‘Memories Made’ is just one of the singles that alt-rock outfit, Smooth Retsina Glow, has toured the US with since making their debut in 2020; with international airplay and 60 shows under their belt, they’re well on their way to shedding their ‘up and coming’ status.
With enough funk to give Nile Rogers a run for his money and sticky-sweet pop sensibilities to the female vocals, Memories Made is a tranquil yet equally enlivening track. There are serious melodic grooves in the rhythm section but with the choppy staccato guitar chords, there’s plenty of upbeat energy pouring from the heart and soul of this nostalgia-inducing track.
You can check out the official video to Memories Made by heading over to YouTube.
As they dodge the sneaky snakes that threaten to bite them on the foot as they walk innocently around to forget this challenging time, The Fiddle Revolt keep their energies constant to remind calm despite the possible venom awaiting on ‘Garden of Eden‘.
The Fiddle Revolt is an experienced Akron, Ohio-based multi-dimensional rock, funk, soul, blues, RnB, pop and reggae band. They make that deeply created vibe that is a throwback to the good days, when the vibe was uplifting and full of only positive music with meaning.
”This song was written as a response to the current state of the world. Through the global pandemic, one very important fact was realized: you don’t get lost time back.” – The Fiddle Revolt
”The members first started playing together as the backing band for a country artist. The band grew tired of being stuck in one genre with one front man. Unable to convince the lead man to allow for more experimental use of their talents, and with their creativity being stifled, the five members decided to leave and form their own band.” – The Fiddle Revolt
‘Garden of Eden‘ from a band that certainly keep it real always and are called The Fiddle Revolt, is a terrific single that is full of catchy solos. strong vocals and raspy riffs, that makes you smile deep inside your tired soul. This is a single to throw on and enjoy – despite the sad tone of losing time due to this disastrous and pesky pandemic – as its unpretentious is a welcome eye-warmer to filter good vibrations into your soul again.
Stream this groovy track on Spotify and see more via their IG adventures.
As he calmly asks her to stay the night so they can listen to each others beating hearts whilst holding hands tightly, Peter J. Adamson is quite flawless on a slow-dance classic new single that will have you smiling cheekily on ‘Lady In My Mind‘.
Peter J. Adamson is a supremely confident and well-dressed RnB/funk/pop singer-songwriter and music producer from the UK. He has that inner swagger that you can’t teach and makes such body-sliding groovy music that everyone can relate to.
This is the romantic story about meeting someone that you feel so happy with — as you have just met but feel like there is an instant connection — which is so rare in this rather strange charger-locked world. You feel the fire burning through your warm vein-awakened body and your excited souls warm up real good. The lighter isn’t needed this time to heat things up, as you both fully get each others vibe.
Featuring top class vocals that are so smoothly shaved and crisply textured like a taste of your favorite beverage after a long day, this is a singer with real lungs on him. The lyrics are simple yet effective, this is a song that you embrace willingly and never feel the urge to skip, even for a second.
‘Lady In My Mind‘ from the UK-based RnB/funk/pop artist Peter J. Adamson, has your attention locked into their clear chemistry, as the shots flow and the happy hearts thirstily link together so sweetly. Sometimes life can really be so simple, if you go with the flow and let things happen naturally.
Listen to this new single on Spotify and see more news on IG.
‘This one goes out to the Fashionistas’….and oh, yes. It most certainly does. With a gloriously old-school drum machine pattern and the most sublime disco-soul groove, ‘Club 69’ instantly transports you back to the height of the 1970’s dance era. Think big hairstyles, big beats, and a big, mirror-ball lit dancefloor; Donna Summer, Anita Ward, Thelma Houston, and Gloria Gaynor are all here in spades. Funky wah-wah guitar, retro-as-anything synth strings, and a bass that literally forces you to dance, Keane really has hit every note – both vocally and metaphorically – absolutely perfectly. There is some serious soul power in her voice, and for sure the track is artfully arranged and put together, but overall – and most importantly – this is one seriously fun record. Get up, get down, and get to ‘Club 69’.
If a career working as a producer, song-writer, arranger, and session man for the likes of Albert King, the Memphis Horns, Wilson Pickett, Boz Skaggs, and Al Green (yep. Read that list again) amongst others isn’t enough for you, let’s add in works on multiple RIAA Certified Gold and Platinum albums, a highly coveted Memphis Blues Foundation ‘Blue Note’ Award, and music licensing to multiple films and TV shows (including ‘House’, ‘C.S.I.’, ‘JAG’, Ally McBeal’, ‘Pulp Fiction’, ‘Munich’, and ‘Mickey Blue Eyes’), and tutoring at the prestigious Berklee College Of Music. That’s one heck of a resume all in itself, except that now, as if by magic, Allen brings us ‘Just Like That’. A mix of Jazz-inspired motifs set over Hip Hop beats and breaks, with – of course – a huge Memphis-inspired feel.
