It is often said that making music is a journey, a creative road trip through eras and styles, ideas and imagery, and whilst this might seem like an over used cliche, there are some artists where you can see the artistic foot prints of the road they have travelled. How heavy those foot prints have been treaded into the musical ground and the pattern that they make is the difference between pastiche and originality and thankfully Lukka’s footprints are deft, graceful, knowing and considered.
She dances along long-forgotten folk tracks, walks parallel to indie backstreets and gently wanders 60’s psychedelic pop pathways and the footprints that she leaves are hypnotic and beguiling in their own right. Because of this Tin Can sounds timeless, or at least it would sit comfortably in any decade of the last sixty years, slightly outside the mainstream and wonderfully confident in its own musical skin. Outsider music for those in the know.
I was one of the lucky few who had the pleasure to listen to German singer song writer Andy Host’s brand new single Heartbeats in the build up to its release. The single will be available to download and in a stunning array of other formats from November 17th. I’ve been well and truly caught up in the momentum of Andy Hosts new sound. To say that Heartbeats is an upbeat track would be the biggest understatement I could ever make. It’s packed full of raw unadulterated positive vibes that will quite literally take your breath away and guide you into a chaotic state of euphoria.
Andy Host uses his talent with his passion for the Indie Pop and Brit Pop sound and truly brings the genres he dabbles within to life. His previous project ‘Louder Than Gray’ was a mix of melancholic sounds in the midst of pensive emotions, his new musical venture couldn’t be more different, it’s overwhelming with raucous energy, love and passion.
You can taste a sample of his brand new single Heartbeats on his website before it is release date.
Tommy Zamp is probably a name you’ve already heard of. Through his vast experience in live shows and tours around the US and UK he has collaborated extensively with various artists and is now preparing to release his new record “You Don’t Know Me,” supported by the momentum gaining single “Romeo.” With its distinctive rock n roll sound which carries you away, “Romeo” is one of those songs which is not just enjoyable at the pub but also in live gig settings, on the radio in your car and also pretty much at any time during the day.
Apart from its characteristic guitar sonorities filling in the background and foreground throughout the song, “Romeo” also presents the listener with Tommy Zamp’s versatile vocal abilities to deliver an immersive relatable narrative while also exploring powerful notes in the chorus which drive the music forward. Complementing the shapely vocal melodic lines are guitar phrases filled with energy and intent that carry you along and provide that authentic rock n roll sound which we all love, making Tommy Zamp’s music shine above the rest as it climbs up the charts.
Frogcodile is an indie rock band with a passion for melodic indie rock. Their music makes me think of bands such as Radiohead or Horse Jumper Of Love, fueled by simple melodies, yet striking for its essentialism.
Their recent release is a live recording straight out from the band’s rehearsal space. The sound production is impeccable, and the band managed to capture their live performances in a really spectacular way, combining studio fidelity with the human touch of live sound…there is simply nothing as good as a band in a room, playing off of the real dynamics between musicians! The youtube pages actually features 4 performances, including the songs “Distant Days”, “Paperhouse”, “Molecules” and “Refractions”. The second tune mentioned, “Paperhouse”, stands as a great example of the band’s vision.
The guitar lines in particular, are really simple, but they have a special way to seamlessly cut through the mix and leave a mark in the arrangements. The drums are uptempo and dense, with a powerful groove serving as the backbone of the songs.
“Fox Truth’, a sharp and powerful tale of friendship, touching on the darkest moments we face, but fundamentally focusing on the value of friendship. Rhys Tranter, Milli Casey and Deanna Rose make a paramount team on the vocals, with Nick Harvey dominating the drums and Sam Smith producing, completing the flawless five. Traditionally the sound of the track lies in an acoustic indie-rock genre, with elements of blues folk and alternative country, which is what generates a personal connection between the five. A slow and illuminating texture is in harmony with unifying vocals, a clear representation of a secure connection between them.
There is a touch of despair hidden in between the lines, but a shed of hope is portrayed from an everlasting friendship. They count their blessings and embrace the fact they are not alone, “Every time I drag myself down/You’ll be there to pull me back in/My oldest friend, I’m graceless and hollow”. This same chorus becomes more heightened as the track goes on, becoming more passionate as it reaches its peak; the energizing electric guitar sending us into a fiery frenzy.
Breaking the barriers of conflicting genres, Mystery Friends fuses indie-rock with electronica. This congenial collaboration explores a variety of style which oscillates between the two, but unequivocally complements each other in new single “The Lost Ones”. A powerful portrayal of what it feels like to be ostracized from society. They explore the rebellious traits individuals endeavour, refusing to abide to rationality.
The mood throughout the has the tendency to become desolate, but instead an absent concept is portrayed, and we begin to understand the feeling of detachment. The tone of the track has an eerie feel, creating a spectral atmosphere in both the vocals and the rhythm. Abby on the vocals draws us into their hollow reality, expressing the distress of being an outsider. She explains, “We were the lost ones, a product of the fall They say we’re far from innocent, I guess it’s true, we’ve seen it”.
