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Metal

Interview: Chicago’s Dust Biters guides us through the redemption on Progeny

Dust Biters is a Chicago-based indie alternative 4-piece post-hardcore metal band who savage the speakers with a spellbinding reaction on each one of their heavy tracks. They speak to us about, coffee, risk-taking, Progeny and much more.

Hello there Dust Biters. We appreciate you having a chat with us today. Where in the world are you located as we speak and what did you all have for breakfast?

Dust Biters: Hi! We’re from Chicago. We’ve all had lots of coffee and need more.

Let’s start at the beginning. Where/how/when did the band start and who are the current members?

Dust Biters: Nick Miller and Nick Kinsley actually met back in high school in Michigan. Kinsley was a fan of Miller’s technical metal band, Flesh and Blood Robot. They became friends and started writing music for a new project. Kinsley ended up moving to Chicago and Miller ended up moving to Pittsburgh, but a decade or so later Miller relocated to Chicago and convinced Kinsley to pick up the guitar again. They started writing 80’s hair metal riffs on Miller’s couch which became the foundation for the songs “Unholy Gospel” and “Creature Man”. Initially, the idea of the band was to write songs that were straightforward 3-chord punk and rock, but that didn’t last very long. Nick Miller and Tommy van Arsdale were colleagues and had talked ad nauseam about music and Tommy’s previous bands in which he played drums, guitar, and piano. Miller asked Tommy to session with them on drums and the three booked time at a studio in Chicago. It became clear after the first session that this was something to pursue, so they found a permanent rehearsal space and began practicing as a trio. Bryan Fonseca joined Kinsley’s work, and again through the serendipity of talking about music learned that Kinsley was looking for a bass player for the new project. Bryan, traditionally a guitarist, was quick to pick up the bass and learn the parts. Bryan’s personality fit seamlessly with the group so we decided to move forward and thus Dust Biters was formed.

Please let us more about your latest single Progeny and the vision behind the release.

Dust Biters: “Progeny” is a song Nick Kinsley wrote about his kids. It’s a song about redemption, forgiveness, and growth. We just released a companion music video, and in contrast, the narrative revolves around a narcissistic cult leader who grows tired of the perpetual, blind worship of his harem and secretly poisons them in a final move of selfishness and desperation to start a new existence. You can watch it on our YouTube channel now.

Guilt is the name of your new 12-track album. Please guide us into the process of completing the project in the way you wanted.

Dust Biters: The first and most important step to getting Guilt recorded was finding an engineer that understood our songs and the goal for our sound because we didn’t really know what we were trying to do. Once Alex Lackner (Accelerated Sound Studios, Lazarus AD) was signed on to engineer the record, it was full steam ahead. We tracked a majority of the record in our studio while the vocals and finishing touches were recorded at Alex’s studio. We spent a lot of time getting the mix right. Guilt is a record that we are very proud of and we’re excited that people are responding so positively to it.

What’s an important piece of advice you’d recommend to anyone working in the music industry?

Dust Biters: Be genuine and ruthless with your art. Take creative risks. Embrace limitations. Practice consistently. Make real connections and support others. Seek feedback and consider all forms of criticism. In 2023, writing good music is only half of the work to get noticed. Be ready to put yourself out there.

What is the vibe like at the local underground music venues in your local area after all the closures previously due to COVID?

Dust Biters: We’re lucky. Chicago has a great, supportive local scene and awesome venues like Empty Bottle, Live Wire, The Burlington, Liar’s Club, Cobra Lounge, and Reggie’s which thankfully all weathered Covid. Like many of our friends, we spent the majority of lockdown writing and practicing so that when it became safer and venues began opening up, we were hungry and prepared to get on stages and play live.

Last, if you could tour with any band in the world, who would it be and why?

Dust Biters: Ha! I think we would all answer this differently, and I don’t think we could decide on just one without a lengthy debate, but if we had to name two bands it would be Glassjaw and a resurrected Every Time I Die.

