Browsing Tag

Lo Fi Pop

K Penny and Ethan Moon gave RnB nocturnal gravity in the soul-honed single ‘U Turn’

K PENNY turned the ignition on her debut album, A Late Night Penny Drive,  pulled listeners into her reverie-rich world, and left them with far more than fumes in the rear-view. Among the brightest beams from the hazy headlights is U Turn, a luxuriously tender collaboration with ETHAN MOON. It’s the kind of track that anchors you in the passenger seat of someone else’s longing, then quietly shifts the gears of your own emotional terrain.

80s nostalgia shimmers in the atmospheric drum pads and the haze of reverb that rises from the instrumentation around K Penny’s hypnotically dreamy harmonies. The way her vocal lines melt into each other feels like a serenade to every sleepless night spent missing someone who tugged the stars out of alignment. There’s a deep-set yearning folded into the soft-toned afro-RnB rhythms, but there’s nothing downbeat about it. The slow swells and playful licks of romanticism were made to move you.

K Penny’s sound is intimate without feeling insular; cinematic without losing that lived-in quality that gives late-night RnB its raw warmth. Her instinct for coaxing vulnerability from atmospheric textures lands with clarity across A Late Night Penny Drive, but U Turn is where everything collides — the longing, the connection, the melodic glow of emotional fluency. It’s not a ballad begging to be framed; it’s a slow dance between what’s felt and what’s found.

U Turn is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Frances Ancheta Dissolved Neo-Pop Psychedelia into Acoustic Serenity in the Indie Folk Single ‘This Haze’

Sun and soul entwine into the sublime in Frances Ancheta’s transfixing indie folk-pop single, This Haze. Lifted from her latest LP, Saving Graces, exhibits her scintillating way of stripping back the decades and slipping into 60s-esque neo-pop.

With her organically evocative, authentically rich vocals, which are made for the airwaves, sync deals, and everything between, it’s beyond us how she’s still operating under the mainstream radar. While most singer-songwriters fumble when attempting to resurrect vintage tones, Ancheta doesn’t play dress-up with the past; she speaks its language fluently.

There’s a quietly radiant charm to the lo-fi textures and sun-baked rhythms, but it’s her gently lilted harmonies and stripped-back guitar timbre that stir with timeless soul. Every moment feels hand-spun, as if she stitched the sound straight from old reels and nostalgia-flecked daydreams. And when the mood shifts and she lets in the psychedelically exotic instrumental touches, it’s like she’s scoring a lost Tarantino scene shot somewhere in the tangled depths of the Andes.

Hailing from the San Francisco Bay Area, the Filipina-American singer-songwriter brings more than just melody to her music. As a cancer survivor, creative arts therapist, and advocate for mental health and inclusivity, there’s an intrinsic grace and empathy behind her sonic expressions. With This Haze, she’s not merely making music for the sake of sound, she’s crafting space for healing, presence, and poetic introspection.

This Haze is now available on all major streaming platforms, including YouTube. 


– Review by Amelia Vandergast

Akira Sky made a barricade of broken boundaries in her indie pop single, Block My Number

Through moodily ethereal indie pop vocal lines and the quiescent timbres of orchestral swells which drift around acoustic guitar strings and organic indietronica synthetics, Akira Sky invites listeners into a world where the messiness of human emotion unravels. The contradiction of heartbreak and empowerment is rendered with rare lucidity in Block My Number, where raw feeling is carved into every sonic contour.

As a senior at NYU/Tisch’s Clive Davis Institute, Akira Sky has already shown she has a firm grasp on the emotional chaos of modern life. Her output captures the jittering pulse of being alive in a Pandora’s box of paradoxes. Through a fusion of high-octane pop instincts and vulnerable songwriting, she creates for the beautifully overwhelmed—for the ones who cry with conviction and dance with the same force.

Despite the quiescence of Block My Number, which draws a line in the sand and makes a barricade of broken boundaries, nothing about the single feels diaphanous; the strength of the innovation and soulfully projected self-advocacy ensures Block My Number is a sonorous soundtrack for anyone who wants closure while knowing they will live if they never get it. It’s less of a goodbye and more of a soft implosion—gentle enough to float, heavy enough to pull you under.

