Browsing Tag

garage rock

The Knottie Boys released the ultimate punk-rock chagin soundtrack with ‘Sadsquatch’

Taken from their garagey punk-rock EP, A Face Fulla Dirt, the standout single, Sadsquatch, from The Knottie Boys is a melodically hook-rife exposition of reclaimed shame. By allowing the chagrin-deep lyrics to unravel as a series of confessions rooted in quirky indignity, Sadsquatch projects intimate disclosures in the same breath as lamenting about public knowledge of them.

It was an ingeniously bold move from the New York-hailing fourpiece, who have released two EPs and a studio album since forming in 2019. By pulling influence from CBGB headliners to folk-punk to the percussive fills of marching bands to the acts who made the 2007 Warped Tour infamous, the bitterly sweet powerhouse has carved out a niche and filled it to precision.

If Neutral Milk Hotel formed as a punk-rock outfit, they’d boast the same appeal as The Knottie Boys, who have exactly what it takes to be one of the premier NYC punk bands in 2023. Watch this space before they pour ennuitic resonance into it.

A Face Fulla Dirt is now available to stream on Spotify.

Review by Amelia Vandergast

OneSelf Featuring Mario Deschenes, orchestrated an electrifying rock n roll revival with “( Here ‘N’ There ) ‘N Anywhere”

OneSelf Featuring Mario Deschenes

“( Here ‘N’ There ) ‘N Anywhere” is the latest simmering feat of groove-heavy rock n roll from OneSelf Featuring Mario Deschenes. With the pop motifs beside the bluesy piano riffs and plenty of overdrive behind the raucous guitar lines, it is hard not to get swept up in the upraising momentum of the infectious earworm led by Mario Deschenes.

With touches of The Beatles written into the production and an element of 70s era Elton John in the frenetically galvanising hit, any true rock n roll fan won’t be able to resist the garagey electrifying energy within ( Here ‘N’ There ) ‘N Anywhere, which contains equal parts swagger and soul.

Listen to Here ‘N’ There ) ‘N Anywhere here.

Review by Amelia Vandergast

Siggy are harbingers of future in their proto-punk comeback album, 25th Century

Featuring a cover of Echo and the Bunnymen’s Lips Like Sugar which contains all of the salacious murky atmosphere of the original, it is safe to say that Siggy’s comeback album, 25th Century, arrived with a proto-punk bang.

After making their debut in 1999 with the album, Harlow’s Girl, which carried a Crampsy sense of killer off-kilter volition, 25th Century had a lot to live up to, but the rhythmic pulse is strong across the 10 singles which traverse the themes of hope, fury, and the rank psychic pathology of the 21st century.

The gothy Echo and the Bunnymen vibes carry across more than just the cover, along with hints of Television and bites of Splitter-Esque punk. But for me, the highlight had to be the title single, which truly embraces the stifled with strange nature of the 21st century while throwing back to the time when guitarists knew how to lick right into your soul. “If there’s going to be a 25th century there has to be 21st century morality” is a lyric I will never forget.

25th Century is now available to stream on Spotify.

Review by Amelia Vandergast

DC’s 90s indie rock renegades, Spunk Davies, delivered a fuzzed-up blast from the past with ‘High Tide’

Almost 30 years after their inception, the Washington D.C.-transpiring fuzzed-up rock n roll renegades, Spunk Davies, are launching their album, Your Turn to Scheme: Best of Spunk Davies 1993-97. Comprising of freshly mastered hits and material that has never before hit streaming platforms.

The seminal scuzzy indie rock meets garage rock track, High Tide, is the perfect introduction to their relic of a release that swarms with mid-alt-90s nostalgia and stays true to their dive bar-esque brand of hard, fast, and loud indie that has filled iconic venues, such as the 9:30 and the Black Cat in DC.

Their sound is one that countless bands are keen to derivatively assimilate, but notably, there’s nothing like the real deafening deal that Spunk Davies assertedly delivered in the infectious energy of High Tide. If you remembered them from the 90s, prepare to fall back in love with their erratic riff-gasmic frenetic edge. If, like me, Spunk Davies are new to your ears, set your expectation for one of the most authentic indie acts you’ve heard in the last decade.

The official music video for High Tide premiered on October 15th. Catch it on YouTube.

Review by Amelia Vandergast

Prchr. hit ‘ROCK BOTTOM’ in their grungy alt-rock hit

The Gold Coast, Australia-hailing artist Prchr. dialled his amps up to 11 and channelled scathing garagey filth into his grungy alt-rock hit, ROCK BOTTOM, taken from his ONLY CHILD EP, which explores themes of rejection, denial, betrayal, defiance, and loneliness.

