The Desolation of America is the second album from the multi-instrumentalist and singer-songwriter Koyama, who fuses classic art rock tones with modernist sound designs. The Radiohead influence is tangible through the complexity of the percussion and the ebbing and flowing vocals that drift in and out of focus around the psychedelic synthetics, especially in the politically melancholic single, Desolation of America.
If Koyama is this talented at 18, he has an exceptionally bright future ahead of him. Especially with his gift of lyrically gnawing away at socio-political themes while psychedelically stripping the dismay from the equation with his artful vocal pitches that complement the colourfully kaleidoscopic chords and droning keys. It’s almost impossible to believe that Koyama only started to write and produce songs in his bedroom during the pandemic. He is definitely one to watch.
Desolation of America is now available to stream on Spotify.
The synthy, innocent playfulness of Grandaddy meets the indie country twang of Modest Mouse in the latest spacey feat of experimentalism from Ember Rev, Dives & Lazarus.
After the synthesised shanty vibes, towards the outro, the Alt 90s Seattle sound seeps into the kaleidoscopic off-kilter production that also starts to pick up reminiscences to Queens of the Stone Age. Similarities to iconic sonic palettes aside Ember Rev is evidently a trailblazer in their own right.
With their new album, Isophilia, due to be released in July, it is well worth saving a spot for the self-proclaimed “nervous and neurotic accordion-driven” art-rock UK-hailing outfit. I knew there was a reason why the obscurity of Dives & Lazarus was so enamouring in its resonance.
Check out Ember Rev’s latest release by heading over to YouTube.
With two EPs under their belt, the up and coming alt-indie sensation, Juliya, has unleashed their fever dream of a high-vibe low-fidelity track. Power Lines is as sonically boundary-less as Sonic Youth and Radiohead, and just as ruggedly sweet as Neutral Milk Hotel and Elliott Smith. And there is plenty of room for their garagey no-wave alchemy in between the reminiscences.
There’s scuzz by the smorgasbord, yet, that doesn’t get in the way of the grip of the angular indie guitar notes atop of all the discord. It may be a short and sweet track, but it’s also a sure-fire hit of serotonin in a sentimentally blissful alt-90s time capsule. With enough tracks in the same vein as Power Lines under their belt and the right attention, there is no reason Juilya couldn’t climb the indie charts with ease. Give them a hand on their ascent and stick them on your radar.
Power Lines is now available to stream on Spotify.
‘Listen to My Demons’ is the hauntingly introspective debut single from LA alt-indie artist Giovan. The tender ballad pulls in neo-classic nuances that run right alongside contemporary, artful styling that we hope will become synonymous with the Guatemalan-American singer-songwriter’s sound.
Listen to My Demons is easily the best duet released since Alex Cameron’s collaboration with Angel Olsen. Aria Chablis King’s quiescently vulnerable vocals bring an intense depth to the release. You won’t get much choice when it comes to falling into the pensive command of the release that is constructed with intricate piano progressions and layered vocals that conceptually never harmonise.
Giovan orchestrates music to help pull people through the hardest times in their lives; it is safe to say he succeeded in his debut. The way he brings beauty to the raw and alienating concept of your demons being your only friends amplifies the signal that you are never alone in your loneliness. Our superficial reality practically enforces it. Naturally, we can’t wait to hear what he has in store for his sophomore release.
Listen to My Demons will officially release on June 25th; you can check it out for yourselves via Spotify or Giovan’s official website.