Block My Number is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Avant Garde Expressionism went pop in PRI//’s single, See No Evil

With ‘See No Evil’, the independent artist and innovator PRI// cements their position as one of the most fearlessly uninhibited expressionists in alt-pop’s terrain. The lo-fi Avant Garde pop single is an entrancingly distorted dive into the artist’s singular creative world, blending artful dissonance with a touch of classic pop accessibility. Atop experimental beats that feel like the sonic equivalent of broken glass refracting light, PRI// drops layers of autotuned harmonies, anchoring the abstract chaos with a trace of familiarity. The accompanying music video only deepens the immersion, offering a raw glimpse into the unfiltered ethos driving this London-based maverick.

Since bursting onto the scene earlier this year, PRI// has uploaded over 80 songs online, each a condensed burst of raw emotion and sonic experimentation. Whether through the ghostly minimalism of Come Back Darling or the grunge-laced adrenaline of Begging, PRI// balances tension and release with an intuitive grasp of storytelling, both musical and lyrical. Drawing on influences as varied as Madonna’s remix culture and Tori Amos’ lyrical introspection, See No Evil is as cathartic as it is boundary-pushing.

Crafted in snatched moments with limited tools—an old Depeche Mode drum machine, acoustic guitars, and a self-taught flair—PRI//’s DIY ethos imbues their work with visceral authenticity. Yet, their ambitions stretch far beyond the lo-fi aesthetic, weaving together music, videos, and a rich visual world influenced by icons like Bowie and Grace Jones.

Stream the official music video for See No Evil on YouTube now.

Review by Amelia Vandergast

Rhine Valley prescribed nostalgia-tinged serenity in their indie summer serenade, Instincts in the Red

If you want respite from the artists driven by delusion and to tune into an artist who grooves to the sound of his own nostalgia-licked mellow melodies, hit play on the latest single, Instincts in the Red, by Rhine Valley and discover one of the most underrated artists on the airwaves.

The 21st-century answer to the Zombies’ 1965 hit, Summertime, filters through a sepia-tinged lens which captures the heat of the sun-soaked season within the rhythms which ebb and flow beneath the artist’s idyllic vocal register; the harmonies easily reach euphony while injecting soul into the soundscape that is as laidback as Elliott Smith on Xanax.

Rhine Valley, easily one of the most self-effacingly grounded artists in the music industry, used his bedroom-recorded lo-fi number to candidly reflect on life and the embarrassment of his streaming numbers. By using the tribulations of operating as an independent artist sans a trust fund or nepo connections, he spearheaded the indie music movement with unflinching authenticity.

The song’s mellow indie vibe is perfect for fans looking for something genuine and grounded, it is a true reflection of an artist who can capture the beauty in the mundane and the plight of grassroots music with swathes of tongue-in-cheek panache to spare.

Instincts in the Red will be available to stream on all major platforms, including SoundCloud, from July 24.

Review by Amelia Vandergast

Dizzy Goku – Better Sides of You: A Perennial Pop Soulworm

With his latest single, Better Sides of You, the hopeless romantic hit maker Dizzy Goku, AKA North African Pepper, gave melody-driven pop a tantalising urban twist as an attest to his ability to craft earworms that linger in the soul.

This single, infused with a vocal melody as sweet as the intricate Latin-tinged guitar work, feeds into an intimate pseudo-dream-pop production which carries echoes of 90s pop. The track maintains the vulnerability and accessibility of bedroom pop, making it impossible not to succumb to its sweet, vulnerable pull. As the epitome of relatable tentative love songs, it masterfully balances realism and sincerity, enhancing the emotional depth rather than diluting it.

Crafted with the aid of London-based talents Rocco Hussle, Sh0tgun Josh, and Debani—contributing drums, baseline, and electric guitar respectively—the track’s soundscape is rich yet distinctly raw exploration of cautious love, articulated through Dizzy Goku’s personal lens and inspired by the poignant truth that it’s better to have loved and lost than never to have loved at all.

