Browsing Tag

Pop Producer

Mia Laren is on rhythmic fire in her latest self-produced pop hit, Woman Like Me

Mia Laren’s latest single, ‘Woman Like Me‘, is a masterclass in contemporary pop production, interweaving nostalgia with a fresh, electrifying approach. The guitar tones shimmer with a transcendental quality, while the basslines run as hot and heavy as the empowered lyrics. The anthem of self-worth and confidence is a striking testament to her burgeoning prowess in the pop music sphere.

Hailing from Baltimore and now based in San Diego, Laren, a singer, songwriter, producer, and professional dancer, infuses her music with the rhythm and expression of her dance background. This is vividly apparent in ‘Woman Like Me’, where she combines sharp rhythmic beats and sultrily magnetic vocal lines which hark back to Shakira’s ‘Whenever, Whenever’ while exhibiting her ability to create aural auras which reflect her lyrical themes. Coupled with her impressive octave range, which borders on the celestial, Laren is undoubtedly on the cusp of becoming a significant name in the pop genre.

‘Woman Like Me’ is a reflection of her belief that music is the connection to the soul. It’s a track that not only awakens the rhythmic pulses but also invites you to connect with its deeper message. The track is the perfect opportunity to align your actions with your worth.

The official music video for Woman Like Me was officially released on March 6th; you won’t want to miss the conceptually fire gender fuckery Laren uses to prove her worth and inspire other women to find their own.

Review by Amelia Vandergast

Etherdene filtered her latest indie dream pop release ‘You Are My World’ through rose-tinted lenses.

In her ethereal alt-indie pop single, You Are My Word, Etherdene captured the transcendence of someone walking into your life and completely redefining reality around the light and colour they use to infuse your perceptions with renewed vibrance. To ground the track in realism, Etherdene used the all-too-relatable fear of rose-tinted glasses being shattered under the realisation of lack of reciprocation.

The ever-ascending melodies within the ardent yet sublimely tender track amplify the sticky-sweet romanticism drifting through the lyricism. Far from your average head-over-heels hit, You Are My World will leave you on a plateau, constructed by tentatively pure poetry which cohesively coalesces with the dreamy melodies that will easily be placed on any playlists featuring Cigarettes After Sex, Sigur Ros, and Beach House.

With over 10k monthly listeners behind her, Etherdene’s trajectory will only be upwards from here on out. Her rapid ascent after her 2023 debut reflects the affecting resonance within her self-expressive self-produced releases.

You Are My World was officially released on January 5th. Slip into the etherealism via Spotify.

Review by Amelia Vandergast

Skinny G Radio’s latest hit ‘Whatcha Gonna Do?’ is a euphoric indie earworm worth tuning in for.

Skinny G Radio rode their authentic indie pop signature across the cosmos in the latest exuberantly sweet hit, Whatcha Gonna Do? The sugared-with-uninhibited passion vocal lines run in parallel to the experimental instrumentals which dabble in 80s new wave nostalgia while carrying the histrionic flair of a polyphonic pop opera. It is impossible not to get swept up by the soul in this loved-up hit that is potent enough to give even the most melancholic nihilists lust for life.

By taking influence from Billy Joel, Mark Ronson, and John Mayer and always staying true to his own rapturously distinctive style, the Connecticut-born & raised LA-based songwriter, producer, and performer is an unforgettable indie pop icon who is set to make major waves with the release of his sophomore LP, The Heightening, which is due for release in 2024. Whatcha Gonna Do is just a taste of what the rest of the presumably infectiously hook-y album will deliver.

Whatcha Gonna Do is due for release on November 10th; stream it on YouTube.

Review by Amelia Vandergast

Get into the euphoric electro-pop groove with Zach Schuh’s synthy and celestial single, Blurry Pictures

Capturing the sweetness of a perfect moment you never want to leave behind, the latest single, Blurry Pictures, from the ever-ascending independent artist Zach Schuh is, somewhat ironically, the perfect polaroid of euphoric gratitude.

The bedroom pop artist who never leaves any clues within his soundscapes to his DIY approach has discernibly mastered the art of song crafting, arranging, producing, mixing, mastering, and visualising emotional experiences to make them universal.

The Cali native’s vibrant style has all the trappings of an infectious electro-pop earworm; the 80s synths lend themselves effortlessly well to the funk-carved grooves that are cut as deep as the most body-rocking hits from Daft Punk, as for his vocal lines, they couldn’t be dreamier. You might want to pinch yourself to make sure you’re awake while you’re being consumed by the ethereal soul of them.

Blurry Pictures was officially released on September 1st; you can get into the kaleidoscopic groove with it by heading over to Spotify.

Review by Amelia Vandergast

Zach Haselow brought purity to passion in his synth-pop hit, Rent Free

Get hooked on the reverb-heavy retrowave synth lines in the latest electro-pop hit, Rent Free, from the Alaskan icon in the making, Zach Haselow.

With a soundscape that finds the middle ground between the Weeknd and the Midnight, it is all too easy to get into the lush electronic grooves of Rent Free, which soulfully pays homage to the phenomenon of all-consuming romantic obsession while traversing the insecurities that desire can forcibly manifest.

The humbly sweet hit couldn’t be purer in its passion or more polished in its production; the melodies seem to effervesce around the funk-dripping basslines that will arrest your rhythmic pulses and refuse to let go until long after the fadeout. After spending over a decade perfecting the art of songwriting and producing, Zach Haselow has achieved a sonic signature that is as honed as it is distinctive.

