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Pop

Airban Jee Soaked the Soul of Disco in Retro Pop Gold with ‘Are We Gonna’

https://music.youtube.com/watch?v=CXuEg-fVvUo&si=hVCae7KRJQXqhecp

Are We Gonna by the internationally notorious chart topper, Airban Jee licks retro pop with swathes of funk, giving the glow of a disco ball lighting above a gyrating dancefloor. The serotonin flows as easily as the Nile Rodgers-esque staccato guitar rhythms in the melodious rapture of the track that lifts as much as it hits the sweet spot tucked away in your soul. With a voice that reaches the pinnacle of euphony through infectious charisma, Are We Gonna is an earworm you’ll want to nurture forever.

Known for rewriting the rules of pop, urban, and R&B composition, Airban Jee’s discography is a testament to his endless creative evolution. From his early start at twelve with an electronic keyboard to multiple chart-topping singles and collaborations with heavyweight producers like Simon Cohen and Steve Peach, his career has been a masterclass in soulful, lyrical expression. With accolades including Songwriter of the Year awards, multiple #1s on the World Independent Music Charts, and extensive commercial radio airplay, he’s become a driving force on the global stage.

Following successes with tracks like Will Above My Wish and You On My Side, Are We Gonna continues the momentum, proving that when it comes to creating timeless anthems, Airban Jee knows exactly how to hit the visceral marks.

Are We Gonna is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Careful, King redefined resilience with trap-pop reverie in ‘Don’t Test Me’

In his latest single, Don’t Test Me, Careful, King redefined resilience through the lens of vulnerable trap-pop introspection. While the title may prepare you for a fiery diatribe, there’s a tenderness to his sonic touch which speaks volumes of his ability to stand his ground while never relinquishing his aura of pure intent.

As emotive as Lil Yachty, but with authenticity coursing far deeper than any superficial resemblances, Careful, King delivered a melodically aching arrangement where every rhythm and every lyric feels earned. It’s not just his vocal flow that marks itself with distinction; the way he arranges his wavy trap-pop instrumentals into rhythms of pure candid catharsis is proof that even if you did a full lap of the contemporary trap scene, you’d never encounter an artist in the same vein as Careful, King.

By channelling the emotional weight of lifelong battles with self-perception, self-worth, and the desire to be authentically seen, Careful, King injects raw humanity into his scar-mapping aural canvas. His story of wrestling with the need for validation, finding solace in self-love, and creating purely from the drive within himself resonates through the track’s bruised yet hopeful core.

Through ‘Don’t Test Me’, Careful, King proves that life’s most powerful moments happen not under the spotlight, but in the quiet spaces where we choose to love ourselves enough to be whole.

‘Don’t Test Me’ is now available to stream on all major platforms, including Spotify and Apple Music. 

Review by Amelia Vandergast

Interview: How Kacey Fifield Mapped Constellations of Heartache and Hope in Her EP, ‘Seeing Stars’

Kacey Fifield has never been one to shy away from emotional authenticity. With her latest EP, Seeing Stars, she threads the constellations of heartbreak, healing, and newfound connections with striking clarity. In our interview, Kacey opens up about the spontaneous yet deliberate creative process behind the EP, the emotional tightrope of personal songwriting, and the nostalgic, cinematic weight that closes the collection. She also speaks candidly about her growth as an artist from her teenage years to her college life, and what fans can expect when she brings the project to life on stage. If you’re ready to step into a world where vulnerability meets synth-driven indie pop, this conversation with Kacey is one you won’t want to miss.

Welcome to A&R Factory, Kacey – it’s great to have you with us and congratulations on Seeing Stars landing so powerfully. Seeing Stars captures the emotional weight of love and loss with striking clarity. When you were writing these songs, did you already have a full narrative arc in mind, or did the storyline come together more organically through the writing process?

It was a spontaneous songwriting process, and the storyline became clearer with each song I wrote. “Seeing Stars” tells a story: from the pop-rock opener, “HOLD UR PEACE,” which brutally slams an “addict” to “no commitment” for their mixed signals against guitar shredding and energetic drum fills, to the vulnerable ballad “Right Past Me” which describes a sense of regret over one’s own mistakes in a relationship, all the way to the upbeat, synth-filled “In Between” which depicts the excitement and nerves of connecting with someone new.  “secrets” closes out the EP by emphasizing how past relationships continue to impact us as we “cling” onto the memories shared with that person.

