Browsing Tag

LA producer

Skinny G Radio reached the pinnacle of existential humour with his alt-electro hit, Unplug Me!

Unplug Me! is just one of the eccentrically disarming alt-electronica singles found on Skinny G Radio’s funky 8-Bit album, The Heightening. The tongue-in-cheek exposition on the perils of social media in the age when fear and hate are relentlessly pushed to keep us transfixed to platforms is an all too efficacious reminder that we should consume media not the other way around.

Instead of letting the doom and gloom from the lyrical messaging control the track, the LA artist and producer utilises his on-brand sense of existential humour to give back some of the serotonin stripped by doom-scrolling. The playful polyphonic synth sequences make delving back in for repeat listens all too tempting. Can someone protect Skinny G Radio at all costs, please? He’s ingeniously precious.

Unplug Me! is now available to stream on Spotify.

Connect with Skinny G Radio on Twitter & Instagram.

Review by Amelia Vandergast

David Deutsch has unlocked the gateway to visceral repose, Free Shavocado

LA independent artist and composer David Deutsch has scored original music for films, TV, video games and VR interactive programs. Most notably, he scored for the film Last Survivors and contributed to The Suicide Squad, The Invisible Man, The Kingsman, and the Emmy-nominated series, Hostile Planet.

Now, he’s here with his serenely explorative release, Free Shavocado. The evocative work shimmers with sonic beguile as it leads you through the gentle yet dramatic orchestral crescendos and synth sequencing your rhythmic pulses won’t be able to resist enmeshing with.

With the Gospel-esque non-lexical vocals sporadically appearing to swathe the soundscape with surges of heart-quickening soul, Free Shavocado is a transcendental corridor to serenity and visceral repose.

Free Shavocado, taken from David Deutsch’s EP, Prism, is now available to stream on Spotify.

Review by Amelia Vandergast

Thomas Eggensberger explores the ‘Forgotten Universe’ in his latest cinematic score.

LA-based German composer, orchestrator and songwriter Thomas Eggensberger has composed for film, television, concert music and collaborative art; his accolades are endless and his latest score, ‘Forgotten Universe’, is sure to earn him plenty more.

Forgotten Universe exhibits all of the hallmarks of talent that you would expect from an artist that has toured globally and worked with high-profile names, including Wayne Sharp, Tom Howe and plenty more. But the emotion that bleeds from the wavering orchestral strings in the cinematically profound instrumental score is anything but predictable. The composer made light work of ensuring that by the time you reach the end of this bitter-sweet serenade, your rhythmic pulses will feel at a loss with the silence that follows.

Forgotten Universe is now available to stream via YouTube.

Connect with Thomas Eggensberger via Facebook and Instagram.

Review by Amelia Vandergast

pb – Atlantis: progressively ambient art-rock

It’s always refreshing to hear a new approach to ambience, with their captivatingly cinematic production style, LA artist, pb, offered just that with his latest album, ‘In Parallels’.

Part progressive art-rock, part avant-garde electronica, part retro indie-pop, the first single, ‘Atlantis’ is the perfect introduction to the artist’s talent when it comes to blending textures to build what has never been constructed before. The best part? The catharsis contained in Atlantis is unhindered by pb’s tendency to let their experimentalism run rampant through their intricate grooves.

Evocatively, Atlantis is just as intense as Porcupine Tree’s acclaimed album ‘Fear of a Blank Planet’. Which feels strange to say about such a low-tempo mellifluous soundscape, but the sentiment still stands.

pb’s 2021 album is now available to stream via Spotify.

Review by Amelia Vandergast