Browsing Tag

edm

Dark Euphoria Reigns in Tamta’s ‘THE VILLAIN HEROINE’ Electronica LP

To describe Tamta as a queer icon would be doing her a disservice; she razes every industry she touches and never fails to make an impression. While some artists strive to be forces to be reckoned with, she’s an electronic icon worth getting on your knees for; the vanilla-minded probably won’t want to imagine what carnal urges she sparks at her residency in SMUT and Berghain.

While there’s no disputing there’s a razor edge to her sound, it doesn’t falter in accessibility; anyone can submerge themselves in the synthesis of dark magnetism and pulsating euphoria that flows through THE VILLAIN HEROINE, a record dripping in international (sex) appeal.

Her ability to breed escapism into her mixes results in transcendence spilling through your speakers, while the live experience leaves those surrendering their body beat to a nirvana of 8-bit-esque EDM. The sonic palette is laced with pop hooks, industrial attitude, and the sense that pleasure always wins over restraint.

Whether she’s packing out Pride stages to 80,000 in Barcelona and Madrid, turning X Factor into her playground in Greece and Georgia, or stealing fashion spotlights for Vogue, Mugler, or Marie Claire, Tamta proves herself as a cultural catalyst. With over 250 million streams and a habit of selling out her headline shows, this is an artist who doesn’t pander to expectation. She creates the night, owns it, and leaves the sunrise waiting.

THE VILLAIN HEROINE is now available on all major streaming platforms, including Spotify. 

– Review by Amelia Vandergast

Rick Holden Poured Grief Into Progressive House in the Celestial Lament See Your Soul Again

Rick Holden set the bar for emotive EDM production sky-high with See Your Soul Again, a progressive house elegy that drapes sentiment over a four-to-the-floor pulse until it splits open with catharsis. Built in memory of his father, the track doesn’t shy away from the jagged edges of loss; instead, it channels them into a euphorically heart-bruising experience that proves Holden’s ability to stir far more than dancefloor ecstasy.

While the beat propels the body, it’s the purity-bleeding female vocals that direct the emotional voltage. With crystalline clarity, they reach beyond the clouds and into the quiet corners where grief keeps its secrets. Lyrically, Holden doesn’t crowd the space; instead, he lets the weight of the words and the swell of cinematic textures strike with precision. It’s ambient house stretched to its most human limit, with melodies that feel pulled from the same place as the memory of someone you’re not ready to stop loving.

Originally from Droylsden, Manchester, Holden first began composing on a Commodore 64 before evolving into a producer who scored the official theme for Manchester’s 2025 Eurovision party, Manchagen. With See Your Soul Again, he swaps out the superficial for the soul-bearing and reminds listeners that dance music can move more than limbs; it can bring ghosts into the light, if only for a few sacred minutes.

See Your Soul Again is now available on all major streaming platforms, including YouTube. 

Review by Amelia Vandergast

Nabi Awada Transformed Club Voltage into Cultural Commentary in ‘Run It Up’

Nabi Awada effortlessly ran up the streams with his massive debut single that boasts a production so indomitable, it leaves little space in the genre for any fresh contender. Run It Up throws down arena-ready hip-hop with unapologetic intensity. Between the throbbing EDM basslines that shake adrenaline into the foundation and his voracious vocal presence, it swallows you whole and spits out any inferior earworms before the chorus even lands.

If Run It Up dropped in a club, the dancefloor would be pushed to rhythmic fervour by the strobing synthetics that slam provocative momentum into every beat. Awada knew exactly what he was doing. Every element amplifies the aural hype until it amalgamates into an EDM hip-hop juggernaut that even Chase & Status would be forced to respect.

Born in Beirut and raised in the shadows of war, Awada arrived with more than bars. After scaling a $100M business, he stepped into the booth not for accolades but to architect a legacy. There’s no label push here, just calculated execution, elite storytelling and cinematic trap sonics sharp enough to cut through anything dull in the charts.

His sound fuses club energy with cultural commentary. His bars hold weight because they come from survival, not spectacle. Run It Up doesn’t just reflect a come-up — it is one, with every line a testament to grit, ambition and generational intention.

Run It Up is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Damon Fletcher Powered Up Electro Pop Liberation in the Euphoric Dance Anthem ‘I Let It Go’

With a slamming four-to-the-floor beat and euphoric pop vocals that bleed zeal over the kinetic energy of the dance-pop melodies, I Let It Go goes beyond preaching the sanctity of a free heart, mind and soul. Damon Fletcher gave his audience the momentum to push their lives to the heights he hit with this electro-pop earworm, which renders progressive house pop into the anthemics while never letting classic pop songwriting slip. Once you hear it, you’ll know your summer pop playlists won’t be the same without it.

