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Motown

From the Classroom to Cruise Ships: Gabriel Greenwood’s Evolving Journey

Gabriel Greenwood

Gabriel Greenwood is a rising singer-songwriter known for his soulful vocals and reflective lyrical style. His latest release, High School Reunion, channels the wistful pull of the past while illuminating how far we come after graduating. In our interview, Greenwood discusses the inspirations behind the track, the influences that shaped his signature sound, and his plans to continue forging new musical frontiers in 2025. He also reveals the pivotal role his music education played in nurturing his creative spirit, underlining his unwavering commitment to sincerity. This glimpse into Greenwood’s world hints at how he merges personal memories with modern ingenuity.


Gabriel Greenwood, thanks for taking the time to sit down with us to discuss what’s in the pipeline for you! We loved discovering you through your latest single, High School Reunion which is due for release on January 11. What’s the story behind the single? 

I wrote this song in 2021. I graduated from high school in 2016, so, if not for COVID, it would’ve been my 5th year high school reunion. That sentiment was on my mind, and it filled me with nostalgia for that time in my life. It reminded me of the crush(es) I had in high school, and what reuniting with them at a reunion would’ve been like. Would I still like them? Have they thought about me at all?

You do a lot of growing in 5 years after graduation. You become an adult, you find new interests, and you learn a lot about yourself. I felt like it took me leaving high school to learn about love. I wanted to write about that idea.

What do you hope listeners take away from the single?

As much as I want listeners to walk away with a sense of self-acceptance and pride in their journey, I also want them to identify with the slow burn of a high school crush that never worked out. Life is full of many ‘what ifs’, and especially when you’re young and don’t have all the answers, it’s important to look back and celebrate that growth, while also going “Damn; imagine if I had had the courage back then that I have now!”

How did you ensure your melodies reflected the emotional underpinnings of the single?

I am so inspired by classic artists such as Stevie Wonder and Donny Hathaway. I wanted to reflect the nostalgia of high school by having a 70s Soul throwback-y sound. I also had the privilege of working with incredible session musicians on this track (Daniel Huston, Ian Strobino, Jackson Mayhall, Heaven McCoury, Mack Clay). I feel like the real players added to the sense of being in a band, which brings me back to high school. The melody itself naturally fluctuates from being more introspective in the verse to declarative in the hook, reflecting the ups and downs of memory and connection.

You’re clearly an artist capable of painting a complete spectrum of emotional complexity. How did you hone this skill? 

Thank you! I think it’s a combination of studying the greats, who were masters at storytelling, and my background in choral arranging and vocal coaching. Working with vocal harmonies taught me how to create layers of emotion in a song, and studying songwriting has given me the tools to translate those emotions into lyrics and melodies. I’m also someone who’s always reflecting on life and observing the emotions around me—I think that helps too.

Would you say you have a signature sound, or can your fans always expect the unexpected? 

It’s a bit of both for me! There are nuances and writing elements that fans will always be able to identify as quintessentially Gabriel Greenwood. I also love sticking to my love of a soulful sound, and I’ll never lose that. But, I’m also constantly inspired by new sounds. I have new ideas incorporating some 80s rock elements and world music elements that I’m really vibing with right now. So for my fans, I’d just say prepare to be pleasantly surprised!

How do you incorporate nuances of your influences while keeping your sound authentic? 

I feel High School Reunion does it best out of any of the songs I have out. It really balances the nuances with my own originality. The instrumentation and arrangement sound so classic like my 70s Soul influences, but the melody itself is very fresh. I’m especially proud of the hook, which feels so modern without feeling out of place. Also, the topic and the story itself is pretty unique while being very relatable. I always love finding a story for a song that not many other artists talk about, thereby ensuring some authenticity from the get-go.

What appeals to you most about classic songwriting?

