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Pop Singer Songwriter

Romantic Rhapsody on Airwaves: Allen Miller’s ‘People Pretending to Be You’ Melds Indie Pop with Cinematic Love

Allen Miller

Allen Miller took the romantic comedy from the silver screen to the airwaves with his latest narratively panoramic indie-pop love song, People Pretending to Be You. The heart-in-throat hit jangle pops in the same vein as The 1975, carries all the sticky-sweet earworm potential of a Taylor Swift chart-topper, and flows with a flood of emotion, emanating the pop panache as Harry Styles.

To round off the influential smorgasbord, you’ll also succumb to the stylistic sonic gravity, which pulls you in with the same visceral pull of the snappy moody beats featured in the boygenius discography. Yet, the melodies and vocal magnetism fall by the wayside when you lock into the cunningly tender poetry within the lyricism, which proves that Allen Miller is a writer first and an artist second.

Exploring the sensation of everything falling into place as your soul cohesively connects to another, Allen Miller reached the paragon of romanticism by putting his heart on his guitar strings and paying such an affecting ode to the ethereal feeling that most screenwriters fail to sincerely capture.

People Pretending to Be You will be available to stream on all major platforms, including Spotify, from February 9th.

Review by Amelia Vandergast

Etherdene filtered her latest indie dream pop release ‘You Are My World’ through rose-tinted lenses.

In her ethereal alt-indie pop single, You Are My Word, Etherdene captured the transcendence of someone walking into your life and completely redefining reality around the light and colour they use to infuse your perceptions with renewed vibrance. To ground the track in realism, Etherdene used the all-too-relatable fear of rose-tinted glasses being shattered under the realisation of lack of reciprocation.

The ever-ascending melodies within the ardent yet sublimely tender track amplify the sticky-sweet romanticism drifting through the lyricism. Far from your average head-over-heels hit, You Are My World will leave you on a plateau, constructed by tentatively pure poetry which cohesively coalesces with the dreamy melodies that will easily be placed on any playlists featuring Cigarettes After Sex, Sigur Ros, and Beach House.

With over 10k monthly listeners behind her, Etherdene’s trajectory will only be upwards from here on out. Her rapid ascent after her 2023 debut reflects the affecting resonance within her self-expressive self-produced releases.

You Are My World was officially released on January 5th. Slip into the etherealism via Spotify.

Review by Amelia Vandergast

Heather McDowall visualised a digital delirium in her infectiously disorientated alt-indie pop hit, Truman Show

In 1998, The Truman Show exhibited the exploitative tendencies of media and how it damages self-perception; Heather McDowall spun that narrative a little further through the lens of a Gen Z raconteur of alt-indie pop with her latest single, Truman Show.

The Midlands-residing singer-songwriter burst through the delicate and twee indie pop bubble to deliver a funk-distilled, rock-licked earworm which transcends the candidly confessional and conversational style of Kate Nash.

The delirium of living in a reality marred by digital ties and afflictions is pervasive throughout the single; a nod to the unorthodox yet exhilarant production style, which allowed Heather McDowall to efficaciously visualise her disorientating experience with reality. It’s safe to say that she spoke for us all in yet another stellar feat of ‘multi-dimensional’ music orchestrating.

Since she made her 2019 debut on the airwaves following the success of her YouTube channel, McDowall has made several appearances on BBC Introducing, Live at the Basement Amazing Radio, and Totally Music. After bearing witness to the evolution of her style and the tangible resonance in Truman Show, McDowall is by far one of the most promising artists in the UK right now. For your own sake, dig in.

Truman Show aired on the airwaves on January 5th; stream the single on Spotify.

Review by Amelia Vandergast

Kaiza used sophistication as a vulnerable mode of volition in her cinematic pop hit, Dead or Alive

Kaiza’s latest single, Dead or Alive, is a striking testament to her evolving artistry in the realm of cinematic pop. Following the success of Girl in Red, which garnered over 160k streams on Spotify, this new release is a narrative woven with the threads of raw emotion and musical sophistication; prepare to be ensnared by the vulnerable mode of volition.

Kaiza, a classically trained pianist and vocalist, who once graced the prestigious stage of Carnegie Hall, brings a depth to her music that is both rare and enchanting. Dead or Alive is a showcase of her songwriting prowess, where each note and lyric is meticulously crafted to resonate with maximum impact. The harmonies in this track do not just play; they linger in the melodic air, creating an atmosphere that is elevated, but not to such a degree that inhibits accessibility. Expect to be hanging off every word as the track finds a unique middle ground between the artfulness of Tori Amos and the indomitable spirit of Lady Gaga.

