Browsing Tag

folk

Grainne Eve paid a poignant homage to Sam Henry with her cover of ‘Maid of Culmore’

Taken from Grainne Eve’s debut album, The Songs of Sam Henry, the standout orchestral folk single, Maid of Culmore, is so much more than a narrative tale; the inexplicably anachronistic arrangement conjures panoramic imagery to ensure you’re not solely looking at a portrait of the lyrical protagonist, you are in the landscape within her, completely abstracted from the 21st century.

The debut LP is just a scratch on the surface of the Portstewart, Northern Ireland-hailing folk singer-songwriter’s lifelong mission to understand and pay homage to the legacy of the folklorist and ballad crafter Sam Henry, who was integral to the preservation of Northern Irish folk tradition. Grainne Eve is currently in the final stages of writing her PhD, which focuses on Henry’s vast folk collection after completing a BA and MA in Music at Newcastle University.

‘The Songs of Sam Henry’ made its official debut on July 8th, 2022, at the Riverside Theatre in Coleraine. The album launch event was graciously introduced by the renowned TV presenter Joe Mahon. It was also presented live on Raidio Failte as part of the Belfast TradFest 2022 and received airplay on BBC Radio Ulster. Notably, ‘The Songs of Sam Henry’ earned a nomination for the NI Music Prize in 2022. Here’s to hoping we hear plenty more from Eve in the not-too-distant future.

Stream Maid of Culmore on Spotify and find out more about the exemplary artist and aural academic by visiting her official website.

Review by Amelia Vandergast

Gain a lesson in virtue with Cagri Raydemir’s Absence of Patience

Taken from the four-track EP, Absence, which extolls the virtues of patience, candour, courtesy and tolerance, the opening single, Absence of Patience, featuring Julian Hesse on trumpet, is some of the Munich-based singer-songwriter and producer, Cagri Raydemir’s finest work to date.

After teasing a post-punk atmosphere in the intro, exotic folk nuances begin to weave their way into the progressively avant-garde production before Cagri Raydemir’s vocals become a magnetic centrepiece in the sonic pool of beguile. Imagine Serj Tankian turning his talents to folkish prog rock, and you will get an idea of the organic alchemy caged within this exemplary feat of artistry.

12 LPs and 7 EPs down, it is safe to say the qualified recording engineer and artist has honed his sound and his ability to bring lyrical concepts which explore the human condition to life within his soundscapes. We can’t wait to hear what he conjures next.

The Absence EP was officially released on October 16th; stream it on Spotify.

Review by Amelia Vandergast

Let the sun hit with Kristen Beckwith’s soul-affirming release, Hawaii

After a three-year break from her music career, the singer, songwriter, musician, and producer Kristen Beckwith signalled her strident return with her open love letter to the Ocean in her Grammy-worthy soul-pop release, Hawaii.

With the autumnal timing of the sun-worshipping single, which carries *all* the mesmerism of Fast Car, the fondness for tropic climates feels a little bitter-sweet, but in the very same vein, it will instil you with the recent nostalgia for memories made before the cold started to creep in. As you listen to the warmth in her radiant vocal and acoustic guitar melodies, anticipate Polaroids from the past few months to flood to the surface of your consciousness.

Hawaii is the first single to be released from Kristen’s sophomore LP, which was penned following the birth of her child. Don’t wait to put mindfulness and living in the moment more on your New Year’s resolutions; start now with the Salt Lake City songstress’ lyrical and rhythmic enlightenment.

Hawaii hit the airwaves on October 20; get your sun and serotonin fix by heading over to SoundCloud.

Review by Amelia Vandergast

TuskHead blurred the boundaries between acoustic pop-punk and folk in ‘Breaking the Man’

The boundaries between Americana, acoustic pop-punk and folk blurred beyond recognition in the rhythmically arresting latest single, Breaking the Man, by the Dutch musician, singer, and songwriter TuskHead.

With the bends of bluegrass weaving around the pull of the percussion, which won’t fail to awaken your rhythmic pulses and the lyrics, which sting with vulnerable volition, Breaking the Man is a hard lyrical pill to swallow, but the upbeat rhythmics take some of the sting from the deeply relatable pensiveness, allowing it to unravel as a cathartic olive branch to anyone unwilling to do the same and make the admission of ‘I’m not alright’.

Asking the time-old question, “how can you love me if I hate myself” and alluding to the fight from within that pills can salve but can’t solve, the heartache with the world is heart-wrenchingly affecting.

Breaking the Man was officially released on October 13th; stream it on Spotify.

Review by Amelia Vandergast

Make your heart at home in Mark Leggett’s Latest LP, Folktown

Folktown by Mark Leggett

After two nominations for the Primetime Emmy Award for his music scores, orchestrating endless film and television OSTs and collaborating with everyone from Werner Herzog to Jason Lee to Kylie Minogue, the LA composer and guitarist and composer, Mark Leggett played by the rules of his own expression in his acoustic Americana LP, Folktown.

