Browsing Tag


An aura of introspection resounds through Alexander Grenville’s neo-classic piano score, Fragile

Alexander Grenville echoed the beauty of fragility through his standout neo-classical composition, Fragile, which carries a touch of the introspective flair of Nils Frahm and the cinematic scope of Ramin Djawdi’s Westworld scores.

Known for the contemplative character of his evocative work, the English musician excels in allowing technically explorative pieces to resound as fragments of deeply personal reflections. In Fragile, the open space between the piano keys becomes an ethereal terrain as the brief quiescent interludes become as integral to the piece as the piano keys he strikes with gentle intuitive tenacity.

The synthesis of mournful repose and lively exploration culminates in a deeply profound aural experience which speaks of the composer’s close relationship with his muse. Drawing inspiration from Ludovico Einaudi, Ola Gjeilo, Erik Satie, and folk artists in the vein of Karine Polwart, Alexander Grenville’s sonic signature is more akin to an eloquent calligraphy; one that distinctively scribes through the mind delivering cathartic solace and inviting you to look at the world through a more introspective lens.

Fragile is available to stream on Spotify.

Review by Amelia Vandergast

Robert Prester & Adriana Samargia gave jazz a sophisticated edge with ‘Altar Ego’

Two major talents collided for the creation of the superlatively cultivated jazz-pop score, Altar Ego; with Robert Prester in deft charge of composition, lyrics and piano & Adriana Samargia lending her cinematic vocal timbre to the number, it unravelled as a standing ovation-worthy triumph.

Sophistication spills from every note in the sublime, bordering on baroque, score which exhibits Robert Prester’s virtuosic flair when his hands find harmony over piano keys while Adriana Samargia’s vibrant-with-zeal contribution to the single infuses Altar Ego with swathes of commercial appeal. With a voice which wouldn’t be out of place on Broadway, Adriana was the perfect fit to add even more vigour to this exhilaratingly distinctive number.

Stream the official music video for Altar Ego on YouTube.

Review by Amelia Vandergast

Kaiza used sophistication as a vulnerable mode of volition in her cinematic pop hit, Dead or Alive

Kaiza’s latest single, Dead or Alive, is a striking testament to her evolving artistry in the realm of cinematic pop. Following the success of Girl in Red, which garnered over 160k streams on Spotify, this new release is a narrative woven with the threads of raw emotion and musical sophistication; prepare to be ensnared by the vulnerable mode of volition.

Kaiza, a classically trained pianist and vocalist, who once graced the prestigious stage of Carnegie Hall, brings a depth to her music that is both rare and enchanting. Dead or Alive is a showcase of her songwriting prowess, where each note and lyric is meticulously crafted to resonate with maximum impact. The harmonies in this track do not just play; they linger in the melodic air, creating an atmosphere that is elevated, but not to such a degree that inhibits accessibility. Expect to be hanging off every word as the track finds a unique middle ground between the artfulness of Tori Amos and the indomitable spirit of Lady Gaga.

As you crank up the volume, Dead or Alive envelops you in its world and prickles the skin with the presence of goosebumps; a physical manifestation of the song’s emotional depth. Kaiza’s belief in living a life full of stories worth telling is palpable in her lyrics, each line a brushstroke in a larger, more vivid picture.

Stream Dead or Alive on all major streaming platforms including Spotify.

Review by Amelia Vandergast

Keli Woods illuminated the keys with enlightenment in his latest piano composition, Skies

Fans of Tom Odell, James Bay and Birdy won’t fail to be consumed by the latest piano composition, Skies, from the UK multi-instrumentalist, composer, and producer, Keli Woods.

If his voice accompanied this year’s John Lewis Christmas advert, I wouldn’t be coloured surprised, and that is only the start of the crossover appeal of this sombrely intimate yet juxtaposing strident release, which seamlessly amasses evocative momentum and flair with every intricately laid progression in the epic 6-minute progressive ballad.

Keli Woods’ experience as a monk lent itself effortlessly well to the powerfully metaphorical introspection within Skies. His ability to conjure vivid pictures in the mind with his deeply affecting lyrical prose is second to none. He may have missed out on West End stardom at the age of 11, but all paths, which included performing jazz band in a decommissioned ambulance in Swansea and living the late-night rock ‘n’ roll life, have led him to this point of proving the transformative force of music.

Listen to the live recording of Skies from Real World Studios via YouTube from October 18.

Review by Amelia Vandergast

Jisu Jung took her journey of self-discovery in the neo-classic jazz release, Who Am I

After honing her talents in some of the most prestigious music institutions including Dresden College of Music, Berklee College of Music in Boston, and the Manhattan School of Music, the pianist and composer, Jisu Jung’s technical skills transcended into an ability to forge evocative connections with her innovative compositions.

Her latest classical jazz piece, Who Am I, welcomes you into her expressive world, where cello strings visualise the darkness we all need to negate on the path of self-discovery and the piano keys embellish the score with flourishing syncopation to mimic the freedom of personal growth.

As the momentum builds towards the mid-way point in the instrumental release, euphoric zeal starts to underpin the orchestration, marking a radical shift from the ornate air in the prelude to the virtuosic control of chaotic time signatures. Even though the energy doesn’t sustain towards the outro, the innate liberation in the progression lingers before the abrupt silence allows you to take a breath that isn’t influenced by the momentum within the classical Tour De Force.

