Browsing Tag

Indie Psych Folk

Will Powers Pulled Sisyphus into a 60s Psych-Folk Synaesthesia in ‘Toil’ – The Malaised Indie Chronicle of Endurance

Posted on 22 May 2025

Will Powers’ latest single, ‘Toil’, taken from the LP ‘Snake-Skinned’, is the sound of malaise painted in vibrant 60s psychedelia, seeping into contemporary consciousness with every brashed-out twang and magnetically numbed indie vocal. The project, led by songwriter, multi-instrumentalist, and producer Oli Palkovits, draws from Sudbury’s resolve to resist despair and apathy, channelled through Palkovits’ signature occult psych punk and angular yet fluid arrangements.

As the poetry of ‘Toil’ unfurls, it delivers a sardonic fable of fortitude, laying bare the emotional tax of relentless reality – a world built to shatter your soul long before your body breaks. The lyricism pulses with world-weary realism, each line delivered with an effortless ache, while the instrumental layering invites listeners to submit to the synaesthetic current. Just as you settle into the folk-infused, acid-tinged landscape, the track dissolves the boundaries of its influences, pulling synth lines to the surface, proving that nostalgia and modern malaise can occupy the same fevered space.

The LP marks a return to Sudbury for Palkovits, who wrote much of Will Powers’ earliest material in Montreal before assembling a team of local luminaries: Jon Danyliw (bass), Dylan Kelly (drums), and Matt Beech (keys, guitar). With a Northern Ontario Music and Film Award already on the shelf and past appearances at M for Montreal, River & Sky, and Up Here Festival, ‘Toil’ doesn’t bother with false optimism or saccharine comfort. It is a synaesthesia-inducing synthesis of style, substance, sardonic soul, and sonic scintillation.

‘Toil’ is now available to stream on all major platforms; for the full experience, watch the official music video on YouTube.

Review by Amelia Vandergast

Alpine Jubilee Inch Closer to the Indie Folk Pop Throne with ‘Fiver on the Favourite’

Posted on 19 March 2025

Alpine Jubilee won us over with their debut, but with Fiver on the Favourite, they well and truly conquered. Folk-tinged indie pop has rarely sounded this expansive, with flourishes tinged with psychedelia and melodies that seem to ascend endlessly. The single instrumentally invites you to a state of transcendence, while the abstract lyricism filters in, almost serving as another instrument, adding texture to the euphonic tonal masterpiece that progressively enthrals with each new nuanced transition.

Born from the creative partnership of brothers Trevor O’Neil and Glenn O’Neil, Alpine Jubilee stretches across continents, with Trevor based in Toowoomba, Queensland, and Glenn in Geneva, Switzerland. Their sound pulls together an eclectic mix of instrumentation, featuring acoustic guitar, violin, trumpet, harmonies, ukulele, mandolin, mando-cello, tin whistle, harmonica, bass, percussion, synthesisers, and even a zither. Their influences range from 80s new wave and darkwave to twee-jangle pop, contemporary nu-folk, and alt-country, and it shows in the depth of their arrangements. Joining them on the track are Flavia O’Neil on trumpet and backing vocals, Nelson O’Neil on drum programming, and Oliver Liang on violin.

If you’re sick of folk artists who bring the same old pale imitations to the table, Fiver on the Favourite is a surefire antidote to monotony.

Fiver on the Favourite is available to stream on all major platforms, including Spotify. For the full experience, watch the official video on YouTube.

Review by Amelia Vandergast

The Bard of Ely, Steve Andrews waxes lyrical in his latest climate-conscious single.

Posted on 27 March 2022

Mother Nature Rap by Steve Andrews

On March 21st, Steve Andrews, AKA the Bard of Ely, showed us a brand-new facet to his consistently conscious talent with the release of ‘Mother Nature Rap’. The rap track drifts away from his usual psych-folk style but keeps the heart of it behind the canter of the rapped vocals, blistering synths and heavy rattle of the 808s.

I can safely say that I haven’t been this arrested in a socially dissecting hip hop track since Scroobius Pip launched his Logic of Chance album. The vocals take on a brand-new style of conviction as Andrews takes a no holds barred approach to announcing the impending climate doom and pointing out that we are already living it.