They combat against the rules they are supposed to follow, justifying themselves, “If we don’t do what we’re told it’s only because we have a title to uphold”. The empowering electric guitar chorus emphasises the earnest condition they find themselves in, the high and low percussion synthesizes a dramatic attitude.
Joy Downer is the new project from Joy Bishop and Jeff Downer, a married duo out of Los Angeles, CA. Inspired by duality; themes of light and dark, man and woman, mind and matter collide to set the backdrop of the sound.
Their danceable debut single, “Caught In Your Spell,” is a jangle pop love song that opens with a shimmery, dreamwave synth and is anchored by buoyant drums and groovy rhythms. All the while Bishop’s saccharine voice sings a story of obsessive intentions ending with triumphant blasts of trumpet.
“Have you ever met someone that made you dance the fine line of being a stalker and letting that person know you’re interested?,” says Bishop about ‘Caught In Your Spell.’
The song is off their debut EP, Radio Dreamer, which was recorded and produced by Rob Kolar (of He’s My Brother, She’s My Sister and KOLARS) at his home studio in Echo Park.
This LA based band creates a cocktail of indie rock and electro-pop that blends into a unique and different sound. Andrew Levin (songwriter, vocals) and KC (producer/songwriter) met in high school in Orange County, CA and have been playing in bands and writing music together ever since.
After searching for their sound and developing their respective music tastes in various cities including Boston and New York City, KC and Andrew returned to Los Angeles in early 2015 to put together their ideas into an EP. Their music is heavily influenced by indie rock legends such as The Strokes, The Killers, Arctic Monkeys, and Kings of Leon with additional influences from Phoenix and RAC.
With catchy guitar hooks and vocal stutter effects The Drives create a unique vibe similar to modern indie acts such as The 1975 and Catfish and the Bottlemen. Listen to “Whatever” now on soundcloud.
Four years ago, Eric and Brianna met at a show and then, they decided to make music together under the name of Cities Vanishing. The mixed duo from New York is ready to release a debut EP in January 2017.
Eric plays the drums, Brianna plays the theremin, and they both inject some guitar riffs and vocals into their furious and noisy music.
The theremin is an original music instrument that is often associated with the early days of electronic music. Its most famous use
in popular music was probably in 1966, when The Beach Boys released their single “Good Vibrations.” Throughout the five tracks of their debut EP “My Body Is A Temple That I’D Like To Offer You,” the theremin is bringing the light into their haunting, vivid and angry sonic distorted landscapes.
The HOLY video was directed by Sadé Clacken Joseph, who recently was awarded by the White House with the 30 under 30 Emerging Carribean American Leaders Award. The video stars Golden Globe nominee and Satellite Award Winner, Sarah Hay and was choreographed by Polish So You Think You Can Dance star, Ida Nowakowska Herndon. The song and video also feature Rhea Dummet, who tours singing with Pharrel Williams and sang on his hit song ‘Happy’.
The electro-soul-funk band of multi-instrumentalists led by joint frontmen Edan Freiberger and Adam Epelbaum have been sparking up dancefloors at 1am in sold-out clubs around their adopted home of Los Angeles since they found each other at UCLA. Their set-up of falsetto swagger, horns, electric violin, and endless keyboards have made them a must-see band around the local scene of East Hollywood and Downtown LA. B00TY are the ideal visceral hedonistic party hang for anyone who wants to channel themselves back to the original vibe of 1970s primetime Sly And The Family Stone via the modern twist of electropop pioneers like Flume and current soul messiah D’Angelo. As you can tell by the name, which they’ve realised bears certain challenging connotations, B00TY don’t take themselves too seriously. They channel a goofball carefree attitude, shared by their comedic heroes. Having released three singles over 2015 and the start of 2016, this summer begins for B00TY with single ‘Holy’, their biggest and boldest statement to date. ‘Holy’ is a swelling, soaring R&B ballad with an indie flavour. It’s the type of drama-heavy, piano/strings-led soul vibe the likes of Jessie Ware, BANKS, and The Weeknd have breathed new life into.
Edan and Adam both came from prolific artistic backgrounds; Edan via San Francisco’s Bay Area following a childhood perfecting the violin, then learning every other instrument he could get his hands on, and Adam from Miami where he grew up obsessing over films, comedy and screenwriting. Both hold down full-time day jobs, Edan producing music for Hollywood (he’s currently working with Sir Anthony Hopkins on a project), Adam writing scripts with a dream to make the major studios some day. By night, however, they’re joined by childhood friend and drummer Connor Irias (who doubles up as a co-producer), guitarist Nick Setter, bassist/horn player Jesse McGinty and back-up singers Rhea Dummett (sings on Pharrell Williams’ ‘Happy’) and Sadé Clacken Joseph. Via ‘Holy’ the B00TY family seek to further establish themselves on the map as one to watch. The track showcases the mature side to a project that has so far combined B00ty’s musical passions with their constant search for good times, soulful intervention and a relentlessly positive outlook to life on the West Coast. “Improvisation is at the heart of everything we do.”