Each track offers a distinct atmosphere while keeping the emotional tone cohesive. How did working with multiple producers across different cities influence the sound and cohesion of the final EP?

Working with multiple producers was fun and kept things interesting.  Since I wrote all the songs (with a few co-writers), it was relatively easy to keep the emotional tone cohesive. My EP blends the soundscapes of indie pop, synth pop, and classic rock to create a dreamy world focused on the intricacies of falling in and out of love, showcasing the various ways in which we metaphorically “see stars”.

“secrets” wraps the project on a nostalgic and almost cinematic note. Why did you choose this track as the closer, and what made it feel like the right place to leave listeners?

The anthemic melody, nostalgic background vocals, and synth solos in “secrets” create a soundscape that resembles the end of a coming-of-age film and spotlights the lyrics as they describe the process of finding closure and being at peace with the fact that former heartbreaks stick with us over time.  I thought that it was a great closing song that would leave listeners emotionally engaged.

You’ve spoken about the escapism of stargazing and quiet reflection. Do those moments still play a big role in how you process relationships, or has writing music replaced that outlet in some ways?

I have always enjoyed quiet moments of reflection.  Stargazing, songwriting, playing my guitar or simply walking in the park are all needed outlets in the way I process my thoughts and feelings.

There’s a fine balance in your lyrics between introspection and relatability. Do you ever find it difficult to write something personal while still thinking about how it might resonate with someone else?

I always write personal lyrics and don’t overthink it much in terms of will the song be relatable to others.  I find a lot of comfort in the fact that, if I am going through a certain emotion or experience, there are probably other people going through the exact same thing.  We are never alone in our feelings or thoughts.

Seeing Stars feels incredibly polished but still emotionally raw. Were there any songs that challenged you more than others to finish, either emotionally or creatively?

Yes, definitely!  I feel like I have grown as an artist and this EP reflects that more than anything.  The songwriting process was challenging, but so was selecting which songs made the cut. I wouldn’t say there was one particular song that sticks out as especially challenging, but the overall process of shaping my music into a cohesive story for the EP definitely took time.

From Between The Lines to Nostalgia Hunts Me, your discography shows a clear progression. What creative or emotional risks did you take with this EP that you hadn’t in previous projects?

When I wrote my album, I was still a teenager trying to find my way in the music world.  Through trying different styles, I found the voice and sound I liked. Both “Nostalgia Hunts Me” and  “Seeing Stars” reflect me at a given moment in time as a person and an artist.  The progression is me growing up from a senior in high school to a sophomore in college who is documenting life and growing pains.  Growing and developing as an artist and writing the music that I want to listen to is key.

You’ve hinted at wanting to bring these tracks to life on stage. What kind of energy or environment do you imagine for a live show built around Seeing Stars, and how do you hope audiences connect with it in person?

Playing my music live is my absolute favorite thing ever! Seeing Stars is definitely a project that requires a ton of energy so there will be loads of dancing, jumping, and audience engagement. I can’t wait to play the songs live!

Find your preferred way to stream the Seeing Stars EP via Kacey Fifield’s official website.

Interview by Amelia Vandergast

Photo credit: Maiya Buck Photography

Emilie Thorsby Poured Pop-Rock Fuel in the Fire of Empowerment with ‘Amazing as Hell’

For anyone familiar with the pressure of contorting into a distortion until all that remains visible is a hollow façade, only to find acceptance still painfully elusive, Emilie Thorsby’s single ‘Amazing as Hell’ is your alt-pop rebellion wrapped in compassion. The track delivers a powerful cascade of empathy, injecting fuel into weary hearts desperate for empowerment.

With theatrical flair, Thorsby effortlessly navigates a myriad of styles—synth-pop hooks dissolve fluidly into baroque pop motifs before surging into bold, Prince-esque rock riffs. Each stylistic shift visually manifests the many masks we don to gain approval from the shifting gaze of those around us. Yet at the centre remains Thorsby’s unapologetically striking vocals, soaring confidently over an infectious nostalgia-inducing production, reminiscent of pop’s golden decades, the 80s and 90s.