Well, my mom is a songwriter who worked primarily in the 70s and 80s. She inspired me from a very young age to tell stories through my songs. I love the frankness of writing that came out of the 70s. Writers who inspired my mom like Laura Nyro, Carole King, and Carly Simon knew how to deliver a message clearly AND creatively. I also love when a second verse actually MEANS something haha! I love how classic songs continue to tell the story linearly through each verse. A lot of modern Pop tends to use the second verse to rehash what’s already been said in the first verse, when there’s so much more context and layering you could be doing in the second verse. In High School Reunion, I enjoyed showing a full conversation with the crush that continues and finishes in verse 2.

Have the environments you’ve lived in and experienced shaped your sound? 

I see my influences as starting points rather than templates. The music that inspires me was always playing in my house growing up. And though a lot of it wouldn’t seep into my artist persona until my teen years, it had a deep impact on me. At the same time, I was being so nurtured at school, where I was surrounded my top-notch music opportunities. It gave me an environment where, if I wasn’t being inspired, I was at least being encouraged to take music seriously. I am indebted to my music education for where I am today. As an artist, whether releasing music or performing on cruise ships, I think my inspirational and educational environments were crucial in shaping my sound.

Any big plans for 2025?

I’m really excited to take my fans with me on my journey performing professionally on a cruise ship this year! From January-May, I will be performing a piano duo show with my incredible pal Stephen Coakley aboard the MS Zuiderdam! We’ll be on for the 125-day Grand World Voyage, circumnavigating the entire globe! Along the way, I hope to collaborate with stellar musicians and artists I admire both on board and off to make music that connects with people on a deep level. 2025 is also going to be a year of a lot of creation. I’ve got more songs on the way, as well as a lot of exciting content to further grow my fan base on Instagram and TikTok. =)

High School Reunion will be available to stream on all major platforms from January 11th. Find your preferred way to listen and connect with Gabriel Greenwood via their official website.

Interview by Amelia Vandergast

Caleya Black – Stay with Me: A Homecoming for the Soul

Love may be a hard emotion to put into words, but when Caleya Black weaved it into her organically seraphic single, Stay with Me, those four little words transformed into a universal language. The old-school soul instrumentals, complete with staccato guitars carving the contours of delicious groove pockets, cradle the singer-songwriter’s arcanely transcendent vocal register. Through her harmonies, the classic tones she touches transform into a timeless tonality, proving that soul music doesn’t need reinvention to feel relevant.

Black’s artistry harks back to an era when soul ruled the airwaves, as Urban Magazine noted about her breakout single Our Song. The Motown-inspired artist from New Jersey, steeped in gospel roots, knows how to craft music that defies trends. Her debut EP, Still Loves, and standout tracks like Go There and Love Come Down, have cemented her reputation as an artist who respects the legacy of soul while asserting her place within it.

In Stay with Me, the restraint in the instrumentation highlights Black’s command over her vocal expression. Every note feels deliberate, every harmony meticulously placed to pull listeners into the raw honesty of the lyrics. This is the kind of track that doesn’t demand attention but earns it with its authenticity, proving Caleya Black doesn’t just make soul music—she embodies it.

Stay with Me is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Keith Rayburn – Shine On: Guitar Strings as Gospel

For his latest eagerly anticipated release, Shine On, Keith Rayburn rendered funk-laden rock into smoky, Motown-esque soul intersected with bluesy grooves to offer conjurings of catharsis so intense the single borders on sonically sacred.

Each progression plunges the listener deeper into a hazy, irresistibly immersive soundscape that echoes the nostalgic aura of The Doors as his guitars speak gospel in chorus with the lyrics which attest to how dimming your light is never the answer when the illumination of resilience is an option.

Rayburn is well on his way to riffing his way into the rock pantheon with his peerlessly cultivated sonic signature that will scribe its way through your synapses long after the outro of the sublimity-soaked sanctuary of a single which is easily one of the most sincere feel-good releases you’ll hear all year.

With tens of thousands of monthly Spotify listeners from around the globe behind him and his versatile musicianship, Rayburn is well on his way to reaching the acclaim his superlative song crafting deserves. Make his ear for a melody your new aural remedy.