The beat strikes with purpose, the hooks hit with intent, and through it all, Fletcher reminds his listeners what it means to embrace freedom without fear. His flair for cinematic visuals was just as present in this release, which follows the viral music videos that first saw him go viral with Hustle with a Purpose during lockdown. Even then, while the world stalled, he didn’t.

Born almost blind, and undeterred by a global shutdown, Fletcher launched his career with contactless DIY videos that set the standard for pandemic-era creativity. 2 Miles gave him a vehicle for his worldview; Ready proved he could go the full distance. Now with I Let It Go, Fletcher is riding that same ambition but with more force, clarity, and polish than ever before.

The hype surrounding him never came from gimmicks or luck. It stemmed from resilience, vision, and a refusal to move without passion. That energy is baked into I Let It Go – and you can feel every beat of it.

I Let It Go is now available to stream on all major platforms; for the full experience, stream the official music video on YouTube.

Review by Amelia Vandergast.

Rick Holden Bound Devotion in a Sonic Halo in the Vocal Trance Anthem ‘You Are the One’

When it comes to sonic embodiments of the resolute nature of unconditional love, they don’t come much more rapturous than Rick Holden’s latest single, You Are the One. The oscillations of pure impassion, the transcendent tones visualising the cathartic sanctity of soul-deep affection, the vocals soaring beyond the confines of material reality and the lyrics with no sense of pretence all contribute to an affecting floor-filling anthem while becoming so much more than the sum of its parts. Sweat deserves to drip over this fervent earworm throughout the summer.

With his latest single, the Manchester-based trance producer Rick Holden channelled nostalgia into a visceral manifestation of early 2000s Clubland euphoria. Built from the bones of old-school trance and polished in modern sheen, the independently released track harnesses the exact kind of emotion most producers would struggle to translate through a DAW. Using Vital synths to sculpt the spectral timbres and sealing the soundscape in Audacity, Holden engineered a clean yet explosive hit, laced with ethereal synthwork and pulsing beats that beg for movement.

The roots of his sound stretch back to the ‘90s, cutting his teeth on Commodore 64 and Amiga software before sharpening his melodic instincts with a Roland XP50 and Cubase. Now, he filters decades of underground dancefloor magic through a refined sonic lens that refuses to dilute the emotion at its core.

You Are the One is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast.

Viresha Found Rhythm in Transcendence with Her Organic Tech House Debut, Flow of Life

Viresha

Hit play and permit the augmentations of transcendent spirituality to slam and spiral through your speakers as the synthesis of organic house and techno in Viresha’s debut, Flow of Life awakens the senses. Like a tribal calling to the dancefloor, the instrumental radio edit of Flow of Life delivers exactly what it says on the tin—encapsulating what it means to be human in the tension and catharsis of the progressions, which seamlessly shift as a tribute to the trials we face and the sanctuaries we can lead ourselves to if we ebb to the flow of life.

Viresha—the moniker chosen by Swedish producer, DJ, and breast cancer survivor Anna—channelled her invincible strength into every beat of her self-written and self-produced debut. Drawing from years behind the decks and deep immersion in vinyl and radio culture, she’s carved out a sound steeped in tribal, Latino, afro, melodic tech, and downtempo roots. Her style doesn’t borrow; it builds. There’s structure in the sonic chaos, purpose in the propulsion, and emotion that doesn’t just flirt with the surface but cuts clean through it.

From her past to her pulse-raising future—including her forthcoming attendance at Tomorrowland Academy—Viresha is proof that it’s never too late to create something worth dancing to—debuts rarely come as strong as this fierce rhythmic reckoning.

Flow of Life is now available to stream on all major platforms via this link.

Review by Amelia Vandergast.

Whit2Boi’s Progressive House KPop Earworm, ‘Set the Vive’, Pulses Through the Cracks of Reality

Whit2Boi

Whit2Boi threw out the rulebook to make room for an innovative recalibration of electronic music with his KPop-laced house anthem Set the Vive, featuring the exhilarating vocal presence of Estelle. While Western EDM producers cling to worn-out formulas, Whit2Boi architects an entirely different experience—one that abstracts your senses from material reality and relocates you into the textural transcendence of his sound.

Set the Vive is a slamming EDM house release that hypersonically injects euphoria into every drop. The builds, however, are where Whit2Boi’s signature hits hardest. Meditative textures ripple through the structure with spiritual and naturalistic ambience, dialling back the intensity just long enough to let the anticipation simmer into something more divine than mechanical.