There is no shortage of cutting lyricism, but my personal preference has to fall upon, Mother nature ain’t here for your dream, You’re in hers, so let it be, and The Mother’s lungs have been cut out, It’s happened but it’s obscene. The imagery is as haunting as it is captivating in its unflinching John Cooper Clarke style.

Mother Nature Rap was recorded in Portugal at Verdelho Studio with Ricardo Verdelho as the producer. It also features synth overdubs by Crum (ex-Hawkwind, ex-Moonloonies). It is now available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

The Bard of Ely, Steve Andrews, decreed that it is ‘Time for Ocean Aid’ in his latest psych-folk-rock single.

Posted on 10 February 2022

How could we possibly forget Steve Andrews after first hearing his insightfully sharp single, Where Does All the Plastic Go, in 2019? Many artists claim that their music is for the good of humanity, then conflate that with ego-centred lyricism. The famous Bard of Ely stays true to his unrelenting MO. Case in point, his latest single, Time for Ocean Aid, which invites you to consider the intangible mess we’ve made.

Sure, songs that paint a picture of where our toxic traits have led us aren’t an all-out dopamine riot. Especially when we’re already contending with an endless series of tragedy, sleaze and disaster. But in such a stunning way, Andrews used Time for Ocean Aid to pull listeners out of any sense of self-centred malaise and gave them something real to fight for. The psychy feat of intricate and artful folk-rock is an all too efficacious reminder that the world isn’t happening to you. It’s happening, and you happen to be here with the same responsibility as everyone else to leave it in a habitable state for every species.

Honestly, we couldn’t rate Steve Andrews more. He easily transcends heartfelt and litters your mind with a conscience. Which is, of course, the only acceptable form of littering.

Time for Ocean Aid is now available to stream on Spotify.

Review by Amelia Vandergast

Marc Delgado tells The Cautionary Tale of Richard Manuel

Posted on 22 July 2021

The Cautionary Tale of Richard Manuel is the indie psych-folk debut single from Woodstock-based, California-born singer-songwriter Marc Delgado. If the styles of Paul Simon, the National and Dinosaur Jr coalesced, the sonic result wouldn’t be all too far from Delgado’s debut that pulls the storytelling roots of folk up through a sleek and modern production.

The kicking beat, lofty colourful guitars and spacy synths converge to create a psychedelic platform for Delgado’s instantly magnetic vocals that draw you in by the unapologetically unadulterated passion to provide 3:28 minutes of total aural escapism.

The Cautionary Tale of Richard Manuel is now available to stream via Spotify.

Review by Amelia Vandergast

Embark on a spiritual journey with Makichi’s indie-electro psych album ‘The Rain Stopped’.

Posted on 5 March 2021

‘The Rain Stopped’ is the latest album released by Strasbourg-residing Iranian duo, Makichi. Their mystically experimental 10-track take on indietronica incorporates the work of Iranian poets, pulls the soul out of Persian rhythm and manifests through darkly psychotropic melodies.

The album kicks off with a semi-spoken-word piece that sets the evocative tone and prepares you for what’s to come from the border and a boundary-obliterating release that explores the duo’s experience living in and moving from Iran. But The Rain Stopped is just so much more than an account of experience. The concept album acts as a guide toward enlightenment and redemption; follow the ambient grooves, you’ll find it.

‘Wrong Humans’ follows the prelude with bass-riding indietronica beats which melodically shatter the monocultural mould beneath the overlapping dual vocals. Despite the diversity between the singles on the release, Instrumentalist and producer Ash made it practically impossible to pick out reference to other artists. Their artistic vision looks far beyond the usual fusing, reviving and recycling of former and current artists work. The album is an invitation to find piety, despite religion, despite nationality. Whatever corner of the globe you currently find yourself on, whatever the state of your faith, The Rain Stopped has something to offer everyone.

The Rain Stopped officially released on March 4th, 2021. It is now available to stream via Spotify.

Connect with Makichi via Facebook and Instagram.

Review by Amelia Vandergast