Sundays is the brand new Alternative Rock Indie Pop track from self-made Dream Pop debonair Keelan Callaghan. The Australian based delectably talented musician has used his own production skills to come up with his debut Lo-Fi track that rings as sweet as the sounds of Lou Barlow, Pavement & Fidlar. Orchestrating such a DIY track and enabling it to resonate so sweetly is no easy feat, but he’s smashed it with his first ever release!
What I loved most about Sundays was the gradient ambience of the track, the synthy instrumentals almost carry the same iconic reverb as the Twin Peaks theme tune. When the transient vocals hit, it’s utterly mesmerising. The reverb & effects over the guitars almost meanders over to the Shoegaze arena, so any fans of My Bloody Valentine or Slowdive are guaranteed to love this track as much as I do. Keelan’s lyrical abilities carry their own unique nectarine sensibilities that add to the catharsis that from start to finish is being served up by this track.
With more music to drop throughout 2018, I’m certain that this won’t be the last we hear from Keelan Callaghan and his harmonious home-produced sounds.
Check out Keelan Callaghan’s track Sundays on SoundCloud:
Soulful R&B infuses its way into Hana Brooks latest indie-pop release Used To Be and the result is something which is sure to be a big hit with the clubland masses but has enough integrity to appeal to the more discerning pop pickers and indie movers and shakers alike. That’s a neat trick to be able to pull off, such a meeting of worlds, such a genre-splicing experiment, but she does it with effortless style.
Hana Brooks my be a young, modern artist but she is also a back to basics girl, she has figured out the key factors that make pop music so potent and used that knowledge to deliver perfect, state of the art, music of the moment, music with soul, passion, and a sensual and gently infectious quality. Sometimes the simplest of plans reap the greatest results and this approach of just getting the core ideas locked down so that the rest will follow, is working perfectly for her and I think Hana Brooks is a name which will soon be a fixture in the modern music landscape.
I was one of the lucky few who had the pleasure to listen to German singer song writer Andy Host’s brand new single Heartbeats in the build up to its release. The single will be available to download and in a stunning array of other formats from November 17th. I’ve been well and truly caught up in the momentum of Andy Hosts new sound. To say that Heartbeats is an upbeat track would be the biggest understatement I could ever make. It’s packed full of raw unadulterated positive vibes that will quite literally take your breath away and guide you into a chaotic state of euphoria.
Andy Host uses his talent with his passion for the Indie Pop and Brit Pop sound and truly brings the genres he dabbles within to life. His previous project ‘Louder Than Gray’ was a mix of melancholic sounds in the midst of pensive emotions, his new musical venture couldn’t be more different, it’s overwhelming with raucous energy, love and passion.
You can taste a sample of his brand new single Heartbeats on his website before it is release date.
Spor is proof that you don’t necessarily have to understand lyrics to appreciate how great they sound. As a singer working in his native Icelandic, obviously those who will understand the lyrical content will make up only a fraction of the music market place Ari finds himself in but right from the first bar of Spor you realise that this doesn’t matter. The vocal delivery is so smooth, so ethereal, so polished and perfect for the music it sits alongside, once you think of it as another part of the instrumental make up of the song, you won’t even notice the language barrier and there really is no such thing as a music barrier.
The result is a sumptuous, widescreen, electronic indie-pop; it is cinematic and forward thinking, deftly produced and both futuristic and otherworldly. There is probably something of the geography of his homeland infused in the music and it isn’t that hard to notice an almost subliminal description of that lands wide skies and dramatic vistas etched into the music’s glorious soundscaping.
Where ‘Ivory’ gained the pop newcomer some impressive praise, ‘Shake The Room’ is poised to floor the fence sitters in proving this 24-year old Londoner has what it takes to stamp his mark all over 2017 and all off his own back.
In the man’s own words : “’Shake The Room’ is about losing confidence in yourself, not trusting your gut and allowing others to control your future”. In pure defiance, he sings “I don’t need your reverence, I don’t need your approval” – constantly striving to be the individual that he was always destined to be.
A songwriter and vocalist who cites influences from current pop giants Adele and Kanye West to 80’s pop heroes Terence Trent D’Arby and Tears For Fears. ARLO displays a natural knack for story-telling with a wise head on his young shoulders, his narrative is delivered by his distinctive vocal all wrapped up in uplifting pop rhythms and triumphant percussion
Shake The Room is the second in a series of songs to come from ARLO across the summer and gives you some insight into what he has to offer.
Organically formed, South Coast Band, Wild Front, aim to pair the unrestrained emotions of music with the capricious nature of life. It came as no surprise when the band formed,as the 4 had been musically working together for years.