Listen up on Spotify. Check out the IG page for more.

Interview by Llewelyn Screen

Chicago alt-metal originators, Dust Biters, expose their bleeding post-hardcore heart in ‘Progeny’

With a tumultuously rapturous sound that could only have stemmed from Chicago, Dust Biters’ lead single, Progeny, from their album, Guilt, is a viscerally maniacal feat of tightly off-kilter ingenuity.

As Nick Kinsley dynamically volleys between hitting all the right vocal notes, he throws plenty of evocative punches along the way. In the same vein as Against Me! Dust Biters heighten their sound to the nth degree through a combination of instrumental prowess and bleeding post-hardcore heart.

In the space of three minutes, Progeny moves through as many tonal shifts as some bands do in an entire LP. Yet, with the way that the uninhibitedly wild progressions bind together with melodic adhesion, it’s always easy to follow their raw groove-led lead.

If they make it to the UK, I will be the one with a near-broken neck at the front.

Check out the Radio Cut of Progeny on Spotify now.

Review by Amelia Vandergast

Lucretia Death forged her industrial vampcore metal signature in blood in LIKE BATHORY

https://on.soundcloud.com/ah3bL

As scintillatingly seductive as Angelspit and Zombie Girl and with all the attitude as My Ruin, Lucretia Death’s latest single, LIKE BATHORY is a dark electro hit that you won’t dare to forget.

As murderous as God is a Girl with a Butcher Knife, LIKE BATHORY pays homage to a Hungarian serial killer Countess who shed the blood of up to 650 victims before history enveloped her with vampiric lore. The hypnotically caustic downtempo industrial beats effortlessly gel with her scathing declarations of monstrous affinity and narrations of evil by the hand of one of history’s most bloodthirsty.

The Phoenix, Arizona-residing solo artist brings the night to life through her sonic signature of industrial vampcore metal. This project began in April 2022, after the artist darkened the airwaves in various solo and collaborative conquests. Her most notable performances include performing at the Denver Vampire Ball and several other Vampire/BDSM events in Denver, Colorado.

LIKE BATHORY will be available to stream from January 27th via SoundCloud.

Follow Lucretia Death for updates and live performances via Facebook, Twitter, Instagram and TikTok.

Review by Amelia Vandergast

BackIVBlood – Cuts: Cowboys from Cwmbran

The recently forged South Wales metal three-piece, BackIVBlood, is laceratingly sharp in their debut single, Cuts. With elements of Pantera, Drowning Pool and Static X all legible in the adrenalized off-kilter ride through their progressive furore, it’s impossible not to get sucked into their grungy alt-metal antagonistically cathartic antics.

The caustically sharp vocals rail across the consistently evolving instrumentals that lustfully flirt with nu-metal in the rhythm section, stylise the ferocity with dynamic hard rock guitar licks and add nuanced layers of industrial metal to the fresh production, which unravels as an amalgam you’ve never tested the capacity of your neck with before.

Based on this exceptionally promising debut alone, the juggernautical powerhouse can count on me to be at the front row on their future tour dates.

Listen to Cuts on Spotify and YouTube.

Review by Amelia Vandergast

Mike Wilkins delivered riff-driven vindication in his latest hard-rock hit, STRANDED

San Diego-hailing guitarist, vocalist and songwriter Mike Wilkins is back on fervid form with his latest hard rock hit, STRANDED, inspired by the cathartic freedom of cutting toxic ties.

It is a sure-fire hit of vindication for anyone who has had to disconnect from negative bonds. For people who need a little extra convincing to step into their own light away from the shadow of insidious others, the face-melting riffs, reminiscent of the ones carved by Glenn Tipton, George Lynch, and Phil Collen, will give you a positive shove forward with the force of a juggernaut.

