Browsing Tag

fuzz rock

Buddy J Francis – Paralysed by Fear: Avant-Warped-Garde Psych Rock

Adelaide’s most endearingly audacious artist, Buddy J Francis suited himself in pink and his sound in psychonautic scuzz for his latest installation of Avant-Warped-Garde psych rock, Paralysed by Fear.

Each of the kaleidoscopically fuzzed instrumentals you hear on the release was individually tracked, giving the progressions plenty of mind-melting volition to captivate listeners within the lo-fi production, which laments the stagnancy that being afraid to take life-altering leaps breeds.

Even with so many experimental layers to his work between his instrumental experimentation, tongue-in-cheek guises and lyrical conceptuality, it is all too easy to get on the same level as the artist, who has transcended parody to deliver deliciously delirious subversion.

If Paralysed by Fear racks up 10k streams on Spotify in the first week, Buddy J Francis has vowed to get his nipple pierced, allowing his staunch fanbase to get their sonic and sadistic kicks in one swing.

Thankfully, there are fewer conditions attached to the imminence of his forthcoming LP, which Paralysed by Fear snuck out of prematurely; it is set to arrive in early 2024. Keep Francis on your radar for it, and undoubtedly other outlandish antics via Instagram.

Review by Amelia Vandergast

UK alt-rock act Sustinere bit back in their fuzzed-up hit, Rabies Part 2

Brimming up from the North Wales Borderlands, the grungy alt-rock duo, Sustinere, implanted more idiosyncratically electric energy onto the airwaves with their latest single, Rabies Part 2.

After coming together through a love of Royal Blood and Nirvana, making pulverising stripped-back rock became a cornerstone of their manifesto, and Sustinere effortlessly succeeded with this hook-rife hit that will melodically tattoo itself to your temporal lobe from your first rendezvous with it. The zany croons across the monolithically scuzzy guitars proved to be an addictive recipe that only these artisans of angst can concoct.

It is more than refreshing to find an act who only takes their sound seriously and leaves all pretension at the door of the recording studio. Their tongue in cheeky cheek energy and aesthetics is the antithesis of what you would expect from your run-of-the-mill artist; Sustinere practically detonated the factory with their single that revolves around the morbidly endearing reprise of “I had to put my baby down”.

Watch the hilariously self-ironic music video for Rabies Part 2 by heading over to YouTube.

Review by Amelia Vandergast

 

8udDha bl0od unleash a barrage of dramatic fuzz rock with new single

Brighton-based experimental rock outfit 8udDha bl0od have released a new track (wait for it): ‘x!R.:.W P0WxYx!i!Rxi!: PR!M.:.l 5cR3.:.M: 217:227:237:73:33:32:24:442:224:420; !! + ii = V.’ 

While the title sounds like it\s ripped straight out of Grimes album notes (and probably childcare guidance for that matter too), experimental rock connoisseur William Orpen has played another strong note on this release. 

‘X’ (yes I’m being character-count conservative) is dramatic, heavy soundscape fuzz rock that harks back to Sunn 0) levels of gloom – but formed with a much stronger emphasis on musicality. Yes it’s discordant and harsh, but that will strike a weirdly formed chord with lovers of this type of abrasively out-there sound making, 

You can check out ‘X’ on 8udDha bl0od’s Soundcloud account here.

8udDha bl0od – R.:.W7h3n7!ck 1303 (2) 007 UR h.:.!R W0n’7 .:RY 7ill .:.f73R UR higH; 80Y5 ii M!i!n; l37 17 83

https://soundcloud.com/william-orpen/untitled-1303-2?in=william-orpen/sets/may-7h3-47h-69-wi7h-u

8udDha bl0od kicked off the introduction track to their latest album with inventive effects which would give any guitarist pedalboard-envy. The chiming choral guitar progressions make for a trippy start, but from there on out, the epically-lengthed 11-minute instrumental track will take you through a myriad of evolutions.

From No Wave to Old School Punk to Alt Blues Rock, you’ll find plenty of indulgent nuances which will ensure that your attention never falters from the relentless gritty mesmerism which is on offer in R.:.W7h3n7!ck 1303 (2) 007 UR h.:.!R W0n’7 .:RY 7ill .:.f73R UR higH; 80Y5 ii M!i!n; l37 17 83.

The Brighton-based underground artist never disappoints with his tracks, but with R.:.W7h3n7!ck 1303 (2) 007 UR h.:.!R W0n’7 .:RY 7ill .:.f73R UR higH; 80Y5 ii M!i!n; l37 17 83 they provided over 10 minutes of fuzzy captivating catharsis which you’ll definitely want to make a part of your playlists.

You can immerse yourselves in R.:.W7h3n7!ck 1303 (2) 007 UR h.:.!R W0n’7 .:RY 7ill .:.f73R UR higH; 80Y5 ii M!i!n; l37 17 83 by heading over to SoundCloud.

Review by Amelia Vandergast

Winchester 7 and the Runners ‘When the World Stops Spinning’ is a raw burst of frantic lo-fi energy

Just a few seconds in, Atlanta-based outfit Winchester 7 and The Runners invite comparisons to the likes of fuzzed-out-rock icons Jesse Hughes and Kevin Parker with their recently released single ‘When the World Stops Spinning’ – the latter being considerably more apt as there’s only a single frontman to be found here. 

Tried-and-tested-to-success genre hallmarks of sharp, reverbed-out vocals permeate on top of dual-tracked guitars and washed-out cymbals throughout its run. It’s a track that will feel most at home for those looking for a foot-tapping, fuzzy-guitar led sound that wastes little time in explaining what it’s about.  

What most stands out most about ‘When The World Stops Spinning’ is its raw, underproduced, lo-fi energy. It’s simple. It’s fun. It’s loud. And it’s full of gainy harmonics that will tickle the ears of all those who appreciate raw, unpolished fuzz rock without any sense of pretense. 

You can listen to Winchester 7 and the Runners’ ‘When the World Stops Spinning’ over on Spotify now.