Where other artists are happy to build club tracks for disposable escapism, Set the Vive constructs a world beyond imagination and delivers you straight into it. This isn’t an anthem for losing yourself on the dancefloor. It’s full-body escapism from an artist who understands how to make the synthetic feel sentient.

Discover Whit2Boi on SoundCloud. 

Review by Amelia Vandergast

L33A.P Drops a Sugar-Rush of Club Nostalgia with D10R2004

L33A.P knows exactly how to tap into nostalgia without letting it weigh down the present. D10R2004 is a shot of Y2K club euphoria, drenched in bouncy house beats, 80s synth stabs, and 8-bit melodies that feel like a lost ringtone from a Motorola Razr in the best possible way. It’s twee, it’s polyphonic, and it’s a feel-good anthem that refuses to apologise for revelling in the hyper-feminine aesthetics that pop culture loves to dismiss.

The London-based, NY-born producer, DJ, and multi-instrumentalist wears her influences on her sleeve, fusing the pulse of UK dance music with the playfulness of early 00s Eurodance. The autotuned vocals glide through the mix with an artful duress, bending and warping like an overworked CD skipping in a neon-lit club basement. There’s no self-conscious posturing here—just an artist celebrating what she loves with unapologetic confidence.

That refusal to conform isn’t limited to D10R2004. L33A.P has been busy remixing Everything is Romantic by Charli XCX with jungle-fuelled chaos and putting her own stamp on the Twin Peaks theme with a pumpin’ organ house spin. She isn’t chasing trends; she’s building soundscapes where retro-futurism collides with personal expression, and D10R2004 is the perfect entry point. It’s music for the dancefloor, the dressing room, the night bus home—wherever you need a dose of unfiltered fun.

Stream D10R2004 on SoundCloud now.

Review by Amelia Vandergast

Obsidian Cane & Gizella Turn Sonic Synthetics into a Soulful Inferno of Avant-Garde Transcendence in ‘Never Change’

Drum & Bass rarely carries this much ethereal weight, but Obsidian Cane and Gizella aren’t in the business of serving up the expected. Their latest single, Never Change, released on Reset Records UK, finds the perfect median between visceral energy and spectral serenity, where the frantic percussion doesn’t just drive the track—it elevates the transcendental vocal harmonies into another stratosphere.

With a three-octave range that has been flexed across genres from UK Garage to Dubstep, Gizella pours a lifetime of versatility into this track, mirroring the sonic unpredictability of Obsidian Cane’s production. As harp-esque motifs shimmer through the mix, the composition pivots between the frenetic and the meditative, creating a push-pull dynamic that never loses momentum. The pairing may seem unlikely on paper—Gizella’s vocals carry the grace of classical technique with a touch of Bjork, while Obsidian Cane’s foundations lie in electronic intensity—but together, they craft a sound that is electrifyingly human.

Their creative chemistry is no fluke. After years of producing music for major labels and television, Obsidian Cane was ready to walk away from the industry, only to be drawn back in by the digital age’s independent revolution. A chance connection led him to Gizella, who unknowingly auditioned while cycling through London, singing as she rode. That serendipitous meeting now fuels a collaboration that doesn’t adhere to trend cycles or genre limitations. Never Change is proof that electronic music doesn’t have to be detached—it can pulse with soul, speak to the subconscious, and command movement all at once.

The Club and Radio mixes of Never Change are out now on all major streaming platforms, including Spotify. Find other ways to listen and connect with Obsidian Cane via this link.

Review by Amelia Vandergast

A Liminal Light: Laurent Iacomucci’s Entrancing EDM score, ‘Monsters’, Defies the Darkness

Laurent Iacomucci

From the first tentatively diaphanous chords in Laurent Iacomucci’s entrancing EDM score, Monsters, you’re submerged into reflective submission. When the ethereal vocals enter and bleed even more emotion into the evocatively structured arrangement, your soul would have to be defunct not to feel the weight of the release, which lightens with the first iridescent build in the EDM pop production.

By choosing nuance over extremes, Laurent Iacomucci visualises the concept that we’re all trailed by shadows which haunt us, but what truly matters is whether we accept them and confront them instead of living a life of introspective persecution.

As the first single from the Luxembourg-based artist and producer’s debut LP, Chasing Monsters, ‘Monsters’ sets the tone for a collection of tracks that explores the universality of the struggles we face, the shadows we chase, and the hope that keeps us moving forward.

The emotional potency in ‘Monsters’ resonates through the subtle ebb and flow of the melodic transitions, making it impossible to ignore the confessional quality that underpins each verse and build.

Monsters will be available to stream on all major platforms from January 31st. Find your preferred way to listen via this link.

Follow Laurent Iacomucci on Instagram to stay up to date with all their latest releases.

Review by Amelia Vandergast