With hints of 80s hair metal in the riff-driven hit, the choruses are easy to get caught up within, while the monolithic breakdowns crafted by the one-man powerhouse, who has previously worked with Tim Owens (Judas Priest), bind you even more tightly into this breakneck helter-skelter ride through virtuoso-level talent and relatable emotion.

The official video for STRANDED is now available to stream on YouTube.

Review by Amelia Vandergast

 

Kansas-based metal band Bleed The Victim drops heavy new single Somatic

Smashing through the door and slashing many tires along the way, Bleed The Victim rattles the ground and shows superpowers beyond our previous levels of comprehension on Somatic.

Bleed The Victim is a Topeka, Kansas-based indie metal band who has a tremendously monumental sound which has the ability to fracture vertebrae.

We made a lot of great memories and new connections in 2022 and we wanted to end the year with a BANG, so this is our special single release to really amp things up leading into next year.” ~ Bleed The Victim

Hurtling down so terrifically and showing us the way to soak away all anxiety, Bleed The Victim destroys all walls down and might shock many airwaves with a colossal metal anthem.

Somatic from Topeka, Kansas-based indie metal band Bleed The Victim is a rather thrilling single which shall break through like no other. There is so much enormous energy on offer here which shall shake everything to the core and clean out all that suffocating earwax.

Pulsating at each corner and bellowing down rather massively, we find something rather gigantic for us to snack on mightily.

Hear this dominant single on YouTube. See more moves on IG.

Reviewed by Llewelyn Screen

dogbeach stuck it to the facade-preferring masses in his progressive melting pot of genre, Fake It

Traversing people’s proclivity to convince others to plaster a fake smile over valid emotions, the solo artist dogbeach (Bob Maschio) created a sardonically protestive hit out of his latest single, Fake It.

To stick it to the façade-preferring masses who wouldn’t know what hit them if a drop of empathy crawled between their synapses, dogbeach released a sun-soaked progressive alt-rock lament to their selfish ineptitude with compassion.

Switching between post-hardcore vocals and melodic pop choruses and playing with punk and alt-90s pop tones, he efficaciously encompassed the bemused rage that comes to fruition in the face of the audacity that adds to the stigma around mental health.

It is a sure-fire hit of vindication for anyone that knows the frustration of other people’s expectations. The playful reprise of “why would I do anything for you” hits the nail on the head with satisfying precision.

Stream Fake It on Spotify now.

Review by Amelia Vandergast

He Promised Himself: London-based alt-metal band Elyn summons us into a world of Regret

After storming into our vortex with the electrifying 6-track, I Broke My P.C from 2020, Elyn drops one of the most moody songs the world is ever likely to witness on Regret.

Elyn is a 3-piece London, UK-based alternative metal band who likes it rather loud and with enormous power on each one of their heavy tracks.

The band’s sound is energetic and reminiscent of bands such as Tool, Nine Inch Nails, Alice In Chains, A Perfect Circle and Muse, to name a few.” ~ Elyn

Slicing away those previous worries and urging us to reach for those dreams no matter what the challenges, Elyn roar in like a hungry lion here and might shatter fragile windows who can’t handle their velocity.

Regret from London, UK-based alternative metal band Elyn, is one of the most thought-provoking anthems of 2022 so far. There is a barrage of intensity here which so many will love, as our hearts are ignited by a ravishing release. Pulsating to the core and never letting up for a second, as we take a breath and emerge from the darkness again.

Chasing those dreams has never been more important.

See this new music video on YouTube. Find out more via IG.

Reviewed by Llewelyn Screen

Lyrical Poetry Heightens the Monolithic Heavy Metal Alchemy in Maximilian Wentz’s Single, Your Silhouette

Sweeter than honey sentimentalism sits side-by-side with melodic hooks, gigantic riffs, and theatrically monolithic breakdowns in Maximilian Wentz’s seminal single, Your Silhouette, which fuses the heart-in-throat feels of Shinedown and the progressively distinct furore of SOAD.