As you crank up the volume, Dead or Alive envelops you in its world and prickles the skin with the presence of goosebumps; a physical manifestation of the song’s emotional depth. Kaiza’s belief in living a life full of stories worth telling is palpable in her lyrics, each line a brushstroke in a larger, more vivid picture.

Stream Dead or Alive on all major streaming platforms including Spotify.

Review by Amelia Vandergast

Jaina Tang entwined empowerment with vulnerability in her latest single,  No More Tears to Cry

Jaina Tang, a prodigious talent from Singapore, radiated empowerment through vulnerability in her latest musical narrative, No More Tears to Cry.

At just 17, Tang’s journey from a YouTube piano cover artist to a multifaceted musician is nothing short of inspiring. Her ability to play by ear, coupled with her mastery of 17 instruments, songwriting, singing, rapping, and beatboxing, has culminated in a body of work that is both deeply personal and universally relatable.

No More Tears to Cry is a testament to Tang’s artistic evolution. The song is an intricate tapestry of piano pop, interlaced with a profound sense of melancholy, yet it radiates an undeniable strength. This duality is the heart of Tang’s artistry. The piano, played with both precision and passion, lays the foundation for a journey through heartache and resilience. Tang’s voice, delicate yet determined, guides the listener through the emotional landscape of the song.

The way her vocal lines intertwine with the music, evolving into a breath-taking neo-classic score, captivatingly exhibits her skill as a composer and arranger. The song is not just for the heartbroken; it’s a universal call to find strength in vulnerability.

No More Tears to Cry was officially released on December 30th; stream the single on YouTube.

Review by Amelia Vandergast

Arden – I Don’t Sleep: A Poignant Alt-Pop Symphony of an Exposed Heart and Soul

The London-based alt-pop pioneer, Arden, found the inspiration for his latest single, I Don’t Sleep, through the fear that once you have laid your soul bare, there’s no covering it up to the ones you exposed your vulnerability to.

There’s sweetness in the sentiment “there will always be a part of me that’s yours” but the bitterness of that part of you becoming redundant in the wake of a breakup is a cutting juxtaposition. Lyrically, it is powerful enough to make you view relationships through a brand-new cautious lens. Still, within the blossoming swells in the piano melodies and the orchestrally carved crescendos, there’s a scintillating atmosphere, full of spirited passion – stirring enough to make you want to take the dive into inevitable pain.

I Don’t Sleep is a testament to Arden’s ability to blend poignant lyrics with lush musical arrangements. The song achieves a cinematic quality, panoramic enough to be part of a blockbuster soundtrack, yet intimate enough to tug at the heartstrings with every note. Arden’s cultivated songwriting, reminiscent of Owl City, shines through in I Don’t Sleep. His soulful vocal performance, memorable melodies, and sophisticated production showcase a maturity beyond his years.

As he opens 2024 with this energised and refined sound, Arden solidifies his place as an artist to watch, captivating audiences with his honest and witty songwriting.

I Don’t Sleep will hit the airwaves on January 5th; stream it on SoundCloud.

Review by Amelia Vandergast

Leah Nawy has unleashed her iconic indie pop rock playlist staple, Friend of Mine

We’ve been obsessed with the NYC pop rock pioneer Leah Nawy ever since sinking into her lusciously groove-pocketed debut single, NUISANCE, which has racked up over 46k streams on Spotify alone since its release in 2023. In the opening verses of her sophomore single, Friend of Mine, the singer-songwriter, producer, and multi-instrumentalist exhibited a softer and more vulnerable side in her confessional release which alludes to how opening yourself up to people is only priming for the scars that will be left when you inevitably part ways.

When there’s little to separate realism and pessimism after life experiences have taught you that optimism is the outlook of the naïve, sentiments which unravel with the same pensive sting as the lyrics in Friend of Mine are inevitable. Yet, by the time the track reaches the midway mark, it transcends into a soulful power ballad before metamorphosising into an indie rock anthem for the disenfranchised but tenacious despite the bruises masses.

By bursting the bubblegum pop bubble with spikes of cultivated indie rock, the melancholy within Friend of Mine adopted a brand-new ferocity as an attestation to how you can reflect on your shortcomings without falling into a trap of self-pity. With a voice as indomitable as Lady Gaga fused with a cutting-edge indie pop rock signature sound, she’s a rare artist whose work merits her being referred to as an icon. We can’t wait to hear what follows.

