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Indie Psych

Music

Voyce Memos’ forthcoming single ‘West Girl’ is dizzyingly eclectic indie electro rock at its most psychedelic

Voyce Memos

Texan electronic rock artist, Voyce Memos, is set to release their sophomore album ‘Chronology’. We’ve been lucky enough to get a sneak peek of the dizzyingly eclectic standout track, ‘West Girl’.

With popping Post-Punk & New Wave-tinged guitar melodies and Voyce Memos’ soulfully enrapturing vocal timbre, West Girl is a consciousness-consuming exhibition of how transfixing Indie Rock can be when orchestrated under dynamic vision.

The matured high-vibe Indie hit incorporates elements of Post Rock, Synth Rock and Psych. As it runs through, you’ll be hit by aural curveballs from every direction. Even more pertinently, you’ll be inclined to be taken on the rhythmically psychotropic journey time and time again. It isn’t your archetypal Indie Pop earworm, it’s something far more infectious which leaves you inclined to get repeat hits of the euphoria which you’ll easily squeeze out of the melodic hooks.

From funky syncopated guitars to mesmeric garage rock frenetic thrashing, West Girl doesn’t just paint across the tonal palette, it ravenously claws at influences spanning through the decades to create a timeless hit.

West Girl will be available to stream from February 5th along with the rest of Voyce Memos’ forthcoming album ‘Chronology’. In the meantime, you can head over to Spotify to check out their earlier releases.

Review by Amelia Vandergast

Music

Gentlemen’s Crow has released their psychologically thrilling experimental Indie single “You Were Never Really Here”

After a successful debut, Floridian Indie artist Gentlemen’s Crow released their romantically enrapturing single “You Were Never Really Here” on August 7th.

Gentlemen’s Crow seems to exude the level of cool which Alex Turner attempted with the latest Arctic Monkeys album. It’s effortless, it’s intellectual, it’s simply mesmerising. With infusions of Psych Blues nuances into the anthemically-charged soundscape, the choruses won’t fail to leave you adrenalized.

As for the lyrics and concept for the track, You Were Never Really Here is a testament to the talent, imagination and wit of the artist. It’s not every day that you encounter a single which offers both a psychological thriller and a fresh-new Indie sound. Gentlemen’s Crow is well worth putting on your radar.

You can check out You Were Never Really Here for yourselves by heading over to Spotify. For more info, you can head over to the artist’s official website.

Review by Amelia Vandergast

Music

8udDha bl0od – SUm 0f the !x|xi gl17ch35 & 7h3 x!i 73ll7A!L 51gn5 0f 5p3c7R3 SARk0pH.:.rgU5

8udDha bl0od

Brighton-based experimental artist 8udDha bl0od has a tendency to leave us transfixed by their constantly evolving sound. With their upcoming release “SUm 0f the !x|xi gl17ch35 & 7h3 x!i 73ll7A!L 51gn5 0f 5p3c7R3 SARk0pH.:.rgU5” they’ve left us emotionally stung and aurally enamoured once more.

In their usual style, 8udDha bl0od ensured that the track carried an arsenal of curveballs which will throw you from the accordance you have settled into.

As the track kicks off, there’s something incredibly piercing about the artful tone and tempo despite the light textures and transcendent air which breathes around the slightly psychedelic progressions in the ethereally resolving soundscape.

Halfway through the 7-minute track, SUm 0f the !x|xi gl17ch35 & 7h3 x!i 73ll7A!L 51gn5 0f 5p3c7R3 SARk0pH.:.rgU5 takes an unexpected turn and veers in the direction of Lo-Fi Brit Pop which any fans of Blur will appreciate. But the evolutions in 8udDha bl0od’s track doesn’t end there. To fade out, 8udDha bl0od uses a haunting cinematic neo-noir outro which dissipates into the sound of rolling waves.

We needed no more proof that 8udDha bl0od was one of the most talented underground artists around in 2020, but with their latest single, he delivered yet another undeniable affirmation of his pioneeringly astounding talent.

SUm 0f the !x|xi gl17ch35 & 7h3 x!i 73ll7A!L 51gn5 0f 5p3c7R3 SARk0pH.:.rgU5 is due for release on July 5th. You’ll be able to check it out yourselves via SoundCloud from the date of the release.

Review by Amelia Vandergast

Music

Sukh pays ode to care workers in their empathy-invoking Alt Indie single “Nightingale”

Manchester-based Indie newcomer Sukh is due to drop their latest single “Nightingale” which pays a soulful ode to the care workers who have selflessly put their lives on the line during the pandemic.

If you didn’t have empathy for nurses before, you certainly will once you hear the semi-orchestral, slightly psychedelic feat of Indie. Sukh found inventive ways to allow you to imagine just what care workers endured and he was just as inventive with the piano-led soundscape. Lou Reed might not be around anymore to soothe our souls, but Sukh has proven with his latest release that he can offer the same level of resonant catharsis.

You can check out Nightingale for yourselves from the date of the official release on July 3rd via Soundcloud. In the meantime, you can check out Sukh’s other feats of mould-breaking Indie.

Review by Amelia Vandergast

Music

Parisian Psych Noise newcomers Foreigners Society have dropped their grittily despondent latest single

https://foreignerssociety.bandcamp.com/track/foreigners-society

Any fans of gritty despondent Psychedelic noise are going to want to check out the latest self-titled release from Parisian artist Foreigners Society.

If you could imagine the music of the Phobophobes, Sonic Youth, and Joy Division all merging in a cutting yet captivatingly melodic soundscape, you might be able to get an idea of what Foreigners Society has to offer.

The single constantly fluctuates between cold harsh Post Punk and dreamy tonally warm Psych Pop, and in part, offering both at the same time. If that isn’t a feat of aural alchemy, I don’t know what is. But what I do know, is that if I ever get the chance to witness that instrumental ingenuity live in the UK, I’m taking it.

You can check out Foreigners Society’s self-titled single which was released on January 2ndfor yourselves via Bandcamp.

Review by Amelia Vandergast