Browsing Tag

indie-pop

Natalee Gallo – now it doesn’t matter: Cinematically Ethereal Dream Pop

From the moment ‘now it doesn’t matter’ opens with an ethereal breeze of melancholy, Natalee Gallo demonstrates her cultivated approach to fusing folk sensibilities with a cinematic dream pop aesthetic. This single only gathers visceral steam as the instrumental and vocal hooks ache with conflicted, confessional sincerity, allowing the track to breathe in a raw, human way.

Not only is it an immersive panorama of intensely personal yet universally resonant pain, but it also serves as a powerful testament to Gallo’s authenticity. Rather than simply trailing the trends, Gallo incorporates subtle folky tinges that accentuate the avant-garde balladry, giving her sound a distinctive edge while still retaining a current appeal. It’s a scintillatingly stylised diary entry turned forward-thinking pop piece, brimming with enough soul to stand out on any contemporary playlist.

Based in Pittsburgh, Pennsylvania, Gallo has built her emerging indie presence around her sound which reveals her fascination with intertwining pop, synth, and folk elements. In 2025, Gallo intends to share three more singles, potentially culminating in an EP, as she seeks to widen her audience and highlight the eclectic influences driving her project.

now it doesn’t matter is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Alt-Pop Sad Boy Psychonaut Jake Marshall Captured the Messiness of the Human Psyche with His Earworm, Next Time

Jake Marshall continues to push boundaries with Next Time, the defining single from his debut EP, Better Luck Next Time. The perennial pop earworm blasts past contemporary trends with its retro-futurist spin on disco, funk, synth pop, and Avant Garde indietronica. Marshall’s music remains unapologetically unique, and Next Time is no exception, delivering the kind of sonic innovation that makes you fall a little deeper for his unfeigned artistry and unflinching mission to capture the messiness of the psyche as it wrestles with themes of affection and rejection.

The track evolves and drifts into obscure interstellar experimentation, allowing the listener to imagine what John Grant could create with the sardonic grit of Fidlar. It’s a testament to Marshall’s restraint-less approach to laying it all down on the line—idiosyncrasies and all. Next Time carries the emotional resonance of heartbreak but reframes it as an empowering experience; this ongoing saga of self-discovery is as stunning to hear as it is to witness, particularly as Marshall gains both artistic confidence and career traction.

Anchored by his striking four-octave range, Marshall delivers every lyric with a depth that feels revolutionary in a genre where vulnerability can often be an afterthought. The dynamic vocal lines, paired with the intricate production courtesy of Daniel Finn, create a rich sonic panorama that bridges raw emotionality with experimentalism.

Next Time will be available to stream across all major platforms from January 3rd, including Soundcloud.

Review by Amelia Vandergast

aubreyleighkirk has made her debut with her truth-bleeding wounded ballad, empty

The single ‘empty’ by aubreyleighkirk arrives with lyrics so visceral they resound as though they’ve poured from a raw wound. Confounded with striking minor-key piano chords, filmic orchestral swells and the singer-songwriter’s seraphically melancholic vocal harmonies, the debut single instantly catches you off guard.

With gospel-esque choir vocals adding to the arcane atmosphere of the cinematic vignette—which illustrates the hollowness of loneliness when you’re missing the warmth of the only person capable of making you feel whole—aubreyleighkirk easily distinguished herself as a purveyor of authentic artistry. As the industry waits with bated breath for more of her discography to cascade from her cultivated pipeline, she’s already an indie pop icon to watch.

Aubrey grew up immersed in music. After graduating from the Manhattan School of Music with a BM in Musical Theatre, she pursued the arts relentlessly and proudly joined the Actors’ Equity Association. Her career soared in the cabaret scene, including appearances at 54 Below, The Greenroom 42, and Birdland Jazz Club. To date, she has performed in three original works at the NY Winterfest, the NY Theatre Festival, and a five-week Off-Broadway run at the Players Theater.

After building her film presence in LA through lead roles in commercials, short films, and independent features, she now flies between NYC and LA, forging her music path with ‘empty’ and preparing more releases this winter.

empty was officially released on December 13; stream the single on Spotify now.

Review by Amelia Vandergast

Chloe Leonard became Nashville’s queen of indie pop catharsis with her debut single, White Noise

Eschewing the timid hallmarks of many first releases, the Nashville-based indie singer-songwriter Chloe Leonard established herself as a vocal powerhouse with songwriting chops to match in her debut single, White Noise. The track is a carefully stylised, panoramic production that invites you to lose yourself in its tides of emotional resonance, while Leonard’s magnetic presence pulls you back to shore.

Raised in Northern California with a soundtrack of John Mayer, Norah Jones, and Fleetwood Mac, Leonard’s formative years were spent journaling lyrics, performing in musicals, and teaching herself piano—her first tune being Coldplay’s Clocks. Now rooted in Nashville, her sound mirrors her dual identity: expansive and evocative, with echoes of Keane’s melancholic sting, but retaining a quintessential country twang that adds depth to her weightless catharsis.

Collaborating with AMA-winning vocal coach Moe Loughran, Leonard has refined her raw vulnerability into relatable, lyrical storytelling. Her voice soars effortlessly over the warm instrumental layers, carrying both the authenticity of Kacey Musgraves and the ethereal magnetism of Maggie Rogers. The track’s poetic reflections touch on navigating mental health, finding balance, and embracing love amidst life’s noise—a theme that feels refreshingly grounded.

As she embarks on a year of new releases, Leonard’s honesty and elegance are sure to implant her in the Nashville hall of singer-songwriter fame before long.

White Noise was officially released on November 1st; stream the single on Spotify now.

Review by Amelia Vandergast

Surf the 60s with Sheykh Forever’s Dreamy Indie Pop Hit, Run for Cover ft. Louella JC & Daniela

You can practically hear the 60s swinging through Sheykh Forever’s new single, Run for Cover, featuring Louella JC & Daniela. The earworm practically brims kaleidoscopic doo-wop bliss, which complements the endlessly ascending layered vocal harmonies that drift across the surf pop aesthetics.

Far from your run-of-the-mill attempt at sonic antiquity revivalism, Run for Cover is a slice of resonance wrapped within the consolation of nostalgia; when you melt into the oceanic breeze of the single, you become more than susceptible to the lyrical messaging which reaches out to life’s archetypes always seeking sanctuary. With romanticism nestled into the polished progressions, Run for Cover hits on every conceivable level.

Sheykh Forever is a self-described factory for infectious earworms, stationed somewhere between yesteryear and the distant future. By fusing disco, heavy rock, and hypnagogic indie pop, all slathered with a fat dose of booty-bouncing funk in their eclectic discography, they offer a musical palette that stands distinct in the modern pop scene.

Run for Cover exemplifies the enigmatic artist’s knack for bridging retro elements with contemporary commercial appeal; it opens up a whole new realm of melodic synergy as it grooves across the intersection of accessible pop and dreamy indie vibes.

Run for Cover was officially released on November 29th; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Take a detour to ‘the suburbs of jersey’ with Natalee Gallo’s latest indie vignette of vulnerability

Natalee Gallo’s latest release, The Suburbs of Jersey, weaves a delicate yet unyielding balance between introspection and melodic sophistication. With her sophomore single, the Pittsburgh-based indie singer-songwriter invites listeners into the emotional architecture of her experiences, building bridges between past uncertainty and present clarity through her Americana-tinged indie pop.

A master of subtle dynamism, Gallo’s layered approach to songwriting breathes life into her narratives. The slide guitar’s soft curiosity melds seamlessly with the driving acoustic backbone, creating a soundscape that pulses with restrained intensity. The production evolves in waves, mirroring the emotional intricacies of its subject matter: the insecurities that stem from navigating perception and expectation at the genesis of a relationship.

Born from a journal entry penned in 2018, the track feels as confessional as it does cinematic. Gallo’s tender yet resolute vocal delivery conveys the vulnerability of her lyrics with an evocative timbre that paints panoramic emotional vistas. Naturally, we can’t wait to hear what follows from the organically absorbing artist who can stir the coldest souls into feeling whole.

the suburbs of jersey is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

The guilt of grief locked into the minor-key melodies in The Every Glazer’s most affecting single to date, One More Day

The Every Glazer never shies away from emotive candour, yet, his latest single, One More Day, lays bare the inner turmoil that took hold after he rushed to the hospital to be by his mother’s side, only to arrive too late. The luminous minor-key notes meet the aching intensity of lyrics that detail his regret, as though the track had no choice but to spill from his soul in an attempt to process grief through a poetically intimate narrative.

Mourning rarely translates neatly into language. For some, it’s an alien phenomenon; for others who have firsthand experience, it’s simply beyond expression. The Every Glazer manages to crack that code by stripping himself bare in a score that feels both painfully raw and tenderly consoling.

Anyone who has ever stumbled through the guilt-ridden conflicting emotions of bereavement will find solace in the harrowing yet comforting presence of ‘One More Day’. It’s no easy listen. Even the singer-songwriter admits performing it live remains a daunting prospect. Yet its presence in the world ensures no one needs to bear that emotional weight alone. In under four minutes, The Every Glazer turns the inexplicable into a resonant, empathetic encounter.

One More Day was officially released on November 15; stream the single on Spotify and YouTube now.

Review by Amelia Vandergast

Spotlight Feature: Indie Pop Meets Folk Symphony: The Dynamic Contrasts of Woodstone’s ‘Touch of Adrenaline’

Woodstone

Woodstone, a rising indie pop singer-songwriter from New Jersey, offers an emotive glimpse into his forthcoming fourth LP with the release of ‘Touch of Adrenaline.’ The track captures the essence of early 2000s indie pop while throwing back a little further to 90s Britpop, evoking memories of Plain White T’s and stoking the nostalgia of Oasis while infusing his own raw, heartfelt style.

This intricately crafted track intertwines folk elements with chamber pop strings, allowing contrasting layers of ornate orchestration and winding folk guitar lines to showcase Woodstone’s skill in bending and blending texture and tone into affecting aural contours. Reflecting on the ephemeral nature of intense feelings, Woodstone demonstrates a sophisticated approach to scintillating the senses of his growing fanbase.

Woodstone Said:

“Touch of Adrenaline is about a relationship with an end date, with both parties knowing it will end, and the last fleeting moments being marked by intensified emotion. 

The single explores what it really means to truly feel and be present with someone you love for the last time while conveying an image of romance in the midst of a dystopian world. 

Like all songs on the upcoming concept album, it was inspired by a relationship that could have worked but wasn’t the right time, and life forced us to drift apart.”

Touch of Adrenaline will be available to stream on all major platforms, including Spotify, from December 13th, with Woodstone’s fourth album, Glass Skin, set to follow in early 2025.

Follow Woodstone on Instagram to stay up to date with all of his latest releases and news.

Review by Amelia Vandergast

Ava Valianti’s ‘Wishing Well’ is a Diaphanous Dive into Lost Innocence

At just 15, Ava Valianti has already mastered the art of weaving raw emotion into new-wave indie pop. With her latest single, ‘Wishing Well’, the Massachusetts singer-songwriter delivers a reverie-rich production that captures the ache of growing up and the bittersweet nostalgia for the innocence of youth.

Inspired by childhood memories, Ava channels her reflections on the fading simplicity of youth into soaring harmonies and sweeping melodies. Thematically, ‘Wishing Well’ resounds with longing and hope, its diaphanous textures sonically illustrating the vulnerability of clinging to the magic of belief. Ava’s lyrical candour doesn’t just invite listeners into her world; it offers them a mirror to their own experiences of inevitable change and loss. Her ability to find clarity in bittersweet moments transforms each note into a visceral connection.

Standing alongside her earlier singles—‘Bubble Wrap’, ‘Middle Ground’, and ‘January’—this track showcases her ability to fuse introspective lyrics with literally and figuratively haunting melodies. With comparisons to indie luminaries like Mitski and First Aid Kit easily and rightfully drawn, her trajectory has been meteoric, already earning her 10k monthly listeners, a nomination for the New England Music Awards’ “Pop Act of the Year,” and praise from over 60 radio stations across the US.

Ava’s music is a force propelling her into the heart of indie supremacy, and ‘Wishing Well’ solidifies her place as an artist who creates vessels of unfiltered soul, poised to resonate with listeners across generations.

Wishing Well was officially released on November 22nd; stream the single on Spotify now.

Review by Amelia Vandergast

kidd noir – gravitational; a séance of semi-lucid seraphic reverie

kidd noir’s single ‘gravitational’, taken from her hotly anticipated debut EP ‘Year 19’, is a séance of semi-lucid seraphic reverie with a palpable sense of emotional turbulence woven within its ambient aesthetics. In contrast with the transgressions in the indie dream pop production, kidd noir’s honeyed-in-harmony vocal lines never falter from their soft, almost reticent register.

As intimate as a nocturnal diary entry, ‘gravitational’ pulls you through the corridors of kidd noir’s psyche as the instrumentals caress you with their candid touch and the stream-of-consciousness vocal delivery reaches the epitome of unfeigned expression. Her ability to console coming-of-age pain within her debut EP abstracts the alienation commonly associated with trying to figure out the world and where you fit within it. Yet, the appeal of kidd noir’s sound extends beyond a younger audience; the meditations within gravitational speak a universal language.

The singer-songwriter and multi-instrumentalist picked up her first guitar at age nine and never looked back; by 18, she earned her stripes as a producer, ensuring that no one else’s touch graces her sound, which synthesises alt-RnB, pop and indie influences with personal experience. With Year 19 as the crowning point of her career so far, there’s never been a better time to sink into her discography.

Stream kidd noir’s EP, Year 19, on Spotify now.

Review by Amelia Vandergast