We’ve got old-school TR-808 style electro beats and punching, hard-driven bass, sitting behind some chilled, grooving hip hop-styled vocals, a little funky syncopated guitar fill here and there, and a beautiful piano riff that reprises the Mission Impossible ‘tension’ music, hinting but never quite being a straight lift. The drums and guitar build through the track, until we get proper Stax-style horn fills, a little sax riff here, a clarinet there, building up the track until…too soon…and it’s over. It’s a killer track, all smooth-groove, funky without being over-the-top in that laid-back Al Green/Marvin Gaye kind of way, with a definite jazzy feel but a hugely modern vibe from the beautifully sung, soulful vocal and those Hip-Hop beats. It’s quite simply excellent.
Check out the video for ‘Just Like That’ on YouTube; follow Perry Michael Allen at the Clubhouse on Facebook.
Harry Braswell, Ben Wescott, and Nick Woehrle – aka Harry and the Hootenannies – are all University of South Carolina graduates who met in a bagel shop and – long story short – put together a trio that’s been variously likened to Primus, the Grateful Dead, Rush, and Led Zeppelin. There’s certainly a proggy, psychie, rocky sort of feel to ‘The Scam That Never Ends’, but there’s some serious funk groove too, courtesy of some proper five-string bass grind and jazzy, folk-inspired drums.
‘The Scam That Never Ends’ is upbeat, bouncy, wacky, zany, and disjointed in a totally good way; there’s elements of Fantomas, early Faith No More, and Mr. Bungle in there too, with elements of ska and psychedelia amidst the funk-rock chaos. It’s all damn good fun, with an impressive amount of musical virtuosity and time-signature-changing noise-making (especially for a three piece) on offer here.
70’s Motown, funk, soul, and tinges of early 80’s pop-rock combine on ‘I Did My Best’, the second single from Pat Girondi & The Orphan’s Dream’s fifth album ‘Orphan’s Return’. There’s obvious links to Chic, The Temptations, KC and the Sunshine Band, or the Gap Band, but there’s also that oh-so-cool-again 80’s groove – Scritti Politti, Blow Monkeys, or Curiosity Killed The Cat – that makes it sound totally on point and up-to-date.
Pat Girondi is originally from the South Side of Chicago, and – aside from being an Italian-American singer-songwriter – is also the founder of a Gene Therapy company; the five albums recorded so far by the Orphan’s Dream focus around – as the name suggests – orphan diseases, and around Pat’s fight to cure Thalassemia and Sickle Cell Disease. In ‘I Did My Best’, Girondi tells the story of injustice within the healthcare system, and of over-prescribing and mis-representing patient’s best interests. It’s also a killer little soul/funk/pop tune in its own right, and while the subject matter is serious that doesn’t stop ‘I Did My Best’ being utter fun.
You can hear ‘I Did My Best’, and the rest of the ‘Orphan’s Return’ album, on Spotify. Check out Pat Girondi & The Orphan’s Dream here.
If there is an up and coming pop artist worth paying attention to in 2021, it’s Liverpool-born high-vibe alchemist Biz-ARD. His latest single is a stylish funk-filled invitation to shake off the apathy and to ‘step in the vibe’. You’ll be putty in his hands before the first verse runs through.
With choppy guitars akin to the ones in Bowie’s Let’s Dance paired with Biz-ARD’s indie and post-punk tendencies, The Vibe is accessible from the first hit while still unravelling as a brand-new sonic experience. Mostly because you’ve never encountered an artist like Biz-ZARD before.
To truly appreciate The Vibe, you’ll need to check out the official video that documents Biz-ARD’s greenscreen-enabled globe-hopping and vibe sharing. It is available to view via YouTube.
The Vibe is also available to stream on all major platforms via this link.
Award-winning Yorkshire-based songwriter and composer Diesel Keys is set to scoop up more accolades after releasing his latest jazzy piano pop single, ‘What I’m After’, featuring vocals from Josie Soden.
There’s a grandiose air to the ballad that unravels with intensity while avoiding falling into the realms of theatrical novelty. Josie Soden’s sensual and soulful vocals were the perfect choice to compliment the neo-classic keys that glide through crescendos and sparsely intimate progressions. With the infusion of the horn section, you’ll get to swim amongst the tonal warmth that only Jazz can offer.
It’s a stunning release that sets plenty of anticipation for Diesel Key’s future endeavours and releases.
What I’m After is available to stream and purchase via Bandcamp.
Blackpool-based singer-songwriter and producer Bluebass fed the influence of his hometown into his latest feel-good track, ‘Never Give Up on Your Dreams’. Blackpool isn’t all illuminations and rabid hen parties; it also has an ever-lasting tie to the Northern Soul and Jazz Funk scene which rose from the town’s working-class roots.
With their latest release, Bluebass embraced the old school before contorting familiar grooves into catchy contemporary rhythms that would go down a storm on a dancefloor. Their upraising mix of RnB, pop, funk and soul pulls together to offer all of the aural euphoria that you could ask for.
Never Give Up on Your Dreams is now available to stream via SoundCloud.