Who Am I was officially released on September 22; stream it on YouTube.

Review by Amelia Vandergast

Fabian Jeller took his listeners ‘From Zero to Infinity’ in his latest composition

The classically trained pianist, electronic music producer and composer, Fabian Jeller used every modicum of his training and talent honing to mark his evolution towards a more viscerally stylistic, organic, and colourful tonal palette in his most seminal single to date, From Zero to Infinity.

The synthesis of classical instruments in the electronic soundscape embodies the vivaciousness of a full symphony orchestra to take you on a journey of vibrant transcendence via the arrangement of the synths and strings, which work in absolute synergy to ensure you sonically arrive at the destination the Italian virtuoso intended.

Blissful, rejuvenating, and deeply evocative in inexplicable equal measure, From Zero to Infinity captures the momentum of life, and all the stratospherically colossal twists and turns it leaves us with no option to traverse. As Bill Hicks once famously said, it’s just a ride. Jeller proved the intrinsic beauty in that ride. Strap yourselves in and surrender yourself to it.

From Zero to Infinity arrived on the airwaves on September 16; stream it on SoundCloud.

Review by Amelia Vandergast

Gary Albert orchestrated an ambient neo-classic respite from discomposure in his piano score, Skies

With melodies moulded into the mellifluous form of drifting clouds and ascending motifs which explore the cosmological atmosphere above, the latest ambient score, Skies, from the composer Gary Albert, is an invitation to lose yourself in the transformative power of music, nature, and art.

The neo-classical piano score was crafted to provide respite from the tumultuous fray of our deeply unsettled world, which can all too easily disquiet the psyche; paired with the mesmerism in the official music video, Skies is a musical and visual journey equipped to mainline the antidote to discomposure.

Instead of using Skies as a testament to his multi-award-winning and critically acclaimed talent, Skies served the far more utilitarian purpose of projecting tranquillity into the soundwaves via pulsating reprises, cathartically cascading melodies, and minimalist movement for fans of ambient soundscapes. Rest assured that you will tune into the same accessibility as offered by Nils Frahm and Hani Rani when you delve into this reflectively accordant piece.

The official music video for Skies premiered on September 4th; stream it on YouTube.

Review by Amelia Vandergast

Wong Diane – Now Only Me: A Tenderly Triumphant Tour De Force

Wong Diane brought style to solemnity with her melodically eloquent composition, Now Only Me, taken from her 1st One Done EP.

With whispers of organ keys in the ethereal background to her minimalist piano-led score to create a luminous atmosphere for her lyrical melancholia to drift into, beguiling barely scratches the surface of this intimately raw exposition of loneliness.

Now Only Me could easily be classified as a tenderly triumphant Tour De Force from an artist who knows exactly how to lock horns with your emotional impulses with her Nils Frahm-esque piano melodies and delicate vocal lines.

As a music producer and composer, the Berklee College of Music and Hunter College graduate has contributed to a series of high-profile projects, including the Daily Podcast, Verizon Rewards and the Samsung Galaxy Watch Experience. She’s also garnered over a million Spotify streams on her most popular piece and performed at some of the most prestigious venues on the globe, but something tells us the best is yet to come from the only true emissary of soulfully diaphanous pop.

Now Only Me is now available to stream on Spotify.

Review by Amelia Vandergast

JxPrezzo – A New Home: A Scintillating Exploration of Rebirth

With a touch of the more sombre scores found on the Westworld OSTs and lashings of orchestral beguile, JxPrezzo’s latest ethereal piano composition, A New Home, is a scintillating exploration of rebirth and a reconnection to security.

Four years after finding the inspiration to orchestrate his own compositions upon hearing the piano accompaniment to Echoes of Silence by the Weeknd, the solo artist released his debut score, A Year Later, in 2019.

By exploring his emotions through his always visceral minor-key melodies, each of his elevated works carries the cinematic gravitas of a composer who has dedicated their life to the craft. If you told me he graduated with honours from Julliard or The Royal Academy of Music, I wouldn’t think twice. He doesn’t just hold a candle to Nils Frahm and Philip Glass, he’s equally as luminary and eloquent in his melodies.

A New Home was added to JxPrezzo’s discography on the 7th of July; stream it on Spotify.

Review by Amelia Vandergast

I saw him in the Mirror: James Harker modifies our view on Spinning Plates

One half of the fantastic duo Vast & Harker, James Harker shows us how love can turn our moods around and sings with pulsating passion on his catchy new release, Spinning Plates.

James Harker is a classically trained London, UK-based indie pianist, history teacher and alternative songwriter who has returned from a long break and shows us his evolution from indie folk.

Taken from the brand new 10-track album Limerence, James Harker is on fire with a soul-healing melody to be proud of for its magnetic appeal. This is soaring stuff and delights our senses with a family-friendly soundtrack.

Spinning Plates from the experienced UK-based indie pianist James Harker is a cloud-floating single to get enthusiastic about and might change perspectives. There is so much to sink our teeth into as we are reminded about the special sauce needed, to be truly happy in this ever-changing world.

Turn this up on Spotify.

Listen up on IG.

Reviewed by Llewelyn Screen