Drawing deeply from her personal narrative of resilience, Thorsby confronts past betrayals and abuses—relationships that diminished her worth, leaving emotional scars she transforms into powerful affirmations. Her anthem insists fiercely that inadequacy lies not within ourselves but in the eyes of those incapable of truly seeing us. ‘Amazing as Hell’ holds a mirror to our self-doubt, boldly declaring it baseless and invalid.

Thorsby’s single is a declaration of independence from societal expectations, confidently crafted and passionately performed.

‘Amazing as Hell’ is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Stephanie Braganza Sparked a Pop Rock Revolt Laced in Anthemic Catharsis with ‘Feel a Little Less’

Feel a Little Less by Stephanie Braganza is an electricity and self-empowerment-charged pop rock anthem which takes the anatomy of an earworm and injects it with steroids. As the guitar lines chug, amplifying the energy and anticipation for the drop of the chorus, Stephanie Braganza’s soaring vocal lines rise above the pop-punk-adjacent instrumentals while painting a vignette of what it means to reclaim your mind on your own terms.

For anyone who knows how hard it is to feel with intensity instead of psychologically scratching the surface of everything you emotionally touch, Feel a Little Less is an anthem that will console until you feel a little more whole and infinitely better about your tendency for your emotions to dive right off the deep end. This radio-ready anthem will undoubtedly take Stephanie Braganza to brand-new heights.

Nine years after her last release, the powerhouse vocalist makes her return with the fire of someone who has battled through the darkest chambers of the psyche and come back with the flame still in her hand. The track was first penned in 2015 while Braganza was clawing her way out of mental confinement. It has since evolved into a sonic exorcism, sculpted in the defiance of distorted riffs and cathartic vocal conviction.

With accolades including a Guinness World Record and recognition from CBC Music as one of the top South Asian Canadian artists to hear now, Stephanie Braganza’s comeback is set to make a tsunami of waves.

Feel a Little Less is now available to stream on all major platforms. For the full experience, watch the official music video. 

Review by Amelia Vandergast.

Riding the Whip of Want: Emdee Puts Lust on a Leash in ‘Tame’

With a teasing prelude that feels more like foreplay than an intro, Tame defies its title as Emdee fuses fetish with soul, sonic seduction with salaciously sharp aphrodisiacal elements. With pop and contemporary RnB serving as his playroom, Emdee is in his element in Tame, which utilises playful teasing staccato rhythms until the momentum of the single starts to flow around guitar lines amplified to leave the listener hot under the collar.

With his mix of light and dark, it’s clear that Emdee knows how to bring the rough with the smooth while never being vanilla; his butter wouldn’t melt vocal lines and the tension built in the guitars is enough to leave the airwaves on its knees in submission.

After carving out his name in rap and drill, the Birmingham-born, Coventry-based artist strips it all back to lean fully into melody and desire. There’s nothing tentative about this transition—it’s a controlled burn into sultry new territory, driven by his taste for the provocative and his instinct for sonic balance. Influenced by the likes of The Weeknd and Ginuwine, he’s taken the slow jam blueprint and scratched his initials into it with slick rhythmic restraint and a vocal delivery steeped in self-possession.

Now or Never is set to push this evolution further, but Tame already signals the leash has snapped—and Emdee’s instincts are on full display.

Tame is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

Latin Pop Luminary Diego Molina Defined Romantic Sincerity in ‘What’s That Light In Your Eyes’

Diego Molina

Diego Molina’s latest single, ‘What’s That Light in Your Eyes’, subversively opens with an intimate glimpse into relationship bliss, almost like overhearing a candid conversation through an accidental pocket dial, setting a refreshingly personal context for the heartfelt fervency of the Latin pop serenade that follows, gently redefining romantic sincerity beyond physical admiration.

Hailing from Nashville, Molina wrote, produced, and mixed the track himself, drawing charismatic sentimentality from early-2000s inspirations such as U2’s All That You Can’t Leave Behind and Enrique Iglesias’ Escape. His approach carries an individuality shaped by his first visit to his Colombian roots, channelling the vibrant rhythms and spirited streets of Bogotá.

Sonically, Molina balances Latin pop traditions with synth-driven, new wave innovation. Angular guitar lines delicately ascend through the arrangement, soaring beyond the quickening heartbeat echoed by rhythmic beats. Retro-futurist synth textures amplify the emotional intensity, enveloping listeners in an atmosphere of ardent nostalgia. Molina’s diaphanous vocals, effortlessly slipping into vibrato, further amplify the authenticity and emotional depth of the love letter to sincerity and intimacy, which illuminates a romantic narrative with sophisticated yet accessible charm.