As the lead single of his upcoming EP, it sets a formidable standard and signals more meticulously crafted, thoughtfully polished projects slated for later this year.

Better Sides of You was officially released on March 8th; stream the single on Spotify now or watch the official music video on YouTube. 

Follow Dizzy Goku on Instagram. 

Review by Amelia Vandergast

Marilyn Joy conjured affectionate innocence in her sticky-sweet synth-pop score. HeartSchool

HeartSchool by Marilyn Joy

Marilyn Joy’s latest single, ‘HeartSchool’, is a sticky-sweet journey back to the innocence of first loves and schoolyard romances. This London-based artist, known for her alternative pop/rock flair, has once again captured our hearts with her quintessentially quirky style.

The lo-fi polyphonic pop vignette is a sweet, nostalgic trip down memory lane, guided by tender melodies which evoke the simplicity of young love, untouched by the complexities of adult relationships. Marilyn’s playful vocal timbres weave through the melody like a gentle reminder of days gone by while bearing reminiscence to the uninhibitedly expressive air of the Legendary Pink Dots.

Marilyn’s influence in the London music scene is evident in her live performances, described as ‘exciting’ and ‘unpredictable’. The track is a testament to her ability to blend genres and influences, from Blondie to Starsailor, into her distinctive sound.

With her previous releases, including ‘Crystal D’Arke‘ and ‘Killjoy Was Here’, she has consistently demonstrated skill in crafting songs that resonate with a wide audience. ‘HeartSchool’ continues this trend, solidifying her place as a significant voice in the alternative pop/rock genre.

HeartSchool is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Azure Kai strikes again with her illustriously authentic single, The Cakepop Song

Azure Kai cranked up the creativity in her latest imaginatively narrative release, The Cakepop Song; if anyone deserves to be revered as the Frank Zappa of this era, it is her with her quaintly endearing vignettes and visionary melodies.

80s-esque soul resounds in the atmosphere of the off-the-cuff alt-pop track that portrays the maladies of a middle school student being snubbed by his crush around the soaring Prince-reminiscent guitar solos and the crescendos that are just as consuming as the ones orchestrated by Queen.

Finding the perfect balance between theatrics and contemporary pop panache, Azure Kai effortlessly succeeded in spinning yet another superlatively synthesised tale that reaches the pinnacle of escapism music. We can’t wait to hear what follows as the Monmouth University student progresses through what is set to be an illustriously authentic career.

The Cakepop Song is now available to stream on Spotify.

Review by Amelia Vandergast

Marilyn Joy is ‘Superfine’ in her latest polyphonic lo-fi alt-pop single.

Superfine by Marilyn Joy

The matchless London-based singer-songwriter and artist, Marilyn Joy, has released her eagerly-awaited eccentrically Avant-Garde single, Superfine. She’s officially on top expressive form after her stint away from the airwaves and notable London venues.

With the same playful polyphonic tones that Grandaddy used to win over the masses in the 90s, the keys lead you through the lo-fi production that explores the weight we can take off other people before reminding you to shake it off for your sanity.

Marilyn Joy’s melody-driven, effortlessly distinctive style is always a refreshing change from the artists that veer away from their originality to find uniqueness. As always, we can’t wait to hear the confessional alchemy that follows.

Superfine was officially released on February 18th, 2022. It is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Nick Rannikko gives us ‘More’ than we bargained for in his latest single.

Nick Rannikko

‘More’ is the latest intimately sweet indie single from the alternative artist Nick Rannikko, which dropped onto the airwaves on July 7th, bringing with it bags of catharsis and consolation as it flirts with elements of pop, rock, RnB and trap in true cloud rap/indie-pop trip-hop style.

After a prelude of tape deck static and ambient waves of shimmering reverb, the smooth melodies come to the surface to serve as the perfect platform for Nick Rannikko’s vulnerably compassionate vocals that candidly contend with raw and intimate thought. When kicking 808s come into play, there’s a surge of energy in the release that you just can’t help getting caught up in.

Check out More on Spotify.

Review by Amelia Vandergast