Browsing Tag

Indie Folk

Cinema Painted Dusk with Unconditional Indie Folk Pop Affection in ‘When the Sun Goes Down’

With a title that frames the dimming light as more than a shift in the sky, ‘When the Sun Goes Down’ by London-based indie pop artist Cinema sinks into dusk with the kind of melancholia that only surfaces when you’re caught between the tendrils of longing. Through emotive vocal inflections, Cinema transforms a quiescent lo-fi folk-adjacent soundscape into an affecting invitation to feel the claws of compassion as you listen to the diehard romantic candour.

There’s no sleight of hand behind the heart-stirring honesty—just the kind of stripped-back introspection that sharpens with every whispered syllable and picks its battles with silence. With the same evocative intimacy as Cultdreams tied in with more mainstream indie folk pop appeal, Cinema has scored the ultimate formula to break out of the mainstream. The production refuses to rush, giving space to each aching note to stretch and settle under your skin, proving that emotional weight doesn’t need orchestral theatrics to be devastatingly impactful.

In the same way Frightened Rabbit disarms you with the artful agony, Cinema, with When the Sun Goes Down, takes the sum of its parts and calculates it into a profoundly moving sensory experience. If you needed any proof that there’s beauty in vulnerability, it’s in black and white in the kaleidoscope of unflinching confession of unconditional love which veers away from cliché, hitting all the right chords to attest to the striking sincerity with which it was composed and performed.

When the Sun Goes Down is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast.

The Disenchanted Divinity of Feeling Ill-Fitted: Useless Wonder! by The Mercury Sounds

If the sanctuary within the tonality of Useless Wonder! is anything to go by, The Mercury Sounds have become masters of carving relics of nostalgic experimentation that border on divine intervention.

The Baltimore-based duo, Jason Stauffer and Josh Krechmer, have been long-hauling their sonic telepathy since primary school. Two decades later, they’re still refusing to colour within the lines. Their fusion of indie-pop vitality and folk-rock introspection culminates in Useless Wonder!, a cosmic lament steeped in lo-fi 70s alchemy. Through natural vocal proclivity and delicate lyrical agony, they sculpted an aching confessional that stings with the sentiment of not being built for a world that keeps shifting beneath your feet.

The way the vocals bleed with weary existentialism against the gauzy swell of warm distortion and glimmering, melancholic strings carries the same weight as a memory you can’t outgrow. The verses tether you to vulnerability, while the chorus throws you into an orbit of quiet resignation.

Even though it would be impossible to crown a Leonard Cohen, Joni Mitchell or Bob Dylan in our modern and fractured industry, it’s clear that if Useless Wonder! had surfaced fifty years ago, it would be playing through grainy AM radios as a national folk treasure.

The Mercury Sounds exhaled a truth for the quiet disenfranchised who’ve long since given up pretending they fit the mould, if you can align to that particular branch of melancholy, hit play.

Useless Wonder! is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Where Dust Weeps and Thunder Waits: Welcome Stranger’s Folk Reckoning in ‘When They Let Up’

With a vocal timbre that chews on gravel before spilling its soul across the mix, Welcome Stranger drag folk-stitched Americana through the thorns of emotional reckoning in When They Let Up, taken from their EP You’ll Never Mind How I Leave. The title alone sets the tone: departure is a foregone conclusion, and this track unfolds as the moment of clenching before the storm finally breaks.

Their emotive echoes of alchemy will simultaneously leave you reaching for the tissues and to turn up the volume as you envelop yourself within the artful architecture of the single that is constantly opening new stylistic doors. From the first notes of the acoustic guitars, you’d never expect to be greeted by rougher-than-Waits vocals, or how the single builds into an intricately ornate tableau before building into an augmented chest-swelling anthem of radio-worthy, foot-stomping, full-bodied catharsis. Scored with scorned emotion, arranged with sweeping euphony, rendered through succinct reflection and refined through a poetic sense of emotional intellectualism, When They Let Up is an invitation to lose yourself in sound and connect the dots rhythmically laid before you to piece together the poetry with perspective.

Welcome Stranger don’t rely on sonic frills or overplayed tropes to hit their mark; they hit harder by digging into the quieter tragedies, letting the rough-hewn vocals crack through the instrumentals like dried earth under flood. There’s more bruised beauty in a single bar than most artists summon across an album.

When They Let Up is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Ananda Murari – Desert in the Middle: A Mirage You’ll Want to Chase

There’s plenty of sanctuary to be found in the fluidity and flora of Ananda Murari’s spiritually expressive exploration of texture and tonality in ‘Desert in the Middle’; the instrumentals alone are enough to subdue you into its sublimity. When the call of Ananda Murari’s magnetically honed vocals enters and reverberates soul throughout the release as they melancholically spill poetica epiphanies, there comes an affirmation that natural-born singer-songwriters exist—exist in the form of Murari, who carries all of the grace(land) of Paul Simon.

As the single progresses, it transitions into a divine sonic expanse where catharsis is free to savour, to cling to as you envelop yourself in Murari’s ability to paint seraphic worlds through sonorous motifs that leave gilded imprints in the soul. 

Rooted in eclectic indie folk, Murari’s work weaves ancient storytelling, raw emotional introspection, and spiritual depth shaped by his years spent living as a monk. Through his time in devotional silence, he discovered the tonal nuance and lyrical sensitivity now central to his music. The result is a rare kind of songwriting that doesn’t chase impact—it emanates it.

Drawn from his No Coins Needed project, which folds fatherhood and spiritual reintegration into every measure, Desert in the Middle reflects a new era of introspection. It is a sojourn worth taking time and time again. Whether performing solo or with his full-band collaborators, Murari makes music that doesn’t ask for your attention—it earns your surrender.

Desert in the Middle is available to stream on all major platforms via this link.

Review by Amelia Vandergast

Alpine Jubilee Inch Closer to the Indie Folk Pop Throne with ‘Fiver on the Favourite’

Alpine Jubilee won us over with their debut, but with Fiver on the Favourite, they well and truly conquered. Folk-tinged indie pop has rarely sounded this expansive, with flourishes tinged with psychedelia and melodies that seem to ascend endlessly. The single instrumentally invites you to a state of transcendence, while the abstract lyricism filters in, almost serving as another instrument, adding texture to the euphonic tonal masterpiece that progressively enthrals with each new nuanced transition.

Born from the creative partnership of brothers Trevor O’Neil and Glenn O’Neil, Alpine Jubilee stretches across continents, with Trevor based in Toowoomba, Queensland, and Glenn in Geneva, Switzerland. Their sound pulls together an eclectic mix of instrumentation, featuring acoustic guitar, violin, trumpet, harmonies, ukulele, mandolin, mando-cello, tin whistle, harmonica, bass, percussion, synthesisers, and even a zither. Their influences range from 80s new wave and darkwave to twee-jangle pop, contemporary nu-folk, and alt-country, and it shows in the depth of their arrangements. Joining them on the track are Flavia O’Neil on trumpet and backing vocals, Nelson O’Neil on drum programming, and Oliver Liang on violin.

If you’re sick of folk artists who bring the same old pale imitations to the table, Fiver on the Favourite is a surefire antidote to monotony.

Fiver on the Favourite is available to stream on all major platforms, including Spotify. For the full experience, watch the official video on YouTube. 

Review by Amelia Vandergast

Blue Rose’s ‘If I Had a Rose’ Finds Harmony Between Heartache and Hope

Blue Rose

Chicago’s most authentically affecting singer-songwriter duos, Blue Rose, have etched their names into indie folk pop with a rawness that refuses to be polished away. Their latest single, ‘If I Had a Rose’, carries all the hallmarks of their sound—rootsy warmth, soul-deep sincerity, and a perfectly weighted electric guitar solo that teases technical skill into an emotion-driven production.

Originally penned by Adam Wright and recorded by Kelly Willis and Bruce Robison, Blue Rose honoured its sentiment while making their own mark, writing a chorus and instrumental section, which is as euphonic on the ears as it is on the soul. Under their duress, the melodies progressions sweep up in the atmosphere around you, transcending sound to comfort you with the consolation that everyone has known the bittersweet beauty of longing.

If Blue Rose’s songwriting chops get any sharper, they’re gonna sear their way right through the earth’s core with their innovated odes to tradition; the duo’s chemistry is undeniable—Jori Griffith’s vocals carry a weight of lived experience, and Marcus Gebauer’s instrumental textures offer an unshakable foundation.

‘If I Had a Rose’ is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Baz Edmondson Bridges Nature and Nostalgia in ‘Ladybird Red’

Baz Edmondson

 When the digital haze clears and the static of modernity subsides, Baz Edmondson’s latest single, Ladybird Red, stands as a reminder of the wonder that still exists beyond screens. The Dorset-based singer-songwriter, whose evocative sound places him in the lineage of artists like Damien Rice and Ben Howard, melds folk, classical, rock, and cinematic composition into a spellbinding indie-folk ballad that carries the weight of traditional storytelling artistry.

Filtered through neo-classical grandeur, the delicate folky intimacy of Ladybird Red is juxtaposed with its sweeping crescendos, creating a sonic experience that feels as though it materialised in the very moment inspiration first sparked. The instrumentation—where intricate guitars meet elegantly restrained piano and soaring string sections—moves with an organic force, grounding the song in nature’s rhythms while lifting the listener into a cinematic reverie as Edmondson’s vocal performance shifts between vulnerability and sheer power, mirroring the ebb and flow of emotion embedded within his poetic lyricism.

In an era when connections are fraying, Ladybird Red stitches them back together with its seamless interweaving of naturalistic awe and romanticism. It’s a song that pulls you outside of insular introspection, urging you to breathe in something real. The anticipation for Edmondson’s debut EP, set for release later this month, only grows stronger with every note of this latest release.

Ladybird Red is now available to stream on all major platforms. Find your preferred way to listen via the artist’s website.

Review by Amelia Vandergast

Joyland Finds Grace in Uncertainty with ‘Mysterious Ways’

Faith is rarely a straight road, and in Mysterious Ways, the up-and-coming genre-fluid evocateur Joyland trails its winding paths with a diaphanous acoustic score that filters spirituality through the lens of Americana folk.

Vulnerability pours from the vocal notes, cascading into hushed guitar rhythms so quiescent they resound like whispered secrets. The candour in the lyrics flows effortlessly, while the female backing vocals layer against a honeyed timbre that falls between the magnetism of Cash, Cohen, and Waits.

Known for bending genres to their will, Joyland thrives in contrast. Their music oscillates between soulful folk gospel and high-octane rock, never adhering to expectations but always delivering with raw emotional intensity. With Mysterious Ways, they strip things back to explore faith, fortitude, and the weight of the unknown, proving that their sonic range stretches from raucous to reverent with equal potency.

When the lap steel strings join, the track reaches an aching crescendo before salvation and consolation envelop the release, offering the reassurance that the right path is always within reach. While some tracks preach, Mysterious Ways simply speaks, offering listeners a place to find their own meaning in its echoes.

Mysterious Ways is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Romanticism blossoms in Devin Kyle Leslie’s alt-country folk outpour of affection, Beautiful Rose

Devin Kyle Leslie’s standout single, Beautiful Rose, reimagines classic folk songwriting through an orchestral lens, creating a soulful and tender ode to unflinching affection. With a vocal presence that carries the weight of profound sincerity, Leslie’s performance is cradled by ethereal reverberations, adding swathes of soul to the Americana-tinged alt-country composition.

The track flows with mellifluous organic progressions that echo the artistry of legends like Neil Young, Leonard Cohen, and Joni Mitchell, while still carving its own intimate niche. Romanticism flourishes in the alt-country vignette, where every note and lyric feels imbued with Leslie’s deep emotional investment. The orchestral swells underpinning the folk melodies elevate the song beyond its roots as Leslie’s sharp social commentary adds another emotive dynamic to the bitter-sweet instant classic ballad.

Leslie’s ability to marry classic influences with a fresh vision proves his artistry isn’t confined to tradition, resulting in a track that resonates with timeless warmth while showcasing the potential for reinvention within folk music.

Beautiful Rose is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Jeremy Hilliard – Deep Blue Me: A Soulful Submersion into the Reverie of Yearning

Jeremy Hilliard’s standout single, ‘Deep Blue Me’, from his sophomore solo album, Going Back to Where It All Began, carries the weight of a wistful sigh and the warmth of a late autumn sunbeam. Rooted in classic folk songwriting but with a dreamy indie twist, the single doesn’t rely on the laurels of tradition. Instead, it threads introspection through a needle of authenticity, crafting an intimate reverie that gently peels back the layers of the soul.

A songwriter hailing from Brooklyn, New York, Hilliard is best known as the creative force behind PEAK, a rising jam band lighting up stages across the northeastern United States. With more songs than his band could possibly use, Hilliard began releasing collections of home demos before debuting his first solo album, Trouble For Another Day, in 2023. His follow-up, written and recorded at home, sees him joined by collaborators Brendan Hefty (drums), Marshall Norton (keys), Bethany Hilliard (vox), and Josh T. Carter (bass).

In ‘Deep Blue Me,’ the intricate guitar work flows and flourishes, accentuating the lyrical themes of all-consuming passion. Hilliard’s soft yet purposeful vocal delivery melds with the ethereal instrumentation, creating a poetically meta ode to the way desire can consume and transform. With its lush, introspective atmosphere, the track is one you’ll want to revisit each time life feels heavy.

The Going Back to Where It All Began LP is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast