Browsing Tag


Prepare for a post-punk power surge when LIINES unleashes their kinetic comeback track, Holding On


The emotional underpinnings of longing in Holding On capture exactly how LIINES fans have felt while waiting for the new material to surface. It’s been almost three years since the last fix from Manchester’s post-punk revolutionists, now that it’s here, prepare to be overpowered by propulsively kinetic earworm.

From the first lashing of the seething with distortion guitar strings, you know you’ve hit play on a track capable of tearing your soul in two and stitching it back together with threads of adrenaline, desperation and hope. Intensity reaches every aural atom in the light-handed production that allows Zoe McVeigh (vox, guitar, bass) and Leila O’Sullivan to exhibit the raw magnetism of their creative synergy.

Charged with hauntingly emotional potency and driven by a frenetic rhythmic pulse, Holding On unravels with the same catchy lyrical reprises projected through the signature songwriting structure that has allowed LIINES to be a continuation of Manchester’s post-punk legacy, not just a mere mediocre facsimile.

Yet, notably, there’s a heightened sense of vulnerability within Zoe’s stridently pitched searing vocals, ensuring Holding On hits every feasible raw nerve before tearing you away from the articulated agony through the liberation within the exhilarant progressions.

From the release of their 2018 debut LP, LIINES has pushed post-punk into unchartered waters, With their renewed cultivated edge carved by the Sleater Kinney influence that reverberates through the single until the haunting Pixies-esque middle eight that allows the vox to drift from the basslines as they prowl under the optimism searching harmonies, their distinctive volition met freshly honed prowess.

Holding On will be available to stream on all major platforms from June 7th; pre-save the single here, and follow LIINES on Facebook to stay up to date with news of the upcoming EP, due for release in Autumn 2024.

Review by Amelia Vandergast

Return to the alt-90s with Trailerfuss’ debut single O Rei da Solidão

Trailerfuss’ debut single, O Rei da Solidão, from their EP Roteiro Sem Final, revisits the 90s grunge era via a route never before taken.

By fusing the sludgy rhythmics of Dinosaur Jr and the fierce soul of Hole, Trailerfuss created a solid foundation to lay their innovative approach to evoking alt-90s nostalgia on. They didn’t stop at emanating two influential artists; you’ll hear everyone from Bob Dylan in the opening harmonica blows, Grandaddy in the lo-fi intimacy, the Beachboys in the surfy layered vocal harmonies, and nuances of Pavement and Pixies synthesised between.

The debut single is a visceral statement from the Rio de Janeiro-based band that is strong enough to carry their fans back to the rose-tinted sanctity of the alt-90s while also delivering potent punches of their own authenticity.

Stream O Rei da Solidão on Spotify.

Review by Amelia Vandergast

Neil Young meets Pixies in Ryanne + The Rumination’s seminal single, Waste

Indiana’s Ryanne + The Rumination hit the airwaves running with their stylistically expansive self-titled debut LP, which explores the spectrum of human emotions within the psychological ebbs and flows.

The standout single, Wasting, exhibits the duo at their most ethereally magnetic. Ryanne’s crystalline vocal lines cut right through the Pixies-esque atmosphere manifested through the guitar-driven production that exhibits the duo’s influence of Neil Young.

Intimate and profound in equal measure, the artfully immersive single evolves from a dreamy monochromatic release of pent-up emotions to a melancholically stirring alt-pop anthem that won’t fail to pull you into its raw oscillating core. If Ryanne + The Rumination’s is the future of pop, I’m here for it.

Ryanne clearly found her alchemic match in the multi-instrumentalist, Seth Wyatt. The way the single culminates in a post-punk decorated disquiet crescendo after a lament on the frustrations of stagnation is a stunningly affecting way to make an ever-lasting impression.

Waste was officially released on February 9th and is now available to stream with the band’s eponymous LP via Spotify.

Review by Amelia Vandergast

Duncan R Foley explores the spectrum of human emotion in his alt-rock odyssey, Colours

Anyone who keeps Pixies, Nirvana and Smashing Pumpkins in their record collection will want to decorate their playlists with the latest single, Colours, by Duncan R Foley, which pays an ode to sonic stylings of the aforementioned iconic outfits while bringing in a new brand of vibrant melodicism.

To evade the assimilative alt-90s trap that all too many artists fall foul of the South African Belfast-residing songwriter and producer introduced the romanticism of post-punk, in the same vein as Echo and the Bunnymen, into the vibrant soundscape along with the cosmic glamour of Bowie.

Using ‘colours’ as a metaphor for the broad spectrum of emotions that are part and parcel of the human experience, Colours is an efficaciously consoling release, which serves the essential reminder that feeling lonely and grappling with melancholy doesn’t make you an outlier, it makes you human.

Colours will reach the airwaves on September 30th; stream it on Spotify.

Review by Amelia Vandergast

Fill your cup with the frenetic furore that spills from the punk rock veins of Lex Maria’s single, Plague or Pain

Nestle into a riotous plague-pain dichotomy with the standout single from Lex Maria’s sophomore EP, Ghosts. The clamorously cold post-punk single, Plague or Pain, from the Swedish purveyors of angst-fuelled alternative rock, is a messily discordant hit that fans of Melvins, Pixies, and Sonic Youth shouldn’t need to be asked to listen to it twice.

The heavy down-tuned guitars paired with the pervasive air of self-reported sexual frustration and the Marilyn Manson-esque effect-laden spoken word verses create a strong sonic tonic which won’t be everyone’s cup of tea, but if cacophonous catharsis is your poison, fill your cup with the frenetic furore that spills from the punk rock veins of Plague or Pain.

Ghosts was officially released on June 30; stream it on Spotify.

Review by Amelia Vandergast

Mark Docherty rode the crux between new-wave and no-wave in ‘Reckless Abandon

Liverpool’s Mark Docherty created a brand-new wave somewhere between new-wave and no-wave in his latest defiantly distinctive single, Reckless Abandon, which is set for official release on June 3rd.

By bringing distortion-heavy buzzsaw riffs into the post-punk arena, the innovator, who will undoubtedly become renowned for the dualistic tendencies in his vocal performance, succeeded where very few artists of this era do; by drenching the airwaves in originality. From Nick Cave-ESQUE croons to raw rock magnetism, it all lingers in Docherty’s vocal arsenal.

Fans of Pixies and Depeche Mode alike will want to clamour all over Reckless Abandon, which is a sonic depiction of just what it says on the uninhibited tin.

Stream Reckless Abandon from the date of release via SoundCloud, and stay tuned for the debut LP, which is set to drop on June 16.

Review by Amelia Vandergast

Boston Meets Britpop in djamesk13’s Alt-90s International Convergence, You Said.

London’s David Kemp has slid back under his djamesk13 moniker once again to release yet another feat of evocative lo-fi alternative alchemy by the grace of his 8-track recorder. You Said carries the raw lyricality of Disco 2000 while the instrumentals look far beyond 90s Britpop for their grit and sludge.

With no-wave-y motifs and crunchy guitars that bite in the same vein as Pixies, You Said is a riotous smorgasbord of Alt-90s nostalgia. Judging by the streaming stats on this release shortly after it grunged up the airwaves, clearly, plenty have an appetite for djamesk13’s seemingly effortless ingenuity.

You Said is now available to Stream on SoundCloud.

Review by Amelia Vandergast

NOODLE ARMS cling to autonomy on the surf rock waves in ‘Don’t Tell Me I Can’t Be Me’

If Pixies had spent more time in the Cali sun with the Beach Boys, Doolittle would have undoubtedly unfurled with the surfy grooves and psych-pop harmonies found in the latest single, Don’t Tell Me I Can’t Be Me from the Tel Aviv-based outfit, NOODLE ARMS.

The alt-indie pioneers founded in 2014, before morphing through a myriad of line-up changes and monikers before settling on this solid powerhouse of surf-rockers. On the basis of their latest release, it is safe to say that they’ve found the winning formula. Reminiscences aside, this sun-bleached call for respect over idiosyncratic autonomy wiggles right into the soul and sets up camp.

Don’t Tell Me I Can’t Be Me is now available to stream on YouTube.

Review by Amelia Vandergast

West Ridge Circle – Stuck in This Chair: The Ultimate Off-Kilter Alt-90s Ode to Ennui

Taken from their debut EP, Nobody Home, West Ridge Circle’s standout single, Stuck in This Chair, is an eclectic array of era-spanning rock nuances and modernist lyrical vulnerability.

Fans of Pavement, Pixies and Nirvana will want to drink up the 21st-century melancholy that drips through the lyrics and captures the frustration that lingers in unrelenting ennui. It’s tracks like Stuck in This Chair that prove there’s a beauty in collective misery, that now, we can hear lyrics, and it isn’t an Olympian stretch of the imagination to get on the same level. Granted, that isn’t always a given, but West Ridge Circle are thriving on the funk that is writhing through our existential hive minds.

With the J Mascis-style guitar chops, the despondent Americana blues-rock vocals that come with a tinge of the Seattle alt-90s sound and the eerily relatable lyrics, Stuck in This Chair has all the makings of a melancholy alt-rock playlist staple. We hope there’s another release nestled in the pipeline.

Stuck in This Chair is now available to stream on Spotify.

Review by Amelia Vandergast

Sanchez. delivered an off-kilter folk-rock confessional masterpiece with his latest single, Feeling


Following his debut 2022 album, Burgundy, which was produced by the legendary Pete Maher, the already iconic singer-songwriter Sanchez., is here with his latest single, Feeling. With that title, the artist set the evocative bar high; he heart-wrenchingly transcended it with his folk-rock-inspired confessional.

In the cavernous intro that consists of little more than rugged folk-rock pulls of acoustic strings, names like Cohen, Waits and Dylan spring to mind. Yet, Feeling steadily grooves into its own distinct and artful gravitas as the soundscape is enriched by ascending melodies, raw and off-kilter choral sonic power and blisteringly luminous organ notes. It’s Richard Hawley meets Pixies. It is also the aural evolution that melancholic outliers have been waiting for.

Feeling is due for official release on March 2nd; dive into it yourselves by heading over to Spotify.

Connect with Sanchez. via Facebook and Instagram.

Review by Amelia Vandergast