Just when you start to hear the reminiscences of The Calling’s Wherever You Will Go, post-hardcore motifs blaze through the soundscape to prove that when Maximilian Wentz pays homage to a visceral emotion, he goes all in to capture the extreme.

The independent singer-songwriter, multi-instrumentalist and Berklee College student is one of the few artists in the heavy metal that is bold enough to fully commit to emotional expression with no pretence. We can’t wait to hear what the Massachusetts-hailing artist who has enriched the industry with his solo work and via his band 51st State has to offer next.

Listen to Your Silhouette on Spotify.

Review by Amelia Vandergast

Birdeatsbaby Interview: Shaking our core with sinister new release Illuminate

We sat down with the hugely intriguing progressive post-metal band Birdeatsbaby to chat more about their shadowy new release Illuminate. They open up the curtains and lead us into a bone-rattling interview of significance and show us why supporting the local music scene is so vital.

Who is all involved with the Birdeatsbaby team?

Mishkin: Well, there’s four of us – Anna Mylee (drums), Hana Piranha (harp, cellos, violins, vocals), Garry Mitchell (guitar, bass) and myself, Mishkin Fitzgerald (vocals, pianos, synths). We also have a manager called Simon Field who keeps the whole thing running… he’s the unseen member of the band and he knows all our dirty secrets, haha! Apart from that, we’re totally independent and run everything by ourselves. It’s a lot of work, but we’re very happy to be in control of our own destiny, and run things the way we want to.

Which music scene do you prefer and where are the best underground spots to find proper music in: Brighton or London?

Mishkin: I’d say my favourite music scene is the metal one – there’s so many sub-genres and you never see the same thing twice. The people who go to those gigs are always so mellow and there’s always a great community vibe going on. You know if you fall in the mosh-pit that you’ll be picked up again and dusted off! I also think it’s one of the few scenes that has survived and still has people at shows. Metal fans are true music fans and they always want to see something new, not just stick to the bands they know. I love that, metal all the way.

If a brand new band came up to you tonight and asked for advice about how to survive the music game, what would you tell them?

Mishkin: Get out now while you still can! Ha, no I’m joking. I would say to them – focus on getting your music just right, it’s more important than your image. Once you’re set up then be genuine, make friends with similar bands, create your own scene and help each other out. Go to shows, support your local bands and treat other musicians how you would like to be treated. Don’t play shows for free/exposure (if you can help it) and be prepared to struggle a lot! The music industry has never been more difficult than it is today, so supporting and helping each other out is more important than ever.

If you could open up for any artist in the world, who would it be and why?

Mishkin: I think each of us would have a different answer, but probably for me it would be Opeth. They’re another artist that crossed multiple genres but still have that signature sound. They aren’t as heavy as they used to be, I prefer their death prog-metal albums, but I would still be over the moon if we ever got to support them!

Do you have any wild touring stories you’re allowed to share with us?

Mishkin: Yeah, loads just ask our manager Simon! Hmm… what can I tell you, I mean we used to party pretty hard on tour but it got a bit out of hand, we’ve calmed down a lot these days. There was the time we got banned from a church… and the time we crashed a rental car and the tour manikin flew out the back window naked… the time we played a show to one fan and then spent the night in a sex dungeon… and the time I climbed up and danced on a bar in Ohio and people put dollar bills down my pants? I mean, to be honest this is a whole separate interview!

Finally, where can we catch you live next and do you have anything big planned for 2023?

Mishkin: We haven’t got any shows booked currently. We’re focusing on recording the album, HEX, and should have some shows in the Spring/Summer but we’re holding out until the music industry gets a bit more stable, times are pretty tough for touring artists these days so we’re just playing it safe and making music at home. The best place to see us though is on Patreon – we play lots of livestreams and release secret music and videos there, so if you want the inside scoop then that’s where we’ll be.

Listen up to this new release on Spotify. Find them live on IG.

Interview by Llewelyn Screen