After years of playing guitar in rock bands, Seattle, WA., artist Logan Johnson decided enough was enough, and it was time to follow the 1980’s synthwave dream. The result is Lonely City and new single ‘Johnny’, 3’45” of synthrock epic, heavily reverb-soaked drums, rolling bassline and synth lines, and a catchy, storytelling vocal line.
And here we go, finally, the story of Cobra Kai set to music, 1980’s action hero getting the full Lonely City treatment. It’s a perfect mash up of inspiration and appreciation, the official lyric video adding to the whole ‘Tron’-era aesthetic with rolling neon and Street Fighter-esque graphics.
Check out the video for ‘Johnny’ on YouTube, and follow the artist on BandCamp.
The Star Prairie Project – named as a portmanteau of the village of Star Prairie in Minneapolis and the Alan Parsons Project – is the project of songwriter Nolen R. Chew Jr along with a collective of musicians and producers from around the US and Europe.
‘Sea Of Change’ is the first single from the project’s second album ‘Surreal’, released on the 18th December. The Star Prairie Project’s first album, released in July, has already ratcheted up over 1,000,000 streams on Spotify, with the single ‘Frantic Mind’ reaching #36 on the iTunes Top 100 Rock Chart.
Fresh, light, americana-meets-rock, ‘Sea Of Change’ is part-Lemonheads, part-Jayhawks, with a touch of Tom Petty guitar jangliness thrown in for good measure. It’s catchy, poppy without being disposable, with a nicely wah-driven guitar solo and a cute little middle-eight before the sing-along chorus carries you away once more.
Check out The Star Prairie Project’s latest release via Spotify.
Get nostalgic about your pre-Covid life with Melbourne artist Kelli Brogan’s latest soul-arresting Pop Rock single ‘I Miss the Little Things’ which will make 2019 sound as sweet as the Summer of ’69.
Through jangly Indie Pop Rock guitar melodies and energetic synth lines, the soundscape spills euphoria as it progresses in synergy with Kelli Brogan’s consoling vocals which run through all of the things which we took for granted in our past lives.
A track such as I Miss the Little Things could have so easily become an invite into apathy, but Kelli Brogan succeeded in creating a track which will fill you with gratitude for what you had and optimism for what you will have again.
I Miss the Little Things is available to stream via Spotify.
Brooklyn, NY-born, Houston-residing singer-songwriter, Catterina, is set to make her unmissable debut with her heartache-inspired single ‘Wasted Time’, with an eclectic array of influence behind her accessible radio-ready Pop style, if anyone’s got what it takes to break into the charts in 2021, it’s Catterina.
Through a combination of blues, folk, indie and pop, Wasted Time is a track so fresh you can almost feel the breeze, and with the ability to make her lyrics as empowering as they are absolving, one hit of Wasted Time will affirm that Catterina is one to watch.
The production may be polished, but the lyrics run through unfiltered, bleeding sincerity and vulnerability in pitch-perfect harmony. I feel like if I heard Wasted Time when I was 16, I’d be much better prepared for life.
Wasted Time is due for official release on January 15th. You’ll be able to check it out for yourselves by heading over here. In the meantime, follow Catterina via Facebook.
Texan electronic rock artist, Voyce Memos, is set to release their sophomore album ‘Chronology’. We’ve been lucky enough to get a sneak peek of the dizzyingly eclectic standout track, ‘West Girl’.
With popping Post-Punk & New Wave-tinged guitar melodies and Voyce Memos’ soulfully enrapturing vocal timbre, West Girl is a consciousness-consuming exhibition of how transfixing Indie Rock can be when orchestrated under dynamic vision.
The matured high-vibe Indie hit incorporates elements of Post Rock, Synth Rock and Psych. As it runs through, you’ll be hit by aural curveballs from every direction. Even more pertinently, you’ll be inclined to be taken on the rhythmically psychotropic journey time and time again. It isn’t your archetypal Indie Pop earworm, it’s something far more infectious which leaves you inclined to get repeat hits of the euphoria which you’ll easily squeeze out of the melodic hooks.
From funky syncopated guitars to mesmeric garage rock frenetic thrashing, West Girl doesn’t just paint across the tonal palette, it ravenously claws at influences spanning through the decades to create a timeless hit.
West Girl will be available to stream from February 5th along with the rest of Voyce Memos’ forthcoming album ‘Chronology’. In the meantime, you can head over to Spotify to check out their earlier releases.
New Year (I’m Counting on You) is a euphoric slice of Indie Pop Rock from up and coming artist Kerrin Connolly. The energy, soul and resilience contained in the anthemic hit may be the antidote to 2020 apathy which we’ve all been looking for.
The grounded optimism contained in New Year is potent enough to transfer into your own hopes for the new year. With the year we’ve all had in 2020, I don’t really need to tell you how invaluable this track is to the airwaves. The nuanced lyrics don’t serve salty reminders of the year just left behind, instead, they invite you to see the opportunity for reinvention and to cut the ties which bound us before the clock struck 12.
