Fleisch have dropped their latest viscerally augmented industrial earworm, FIREFLY, allowing the darkwave electronica genre to evolve around the pulsating euphoria that spills from the fierce interplay of influence from Rammstein and Depeche Mode.
With synth carved hooks that will latch onto your consciousness for days between the harsh ensnaring industrial metal rancour that riles your rhythmic pulses, FIREFLY pays ode to the three-piece’s inspiration while refusing to let it define their anthemic sound, which keeps the techno tempo upbeat and the tones dark to deliver the ultimate industrial floor-filler.
If Zeromancer, Combichrist, and Powerman 5000 feature heavily on your playlists, you’ll easily find space for Fleisch and their authentic take on the genre.
FIREFLY buzzed onto the airwaves on December 1st; stream it on Spotify.
Bitvert’s experimental deep bass single ‘Distress Signal’ is an scintillating foray into the realm of underground electronica, seamlessly merging dark textures and tonalities with an omnipresent sense of impending doom. More than just a composition; it’s an experience, an auditory journey through the depths of electronic music’s more shadowy corridors.
Distress Signal starts the transmission with a harbingering sense of doom that is immediately palpable, it pulsates through the oscillating basslines that forge the spine of this musical beast. To evoke a primal response, enthralling and unsettling in equal measure, Bitvert bolstered the resonance in the bass which exhibits his reverence for the DIY ethos of punk.
The sharp cuts of the snares in Distress Signal add a layer of urgency to the track; they are meticulously crafted to cut through the deep bass, serving as a stark contrast that enhances the overall texture of the piece. This percussive element lends the track a glitchy trip-hop nuance, further diversifying the auditory palette.
When you hit play on the filmic, almost Lynchian ingenuity, you are more than a passive recipient of sound, you’re transported to a dark, brooding and intensely atmospheric realm. It’s an auditory odyssey that pushes the boundaries of electronic music and leaves a lasting impression.
Distress Signal will be transmitted on December 4th; stream it on SoundCloud.
As calls to socially progressive arms go, they don’t come much more compelling than KURO’s latest single, Wake Up and Choose Violence. With the harsh industrial metal instrumentals amplifying the lyrical volition that unravels as a manifesto of poetic vengeance, the sonically jugernautical Glasgow outfit reached the pinnacle of the punk ethos.
The blast beats hammer down as heavily as we should be coming down on the alt-right provocateurs who revel in the contempt they breed and their subsequent notoriety as the synthesis of the heavily distorted guitars and synth lines visualise the disorientating dystopic dissonance of our depressing modern epoch.
By pointing out how we fought for rights only to neglect them when it matters the most, the adrenalizing razor-sharp rap metal vocals cogently foreshadow a further descent into extremism, marginalisation, and prejudice unless we follow the titular command. Resistance isn’t futile; it is fundamental.
KURO Said:
“Wake Up and Choose Violence is a reactionary track written in response to the sheer amount of audacious counter-reformative movements and laws placed by right-wing identifying groups. In simpler terms, we’re sick of our right to protest being taken away, the lack of racism being tackled, bills for trans and queer rights being blocked and the growth of far-right ideologies being accepted.
It is about standing up to all that, finding your viewpoint and sticking to it, and standing up for those who don’t have a voice. The music video exhibits this in which we included people from many walks of life and gave them a platform to express their viewpoints and show why it’s time for a progressive change.”
Stream the official music video for Wake Up and Choose Violence on YouTube, add the track to your Spotify playlists, or purchase the single on Bandcamp.
With an intro which evokes ‘40s nostalgia via static-decorated radio samples of blues before breaking into a news broadcast running a narrative of WW2, the debut single, A Portrait in a Broken Mirror, from the enigma of an artist, Teo, certainly makes its mark.
After three minutes of reliving the atrocities of the Second World War, Teo cinematically brings in their harsh electronica sonic signature, which dominates the middle ground of happy hardcore and industrial in a similar vein to Otto Von Schirach’s monolithic sonic manifestos. Taking a break from the high-octane motifs, the single starts to traverse an eerie and ethereal atmosphere before the rancour comes back in full juggernautical swing.
Even though I’m usually all for uninhibited experimentalism, an 18-minute debut single, which pays little mind to listener accessibility, is hard to paint as one triumphant in its innovation.
A Portrait of a Broken Mirror hit the airwaves on September 6th; stream it on Spotify.
After beating the skins for Swervedriver and 5:30, Jez Hindmarsh formed his post-punk meets electronic rock project, Fallsurge. Post-punk has had its fair share of angsty icons, but they’re deathly pale when put in comparison to Fallsurge, especially after the release of Tripwire.
With hints of Celldweller and Skinny Puppy in the production and PJ Harvey’s Down By the Water in the rancorous atmosphere against the protestive post-punk snarls, Fallsurge is one of the most inventive alt-electronica acts since Prodigy.
