“And That’s Where It Ends, And So It All Begun” is the latest tonally sublime single released by the London-based alt-rock originator djamesk13 (David Kemp).
If Dinosaur Jr veered away from grunge and towards proto-punk and made a pit stop at 90s Britpop to pick up a bit of extra guitar swagger, the sonic result would be in a similar vein to this nostalgically produced hit.
The distortedly and poetically orchestrated single provides a definitive discourse on the nature of our lives which runs through like pre-determined chapters of destiny. Lament it or live it to the max, but that’s the nature of being, captured in the lyrical hooks in this epitomisingly sludgy earworm.
And That’s Where It Ends, And So It All Begun was officially released on November 19th. Catch it on SoundCloud.
London alt-rock solo artist, djamesk13, came in with his scuzzy Champagne Supernova-ESQUE latest single, An Angel- The Devil, which plays with ethereal phenomena and no-wave-y discord that will throw you right back to the alt-90s.
The lo-fi production caustically compliments the overarching moody energy of An Angel- The Devil as djamesk13 uses his magnetically deadpan vocals to deliver the hooky meta lyrics. There’s no room to wonder why so many alt-rock fans have already jumped on the singer-songwriter’s fourth release. We hope number 5 is already in the pipeline.
An Angel- The Devil is now available to stream on SoundCloud.
Take a walk through relatable growing pains with the third alt-indie single from South London-residing artist DAAY that emanates the same chaos as Oh Sees alongside a James Brown-Esque serving of soul. Little Foot is an intoxicating mash of ingenuity that proves there’s plenty more to art-rock than Radiohead.
With sax solos that scream with the same visceral furore as Pete Wareham’s strident howls, nostalgic bluesy licks, and a general state of inhibition and instability running right through the release, Little Foot is for every music fan who thrives on finding authenticity alongside relatable insanity.
Little Foot conceptually shares the frustration of needing to answer endless questions as we navigate our dark and often fetid landscapes as adults while it imparts the nostalgia of childhood simplicity and ignorance. In the process, DAAY paints the process of disillusion with the world as a universal one. If the world ever needed a reminder that no one’s life – regardless of social media statuses – is a bed of roses, it’s right now. DAAY discernibly delivered with this consistently volatile aural exploration of style.
The release of Little Foot was an efficacious way of creating an appetite for the solo artist’s forthcoming singles, due for release in 2021. Save space on your radar.
Little Foot will be available to stream and purchase on all major platforms from May 28th.
After forming in 2019, London-based three-piece powerhouse Young Fatigue is gaining all the right attention and are on track to take the Alt-Rock scene by storm in 2021, especially with the release of their latest single, Am I Pretty Now?
With crystal clear nods to Daniel Kessler’s lead work in the intro giving way to the grungey carnage in the first verse combined with throbbingly ominous post-punk basslines, Am I Pretty Now? hooks you in, right from the start. As the single continues to evolve, pop-punk biting energy transgresses into post-hardcore-style-furore, delivering an angsty scuzz that you are unlikely to forget.
Tune into the lyrics, and you will find that Young Fatigue attack aesthetic obsession with the same poignancy as Richey Edwards. If Richey was around to witness the Instagram generation, I do not doubt that his lyrics would be reminiscent of Young Fatigue’s.