Rent Free made its debut on August 18th; stream it on Spotify.

Review by Amelia Vandergast

Isohel added nuance to stoic philosophy by embracing negativity in his latest pop hit, BAD VIBES

Billie Eilish gave us Bad Guy; in another pop universe, the luminary who is well on his way towards the one million steam mark, Isohel, gave us BAD VIBES in his latest viral-worthy hit.

While some see negative emotions as something to be repressed, Isohel proved that when you embrace pain, you will find the lesson within it. Consider it a far more nuanced and realistic view than the stoic belief that what doesn’t kill you makes you stronger.

Following an angular guitar prelude that sounds like it was pulled from a Slowdive album, BAD VIBES unravels as one of the most progressively electric pop hits the airwaves have received this year. While the guitar tones remain a constant throughout the mix, dance-pop proclivities start to work their way into the melancholia-laced anthem that defies expectation and genre to establish Isohel as one of the most authentic acts on the scene.

The RnB and moody synth-pop nuances infused into the track with all the hallmarks of a pop earworm is a testament to the talents of the Italian singer-songwriter, producer and multi-instrumentalist who is making light work of breaking into the international music industry.

Stream BAD VIBES on Spotify.

Review by Amelia Vandergast

Skinny G Radio showed trauma the door in his euphoric indie-pop anthem, Pain, Go!

Fans of The Airborne Toxic Event, Sam Fender and Mark Ronson will want to grab themselves a slice of the latest single, Pain, Go! from the indietronic pop innovator, Skinny G Radio.

In contrast to the high-energy production, which rivals the euphonic records under the deft touch of Jon Bellion, the lyrical themes tread through the darker waters of our deeply personal relationships with trauma.

Anyone who has lived through it will know the fear of not being able to recognise themselves without it, as much as they want to show it the door for the final time. The Connecticut-born and raised songwriter, producer and performer, with his John Mayer-ESQUE songwriting chops, paid euphoric homage to that conflicting experience while orchestrating the ultimate indie pop earworm you can turn to time after time for the solace of the stabbing synth lines, soul-soaked vocal harmonies and layers of funk wrapping around the pop hooks to alchemise the perfect aural remedy for ennui.

Pain, Go! will be available to stream from June 9th. Hear it on YouTube.

Review by Amelia Vandergast

 

Ipe defied the laws of gravity in his funk-grooved feat of disco-pop, Stratosphere

If you could imagine what the output would be if Nile Rodgers, Nic Hanson, and Daft Punk stepped into the studio together, you will get an idea of the electrifying funk-grooved euphoria which organically spills from the latest single from the Chicago-based singer-songwriter and producer, Ipe.

Stratosphere is the ultimate euphonic aphrodisiac for the way the cosmic lyricality lifts you higher than the upbeat instrumentals, which pay an ode to the heritage of disco while bringing in an electrifying new wave of pop.

The infectiously enlivened vocal lines from Ipe, who has been racking up tens of thousands of Spotify streams since making his debut in 2019, are the ultimate aural pick-me-up. His hedonistically honeyed vocal lines are all you need to get in the groove.

Stream Ipe’s latest single, Stratosphere, on all major platforms via this link

Review by Amelia Vandergast

Forget Peterson; follow Ninali’s rules for life in her synthy soul pop meditation on mindfulness, Alive.

With her latest pop-dominated melting pot of genre and style, Alive, the singer-songwriter and co-producer Ninali celebrated life and gave her staunch fanbase a few lessons to live by. By eloquently alluding to the irrefutable truth that we all harness the power to choose what we expose ourselves to and ultimately, who we want to be, Ninali will undoubtedly guide countless people to the epiphany that the power to shape reality exists within us all.

The meditation on mindfulness is just as infectious as the hits from Black Honey, as poetic as the indie pop gems from She Drew the Gun, and effortlessly classy as April March. So it’s safe to say that the 18-year-old songstress is a triple threat that could easily find herself at the top of the charts if her songwriting chops remain as sharp as they were in Alive. Feel good tracks have never felt so damn good.

Ninali launched her latest single, Alive, on May 12; hear it on Spotify.

Review by Amelia Vandergast

Drunk in Love Dance Pop: Lucy Crisp – One Summers Day

Good love songs ring with romantic sincerity; great love songs get you drunk on someone else’s love; Lucy Crisp’s latest single, One Summers Day, is definitively in the latter camp.

By taking a leaf or two from Taylor Swift’s lyrical book and producing her own EDM pop signature with a little help from her co-producer, Nathan Flynn, Lucy Crisp came into her vibrant summer vibes own while doing what us mere mortals always struggle to succeed in; expressing love in its true visceral form.

It has been six months since the last single from the Nottingham indie dance pop innovator. Her return has signalled a new era in her artistry, which previously received plaudits from BBC Introducing. It is safe to say that she’s lost none of her radio-ready touch with One Summers Day, which traverses the organic peaks and flows of a healthy relationship. No dynamic is perfect; instead of shooting for an implausible ideal, keep hold of what’s real. Lucy has warned her fans not to get too comfortable with her sticky sweet new sound. Her upcoming releases will touch upon a life lived with chronic illness while exploring themes of foreseen fear and depression.

Check out One Summers Day from April 28 on SoundCloud.

Review by Amelia Vandergast