And yeah, that should probably go down as blasphemy, but the caustic industrial cuts in Tripwire against the cold chaotic sonic whirlpooling guitars, laid down by the LA-based guitarist, Dave Dupuis, created a pioneering cocktail of viscerally vitriolic alchemy. We’re officially stoked to hear what follows.
Hardstyle got infinitely harder with the latest release from one of the most versatile Electronica artists and producers in any scene. Baby Tap’s latest feat of synthesised obscurity, DEMONS, is enough to rival the most visceral hits in $uicideboy$ and Wage War’s respective discographies.
The adrenalized aggression of the flawlessly finished released effortlessly resonates as galvanizingly chaotic energy, which won’t fail to leave you psyched by the UK-based experimental artist’s possession of the hot and heavy domain of electronica.
It may be different from what we have heard from Baby Tap before, but the cornerstones of subversion, darkness and cyberpunk harsh techno remain, and we stand firm on our position that asserts Baby Tap as one of the most seminally superlative acts in the UK right now.
DEMONS will officially release on June 6th; bastardise your ear canals with it by heading to YouTube.
Sam Smith’s music video for I’m Not Here to Make Friends has nothing on the latest filmic masterpiece from the alt-electro-pop artist, Nethermead; neither does Eyes Wide Shut, for that matter. The baroquely fetishistic aesthetics in Bodysnatcher amplify the tribally entrancing rhythmics of the track that makes a serpentine meal of carnal pleasure.
South Louisiana has spawned innumerable southern gothic icons, but few pertain the same scintillating allure of the artist and producer who genre-bends industrial, darkwave and alt-pop to set salacious scores that have never been settled before. If you want to empower your libido while feeling the sharp hooks of a catchy chorus, hit play and never look back. Closer by Nine Inch Nails may go down as one of the sexiest singles in history, but Bodysnatcher is hot on its lascivious heels.
The official video for Bodysnatcher is now available to stream on YouTube.
Deshhaber’s latest track “Crushed” is a captivating dive into the world of industrial electro punk. With a combination of drum machines and guitars, the track sets a firm foundation for Deshhaber’s explorative and layered vocals. The final product is a hauntingly beautiful soundscape that will leave listeners in awe.
One of the most impressive aspects of Deshhaber’s music is the use of subtractive editing in the composition process. This technique is akin to putting the finishing touches on an oil painting with a palette knife. The result is a truly polished and refined sound that is unparalleled in the world of industrial electro punk.
But Deshhaber’s music is not just about technique. There is a raw emotion and energy that permeates every note and lyric. It’s clear that this is an artist who is deeply passionate about their craft and is not afraid to push boundaries and experiment with new sounds.
For those looking for something fresh and exciting in the world of music, Deshhaber is a must-listen. Their music is a perfect blend of innovation and emotion, and it’s impossible not to get swept up in the energy and excitement of their sound.
In a music scene dominated by cookie-cutter pop and generic rock, Deshhaber stands out as a true original. Their music is a breath of fresh air and a reminder that true artistry is alive and well in the world of music.
As scintillatingly seductive as Angelspit and Zombie Girl and with all the attitude as My Ruin, Lucretia Death’s latest single, LIKE BATHORY is a dark electro hit that you won’t dare to forget.
As murderous as God is a Girl with a Butcher Knife, LIKE BATHORY pays homage to a Hungarian serial killer Countess who shed the blood of up to 650 victims before history enveloped her with vampiric lore. The hypnotically caustic downtempo industrial beats effortlessly gel with her scathing declarations of monstrous affinity and narrations of evil by the hand of one of history’s most bloodthirsty.
The Phoenix, Arizona-residing solo artist brings the night to life through her sonic signature of industrial vampcore metal. This project began in April 2022, after the artist darkened the airwaves in various solo and collaborative conquests. Her most notable performances include performing at the Denver Vampire Ball and several other Vampire/BDSM events in Denver, Colorado.
LIKE BATHORY will be available to stream from January 27th via SoundCloud.
Atlanta-based producer and artist Kabinyo drenches his hip hop beats in dark and cinematically caustic atmosphere to a scintillating effect. His latest single, I Am Collins, moves past synthwave to firmly implant itself in the ambient industrial genre.
The mostly instrumental piece carries the futuristic simulated chill of an isolated dystopia, akin to the synthesised textures within the Sucker Punch Remix of Army of Me by Bjork. Despite his experimentalism, Kabinyo has celebrated ample success with his eclectically crafted instrumentals. His most successful single to date, Vogue, was picked up by Manimal Vinyl before being published by Sony. With his upcoming LP, he’s veered further away from hip hop towards rock and EDM; it’s a move that will undoubtedly see him go further in his already accoladed career.
I Am Collins is now available to stream and download on Bandcamp.
Stay tuned for the full release of the album no more chasing ghosts, which will officially release on January 6th.