The riff-heavy seminal single carries fleeting reminiscences to Kyuss and Nirvana, but the dirty hooks ensnare you into the resonant dejection like no other. With his tendency to meld everything from psych to blues into his gnarled and heavily distorted sound that comes at you through multiple amps to achieve that almost irreplicable live sound, prchr has pushed his sonic signature into stormy unchartered waters. Join him.

ROCK BOTTOM will drop on October 21st. Hear it on SoundCloud.

Review by Amelia Vandergast

Tommy Freed and the Sound laments his ‘Waste of a Summer’ in his surfy no-wave anthem

The solo artist Tommy Freed and the Sound treated the airwaves to another off-kilter burst of violent optimism with his latest single, Waste of a Summer. The high-energy amalgam of sunny surf rock, garagey power pop, no-wave and ska is a subversive sonic palette for the titular entropy, but we certainly aren’t complaining.

The anthemically discordant hit perfectly encapsulates the bitter regret which creeps in with the colder weather that allows you to retrospectively lament your summer existence being leagues apart from the narrations in the plastic pop tracks. Ironically, Waste of a Summer is just as catchy as those try-hard hits endeavour to be; better yet, it doesn’t leave you with any FOMO.

Waste of a Summer was officially released on September 22nd. It is now available to stream on Spotify.

Review by Amelia Vandergast

The Real Zebos captured the banality ‘Indie Girls’ struggles in their latest single

Humility goes a long way in the indie scene, which is just one of the reasons The Real Zebos haven’t failed to amass a staunch following on their journey from Craigslist strangers to a 5-piece garnering over 3 million hits on their most popular tracks.

I’ll be honest; I thought I was going to hit play on their latest single, Indie Girls, and hear yet another cringe exposition on Manic Pixie Dream Girls. Thankfully, the garagey pop-rock jam is an addictive continuation of the same playful hubris found on Pavement’s seminal album, Brighten the Corners, with hilarious observations on the trends of try-hard e-girl vampires and the banality of their struggles. Admitting to loving this track is probably the most un-feminist thing I will ever do, but I can think of infinitely worse hills to die on.

Indie Girls is now available to stream on Spotify.

Review by Amelia Vandergast

Green Wire launched their latest indie-rock attack ‘Upside Down, Inside Out’

“Upside Down, Inside Out” is the latest feat of era-spanning indie pop rock from the Manchester raconteurs of raucous innovation, Green Wire.

With notes of garage rock, pop punk and 80s rock fusing to create their dynamic sonic signature, Green Wire are by far one of the most authentic Manchester up-and-coming powerhouses as of late – a fact I can fully attest to as a fellow Mancunian. This high-powered frenetic earworm is sure to see the cheeky fourpiece go far.

Upside Down, Inside Out will officially release on September 2nd. Check it out via Spotify.

Review by Amelia Vandergast

60s garage rock rides surf rock waves in The MindRide’s latest single, Delta Alpha

The MindRide

Even at half the length of your average pop track, the nostalgia-driven duo, The MindRide created the ultimate LA proto punk bop with their latest single, Delta Alpha, which grooves with nuances of skate punk and surf-rock and comes together as the ultimate genre-fluid earworm.

With The Walkmen-Esque percussion falling slightly below the warm and crunchy overdriven guitar tones and the relentless momentum in the vocals, getting caught up in the punky euphoria of Delta Alpha is non-optional. Especially for fans of The Kinks, The Strokes, and The Sonics. With their 5th album in the pipeline, The MindRide deserve a spot on your radar.

Check out The MindRide on their official website.

Review by Amelia Vandergast

LUXTHEREAL has unleashed the alt-rock soundtrack to our destruction, Humanity’s Fall

The latest single, Humanity’s Fall, from the Phoenix Arizona hailing artist LUXTHEREAL, sonically resonates like a sombre-breakup track but the only thing that has departed is the promise of an empire that will stand the test of our destruction. The concept is stunning; the execution of the atmospherically hooky harbinger is equally sublime.

With a touch of proto-punk, garage rock and post-punk, there is a protestive vein running right through the intrinsically melodic body of the single, which forces you to contemplate our failures. And sure, it’s nice to dissociate and shop for your favourite nerd items on Amazon while the anthropocene raises the temperature and the parasites with shoes, otherwise known as our world leaders, carve out a new ring of hell on this side of the earth’s crust, but we can only hide our heads in the sand for so long before they boil in there. Kudos to LUXTHEREAL for being true to their moniker and delivering raw realism.

Humanity’s Fall Remastered by LUXTHEREAL is available on SPOTIFY & ALL major streaming services, you can view the video here!

Review by Amelia Vandergast