Shine On arrived on the airwaves on September 4th; stream the single on Spotify now.

Review by Amelia Vandergast

The Stanford Family Band – On My Holiday: A Riotously Sunlit Escapade Through the Intersections of Indie, Garage Rock, and Motown

The Stanford Family Band, following their debut ‘Love Me A Bit‘, have returned with ‘On My Holiday‘, a single that radiates with the warmth of a supernova. This track, a part of their upcoming 6-track EP ‘For Your Listening Pleasure’, is a vibrant testament to the Brighton-based band’s endlessly euphoric sonic identity.

From the first note, ‘On My Holiday’ is an immersion in a riotously colourful explosion of kaleidoscopic fervency. The vintage production, reminiscent of Ray Charles’ ‘Mess Around’, is a masterful blend of bluesy piano grooves and Beach Boys-esque harmonies. The trailblazers could never be as pedestrian as solely nodding to the past; with this release, they reimagined the aural ecstasy of a bygone era, tailored for today’s indie and garage rock enthusiasts.

Frontman Elliot Stanford’s captivating lead vocals, coupled with the band’s commitment to complex four-part harmonies and memorable melodic hooks resulted in a quirky upbeat odyssey through a bittersweet vignette, which affirmed that in the death of winter, the sun is just around the corner.

Elliot’s approach to songwriting, as he describes, is an exercise in balancing musical joy with lyrical melancholy, a juxtaposition reminiscent of the Beach Boys circa 1965. ‘On My Holiday’ is the embodiment of this philosophy, musically exuberant yet lyrically introspective.

On My Holiday was released via Goo Records on February 27th and is now available to stream on Spotify.

Review by Amelia Vandergast

Alicia Michilli revived the soul of Detroit Motown in her latest single, Full Moon

With a voice that saw her go far on America’s Got Talent, a timeless lyrical style, and a compelling spin on soul, America should be upholding the Detroit-based Alicia Michilli as a national treasure.

Her latest single, Full Moon, eases you into the smooth, smoky late-night atmosphere where perpetual love lights up the twilight. Her influence of Detroit Motown sounds is easily legible in the consoling timbre of the release that serenades you from the first vocal note. For non-believers in true love, you only need to tap into the demure soul of this caressively sincere release, which celebrates the unconditional love we all yearn for.

So far in her career, Alicia Michilli has opened for Andra Day, Nelly and her long-time hero, Keb’ Mo’, and provided background vocals for Taj Mahal and Keb’ Mo’ during their TaiMo tour. Although, based on Full Moon, she always deserves to be on front and centre stage.

Full Moon is now available to stream on Spotify.

Review by Amelia Vandergast

Get your summer soul-fix with the electronica producer, Nathan Maurice’s baby I need your love

Nathan Maurice lay down a tapestry of old-school soul in his latest single, baby I need (your love). The vibe-driven mix starts with the sample of archaic soul vocals before building a buzzing summer anthem, slickened with lush reverb, vibrant beats, and crescendos you would understand if your heart stopped for.

When his classical work isn’t on repeat on Classical FM, the Birmingham, UK-based composer and producer is featured on Radio 1 with his electronic project, Lorenz System. If that doesn’t tell you all that you need to know about Maurice’s luminary presence in the electronica world, I’ll assume you are past the point of comprehension.

Hear baby I need your love for yourselves via SoundCloud.

Review by Amelia Vandergast

My Honey: Salyse roars delightfully on inspiring debut track ‘Babygirl’

When true role models are so hard to find these days, Salyse shows the ladies that they need to back themselves into following their dreams on ‘Babygirl‘.

Simone Alyse Senibaldi aka Salyse, is an exciting Everett, Boston-born, Motown and Disco-inspired, musical theater-trained indie RnB/Soul singer-songwriter based in Atlanta, Georgia.

She has a clear vest for life, genuinely kind heart and loves and making that soulful music, which is made with true intentions to help others and intended to make everyone happy no matter what they are going through personally.

