London based Hannah Harper seems to make music which wonderfully captures the city that she is based in. It is at once artistic and slick, pushes pop music into quirky, staccato dance realms, feels wonderfully urban, uptown, classy and shimmers with the pace and edgy energy of the city around her. At a time when pop music seems to have hit a formulaic, production line creative process, where most are content only to make music in the mould of what has already been successful, Hannah’s debut single marks a fascinating departure.
Already picked up by BBC movers and shakers, Appetite is the sound of things moving on, of barriers being pushed aside of new paths being beaten through previously unexplored territory. But the clever thing is that whilst offering something new, it isn’t too radical either. The beats and the structures are still familiar it is just the way they are put together is intriguing. It is, in fact, the best of both worlds, a new sound but one for which there is already a captive audience via popular radio and clubland playlists. It is safe to say that the evolution of pop music just took a very big stride forward.
S.O.S is the creation of Anglo-Maltese singer, songwriter and producer Sophie Debattista, who is working hard and making lasting impressions in the music industry with her quirky electro-pop sound. Upon first listening to “Bloodline” it is evident that this song is very well crafted with strong songwriting skills and performed with conviction and a solid artistic vision. As the chorus unfolds it is clear that this song is a hit and an evident reflection of S.O.S’ ability to mould a unique sound.
Amongst the several factors which make this song great is primarily the melodic aspect which features angular embellishments on syllables as well as smooth underlying vocal carpet which creates contrast and further interest. Apart from this, the electro-pop instrumental arrangement also complements the angular melodic embellishments with sweeping sounds, crisp beats and a well developed texture which leaves space for the vocals to shine above everything else. With intelligently crafted lyrics focusing on our humanity’s ability to work together as one bloodline, this song not only presents a great message but also showcases great musicality and songwriting skills, definitely making S.O.S an artist to look out for.
Anja Kotar’s first single from her forthcoming album NOMAD deals with a perennial issue, the one at the heart of young lives across the globe, the one that determines the hierarchy of all our formative years, the issue flagged up in the title, the issue of How To Be Cool. Not that she needs to worry as the song itself is one of the coolest things to happen in pop for a long time and is all the better for the attitude that drives it. For this track isn’t acting as some sort of blueprint, a fast track to popularity, far from it. Rather it questions the whole notion of what being cool is and why you would even subscribe to such an idea in the first place.
A wonderful irony lies in the fact that whilst raising that question, she has blended some eighties vibes, contemporary lyricism and forward thinking dance grooves into the coolest of tunes and the perfect calling card for NOMAD, her musical exploration of the pressures of today’s generation growing up in America. The album is full of infectious tunes and though provoking ideas and unintentionally begs a whole different question. Why be cool when you can be smart?
The Sunset Kids are a unique Canadian Electro Folk/Dream pop music duo created in early 2013 by Josh Palmer (Guitar, Synths, Vocals) and Ally-V (Synths, Vocals). . Beyond providing energetic performances throughout the country, they share their enthusiasm and passion for music and film. Nominated for best Independent Music Video at the 2016 HMMA’s ( Hollywood Music in Media Awards). Their merits as artists also extend internationally, all their main official videos have been produced in California in collaboration with videographers and other crew members from the TV series Breaking Bad.
Ally V , grew in post Soviet /post Berlin wall Siberia, with no money and political unrest for years. She later immigrated to Saskatchewan Canada and her cinematic eye and musical ears were inspired by her journey to Canada. Her other worldly experiences bring a uniqueness to the Sunset Kids music and videos that’s all their own. The Kids make exciting Electro Folk music and also Cinematic music videos and short films. For their live show they combine this cinematic eye for a multimedia experience with video projection.
The Sunset Kids have become well known for implementing visual art during their performances. This comes in the form of original videos that capture the attention of their audience by mimicking the essence and mood of their music. To date, The Sunset Kids have played nearly 100 shows, including local, national, and international venues. The Sunset kids are heavily influenced by the New-Wave and Synthesized Sounds of the 80’s and folk pop of today. Their music represents a blend of many genres, from folk to synth electronic and indie.
Other than the most recent Music Video Nomination, one of their exciting milestone was the release of their first EP Seventh Sky on March 23, 2014 in front of a Los Angeles audience at the famous and Historic, House of Blues HOB on Sunset BLVD. Thanks to the overwhelming crowd response. In fact one of the last performances their before the legendary club closed down.
Elkiis a brand spanking new artist from Sydney, Australia, with a love for songwriters such as Kate Bush, Burt Bacharach, and Stevie Wonder. After managing to avoid social media all her life, she finally decided to bite the bullet and jump head first into it all, in order to get her first track out and into the world.
Elkicollaborated with renowned Australian producer Joel Quartermain (Meg Mag, Little Birdy, Eskimo Joe) to create her debut track, ‘Sirens’. She was a fan of Joel’s production work, and after sending him some demos,Elkiwas stoked when he was keen to work with her.
The tune ‘Sirens’ is inspired by the neo-noir film ‘Body Heat’ from the 80s. The pared back intimate verses were written to contrast with the explosive and powerful declaration in the choruses – of power and guilt. The mellotron strings and Jupiter synth work in tandem to swell to an orchestral climax and a stomping chorus.