Friend of Mine was officially released on December 22. Stream it on Spotify.

Review by Amelia Vandergast

Hannah Johnson’s Latest Single, Slow Motion, is a Soulful Pop Revelation

American singer-songwriter, Hannah Johnson marked her striking entry into the music world with her debut single Slow Motion. This soulful pop masterpiece deftly subverts conventional pop tropes, introducing a fresh and invigorating sound to the genre.

From the outset, the track captivates with its killer slap bass, a bold choice that enriches the song’s texture. This element, woven into the intricate mix, creates an intoxicating rhythm that embodies the essence of the song’s theme: how passion can seemingly halt the passage of time. Johnson’s skill in blending this unconventional bass line with the traditional pop structure is a testament to her innovative artistry.

Johnson’s vocals are nothing short of mesmerising. Her smooth, sultry tones glide effortlessly over the exotic instrumentals, creating an auditory experience that is both soothing and exhilarating. The way her voice intertwines with the music evokes idyllic and deeply emotive imagery. This imagery, coupled with the song’s warm melodies, makes Slow Motion an ideal antidote to chilly December nights.

For those seeking a fresh pop sound, Hannah Johnson’s Slow Motion is a must-listen.

Slow Motion was officially released on December 15; stream it on YouTube.

Review by Amelia Vandergast

Chemistry becomes biology in Anna Salman’s seminal indie dream pop single, Blood Rush

Anna Salman’s single, Blood Rush, is a masterful blend of tender etherealism and emotionally charged lyricism. This track stands out as a poignant exploration of the transformative power of romantic chemistry on our very biology. Salman’s indie pop sensibilities are on full display, as she weaves a narrative that is both intimate and universally relatable.

The delicate balance of dream pop and nuanced orchestral elements creates a reverb-soaked atmosphere that perfectly complements Salman’s introspective songwriting. Her passionate vocals, glide effortlessly over the lush, evocative arrangements.

Introducing Turaab’s vocals adds a compelling dynamic to the track. This duet opens a dialogue, exploring the complexities of a relationship that leaves Salman’s protagonist in an affectionate haze, a sentiment mirrored in the song’s rich tonal textures. However, Blood Rush is not just an ode to love’s euphoric highs. Salman skillfully acknowledges the duality of passion, acknowledging that the sweetest of synergies often come with their share of misery. This acknowledgement adds a layer of depth to the track, resonating with anyone who has experienced the bittersweet nature of love.

Anna Salman, originally from Pakistan and now making waves in the U.S., has already proven her mettle with her performance on Nescafe Basement and her nomination for “The Best Emerging Talent” at the LUX Style Awards. Blood Rush further cements her status as a formidable talent in the indie pop scene. 

Blood Rush was officially released on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Gemma Felicity – CHAOTIC: Confessionally Captivating Indie Pop

London’s Gemma Felicity set the bar high with her anthemic hit, Come Back to Me, which solidified her position in the industry as one to watch. With her latest single, CHAOTIC, she surpassed all expectations by exhibiting a strikingly authentic and evocatively rich track which captures the complexity of ADHD and subsequently, its impact on relationships.

Felicity’s candid storytelling, set against the dreamy yet rhythmically enticing backdrop of an indie-pop soundscape, offers a unique and personal perspective on the challenges and nuances of neurodiversity.

With her lyrical confessionalism finding the perfect balance between introspection and relatability as she touches on impulsivity, emotional dysregulation and the paradoxical fear of seeking security while fearing commitment, you can’t help but be affected by how she meticulously juxtaposes these themes while creating a dynamic listening experience. The chorus, particularly with its restless energy and poignant lyrics, encapsulates the essence of feeling trapped by one’s own contradictions.

Gemma Felicity’s background as a self-reflective songwriter, combined with her personal experiences and struggles, shines through in CHAOTIC. Her journey from using music and writing as a form of self-soothing during illness, to studying music performance and songwriting, has culminated in this impactful single.

The influence of artists like Holly Humberstone, Gracie Abrams, Lexi Jayde, and Julia Michaels is evident in her dark pop style, yet Felicity maintains a distinct and individual artistic voice. This song, as part of her EP, Baggage, promises to leave a lasting impact on the indie-pop landscape and on listeners who find a piece of themselves in its lyrics.

CHAOTIC hit the airwaves on December 1st; stream it on Spotify.

Review by Amelia Vandergast