Browsing Tag

Pixies

Shoegaze thrashes against No-Wave in Mild Horses’ standout single Failing Upwards.

Ignorance To Enlightenment And Back Again by Mild Horses

If your 90s Shoegaze records aren’t quite hitting the same these days, introduce yourselves to Slowdive’s noisier cousin, the London-based solo artist, Mild Horses.

The standout single, Failing Upwards, from their debut album, Ignorance to Enlightenment and Back Again, is comparable to a cocktail of the most indulgent elements of the Pixies, My Bloody Valentine and Interpol.

Listen intently, and you will get to keep hold of the sway-worthy bitter-sweet melodies that resound around the harsher no-wave elements that adrenalize the mix without ever chipping away at the ethereal soul of the release. Towards the outro, Mild Horses builds a wall of noise in his own psychedelically sonic style, making Failing Upwards all but impossible to forget.

Failing Upwards is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Metrophobia chase ghosts in their Alt-90s inspired single, How Long

https://www.metrophobia.net/pictures/silent_treatment_800.jpg

If Metrophobia’s 2021 debut album, Silent Treatment, was marketed as a lost relic from the alt-90s, I’m fairly sure that no one would raise an eyebrow. The best introduction to their sonic palate that amalgamates shoegaze, noise, indie and grunge is the nostalgically ethereal single, How Long.

Around the catchy hooks, the tender vocals fall into the discord that spills from the scuzzed-up over-driven guitars, allowing you to see a softer side to the discontent How Long was inspired by.

The two forming members of Metrophobia met in Geneva, Switzerland; they worked on various projects together before turning their attention to their bitter-sweet cocktail of alt culture that will be a hit with fans of Pixies, Dinosaur Jr, Teenage Fanclub and Sebadoh.

Metrophobia’s debut album is now available to stream on Spotify.

Review by Amelia Vandergast

A&R Factory Present: False Heads

The past few months have seen the ‘Godfather of punk’ himself, Iggy Pop, singing the young trio’s praises and name-checking them along Sleaford Mods and Skepta as one of his favourite artists right now (“These kids make a lot of noise. I like it!”). After being blown away by their live show, Ex-Ramones manager Danny Fields excitedly declared the band as “the future of rock n’ roll”, while The Libertines’ Gary Powell quickly signed up the young upstarts to his 25 Hour Convenience Store label.

NME, Clash Magazine, Q Magazine, Artrocker, Drowned In Sound, 6Music, Radio X and BBC Radio 1’s Huw Stephens have also all waded in with support and praise for the trio’s delinquent, punk-driven assault, that finds themselves caught somewhere between the early grunge of Foo Fighters, the infectious songwriting of Pixies, and the snotty punk attitude of The Buzzcocks.

Following two early DIY EP releases (‘Tunnel Vision’ and ‘Wear and Tear’), False Heads were invited in to Pete Townsend’s studio earlier this spring to cut a series of new tracks, and ‘Thick Skin’ is the first single to emerge from those sessions – a perfect riot of energetic, leering bawdiness that is released on July 1st, and sets another huge marker for a band whose remarkable rise is seemingly unstoppable. ‘Thick Skin’ is released through 25 Hour Convenience Store on July 1st 2016, available from all good digital stores. False Heads have also announced a series of new live dates in their hometown, including a performance at the Camden Rocks festival in June, and at The Roundhouse this July to celebrate 40 years of punk.