Kerrin Connolly’s latest single is available to stream via SoundCloud.
Anchorage, Alaska-hailing artist, Ristlynn, dropped their debut single, ‘I’m Going Down’, on November 20th. The party pop-rock anthem has already received an exponential amount of attention; it is almost like we are all simultaneously experiencing the most confusing period of our lifetimes and need an aural pick-me-up.
Timeliness aside, I’m Going Down is a riotously enamouring single, while the instrumentals adrenalize, the lyrics raise an eyebrow and ask “really?” at self-destructive behaviour patterns which have previously been mindlessly glamorised by alt-rock artists. The single was penned during a transitional phase where the artist was starting to acknowledge the pitfalls of hedonism-aided avoidance, I’m Going Down is a subversively-titled reflection of that turning point which led to the commitment of making positive change.
Through pulsating bass, funk-riddled riffs, snappy rhythmic temper and Ristlynn’s sardonically charismatic vocals, you will be pulled into the infectious piece of hyperpop rock from a plethora of angles. Ristlynn’s talent is exhibited throughout the release, but it is in the chorus where he proves that he deserves a spot on your radar with their soul-filling sound. Especially, as there will be plenty more to come in 2021 and beyond.
Any fans of Panic! at the Disco, Prince, Maroon 5, Fallout Boy and Maroon 5 will undoubtedly find the same appeal in the artist’s funk-pop earworms.
You can check out the official video to Ristlynn’s single, I’m Going Down, via YouTube.
Birmingham, UK Pop-Rock artist, Lyon Tide are set to make their debut on January 1st, 2021 with their entrancingly affectionate synth-led track ‘Closure’. If Lyon Tide set the precedent for music in 2021, it could prove to be the most exciting year for music since 1991.
The sensual-through-its-tenderness track serves a beautiful reminder that closure doesn’t have to come from the person you’ve parted ways with. It can come through the resolving lyrics, such as those penned for Closure, which affirms that our deeply personal pain and amorous tribulations are pretty much universal.
Any fans of Radiohead will undoubtedly appreciate the synthy reverb-laden throbs which create the arrestive heartbeat of the single which will remind you of your capacity to feel. If you’re not left an emotional wasteland of ennui after 2020, that is.
If you’re going to pose for your website promo photos sporting a Pelham Blue Gibson 335 and record your early demos at the legendary Sun Studios in Memphis, then you’d better have some serious rock n’ roll chops to back up your chutzpah. Thankfully for Wigan’s Joe Astley, he’s got them in spades. And then some.
Astley’s debut solo single, ‘Revolution Postponed’, draw Dylan and Billy Joel comparisons, and the follow-up ‘Anthem For The North’ made #1 on the Indie Countdown of 2020, garnering praise from luminaries such as John McClure, Clint Boon, and Robert Carlyle along the way. Now back with the debut for his newly-formed ten-piece rock’n’roll backers ‘The Wallgate Band’, Astley’s new track ‘Television Fantasy’ has a lot to live up to. And it does, admirably.
Opening with some deep, twanging Bigsby-driven guitar shimmers and Astley’s easy, charismatic vocals, underscored by some thunderous rolling bass, ‘Television Fantasy’ teases with sensual little horn stabs on the lift before suddenly kicking in with one of the catchiest, poppiest indie-rock choruses you’re going to hear all 2021, all thumping snare drum, jangly guitar, and singalong hook – complete with a bunch of ‘woah oh oh’s that are guaranteed to stick in your head for several hours after the final dextrous little guitar solo has faded out.
Make no mistake, this is a proper little mash-up of rock, indie, and old-school rock ‘n’ roll, part Reverend and the Makers, part Cramps, part Eddie Cochrane, with a side helping of Bryan Adams and the pop sensibilities of Robbie Williams thrown in for good measure. As a first glimpse of the forthcoming debut EP, it’s an absolute triumph.
You can hear ‘Television Fantasy’ on Spotify now. Follow Joe Astley and the Wallgate Band and pre-order a copy of the forthcoming EP here.
‘Dreamin’ is the sophomore single from US-based newcomers TWOFEW which would definitely be worth burning your thumb for when sparking a lighter at a festival. Ahh, remember those? It wouldn’t be much of a surprise if TWOFEW were headlining them by the time they’re a thing again.
Even if you don’t venture further than the kitchen today, hitting play on Dreamin’ will give you a sanity-saving dose of escapism. The track instils a sense of optimism which reminds you that your current circumstances aren’t forever and escapism is always a possibility; the journey starts in your mind.
With an infectious chorus which could rival Bryan Adams’ ‘When You’re Gone’ and an almost overwhelming offering of whiskey-soaked soul, we’re stoked to have TWOFEW on our radar. We have no doubt that TWOFEW will continue releasing tracks which make life feel infinitely more endurable.
You can check out Dreamin’ for yourselves by heading over to SoundCloud.