Although 80’s rock and alternative indie is a love they all share, their primary musical influences are so different. Jack offers his love of folk and Josh studied classical music at university, whereas Mike and Joe’s musical repertoire ranges from West Coast hip hop to indie folk. It’s this exotic mix that creates their unique anddistinctive sound. Wild Front have just released their self-titled debut EP,and are in the studio constantly writing and recording new material.
Born in Cape Town, South Africa, raised in Wellington, New Zealand, Chloë Lewer grew up too shy to ever sing in front of anyone. Instead, she spent her childhood and university years working as an actress. At age 21, she met a filmmaker who persuaded her to start a ukulele busking adventure with him in Berlin, which quickly developed into a touring band called ‘Charity Children’ with two albums under their sleeves over five years.
As the relationship turned to friendship and the band went into hiatus, Chloë sought new artistic endeavours. Teaming up with Dutch writer/producer Wouter Rentema, also the drummer of ‘Charity Children’, the pair spent the Summer of 2016 locked inside various studios about the German capital and recording synths in a disused chapel in The Netherlands, developing what would become Chloë’s artistic alter-ego: B O K E H.
‘Don’t Leave The Fire’ feels like the diary no one was ever meant to find. The highs and lows of life and love lost are explored over a six track EP, in what is clearly a very personal musical letter. Intimate, sincere vocals, charged by an epic Electropop production with obvious 80s influences, expose B O K E H’s world and all the colourful, beautiful and painful spots of her imaginarie.
‘I Know You Know’, the first single from the EP, is scheduled for release Feb 17th, 2017.
Having already amassed 500K plays on Soundcloud, Ruby Empress, with their brand of Scandinavian indie pop, are clearly building up quite the following.
Ahead of the release of the band’s 6-track EP Empressionism out later this week, Ruby Empress have treated fans to a piece of synth pop perfection with their latest offering; Escapism Deluxe.
The track boasts a truly bountiful production. Piecing together elements of electronica, synth and pop behind a thumping baseline probably sounds like a lot all happening at once, but Tom Serner’s light vocals work brilliantly against the amalgamation of sounds.
The song kicks off bubbling under the surface to only then erupt into full-blown euphoria. It may feel like you’re being transported to another world, but you want to stick around to see where else this song can take you.
In the past few years Sweden has really been at the forefront of producing excellently crafted pop songs and stars. With the likes of Tove Lo and Zara Larsson already establishing themselves as ones to watch, Ruby Empress can now be added to the list of Scandinavian acts showing the rest of the world how to do pop properly.
Leaone continues his rise with the sublime new single ‘Goldtooth’, released this October 21st, and another stunning track that marks out this hugely promising new talent.
Self-produced and mixed by Jim Lowe (Stereophonics), Leaone began writing in his parent’s attic after a series of events (losing his girlfriend, job, and getting mugged) led him back home to his native Suffolk. Following a meeting with Jim at his Shepherds Bush studio the pair started working together, with Jim mixing and performing on some of Leaone’s material.
‘Young Green Eyes’ was the first track from those sessions to be released earlier this year, and an astonishing start for a promising contemporary artist. Written about his ex-girlfriend, the song is a haunting, reflective piece that reflects Leaone’s influences of both Johnny Cash and Elliott Smith.
‘Goldtooth’ picks up where ‘Young Green Eyes’ left off, with Leaone’s distinctive vocals pulling at the emotive heartstrings with superb delivery and melody, all swept along by an undercurrent of haunting and sparse instrumentation.
Since releasing his last single release, performing with Emmy The Great and Roddy Woomble (Idlewild), Leaone has finished work on his debut EP, set to be released this autumn, and from what we’ve heard so far, it’s looking set to be something very, very special. Leaone is also already back in the studio, writing and recording his second EP after securing Arts Council funding for the release.
‘Goldtooth’ will be released on October 21st 2016, and will be available from all good digital stores. More live dates and details of Leaone’s debut EP are set to follow in the coming weeks.
Elkiis a brand spanking new artist from Sydney, Australia, with a love for songwriters such as Kate Bush, Burt Bacharach, and Stevie Wonder. After managing to avoid social media all her life, she finally decided to bite the bullet and jump head first into it all, in order to get her first track out and into the world.
Elkicollaborated with renowned Australian producer Joel Quartermain (Meg Mag, Little Birdy, Eskimo Joe) to create her debut track, ‘Sirens’. She was a fan of Joel’s production work, and after sending him some demos,Elkiwas stoked when he was keen to work with her.
The tune ‘Sirens’ is inspired by the neo-noir film ‘Body Heat’ from the 80s. The pared back intimate verses were written to contrast with the explosive and powerful declaration in the choruses – of power and guilt. The mellotron strings and Jupiter synth work in tandem to swell to an orchestral climax and a stomping chorus.