustic intimacy, the polished yet pure single builds into a radio-ready earworm, allowing the crescendo to pirouette throughout the entire multi-layered, textured and toned chorus. The ache, the atmosphere, and the artefacts left behind are all given room to resonate, without platitudes or saccharine oversimplifications.

The LA-based, RVA-born songwriter and producer Andy Chess, under his moniker Wowuh, once buried his hooks beneath distortion. Now, he’s creating gravity-shifting collisions of bedroom confessions and arena-scale catharsis.

Co-written with Annie Chung Jones and Sarah Lacey, and brought to life by the moody production work of Conner ‘Noams’ Riley, Your/My Mess owns its flaws, its tenderness, and its truth. With a voice warm enough to melt the coldest of hearts, Wowuh is a name you won’t have to memorise; it will be everywhere.

Your/My Mess is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast.