Browsing Tag

Indie Dream Pop

Luce Cargo encompassed the alienation in existentialism in their shoegaze single, I Don’t Belong Here

Since the release of their 2021 EP, Paradise, the Australian shoegaze duo Luce Cargo have been honing their talents and attuning the authenticity in their sonic signature; I Don’t Belong Here is the first exhibition of their freshly manicured dream pop sound, and it is a sign that if any outfit is strong enough to stand at the vanguard of the 21st-century Shoegaze resurgence, it is them.

With soft angular guitars which echo Slowdive influences leading into My Bloody Valentine-esque walls of distortion, the progressive instrumentation sets the tonal shifts for the vocals which transition from bleeding into the reverb-laden synths with blissful accordance to bursts of primal candour.

The title gives plenty of clues to what the lyrics relay, but the resonance for anyone who feels alienated in their existentialism shouldn’t be underestimated. The compassionately relatable narration of loneliness holds a mirror to the fractures that splinter across society, leaving us all disconnected in an increasingly connected world.

I Don’t Belong Here was officially released on September 29; stream it on Spotify.

Review by Amelia Vandergast

Pomaa – Wide Eyed: Painfully Sober, Sonically Celestial Indie Dream Pop

With a transfixingly astral vocal register layering harmonies over the retro reverb-swathed synths, Pomaa’s latest single, Wide Eyed, bridges the gap between Siouxsie and the Banshees and cutting-edge outfits in the vein of Wolf Alice and Desperate Journalist while allowing you to linger in a kaleidoscope of dreamy psych-pop tones.

From the first immersion, the artist’s unique talents in blending the spirit of her own hypnotically authentic expression with the mixer of era-spanning signatures from shoegaze, post-punk, psych, pop and indie to pour the perfect sonic mocktail becomes immediately apparent.

Through Wide Eyed, Pomaa narrates the isolation of being the only sober person at a party; starved of connection and wracked with unshakable sensations which embed the loneliness of growing at a different pace to everyone around you.

Wide Eyed will be available to stream on all major platforms from October 11; stream it on Spotify & SoundCloud. If you like what you hear, stay tuned for the release of her debut EP, Bridge to Somewhere, which will drop on November 15.

Review by Amelia Vandergast

Roo Elizabeth – Ready to Die: A Dream Pop Redemption Story

Etherealism drifts through the latest avant-garde dream-pop installation, Ready to Die, from the Irish artist, songwriter, and fledging producer, Roo Elizabeth who has been taking the live circuit by storm after opening for Wyvern Lingo and Mary Coughlan and appearing on the bill at Electric Picnic and Forest Fest.

With a soundscape that bridges the gap between the melancholic intimacy of Bill Ryder-Jones, the hazy production techniques of Cigarettes After Sex, and the artful expression of Kate Bush in her The Kick Inside era, Roo Elizabeth gave her sophomore single a timelessly beguiling nocturnal quality, perfect for slipping into when you want to relish in introverted introspection.

The track title may appear macabre but the sonic experience itself couldn’t be more tender in its advocation for sanctity, acceptance, and authenticity. By illustrating the beauty of tragedy, in the same vein as Cultdreams, Roo Elizabeth rendered one of the most affirmingly inspirational singles of 2023.

In her own words:

‘READY TO DIE’ is about radical love. It’s about fighting for your own joy. Like a lot of others, I have grown up surrounded by addiction. It buries the spark in the people we love. This song is about cutting the ties of self-sabotage and rising to meet yourself in your own authenticity.

Ready to Die is now available to stream on Spotify.

Review by Amelia Vandergast

Bathe in the shimmering catharsis of whitewood drive’s distorted Tour De Force, cosmic hero

whitewood drive

While shoegaze bands that can cut through the derivative reverb-drenched tones don’t come around all too often in this era, whitewood drive proved that there are still creative ways to push through the washed-out choral distortion with their latest mellifluous-with-malaise single, cosmic hero.

By emanating the darkness of Bauhaus and following the Vapour Trail laid out by Ride, the Connecticut-hailing three-piece succeeded in crafting a single that lends itself well to the traditionalism of the genre while ensuring you have a reason to turn your attention away from your MBV and Slowdive records. The intricately evocative single may stir plaintive emotions, but the accordance lets you bathe in shimmering catharsis in the next breath. It’s a stunning release that harbingers even greater tonal triumphs to come.

cosmic hero is due for official release on September 1st; stream it on Spotify or download the track on Bandcamp.

Review by Amelia Vandergast

Ted brewed the ultimate blend of jazzy indie-folk dream pop with ‘The Coffee Shop’

There was no forgetting Ted’s folk-meets-dream-pop hit, Revolution Then, which reminisced on the times when revolution action was a feasible act of retribution amongst the repressed masses.

In his latest single, the Australian singer-songwriter and multi-instrumentalist waltzed into The Coffee Shop to share a jazzy and intimate vignette of an unassuming female protagonist who inspired the laidback with luxe style from the fleeting observations made on her curious reticence.

With touches of the Beatles melding with a dreamy iteration of the 70s folk style, The Coffee Shop is far from short of beguile. Ted captured the coffee shop mood perfectly. The snug comforting atmosphere breathes right through the sax-infused kaleidoscopic melodies.

Visit The Coffee Shop for yourselves by heading over to Spotify first.

Review by Amelia Vandergast

Dream Baby Dream with Cati Landry’s indie pop installation of etherealism, Mind’s Eye

With vocal lines that hypnotise as they harmonise, Cati Landry’s indie dream pop single, Mind’s Eye, will instantly put you under its ethereal spell. As the lead guitars bend licks of Americana into the notes, the rhythm guitars keep the 90s indie dream alive in their steady spills of instrumental romanticism.

The Canadian singer-songwriter set to create the ultimate anthem for the diehard romantics who find themselves consistently contending with the juxtaposition between dreams and reality; given that she made romantic expectations all the more unrealistic with her butterfly-releasing release, it is safe to say she succeeded in her enchanting record, which deserves to be just as revered as Swift’s latest LP. I highly recommend investing in Cati Landry’s promising career before you have to take out a second mortgage for her gig tickets too.

Mind’s Eye was officially released on July 14; stream it on Spotify.

Review by Amelia Vandergast

Whitefeathers are an ethereal dream (pop) come true in their debut, As Always ft Mike Watt

https://on.soundcloud.com/irg8i

For their debut single, As Always, the up-and-coming alt-rock UK/Czech artist, Whitefeathers, collaborated with bassist Mike Watt (Minutemen, Firehouse, Stooges) to orchestrate an artfully atmospheric feat of ardent indie melancholia.

Filtering pensive art pop panache into the eloquently composed release created a superlatively reflective soundscape for the lyrics that traverse the theme of losing love and finding yourself. The dreamy melodicism abstracts the ennui that accordantly rings from the scorned stabs of minor piano keys as the aloofly harmonised male and female vocals sigh from the soul.

It’s an impeccably strong offering from Whitefeathers, who undoubtedly have a luminary career ahead of them if they continue to create in the same vein as As Always.

As Always will drift onto the airwaves on February 24th – you won’t want to miss it. Catch it on SoundCloud.

Review by Amelia Vandergast

millar is sweeter than a ‘sugar rush’ in her ethereal dream pop sophomore single.

With her light vocal lines that are equally as lush as the reverb they bleed into, London-based singer-songwriter millar is a dream-pop siren in her sophomore single, sugar rush.

The wistfully electrifying air of nostalgia circulates through the soft pastel tonal hues as the gentle rhythm section cradles the soft synth lines and choral indie guitars. sugar rush transcends even what Slowdive was capable of in their heyday. For millar to achieve such atmospheric alchemy at a tender age is inexplicably awe-inspiring.

Referencing childhood rhymes and contrasting them against the quiescent instrumental melancholy sparks sentimentality for the days before innocence was hardened as skin toughened with every knock, bruise and fall. Naturally, we can’t wait to hear what millar orchestrates next.

sugar rush was officially released on February 10th. Hear it on Spotify.

Review by Amelia Vandergast

Niky Pasolini has unleashed her illuminating indie dream-pop single, Light On

Alt-Indie singer-songwriter, Niky Pasolini, will release her debut album, Update, on January 20th. We were lucky enough to get a sneak preview of the standout dream-pop single, Light On; from the first ring of the alt-90s guitars and bleeding Shoegazey vocals, we were hooked into the vulnerably delicate self-produced hit. With engrossing reminiscence to Sixpence None the Richer in the guitars and the sense of sentimentality Light On is as illuminating as the title alludes.

The London-based artist wrote, created and recorded the entirety of the album in a makeshift studio in her basement to provide a refreshing antithesis to the extensively produced plastic pop that does little more than scratch at the superficial surface lyrically.

Light On will be available to stream with the rest of Niky Pasolini’s debut album, which documents her coming-of-age story, on January 20th via SoundCloud.

Review by Amelia Vandergast

Minneapolis Shoegaze Revivalists, Lumari, Look into The ‘Neon Mirror’ in Their Inexplicably Alchemic Latest Single

Lumari

Pull yourself away from your Souvlaki, Loveless and Whirlpool albums and sink into the sublime reverb-drenched alchemy in the Minneapolis Dream Pop powerhouse, Lumari’s latest single, Neon Mirror.

With just a touch more intensity in the droning guitars that cradle the ethereally demure soul in Margo Pearson’s vocals which caress you on a multi-sensory level, Lumari achieved what so few shoegaze revivalists manage in this beguile-some release. They stayed true to the originator’s sound while throwing in plenty of their own post-modern flavour.

With touches of I Wanna Be Adored in the downward spirals of pulsating rhythm, there’s nostalgia to be here for sure; there’s also an unpredictability to the structuring of the inexplicably gripping release that stands testament to their songwriting and instrumental prowess.

Prior to founding Lumari, the founding members, Dave and Dan West could be found in the punk scene, opening for Green Day, NOFX and the Offspring. Once their tastes matured into an affinity for post-modern rock and Britpop, they teamed up with shoegaze lover Robert Caple and producer Eric Olson before completing the outfit with Margo Pearson.

Neon Mirror will officially release on November 11th. Hear it on Spotify.

Review by Amelia Vandergast