Swift fans will want to flock around the latest single, Dear You, to come from the 20-year-old indie pop songstress, Matilda Pratt, who studies law at Oxford University by day and lights up the airwaves by night with her classic yet quirky pop vocal dynamism. The vocal layering is nothing but a work of art in Dear You, which act as an open love letter to a departed and distant lover.
While the lyrics are straight-up bubble gum pop, Pratt’s husky harmonics bring them alive with a sense of old soul over the simple sporadically rugged folk-pop acoustic guitar progressions. How Pratt is still an unknown artist is utterly beyond me. Her vocal talent is as matchless as her capacity to draw you into a compelling narrative.
Dear You will officially release on September 30th. Check it out on Spotify.
Bridging the gaps between Glen Hansard, James Yorkston and Richard Hawley, The London-based singer-songwriter, Layman.TV released his latest ethereal indie folk single, Harmony Eternal.
The flourishing chamber strings against his harmonised spoken word reflections on nature and all the parallels they create within our lives pull together to create a poetically celestial sensory experience in Harmony Eternal. It is almost enough to guilt trip you for not sharing the same romantic lust for life. I say almost; the sublime appreciation for natural phenomena becomes infectious. Especially when the nuanced rock guitars start to bolster the passion in the otherwise graciously otherworldly soundscape.
Harmony Eternal is now available to stream on Spotify.
If any track is going to tempt the weary and wary out of their comfort zones after sanity diminishing lockdowns, it is the artfully fierce electronic folk-pop earworm, Dance with Danger, from the spiritually magnetic singer-songwriter, DORA GOLA.
With the intuitiveness of the rhythm, you scarcely need her bio to tell you that she’s a dancer. Her connection to music is enviably strong, but at least she’s had the grace to share her natural gift with the world through emboldening hits that tease your rhythmic pulses as much as they stir the soul.
Following the release of Dance with Danger, the Poland-born, West Ireland-based artist will continue to make her discography a rediscovery of ancestral roots, mystery and sensuality. We can’t wait to hear what follows. She shines luminously bright in a sea of ego-driven artists.
Dance with Danger will hit the airwaves on June 17th. Stream it here.
North California’s folk singer-songwriter, Max Minardi, wore his heart on his sleeve and gave us all his shirt in his latest narratively spellbinding indie folk-pop single, Young & Green.
The Lumineers and Mumford and Sons may have given folk-pop a bad rep, but the pop hooks and Americana roots in Young & Green is more than enough to restore the reputation with a single sonic hand.
The intricately spirited piano melodies and the orchestral layers bring the instrumental gravitas to the same level as his naturally magnetic vocals, which carry the same timeless beguile as Cat Stevens, Paul Simon, and Ben Howard, while up against the effortlessly synergistic female vocals.
Young & Green is now available to stream on Spotify.
Before releasing his self-titled 2022 pop album, the uniquely inspired multilingual Helsinki-based singer-songwriter and composer Gian Majidi has given us a taste of what is to come by giving us a sneak peek of his single, The Moon.
Through his love of 60s pop and 70s rock, he’s orchestrated a nostalgic yet passionately refreshing take on music from decades past. The Moon comes with artfully supple vocal harmonies, intricately picked Spanish guitars and butterfly-evoking progressions that won’t fail to pull you into the colourfully rich release that will undoubtedly put Gian Majidi on the map.
You can check out Gian Majidi for yourselves by heading over to SoundCloud.
With caressing crescendos and swells of soul by the smorgasbord, the indie-folk singer-songwriter, John Dhali’s latest release, Taste, definitely isn’t an acquired one.
What starts as a gentle and euphonic offering of indie art-pop bliss transcends into a rock-licked all-consuming aural entity as you’re left to face the untamed passion in the lyrics and vocals and the equally as robust production.
When Taste reaches its anthemic peak, it is enough to rival Mr November by The National. Yet, I’m not sure The National could get away with the sweet and lofty ukulele melodies that John Dhali uses to amplify the high vibe soul. When he says his sound marries the feelgood accessibility of George Ezra with the evocative depth of Buckley, he more than backs it up with his viscerally euphoric discography.
It comes as no surprise that the Northwest, UK-born, London-based artist has already garnered attention from BBC Radio 1 and 2 and won regional awards for the best solo artist. We can’t wait to see his career blow up after the launch of his forthcoming album.
Check out John Dhali’s latest single, Taste, on Spotify.
We convince ourselves that we are complex creatures, but really, we’re not that much more complicated than leaves for the way we thrive in the sun and when we’re sucked into sun-soaked hits, such as the latest single from Burlington, Summer’s Calling.
The alt-indie pop earworm exudes those hazy sweet summer feel-good vibes through the soulfully imploring vocals atop the jangly, angular indie-pop melodies that are just as sweet as the euphoric hooks Marr has crafted in his decorated career.
The sense of soul and the musicality is one thing. The massive production, which comes through Burlington’s experience as a house producer, is another thing entirely. Mumford & Sons, eat your heart out.
You can soak up the rays for yourselves by heading over to Spotify.
The alt-indie-folk-rock newcomers, Winternom, are set to bring souls in from the cold with the standout single, True, from their sophomore album, The Cold or the Crowd. Sonically, the hazily sweet single sits between Elliott Smith and Pavement, with a few proto-punk-meets-psych-pop nuances.
Lyrically, the Ottawa, Canada-hailing artist comes into their own with their witticisms that walk the line between existentialism and affection in a way that pays ode to the Alt 90s while still delivering emotive modernism. Despite its overarching lo-fi vibe, the dreamy textures in True never resonate as brash. Instead, they keep the tones bright to contrast the less than sunny, deeply relatable vocal disposition.
True is now available to stream along with the rest of Winternom’s triumph of an album, The Cold or the Crowd via Spotify.
SoCal-born and raised artist, Audrey Scout, is here with her recently released single, Sunday. It’s the perfect introduction to the indie singer-songwriter’s indulgent ability to turn visceral emotion into ethereally smooth soundscapes.
Any fans of Tom Odell, Daughter, and Phoebe Bridgers will find themselves equally as enamoured by the quiescence in this stunningly poised release that lets the emotion flow as though the Hoover Dam has just burst. Audrey Scout may still be finding her feet in the industry but on the basis of her stellar songwriting skills, ability to spin a soul-wrenching bitter-sweet melody and create a captivating atmosphere with her vocal timbre alone, she’s definitely one to watch. We can’t wait to hear what follows.
On November 26th, Idaho indie singer-songwriter Castle KYD brought accountability in trend with his artfully expressive single, The Mess You Left Behind. In the Waitsy intro, there is little but solemn vocal notes and the quiescent murmurs from the acoustic guitar; as the track builds up to the pre-chorus, that’s when the sharp hook digs in and pulls you deeper into the intrinsically melodic work.
The Mess You Left Behind truly is the pinnacle of contemporary indie-folk pop. His innocently sweet scorned vocals, the celestial accordance in the choruses and lyrics that prove the extent of his determination to transfuse raw emotion into art makes Castle KYD one of the most gifted artists of his generation.
We didn’t need the self-taught artist’s bio to tell us that his music is an amalgamation of desire for connection, a means to cope and a way to turn banality into something meaningful. You can hear it in every ounce of passion poured into this evocatively bruising seminal release.
Here is what Castle Kyd had to say about his latest release:
“Mess You Left Behind was written on a sleepless night, thinking about someone I lived with and had to leave because it was so toxic. In 15 minutes, every feeling, anger and blame poured out of me and formed a poem which became a song in those minutes. After months, I still miss and crave them despite their emotional abuse; I blame myself for craving that, the person who instilled a lot of hurt in me. After struggling to get over it, I’ve become paradoxical; I am the mess this person left behind.”
The Mess You Left Behind is now available to stream via Spotify.