Babygirl” is about loving, embracing, and celebrating every part of yourself.” – Salyse

Her voice reach far into your mind, as she takes you to a place that you have needed to be for a while. The world is a harsh place, with so much unnecessary hatred and divisiveness — but in-between those dingy alleys — there is a way to stay happy and this song represents that. Being kind to yourself and trying to be better each day — no matter your flaws — is the only path you need to take, to find that true road of enlightenment.

Babygirl‘ from the fast-emerging Atlanta singer-songwriter and wonderfully artistic creative Salyse, leads us into this sweet story about knowing what you what, being true to yourself and going for your goals, no matter how hard they seem currently. This is the type of message that needs to be heard far and wide, as it is awe-inspiring and brings you a warm feeling inside.

Hear the lovely audio on YouTube and follow her social moves on IG.

Reviewed by Llewelyn Screen

Bluebass brings the feel-good factor with their funk-riddled track, ‘Never Give Up on Your Dreams’

Blackpool-based singer-songwriter and producer Bluebass fed the influence of his hometown into his latest feel-good track, ‘Never Give Up on Your Dreams’. Blackpool isn’t all illuminations and rabid hen parties; it also has an ever-lasting tie to the Northern Soul and Jazz Funk scene which rose from the town’s working-class roots.

With their latest release, Bluebass embraced the old school before contorting familiar grooves into catchy contemporary rhythms that would go down a storm on a dancefloor. Their upraising mix of RnB, pop, funk and soul pulls together to offer all of the aural euphoria that you could ask for.

Never Give Up on Your Dreams is now available to stream via SoundCloud.

Review by Amelia Vandergast

About ‘Last Night’ – Beatnik drop us some deep cut soulful grooves.

There’s an immediate familiarity around Beatnik to anyone who’s ever whiled away their entire teenage school holidays playing the old coin-op road-race game ‘OutRun’ over and over, or spent, say, 29 hours straight watching 70’s cop-show re-runs on Paramount. Not that we’ve done either, of course. Heaven forbid. But it’s exactly that sort of jazzy, funky, 70’s disco-tinged soulful chill that leaps out of the speakers when hitting ‘play’ on ‘Last Night’; a deep-groove old-school funk-pop dance track, all wandering bass, off-beat drum fills, syncopated Nile Rodgers-style guitar chords, Rhodes piano, and stabs of perfect, jazzy brass, all underlying keyboard/vocalist Peter LaBarge’s awesome soulful vocal delivery.

It’s an absolute killer of a track, a bouncy, beach-and-palm-tree infused love letter to South Florida wrapped up in Acid Jazz Brand New Heavies Chic-meets-Jamiroquai catchiness; we’ve been humming the chorus refrain from ‘Last Night’ all day since first listening to the track, and – given the amount of music we get to review – there doesn’t get much higher praise than that.

‘Last Night’ is taken from Beatnik’s ‘Night Shift’ EP, due for release on April 1st. You can pre-save ‘Night Shift’ through BandCamp now, listen to ‘Last Night’ on Spotify, and follow Beatnik on Instagram.

Review by Alex Holmes

Enjoy a perfect morning with Mo Safren and his Motown Pop ballad ‘Bagels and Coffee’

With vocals as evocative as Tom Odell’s and a charisma which captivates you just as much as his artfully powerful sound, it’s impossible to imagine a dull future for US singer-songwriter and performer, Mo Safren.

The perfect introduction to their constraint-less sound is ‘Bagels and Coffee’; the soulfully slick piano pop ballad carries all of the accessibility of a mainstream pop track and all of the improvised unpredictability of jazz. Attempting to affix genres to this powerfully progressive single would be an act of futility, but you will be able to note Safren’s dynamic array of influences which includes everyone from Chopin to Sinatra.

Bagels and Coffee is one of those phenomenally rare singles which you feel like you could listen to a thousand times and still not have picked out the beauty in every subversive curveball.

The official music video to Bagels and Coffee is available to stream via YouTube.

Review by Amelia Vandergast