‘What’s That Light in Your Eyes’ is now available to stream on Spotify.

Review by Amelia Vandergast

Ian McFarland Used Pop Punk to Augment Optimism in His Latest Single, You Are So Loved

If there’s any justice left in indie’s distorted underbelly, Ian McFarland will be recognised as the artist who gave serotonin back to pop-punk. The Brooklyn-based singer-songwriter has already earned a presence across regional charts and NYC live haunts, but You Are So Loved deserves to break much further beyond.

Following a sticky-sweet synth-pop intro, the single throws the genre right back to the golden era of visceral expression with its pop-punk crescendo of unfiltered optimism. But the stylistic transgressions don’t end there. Jangly new wave indie-pop nestles into the volition of the punk-tinged foundations, allowing McFarland to exhibit one of the most distinctive sonic signatures we’ve heard this year.

It’s not just the sound design that makes You Are So Loved cut through the cynicism often used as a crutch in alt scenes. McFarland weaponises sincerity as if it’s a subversive act. There’s bravery in broadcasting this much raw affection, especially within a genre known for self-deprecation and detached irony. But McFarland knew what he was risking—being written off as cloying or sentimental. He bypasses that pitfall entirely with his unshakable authenticity.

Born from a need to pull joy from bleakness, You Are So Loved is an adrenaline shot of altruism for anyone who needs to remember that the world can still look beautiful through a cracked lens.

You Are So Loved is now available to stream on all major platforms, including YouTube. 

Review by Amelia Vandergast.

Akira Sky made a barricade of broken boundaries in her indie pop single, Block My Number

Through moodily ethereal indie pop vocal lines and the quiescent timbres of orchestral swells which drift around acoustic guitar strings and organic indietronica synthetics, Akira Sky invites listeners into a world where the messiness of human emotion unravels. The contradiction of heartbreak and empowerment is rendered with rare lucidity in Block My Number, where raw feeling is carved into every sonic contour.

As a senior at NYU/Tisch’s Clive Davis Institute, Akira Sky has already shown she has a firm grasp on the emotional chaos of modern life. Her output captures the jittering pulse of being alive in a Pandora’s box of paradoxes. Through a fusion of high-octane pop instincts and vulnerable songwriting, she creates for the beautifully overwhelmed—for the ones who cry with conviction and dance with the same force.

Despite the quiescence of Block My Number, which draws a line in the sand and makes a barricade of broken boundaries, nothing about the single feels diaphanous; the strength of the innovation and soulfully projected self-advocacy ensures Block My Number is a sonorous soundtrack for anyone who wants closure while knowing they will live if they never get it. It’s less of a goodbye and more of a soft implosion—gentle enough to float, heavy enough to pull you under.

Block My Number is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

A Bed of Nails for a Teenage Crown – Tara Bleeds Through Her Debut Indie Pop Single, ‘Pain’

At the bitter-sweet age of 16, Tara has already mastered the art of balladry in her debut single, Pain. The Serbia-born, Sweden-raised singer-songwriter poured right from the pain in her soul, allowing it to transmute into haunting metaphors, ensuring they resound with maximum resonance as they articulate the frustration of hearing that your teenage years should be the best of your life, yet, you can’t escape the agony of them when depression, apathy, betrayal, uncertainty and heartbreak have you in a multifaceted chokehold.

With the production support of Tim Gosden, whose work cloaks the track in brooding textures, Pain sets the stage with aching progressions that echo the low-end dissonance of coming-of-age realism. Tara doesn’t posture; she gives voice to the unspoken realities of adolescence with the same conviction she uses to wrap her vibrato around each lyric. Her command of vocal expression carries the emotional weight without tipping into melodrama, grounding the track in raw authenticity.

Her cultural duality – growing up in Serbia before resettling in Sweden – doesn’t scream through the production, but it subtly informs her capacity to view the chaos of teenhood from an introspective, poetically jaded lens. Her tone is mature without shedding the fragility that makes her debut impossible to dismiss.

With a voice and instrumental blueprint exclusive to her, Tara’s success is fated in Pain.

Pain is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.