The title single is a score of Americana that is almost impossible to form an objective view of. The emotion he pulls from the fingerpicked notes overwhelms every conceivable sense as you’re drawn into the sonorous intricacies of the loose and rickety yet tightly profound progressions. That contradiction is only the start of the alchemy that awaits you within his latest album.

Words were surplus to requirement when the fretwork painted such an evocative panoramic picture that lets you feel the humbling bitter-sweet breeze of bluegrass from wherever this masterpiece of an album finds you in the world.

Stream and purchase Folktown on Bandcamp and Apple Music.

Review by Amelia Vandergast

Sadness plays the blues in the latest folk composition by Italian virtuoso, Stefano Manotti

A cosmically arcane air breezes right through the latest folk single from the Italian singer, songwriter, composer and guitarist Stefano Manotti. He may be only a few years on from the release of his Soulgem Records-distributed debut single, but he is already making major waves in the industry by climbing the charts and supporting internationally acclaimed artists.

The amorous melancholy that lingers in his vocal lines as they drift above the folky instrumental arrangement in Endless Road, which paints a panoramic picture of estrangement and wantonness for connection, invites you into an intimately electrifying and orchestrally ornate world. Sonically visualising the middle ground between Bowie & Tom Waits while orchestrating an exemplary manifestation of Italian folk, Manotti’s sound couldn’t be more refined in this odyssey of folk blues.

Endless Road is now available to stream on Spotify.

Review by Amelia Vandergast

Sinéad Ann has released her spiritually spectral alt-indie-folk single, Four Walls

If any Irish folk artist has what it takes to surpass the fame of Glen Hansard in 2023, it is Sinéad Ann with her spectrally spiritual single, Four Walls, which haunts the middle ground between indie rock and alt-folk.

With vocals that command in the same celestially raw vein as Dolores O’Riordan and chamber strings aiding the depiction of the clash between our mortality and spirit, Four Walls makes no apology as it visualises the maleficence of our shadow selves.

Rather than painting the picture of incandescent innocence, Sinéad Ann elevated the murder-folk subgenre with her confession of nightmarish visions before taking her listeners to a place of enlightenment following the vanquishment of her demons. You couldn’t ask for a more scintillating narration of the triumph of good over evil. It definitively proves that nothing concerning the soul is ever black and white, crimson always has a part to play; it runs in our veins and has a role to play in redemption, whether that plays out in our shadow minds or in reality.

With more music in the baroque pipelines, any folk fans partial to expositions of the darker sides of the human condition will want to be part of the breakthrough artist’s ascent.

Stream Four Walls on Spotify now.

Review by Amelia Vandergast

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast

Rossa Murray & the blowin’ winds will warmly render your heartstrings raw with ‘Who Really Wants to Get Clean’

Rossa Murray & the blowin' winds

The hype around the Irish alt-folk/rock outfit, Rossa Murray & the blowin’ winds, may be louder than the melancholic quiescence in the title single from their latest EP, but the accolades are far from hyperbolic.

Who Really Wants to Get Clean is a cutting- with razor-sharp precision – exposition on society’s issues around addiction; so much pressure is put upon the people numbing themselves by any means necessary to change, while the societal issues that make it a necessity for so many get ambivalently swept under the rug.

I can’t even remember the last time a track hit me this hard. The evocative delivery, the desperation in the vignette, the agony that lingers in the tempo of the minor keys, the profoundness in the strings, it all synthesises into a tear-jerking performance that leaves you in a sombre state of contemplation.

Fans of Bill Ryder-Jones and Frightened Rabbit won’t be able to tear themselves away from the Rossa Murray & the blowin’ winds’ discography after Who Really Wants to Get Clean has warmly rendered their hearts raw.

The Who Really Wants to Get Clean – Part 2 EP will officially release on September 29th. Stream it on all major platforms via this link.

Review by Amelia Vandergast

Oliver James Brooks synthesised contemporary sickness with the fever of the 70s in ‘Technologically Stoned.

https://bit.ly/OJB-TechnologicallyStoned-Video

To hold a mirror to the dystopic sickness of the day, the critically acclaimed Toronto singer-songwriter, Oliver James Brooks, lyrically narrated our iPhone co-dependency issues in stark contrast to the 70s fever of psych-folk timbres with his alt-folk-rock single, Technologically Stoned.

Illuminating the reality of the evolution of technology which is spurring the regression of society while orchestrating a lava lamp warm soundscape that consoles through the dusky hues couldn’t have been an easy feat; the resolving raconteur succeeded nonetheless.

The accompanying music video, shot on super 8mm film along the Humber River Valley, also acts as a compelling visual exposition of how the chokehold of our phones is blinding us to the natural beauty that is everywhere we turn. If any single is going to convince you to get your dopamine fix in a more organic way, it is Technologically Stoned; the organic and raw production leads by efficacious example.

Technologically Stoned was officially released on September 22; it will also feature in the artist’s third studio LP, A Little Long While, which will be available to stream on all major platforms from November 24.

Watch the official music video for Technologically Stone on YouTube now.

Review by Amelia Vandergast